The Small Matter of Divinity by @coffeetailor /coffeetailor
The story was done. Binghe and Shen-bro were off on their honeymoon, Mobei-Jun was finally the actual king of the Northern Desert, they'd had their big fight and actually made some progress, and Shang Qinghua had even been allowed back into the sect. So happily ever after, right? At least, if survival and paperwork counted as happy. Then what was this shit?! Being in some rip-off 'Honey I shrunk the Cultivator' fanfiction wasn't part of the deal!
In other words, Shang Qinghua, the great master Airplane Shooting Into the Sky, overworked and underappreciated god of this universe, accidentally accepts an optional quest with no cancel option and ends up even shorter than usual. Wasn't his life dangerous enough as it was?
I made this copy as a gift for my friend @kaleidoscope-draws for a little gift exchange last year as she made me some BEAUTIFUL ART!!! PAINTED ON A CANVAS. I might just expire. Thank you friend for always being eager to chat about svsss, I appreciate you a WHOLE BUNCH. This copy is a bit different to the copy I made for @coffeetailor that FINALLY ARRIVED!! Woohoo! I hope you enjoy your book, coffee <3
This was my first set of silk endbands after buying the Entire tire silk collection from Japan. I think this means I can sew endbands for the next 100 years. I had some fun using minimal colours for this bind as I wanted the Wintry mountains piece by Gong Xian to shine as the chapter headers art. Plus I really love a cheeky peek of colour used in a bind lol.
Thank you to coffeetailor for having an open fanbinding policy, and for writing such a fun fun fic <3
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A post-WW2, mermaid!Cody AU, and featuring art by @shukruut on the dust jacket and for each of the title pages which is absolutely stunning!
For this bind I finally got to pull out *two* of my marbled papers from izumin marbling, the stone wave pattern on the front and the bright marble on the inside for the endpapers, paired with duo oatmeal bookcloth. I pulled colors from the endpapers into the french double core endbands as well. Edges painted in "cloisonne orange."
for each of the three parts in this bind, I used a @shukruut artwork, and pulled a color from that art to set the chapter headers and one of the sea-creature drawings in as an accent on the summary page.
(I also found a very silly little fish as a paragraph break ^)
the combo of script font (Trafton Script) and art-deco-ish font (Onyx) is directly inspired by a 1940s yearbook on the site Fonts In Use. The script + serif font combo was very popular for this time period. Nautical paragraph breaks, chapter headers, and summary page illustrations are from Heritage Library's free public domain collection.
(I have hit the picture limit so on to the next reblog!)
The Small Matter of Divinity by @coffeetailor /coffeetailor
The story was done. Binghe and Shen-bro were off on their honeymoon, Mobei-Jun was finally the actual king of the Northern Desert, they'd had their big fight and actually made some progress, and Shang Qinghua had even been allowed back into the sect. So happily ever after, right? At least, if survival and paperwork counted as happy. Then what was this shit?! Being in some rip-off 'Honey I shrunk the Cultivator' fanfiction wasn't part of the deal!
In other words, Shang Qinghua, the great master Airplane Shooting Into the Sky, overworked and underappreciated god of this universe, accidentally accepts an optional quest with no cancel option and ends up even shorter than usual. Wasn't his life dangerous enough as it was?
I made this copy as a gift for my friend @kaleidoscope-draws for a little gift exchange last year as she made me some BEAUTIFUL ART!!! PAINTED ON A CANVAS. I might just expire. Thank you friend for always being eager to chat about svsss, I appreciate you a WHOLE BUNCH. This copy is a bit different to the copy I made for @coffeetailor that FINALLY ARRIVED!! Woohoo! I hope you enjoy your book, coffee <3
This was my first set of silk endbands after buying the Entire tire silk collection from Japan. I think this means I can sew endbands for the next 100 years. I had some fun using minimal colours for this bind as I wanted the Wintry mountains piece by Gong Xian to shine as the chapter headers art. Plus I really love a cheeky peek of colour used in a bind lol.
