Étienne-Jules Marey
DEAR READER

Discoholic 🪩

JBB: An Artblog!
cherry valley forever
ojovivo
I'd rather be in outer space 🛸
we're not kids anymore.
AnasAbdin
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE
almost home

Origami Around

dirt enthusiast
Alisa U Zemlji Chuda

Janaina Medeiros
styofa doing anything
Sweet Seals For You, Always

Kaledo Art
seen from United States

seen from Germany
seen from Estonia
seen from United States
seen from United States
seen from Australia
seen from United States

seen from France
seen from Poland
seen from United States
seen from United States
seen from Jordan
seen from Jordan

seen from United States
seen from Latvia
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seen from United States
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seen from Malaysia
@transfusable
Étienne-Jules Marey

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Jenny Holzer
You can watch the realtime version here: https://youtu.be/jn6N3TkluVc
Jasmin Chair by Elspeth Diederix / The Giant’s Chair by Henry Bruce / Chair by Alicia Adamerovich / Subject, Object, Abject by Jaime Pitarch / Rocking Chair by Hans Christian Andersen / Sissi by Tetê Knecht
rebecca horn, “the feathered prison fan” 1978

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especially re: eating up savings:
"The less you eat, drink and read books; the less you go to the theatre, the dance hall, the public-house; the less you think, love, theorize, paint, sing, fence, etc., the more you save—the greater becomes your treasure which neither moths nor dust will devour—your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life—the greater is the store of your estranged being.
Karl Marx, Economic and Philosophic Manuscripts of 1844
Tape measure, late 1700s-early 1800s.
Really love the persistent desire in the past for everything to be an object of craft. If it’s important and you’re going to use it, it may as well be beautiful.
Takako Kimura, Bear, Celestial Sphere, 2009

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Protector 1, Mulberry silk, merino wool, laser print image on silk, 2017-2020
News From Home 1977, dir. Chantal Akerman.
Southern Comfort (2001)
A beautiful scene featuring transgender man Robert Eades and his transgender girlfriend Lola.
[TRANSCRIPT:
Robert: – and now she’s coming out, full blown… she is something else.
Lola: Oh, please, stop it.
Robert: What? I’m just telling her how wonderful you are, and how beautiful, and how organised, and…
Lola: Actually, you know, I really should put all of this on tape, you know? For when I’m not feeling so great.
Robert: Sweetheart, it is on tape.
[BOTH LAUGH]
Robert: Just in the last couple of months now, it’s come on real strong, but she just really blushes! I can get her to blush all the way from head to toe. See? And she can’t deal with it! She’s never blushed like that before!
Lola: [SIGHS]
[BOTH LAUGH]
Robert: All my life, I’ve been looking for the perfect woman… and all this time, she’s been right there in front of me, and I didn’t even realise it, ‘cause I never thought I’d have a chance with her.
Lola: Why? You’re like… completely loveable.
Robert: To be loved by you, that’s… that’s…
Lola: I had no notion, to think that we would have this little fling.
Robert: That’s what I feel - we have this nice friendship, we can’t go out, we have fun together, we got no entanglements and stuff and then - bam! Just… all of a sudden, next thing I know, we’re in love with each other and we can’t stop it.
END TRANSCRIPT]
Trans love is amazing
CARRIE (1976) dir. Brian De Palma

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Richard Foster, The Foster House, Wilton, Connecticut, 1967
Kate Bush in Tokyo, Japan. 1978 (Koh Hasebe/Shinko Music/Getty Images)