The group of typefaces selected for the serif are all strong. By this I mean that each typeface can hold on it’s own and each typeface has it’s unique qualities and connotations. I choose the Play Fair Display because it comes across as a very classic typeface that maybe could be seen in a newspaper or novel setting. Then, I choose the Abril Fatface type because it has a more elaborate style to it and is more theatrical. It is a typeface that would be in a title or used for headers within a text. Last, the typeface Dubiel is a refined and elegant serif. This kind of type is suitable for a simple and/or formal use.
Overall, these three typefaces for serifs are a solid selection because of the versatility of each type as well as that they can be used independently for each stands out of the page. Additionally, they would be a formidable choice in a wide range of medias. Thus, this is the reason I believe each typeface can be used interchangeably and still hold up it’s own in being a strong typeface.
Now, on to the collection of sans serifs. These typefaces are distinct and playful compared to the common text with Times New Roman font. The first font on the list is Amaranth. This particular font is full of energy but in grounded because of it’s thick stroke. Then the second typeface on the list is Existence Light. Now, this typeface is very different because of it’s very think strokes. It could be used in very specific settings and definitely should be used more so as a showcase font. Third on the list is sensation, this typeface is modernistic and has great appeal in the white spaces it possess. Furthermore, this type has a geometrical flare to it which is interesting.
In summary, these typefaces are individualistic especially when placed with each other. The purpose behind the context is diverse and a designer could really have fun  with playing around with these typefaces. There by, this is why I selected these typefaces because of their specific looks and range.
The next selection of typefaces are slab serifs of which are intense and purposeful. The first, slab serif being Alfa Slab which is a extremely dark with heavy strokes. Similarly, to previous typefaces this slab could be used for a title or significant information within a text. Then. moving on to the type face tulip. This is in contrast to the first but it a very thin stroke and tall font. This font is more elegant even though it’s a slab and gives off a more formal tone. Last but not least, Bio Rhyme. This font has a lot of movement and lively look to it.
This trio is an assortment of styles and variance in stroke. Typeface to typeface there is sense of notable style. These typefaces are not typically seen as often as regular serifs, so they have a striking effect to them.
On to the second last group of typefaces; handwriting. This collection of typefaces resemble the personal look of hand written writing and each gives of different personalities because of this. The Harabara Hand typeface is mimicking the style of a somewhat dry paint brush and the “ink” looks like it bled out slightly. The Great Vibes text is free flowing a creates a open and friendly look in text. It really stands out because there is contrast between the thin to thick strokes. The final typeface Learning Curve is very clean and precise. This type would be suited to something that need to resemble perfection or mature but personal subject matter.
All in all, these handwriting based typefaces were selected because of their personable qualities and smooth use of line. They could to add to any design in a way that most fonts can’t communicate.
Now, the final typeface group are categorized as decorative and display. Starting with Regina Black, this font is fairly strong in shape and stroke. It is former a font that should only be used with little text but it does really stand out and grabs attention easily. Next is BOSTON TRAFFIC which is a graffiti/stencil styled typeface. I found this font to bring a more gritty but almost youthful energy to it. This could be used to promote different things in a city or in a poster for a alternative band of some sort. And finally, the last typeface being Deftone Stylus. This font is old fashioned in style but gives a retro connotation.
In conclusion, these set of typefaces are visually intriguing and are certainly decorative and evidently more elaborate in style. This is a set of type that really has a “voice” of it’s own, for the type inspires the possible content itself. The use of this type would done with little need to build off of because the type stands already as a element that doesn’t need more to grab attention.