Thank you to coffeetailor for having an open fanbinding policy, and for writing such a fun fun fic <3
AHH!! im so excited that this project is finally in the author's hands. it was my pleasure to bind @jaebirdpikeri's endlessly fun tsukasen fic craving to touch (with art by the extremely talented @north-sta). this was one of the first tsukasen fics i read in the fandom and ive been drafting (and re-drafting and re-re-drafting) designs since last summer--the author requested a celestial-themed bind and i had to deliver. im so pleased with the results :3
this bind went through a few different iterations--i got almost through the case drafting stage and literally the night before i was planning to start making cutouts in my boards i woke up at like 3AM and completely changed the entire design. it switched everything from a mostly full-cloth bind with a few minor details to a faux three-piece bradel (flatback) with bunch of moving parts, but it was totally worth it in the end.
the is fabric, mulberry, and lokta layered across 20pt, 50pt, and 70pt board with HTV titling and accents. there was a minor issue with the cover titling disappearing into the background but i went over it a second time in white slightly off-center to create a sort of drop shadow effect with the gold and i think it turned out really lovely.
the edges are hand-mixed speckled blue metallic paint and gold calligraphy ink with a 4mm gold silk bookmark, 10k gold clasp, and celestial charm. i sewed 2-thread, single-core medieval style endbands as usual, and the blue thread is a close match to the thread used to sew the textblock together.
the typset for this one was particularly fun. i found a bunch of different starmaps from the 1600-1800s and used them to accent the different chapter pages. there are nine total, each rotated three times across 23 chapters and the title page, showing the both the progression of time and tsukasen's relationship throughout the story. i also included ursa major/minor and orion constellation accents on empty rectos because i felt those were fitting for the characters.
here are a few additional typeset samples! and shoutout as always to my friends for listening to me lament about one thing or another on voicechat or in person--this time mostly about math, haha. until the next one!
A Treatise on Breaking and Repairs by @glimmerglanger
this bind has been in development hell for some time, but I've decided it's met my proof of concept so here it is!
for this bind i used a lovely typeset by @finalfrontierpublishing .
this is a three piece in-boards bradel, with a leather spine. cover is inlaid with a second bookcloth, and the edges/cracks were painted red oxide acrylic, then water gilded with brass leaf for the kintsugi effect (I painted so many layers, it was damn near the whole real lacquer process). I didn't get a perfect finish, but I'm happy enough with it! edges are black ink with a single line of gold that matches the gold thread in the endband; the gold line is also the point where the story switches from "breaking" to "repairs" which is also shown by the art change in nic's typeset. some people might recognize this double core gradient endband from my binderary class this year, as i used it to teach the class.
so when i say this involved a lot of time, i mean I painted probably 10+ layers of acrylic over these bookcloth edges and sometimes sanded it back down to get a reasonably smooth raised surface for gilding (multiple layer of lacquer (and bole? maybe) are how actual kintsugi is done, though with much higher precision, and it's not usually a raised finish afaik).
and then applied brass leaf (i was at a friend's apt that day and did not have my bamboo tweezers so... bamboo chopsticks)
the leather spine involved some paring practice
and also figuring out that my first attempt to gild the leather section was going to tarnish, scraping all that back off, and going over it again with the acrylic first, then the leaf, then sealing it with dosabiki.
the gilding i did for this book is pretty cobbled together I think; i used the red acrylic to replace more authentic red bole, and then used an Italian water size to affix the brass leaf (water gilding style); and then finally pulled out the Japanese dosabiki to re-size the end result, which is common in japanese gilding to prevent tarnishing. the one part I might probably have screwed up is I'm not certain if I let the water size cure long enough before I applied the brass leaf; when I tried to burnish the leaf a little, it rubbed off instead. So somewhere in there I didn't give it enough time to dry.
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Finished binding a positively delightful, smutty and devastating fic Praeteritum Memorias by smoace_shipper; it's been one on my list to bind for a while, and well pleased to have finally gotten around to it. The cover paper I actually had bought a few years ago, it was a matching pair of one white and one red swirls, and in seeing them immediately knew I wanted to use it for a smoker/ace fanfic; I actually cut with an x-acto knife the separate papers to form the interlocking of the fire/smoke, which can be seen below, with the fic information
Praeteritum Memorias by Smoace-shipper (E, 43k)
Ace never had an island on the grand line that he so vehemently hated. It almost reached the levels of hatred that he held for Loguetown when he held up a child that looked too much like his lover. Everything down to the hair, the scowl, the eyes, hell even the name matched. He understood the Grand Line was a crazy place but this was easily top 5 of creepy island.
Now his question was how the hell was he going to get his Smoker back if he was stuck with this shrimp that barely reached up to his hips? Would he even get to see Smoker again?
