A New Method of Macarony Making, as Practised at Boston
David Claypoole Johnston American Printer Pendleton's Lithography American 1830
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A New Method of Macarony Making, as Practised at Boston
David Claypoole Johnston American Printer Pendleton's Lithography American 1830

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The Taking of Major AndrĂŠ by the Incorruptible Paulding, Williams and Vanvert
Publisher T. W. Freeman American July 4, 1812
The Battle at Bunker's Hill (June 17, 1775)
Engraver Joseph Napoleon Gimbrede American After John Trumbull American Subject Joseph Warren American 1840â77
The Saturday Evening Post 1934-07-07
Cover art by J.C. Leyendecker
The Colonies Reduced; Its Companion, designed and engraved for The Political Register
December 1768

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Fourth of July, United States, from the Holidays series (N80) for Duke brand cigarettes
Issued by W. Duke, Sons & Co. American Lithography by George S. Harris & Sons American 1890
"Trade cards from the "Holidays" series (N88), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes. The series depicts citizens from various countries in traditional dress celebrating local holidays. Each card verso contains the title of the series, a description of the particular holiday and its history, as well as an ad for W. Duke, Sons & Co. Tobacco producers Goodwin & Co. also published this series with brand advertising for Old Judge and Dog's Head Cigarettes."
Good Housekeeping 1911-07
The Reply: A Complimentory [sic] Hieroglyphic Epistle from the Honorable Henry Laurens to Lord George Gordon
Author Henry Laurens American Illustrator Anonymous, British, 18th century British 1781
"This satire takes the form of a rebus letter written by Henry Laurens (1724-1792), a native of Charleston, South Carolina, sent as ambassador to the Netherlands by the Continental Congress. He was captured en route in 1779, off Newfoundland, tried for treason, thrown overboard then recovered. On October 6, 1781 became the first and only American ever imprisoned in the Tower of London, released on December 31 in exchange for Lord Cornwallis following the latter's surrender at Yorktown."
Military ensemble
American 1776â83
"According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoulders of the jacket. The phrase on the medallion of the bicorne, "E Pluribus Unum" (translated as "Out of Many, One") was submitted by the committee Congress as part of a design for the seal for the United States of America in 1776, which, upon revisions, was passed as the official seal in 1782. The phrase was considered the motto of the United States until 1956 when it was replaced with the motto, "In God We Trust.""
George Washington
Rembrandt Peale American ca. 1846
"When he was eighteen, Rembrandt Peale painted a portrait of Washington from life in the presence of his father, Charles Willson Peale. During the remainder of his career, Rembrandt demonstrated a near obsession with Washington and replicated this famous portrait seventy-nine times. The stone oval derives from the seventeenth-century European fashion for tromp l'oeil stone casements, a format Peale may have observed during periods of study in Europe."

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George Washington
John Rogers American 1875
"With the nationâs approaching centennial, the market-savvy Rogers began modeling a statuette of George Washington (1732-1799) in spring 1875. The careful detailing of Washington's garb suggests the artist made use of the many drawings he executed in 1871 and 1872 in preparation for the unrealized group, âCamp Fires of the Revolution.â In pose, costume, and likeness, Rogersâs âWashingtonâ owes much to Jean Antoine Houdon's marble statue of Washington (ca. 1788-91) that was installed in the Virginia State House in Richmond in 1796. "Washington" was patented on October 19, 1875, and was included in the large display of Rogersâs work at the Philadelphia Centennial Exhibition. The statuette, devoid of Rogersâs customary narrative detail, did not sell well and was dropped from his catalogue of available statuary by 1888."
The Closet
Anonymous, British, 18th century British Publisher John Williams British January 28, 1778
"Six scenes that comment on the American Revolution appear here in different compartments. The imagery suggests that tyranny, military failures and atrocities have resulted from the influence on George III of his ministers John Stuart, the Earl of Bute, Lord Mansfield and Lord Germain."
Washington, Crossing the DelawareâOn the Evening of Dec. 25th 1776, previous to the Battle of Trenton.
Publisher Currier & Ives American After John Cameron American, born Scotland Sitter George Washington American 1876
Washington at Valley ForgeâDecember 1777â8
Lithographed and Published by Nathaniel Currier American Sitter George Washington American 1846â56
"Scene from the American Revolution. George Washington rests a hand on a cannon. Behind Washington troops travel across the snowy landscape and at right a group of soldiers gather around a campfire."
The RescueâSergeants Newton and Jasper of Marion's Brigade, rescuing American prisoners from a British guard, who had stacked their muskets while resting near a spring, South Carolina, 1779.
Publisher Currier & Ives American 1876

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Camp of Captain Hoff, Rear View, Gettysburg, Pennsylvania
William Morris Smith July 1865
The Saturday Evening Post 1937-07-03
Cover art by J.C. Leyendecker