Mike Hadreas for The New Yorker, September 2014 Photograph by Pari Dukovic

compare + contrast for the style con: series 12 “the decorating book” by mary gilliatt (1981) x alek wek in “champ de couleur” by jean-baptiste mondino (1997)

Joe Leavenworth

Petra Collins and Tavi Gevinson for Rookie, October 2011 (x,x)

'cause this is torturous electricity between the both of us and this is dangerous ‘cause i want you so much but i hate your guts, i hate you

"corporate identity" by reto schmid for masses magazine

champagne for breakfast | jennifer pugh by kimberley gordon for fete champetre ss 14

Jenny Fax SS14

the bass on the cassette rip sounds wayy better than the web version

Shifting between auto-eroticism and material fetish, ‘sim/stim’ proposes a cargo cult of sensual nano-alchemy. It celebrates temporary mummification of the body by engaging in an erotic relationship with shape changing clouds of synthetic material. Touching on the topics of body enhancement and death through preservation, sexual attraction is being conserved in floating silicone bubbles; flesh is suspended in ersatz aspic, comparable to an ‘inverse boob job’.