So it’s been awhile since I’ve bound anything, but when I read the Cursed Amulet Story by @sunderwight, I was like, I gotta make an actual, physical evil amulet now. Except the evil amulet is also going to be a book. And the book is like a diary by the guy trapped in the amulet.
The book is held in the brass frame (also made by yours truly) by friction; it pops out super easily so you can read it but it’s not going to fall out accidentally.
The typeset fit into exactly one piece of normal 8.5x11 printer paper, and if anyone else wants the file to make their own evil amulet, I’m happy to share.
i did a thing!!! fanbinding of @parkersgeorg's incredible scum villain fic, airplane view of the self, which is one of my favourite svsss fics (for good reason).
overall i'm pretty happy with how this turned out--the red endpapers are extremely vibrant IRL (and ties in with [spoiler] at the end!) and provide a nice contrast to the dark blue cover paper (moshang colours!). this is also the first time i've tried a ribbon bookmark and!! it works! i can indeed mark my pages!
the chapter headers were both fun and a beast to figure out--i used a stock image of pixels and then dragged it all the way to the end of the page, and then when i trimmed the pages before binding i cut off all the white space the printer left around it to make it look like it had printed right up to the edge :') the page dividers are willow leaves, as a play off of (spoiler) liu qingge's name.
and yes, i did go through and manually typeset every single time that the system talked (there are twelve fonts used in this typeset including the default text font, lol. thank you fontspace). i would also just like to clarify that in the digital version, all the pixels and system talk is a bright cyan:
i just unfortunately do not have access to a colour printer :')
I bound a little copy of The Witch's Cat by Champagne / @temporalreplicsimile! The story was the perfect opportunity to try my first buttonhole binding and I love the result. It's such a fun structure!
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Transmigrating into the stallion novel he hates most is bad enough, but why did it have to be into the body of one of the protagonist's wives? Shen Yuan spends exactly two months dealing with harem intrigues, sullen maids and his husband utterly ignoring him before he decides to go on an extended holiday. Very extended. Surely no one will care if he just forgets about being married and becomes a cultivator, right?
I made this book for @waterloggedowl for the @renegadeguild annual exchange! It was very fun getting to return to Scum Villain fandom for this! When I started fanbinding I was deep in danmei fandoms, but I've been off in Star Wars for the last few years.
I was blessed to be able to use the chapter art by @sunshine-dies . Their work is on the dust jacket, and I got to do a couple of fun spreads like these.
Beneath the dust jacket the book is bound in colibri bookcloth, with crepaldi marble paper inset for the fan and foiled with silver.
The same marbled paper is also the endpapers! I diverged from the standard SY color scheme here for two reasons: 1) sunshine-dies' art is in a lovely blue hue, and 2) Shen Yuan is never Shen Qingqiu in this fic, so a color change in the theme feels appropriate. The endbands are done in my asymmetrical style to match, and I painted the edge a polarized blue on black.
Back to the inside - since LBH is the emperor in this fic and inner court drama plays a large role, I created a vector pattern based on one of the wood lattice screen designs in the Forbidden City. More traditionally speaking this would be within a rectangular frame, but I kinda like the rough edges.
Whether you are new to the world of bookbinding, or an aged veteran, join us for a month of binding fun! This event is all about community and learning, be it trying something new or refining existing skills.
No Registration Required!
Simply attend any or all of these workshops at your leisure.
All workshops will be hosted on Zoom. Zoom links will be provided in the Renegade Discord. A discord link is provided on the about page of our website.
Only five distinct ones this year, due to the move. But! I tried two new styles. I gave the chevron endband a go (bottom left) and also did a couple of true double cores (two on the bottom right). I think those ones turned out pretty well. I used a 0.5 mm plastic cord for the secondary core, which made it about the same size as the wrapped threads. I think it kept the end result from overwhelming the book.
Happy holidays & a wonderful new year to everyone!
hokay so. a while back I was thinking about how Turnabout’s Fair Prey is basically only still accessible because us sickos just keep passing around the direct link. and then I thought, I wonder if I could archive it physically? and then things, uh, got away from me.
This is an 84-page quarto letter (4¼" × 5½", trimmed to 4⅛" × 5¼") sewn boards binding. The cover is cut from cardstock & backed with silver lokta paper. I used spray adhesive because I was afraid to brush glue over all my fiddly little lines. The backing process worked great but the cut is a bit rough. I wouldn’t use a plotter to cut something this small and detailed from cardstock again, even with a 60° carbide blade. Next time: laser.
