Illustrated by Renato Guttuso (Italian edition, 1966)
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@ueinra
Illustrated by Renato Guttuso (Italian edition, 1966)
HAPPY LATE BARRICADE DAY!!

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Every time I see book covers made with AI images or movie posters:
Since when did Marius have a mustache? I donât remember anything about it! several illustrated editions gave him one.
I know illustrations might not be entirely accurate many times but likeâŠWHY? It doesn't even suit him.
I wish I could annotate a physical book for ONCE. Ah I know how exciting it would be but all my books are either valuable old editions that I treasure or special new onesâŠmost of the time I save my money for a nicer edition and stick to reading digitally on my iPad cuz it makes reading easier than carrying a physical book.
The cover of this edition of Les Misérables on Amazon always looked familiar to me and it turns out I had seen it before in one of my art books!
Itâs the 1892 poster âAmbassadeurs: Aristide Bruantâ by Henri de Toulouse-Lautrec.

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For the longest time I wanted a book about historical costumes and I finally got one! I honestly didnât do much research and just went with what I found so I hope itâs a good one.
Iâm so excited cuz Iâve always loved seeing traditional clothing in movies, series, illustrated books, and especially DOLLS!!! even if theyâre not very accurate most of the time and sometimes even controversial but theyâve still helped my interest grow over time.
This is âThe Complete Costume Historyâ by Auguste Racinet, a 2019 TASCHEN reprint with color illustrations. It was originally published in France between 1876 and 1888.
Imagine the mayor himself showing up on an exhausting day just to make a whole drama over nettlesâŠwhat a day, huh.
As a fan of fighting games I was excited for it but all it did was humble me cuz I have no idea how to play itâŠ
Like how am I supposed to win if he keeps throwing a WHOLE BARRICADE at me?????!!!!!!
Okay thatâs funny but I actually finished the game! Itâs too short.
I tried several characters and the only one that actually felt playable to me was this character called JUDGEMENT, who isnât even in the bookâŠLove the plot twist.
Bonus:
The effort put into the characters design and animation in general deserves more love, theyâre the best part!
As a fan of fighting games I was excited for it but all it did was humble me cuz I have no idea how to play itâŠ
Like how am I supposed to win if he keeps throwing a WHOLE BARRICADE at me?????!!!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
POV: Youâre a 19th century Italian child reading Pinocchio.
My nightmare in every edition is Hugoâs face everywhereâŠHE IS WATCHING ME.
Every childrenâs edition of Les MisĂ©rables I have so far!
The best one without a doubt is the Lit For Little Hands, itâs the most children's book for Les Mis that I really feel kids will love and enjoy it.
The least one despite how much I love it, is the GĂ©rard Dubois edition. The colors are dark and the art style kind of gives off haunted dolls vibesâŠso yeah idk.
I realized now they're all either in English or French. I don't have an Italian oneâŠI don't even remember ever seeing an Italian edition of Les Mis for children before? Huh that'll be my next homework I guess.
Anyway, I love seeing creativity in children's books for classic works in a fun and enjoyable way as possible! I have always believed that making childrenâs books is a difficult job and requires a person full of creativity. the effort really shows in the beautiful illustrations, fun ideas, and how well they turn long books into short, engaging ones. I truly appreciate all of this.
The cover of this 1949 french children edition is so pleasing to me!
Give it to him? NOT GIVE IT TO HIM. but Give it to him? NOT GIVE IT TO HIM. but Give it to him? NOT GIVE IT TO HIM.

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Illustrated by Ămile Bayard (1862) â Illustrated by Carlo Chiostri (1930)
I love how itâs obvious that Carlo Chiostri took inspiration from Ămile Bayardâs illustration for Les Amis and yet he went âNaaah this isnât the Greek-statue-looking Enjolras that Hugo talks aboutâ and gave everyone hair.
They're so proud about it that they put it in the musical theatre book? I'm done with this crap.