Roses From the Front Wall, Llwynhir by Diana Maxwell Armfield (English, 1920 - present)

Love Begins
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YOU ARE THE REASON

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Jules of Nature
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EXPECTATIONS
he wasn't even looking at me and he found me
Not today Justin

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Roses From the Front Wall, Llwynhir by Diana Maxwell Armfield (English, 1920 - present)

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Thierry Mugler a/w 84
An Gyungsu (안경수) - Cave, 2010 [Acrylic on canvas]
Nature morte au flambeau du trésor de l'ordre du Saint-Esprit, gemmes et crucifix, 1889 by Blaise Alexandre Desgoffe (French, 1830–1901)

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Naomi Campbell in 2007*:・゚✧*
2022 plans
I barely talk to anyone anymore so if i talk to you congrats

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Women’s Graphics Collective, Abortion is a personal decision not a legal debate, Chicago, IL, 1969-1970s [Center for the Study of Political Graphics (CSPG), Culver City, CA]. Plus: Posters designed by the Chicago Women’s Graphics Collective at the Center for the Study of Political Graphics (CSPG) / at the Oakland Museum of California, Oakland, CA. Plus: Chicago Women’s Graphics Collective by Estelle Carol, Chicago Women’s Liberation Union (CWLU) Herstory Project. Plus: The Chicago Women’s Graphics Collective: A Memoir by Estelle Carol, «Feminist Studies», Vol. 44, No. 1 (2018), pp. 104-124. Plus: Interview with Estelle Carol, co-founder of the Chicago Women’s Graphics Collective, Never The Same, 2012
Keep reading
From: Alfred Hickethier, Le Cube des Couleurs, Dessain et Tolra, Paris, 1973
(via Micah Lexier, plus typoswiss)
With everyone
Summer, 1929. Leo John Meissner. Woodcut
“DREAM: XXVI – THE ETERNAL EYE” GRETE STERN // circa 1951 [gelatin silver print | 22 × 22 cm.]

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Takamoro Ayanokouji: Home Delux (2001)
𝚃. 𝚂. 𝙴𝚕𝚒𝚘𝚝, 𝚃𝚑𝚎 𝙻𝚘𝚟𝚎 𝚂𝚘𝚗𝚐 𝚘𝚏 𝙹. 𝙰𝚕𝚏𝚛𝚎𝚍 𝙿𝚛𝚞𝚏𝚛𝚘𝚌𝚔 (𝟷𝟿𝟷𝟻)