I adapted the Twine game format to the Choose Your Own Adventure format by just tagging all the links with page numbers. Links with expandable text moved to footnotes (sometimes nested footnotes). The body typeface is Warnock Caption and the display / superscript typeface is Titillium Web.
it is illustrated, because all good CYOAs are illustrated, and I did end up doing five even though I said I was going to stop at three. The full set can be seen here (not safe for work or tumblr).
98% of my involvement in the book arts is the sawbones rebinding I do for work, which mostly involves cursing the names of several major publishing imprints. it’s nice to do something where I have control over the structure for once!
...I made seven of them.
obviously i can’t keep a heretical number of books on hand, so if you want a hard copy of the paracanonical dubcon bodyswap CYOA, and you’re comfortable giving me a (USA) address, shoot me a message here on [tumblr]. I will mail one to you. Please be legally an adult and not deathly allergic to cats (mine got into the bookcloth).
@a-voltage files for u and anyone else who wants to print and bind your own
you can work up a text block for any construction, but for anyone newer to the handbinding game, these are the resources I find most helpful for the particular construction I used:
Sewn Boards Tutorial by lowmountain
Variations on the Drum Leaf and Sewn Boards Bindings by Karen Hanmer
The Sewn Boards Binding by Gary Frost
Sewn Board Binding Part 1 (Part 2, Part 3) by DAS Bookbinding
i was sketching the fits on my phone and i was like wow... these outfits have a whole different vibe on normal porportions
i respect that yoy give your little guys crocs, but in my heart of hearts, MBJ wears socks and sandals to the beach. I gave him high socks here but sandals were non-negotiable. I also took some creative liberties on the fit bc I could Not make it look good with the triangles. its very cute on the chibi tho.
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This photo set has been dubbed "Carmilla Goes to the Beach" by my lovely photographer cait while @whimsyquill and I were the interns holding up a sheet.
These were made as a matching set gift for my lovely binding friends emma, cait, sleepy, TT and @whimsyquill for our little meet up. Hope you enjoy the little manda books friends!!
I had fun doing the design on these ones, so there is a little droplet of marbled paper blood on the front cover, a spot of red in the white endbands, and Carmilla's name is red throughout the text, hehehe. I enjoy a solid vampire theme.
"The flame cast strange shadows on his face and made the Dark Mark dance on his pale skin. It had been ten years since he’d last seen Draco Malfoy."
It's hard to believe that I started working on the typeset for this bind in October of last year. Nearly eleven months later, I have finally managed to bring my vision to life.
This bind has a foiled cover and spine, hand sewn silk endbands, and edges that have been painted and gauffered. It also includes my first attempt at a hollow.
You can find more pictures and information about my process under the cut.
***this fic is an unfinished WIP on Ao3***
For the cover and spine, I recreated Albert Angus Turbayne's design for the Macmillan Peacock Series (1896).
Macmillan reused this cover for multiple titles over the course of several years. From what I can tell, it was initially created for the works of Thomas Love Peacock. If you look at the left corner by the edge of the peacock's tail feather, you can see Turbayne's unique signature.
Choosing this cover locked me into an 1890s Art Nouveau theme for the typeset, and I spent a considerable amount of time tracking down potential chapter headers that harmonized visually.
Peacocks are a distinctive motif in this fic, and I tried to choose images that matched the individual tones of each act. I represented Harry's presence with warm browns, yellows, and oranges, and Edwin Selwyn's with imposing blues and blacks.
A full list of the artists used in my typeset can be found at the bottom of this post.
Predictably, everything that could go wrong with this bind did go wrong. I botched the rounding and backing on my first textblock, and had to reprint it. It also took me a long time to find endpapers that could play nicely with the yellows, blues, and browns. Luckily, Jemma Lewis had exactly what I needed!
I had never sanded or painted the edges of a book before, so I spent several weeks practicing on scrap textblocks while I waited for my brass tool to arrive. None of this would have been possible without the incredible tutorials made by @copticcowgirl and @duran-binding. Their guidance (along with @pleasantboatpress!) helped me figure out a method that worked for me. Duran Binding even sent me some pages about gauffering from a book she had!
Unfortunately, I lost my goddamn mind when I started trying to figure out the gauffering.
