Art by the father of analytical psychology, C.G. Jung.

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Art by the father of analytical psychology, C.G. Jung.

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In his book “Beauty: The Invisible Embrace,” John O’Donohue wrote:
May the beauty of your life become more visible to you, that you may glimpse your wild divinity.
May the wonders of the earth call you forth from all your small, secret prisons and set your feet free in the pastures of possibilities.
May the light of dawn anoint your eyes that you may behold what a miracle a day is.
May the liturgy of twilight shelter all your fears and darkness within the circle of ease.
May the angel of memory surprise you in bleak times with new gifts from the harvest of your vanished days.
May you allow no dark hand to quench the candle of hope in your heart.
May you discover a new generosity towards yourself, and encourage yourself to engage your life as a great adventure.
May the outside voices of fear and despair find no echo in you.
May you always trust the urgency and wisdom of your own spirit.
May the shelter and nourishment of all the good you have done, the love you have shown, the suffering you have carried, awaken around you to bless your life a thousand times.
And when love finds the path to your door, may you open like the earth to the dawn, and trust your every hidden color towards its nourishment of light.
May you find enough stillness and silence to savor the kiss of God on your soul and delight in the eternity that shaped you, that holds you and calls you.
And may you know that despite confusion, anxiety and emptiness, your name is written in Heaven.
And may you come to see your life as a quiet sacrament of service, which awakens around you a rhythm where doubt gives way to the grace of wonder, where what is awkward and strained can find elegance, and where crippled hope can find wings, and torment enter at last unto the grace of serenity.
May Divine Beauty bless you.
The labyrinth is used in psychology because it is symbolic of the brain, as well as the psychological networking of the mind. (See The Search for the Beloved by Jean Houston.) The center of the labyrinth corresponds to the secret Ajna or Eye, the Third Eye or Pineal Gland, itself named after the spiralic interlocking pine cone. When this eye is opened the fractal interlocking labyrinth of conscious and subconscious minds can be more easily seen. 666 is the INFINITE LABYRINTH OF THE MIND which folds back in on itself as it extends into the spheres beyond the physical body constituting the ‘I’-EGO STRANGE-LOOP, (See I Am A Strange Loop by Douglas Hofstadter.) the re-incarnating lion-serpent ego ever extenuating itself from its contents as distinguished, although that which is distinguishing is essentially a non-physical energetic impulse itself between and infusing the seeming subject and object, the ELECTRIC charge between the + and - poles of every relationship, each of which loop into positives and negatives ad infinitum. The Labyrinth is then symbolic of the Strange-loop ‘O’ Gate, synonymous with the 107 ‘Egg’ shaped gate that is the eye of the Ajna, the pineal gland, associated with the philosopher’s stone or the stone of THE AKASHA, the substance of ULLAM, 'Consciousness’, or THOUGHT. The O Gate generates the manifestation of formations much as the vibrations of sound create the cymatical formations, and since THE LABYRINTH SYMBOLIZES THE WAY, the Way (LAM, THE WAY = 107) is THE WAY OF SILENCE which unlocks the Key of the O, the Gate beyond the Space-time Strange-loop. The common psycho-labyrinth depicted throughout the ages of the world and across the globe are generally composed of 7 primary levels leading to a central 8th. The piece in which the phrase 'all the world’s a stage’ mentions 7 stages of life, and there are 7 main chakras which together form the Auric Egg, symbolized by the 8, ∞, or O (the toroidal hiranyagarbha, or 'universal gem’; The Philosopher’s Stone/Holy Grail/Golden Flower/'Soul’). It is also related to the design of the Tesla coil and the magnetic field. The MINOTAUR is the Man-Beast who, to transcend THE WALLS of THE FALSE REALITY of THE BRAIN & MIND must go within the QLIPHOTHIC TUNNELS of THE DARK DOORWAY OF THE BEAST to transcend his lower nature and become A MASTER MASON. 777 veils THE MASTER MASON DEGREE, the MANIFESTER number above the beast number of 666. Being 111 above 666, and The Dark Doorway of the Beast, 777 symbolizes the transcendence of egoic matter via the (meta)physics of Light. In the book The Dark Doorway of the Beast (pg. 53), the author says that: “Within the book 777, compiled by Aleister Crowley are lists of Associated Grouping, that have become part of the Astral realms available for global access, by those persons deliberately seeking to investigate the Labyrinth of their own minds. It demonstrates the underlying congruity of images, which although appearing in the many shapes and forms are representative of the same force. Their outwardly differing appearance is usually attributed to their differing cultural heritage… The book, 777, acts merely as a finite aid, in order to classify the many points of dissension. Perhaps by presenting an alien image in an acceptable vehicle, by cross referencing it to the cultural background of the individual concerned.” Later, he mentions the Minotaur along with Associative Grouping as being relevant to the usage of Sigils. Via Kari Davis
“That’s why the Pyramids are much more interesting to me than Stonehenge. A pyramid is a structure with an opening to an event outside. The light enters down the shaft only once a year and lights a figure of one of the pharaohs full on. Stonehenge is like siting stones; that is, you stand in it and you site the external events. In Egyptian structures, phenomena enter the space and actually make a lighting event inside. That space is sensitive to events from places outside itself and when an event occurs outside that you want inside, it enters the space and does something. It’s the camera obscura. In a way, the camera is the room and that’s really a sensitive space. Bunker architecture also is sensitive because this space contains an opening to look out to or to deal with the events, and then there’s a space inside.”
— James Turrell
A standalone object, no matter how well designed, has limited potential for new weirdness. A connected object, one that is a node in a network that interacts in some way with other nodes, can give birth to a hundred unique relationships that it never could do while unconnected. Out of this tangle of possible links come myriad new niches for innovations and interactions.
Kevin Kelly (via inthenoosphere)

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Simulacra and Simulation by LimbicSplitter
“We have to create culture, don’t watch TV, don’t read magazines, don’t even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you’re worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you’re giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told ‘no’, we’re unimportant, we’re peripheral. ‘Get a degree, get a job, get a this, get a that.’ And then you’re a player, you don’t want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that’s being manufactured out of the bones of a dying world.”
― Terence McKenna
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There are eyes everywhere. No blind spot left. What shall we dream of when everything becomes visible? We’ll dream of being blind.
Paul Virilio (via inthenoosphere)
Occult art by Marjorie Cameron (1922-1995).

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When atoms are travelling straight down through empty space by their own weight, at quite indeterminate times and places, they swerve ever so little from their course, just so much that you would call it a change of direction. If it were not for this swerve, everything would fall downwards through the abyss of space. No collision would take place and no impact of atom on atom would be created. This nature would never have created anything.
Lucretius (via inthenoosphere)
Dark, surrealistic drawings and paintings by Santiago Caruso
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In the Park with my photo filterz
Crystals series in Cinema 4D. Pyramid Power.

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Made in Processing.
Dinos at the Santa Cruz Boardwalk Arcade.