There aren't any comprehensive gauffering tutorials online, and the information about it is scant. I had to piece together my method from stray book pages, stalked instagram comments, and weeks upon weeks of trial and error. Heating the tool correctly was far more difficult than I anticipated, and I didn't have a proper finishing stove, so I just stuck it in the flame of my gas stove (thanks to @pleasantboatpress for the heating advice!). Even more difficult was figuring out the correct amount of pressure to put down without burning my foil or edges. Pictured above is the cardstock grid I made to ensure my lines were even.
I also couldn't fit my textblock in my guillotine, so it took me roughly 5 hours of sanding per edge to get the mirror finish I needed. I didn't want to give myself carpal tunnel, so I limited myself to 1-2 hours of sanding per day. Each edge took me a full week to complete. In total, my edge decoration journey took me about three months.
So please, LOOK AT THEM! LOOK! MY BLOOD, SWEAT, AND TEARS!
DOES MY AGONY PLEASE YOU?
I was also too chickenshit to try gauffering on my good textblock without testing, so I also finished two edges on my reject. I also tested my endbands on it. I will probably finish it when I'm feeling less raw.
Unfortunately, gauffering was only the beginning of my suffering. The file for the cover was a challenge to create and adapt. I knew that it was a bit of a pipe dream, and I knew that it would be hard on my machine. I usually do a series of cardstock tests while refining my files before I commit to bookcloth. It proved to be too much for my Cameo 4, and it started gouging my foil and paper after completing a few runs of the cover.
After two weeks of troubleshooting and emailing support, I accepted that my Cameo 4 was dead. Queue a month of depression, and some of the greatest frustration I've ever experienced with a project. I eventually sucked it up and bought a Cameo 5, and had to do extensive testing to figure out the best settings for their native heat pen system.
These are the vast majority of my cover tests (most of them are double sided). Foiling the cover took 12.5 nail biting hours, but my Cameo 5 finally pulled through! Hooray! I love you Cameo 5! Please don't die on me! There was one odd area that refused to foil, so I cracked open my old WRMK pen and filled it in by hand. Pro tip: separate every design element in as many layers as possible so you can double up on foil and redo problem areas easily.
After this, everything began to move along quite quickly.
@copticcowgirl convinced me to put a hollow on my book, and sent me some absolutely incredible notes and videos to help me along! She was also incredibly gracious when I barged into her DMs wailing about millimeter and half millimeter increments, and gently guided me towards the finish line. So much of this bind would not have been possible without her!
Mummifying the hollow was my favorite part, and I really do believe that it helps my book open beautifully. After that, it was a small matter of casing in, and I was free from my seemingly eternal torment!
I would also like to extend my thanks to @tsurashi-bindery, who has been by my side every step of the way. She is the world's best tie breaker, and she patted me on the back every time I told her that I was really, truly, totally going to quit binding for real this time. Her aesthetic sense is fantastic, and she spent hours helping me pick, edit, and arrange my photos. Thank you for being my cheerleader. <3
I also genuinely appreciate everyone that reached out to me on Insta and Discord while I was posting WIPs- your encouragement truly kept me going!
I will likely be posting a gauffering video at some point when I have the time. I don't currently have any plans to share the typeset unless the fic is completed, but you're welcome to DM me.
If you've read this far you're a superstar! This fic is incredibly close to my heart, and I'm relieved that I was able to properly express how I feel about it through this bind. Here's hoping my next project is a bit shorter!
Art credits:
Cover: Macmillan Peacock Series, Albert Angus Turbayne (1896)
Title: Untitled book plate, Alfred Petrasch (1857-1910)
Act I title: Macmillan’s Illustrated Standard Novels, Albert Turbayne (1896)
Act I chapter: Cigales et lis, paons et cytise, bordures, M. P. Verneuil (1897)
Act II title: Charles Scribner’s Sons the Modern Poster, Will H. Bradley (1895)
Act II chapter: Kunst en Samenleving, G.W. Dijsselhof (1893)
Act III title: Bradley, His Book, Will H. Bradley (1896)
Act III chapter: Poissons et algues, coq, écoinçon; paons et vigne; lièvres, chiens et ronces, bordure, M. P. Verneuil (1897)
Dinkus: Fonderie Typographique Française: Caractères et vignettes bois (1922)
Act ender: Combinaisons ornementales, M. P. Verneuil (1901)