tonia papanikolaou

Εξοχική κατοικία

front view

Συμμετοχή σε πανελλήνιο αρχιτεκτονικό διαγωνισμό

Διοργάνωση: Δήμος Λαρισαίων

Αρχιτεκτονική μελέτη: Τώνια Παπανικολάου, Εύη Μπαλογιάννη

2014

SCHOOL OF DIALOGUE ROOMS

Swiss Paviliion 14th Venice Biennale of Architecture

HANS URLICH ORBIST / curator LORENZA BARONCELLI / scentific director

INSTEAD Postgraduate Program Department of Architecture University of Thessaly

ARISTIDE ANTONAS / editor ROSS EXO ADAMS / intervention ELENI BONI VASSILIKI CHATZIKOUTOULI VASSILIKI FARMAKI ARCHONTI IOANNOU IOANNIS KARRAS GIORGOS KOSTIS ANTONIA PAPANIKOLAOU IOANNA PINIARA STAVROULA PSOMIADI KONSTANTINOS STEFANIDIS CHARA STERGIOU GEORGIA VLASSI

07/2014

location of site: Galini, Larisa, Greece

client: private

program: single family house

project team: Tonia Papanikolaou

sustainable design: Evi Balogianni

urban refurbishment in the city centre of Thessaloniki

National Architectural Competition entry organization: Greek Ministry of Environment, Energy and Climatic Change

location: Thessaloniki, Greece, 2012 architects: Tonia Papanikolaou, Evi Balogianni transport planning: Giorgos Emmanouilidis landscape planning: Ira Antonopoulou MEP Design: Serafeim Moustakidis

jewellery and accessories from scarfs to iphone cases

made of wool and knitted by toPa team

100% handmade with love and affection

New logo design and business card design for a glass construction company.

A renovation of the company's image, after moving their display store to a new premise.

The color used  for the logo, resembles the color of thick glass while transparency is also introduced.

paper: white and light grey matt aquarela 220grs

2012

for a psychologist specialized in children’s behavior 

2012

Diploma Project. 2010

6th European Biennale of Landscape architecture, October 2010, Barcelona, Spain Awarded at WA Awards 20+10+X, 7th cycle, www.worldarchitecture.org

project team: Tonia Papanikolaou, Evi Balogianni

The program is developed along with the movements within the site and includes the installation of distributed volumes as well as their interconneccion and the surrounding urban lanscape. The existing pending walls act as actractors for the building volumes and therefore form the geometry of this proposal.

Central de Diseño, Matadero, Madrid, May 2011. IKEA & ETSAM (Pedro Feduchi) team: Carlos Solé, Sreeraj Rajendra Prakash, Tonia Papanikolaou, David Casino (and Mar Garrido, Gonzalo del Val , Gonzalo Gutierrez, Alba Balmaseda and Bernardo Angelini) The objective was to create a habitable enviroment, inside a 2,4x2,4 m cube, with the use of IKEA products and a budget of 600 euros.We chose the FNISS paper bin, as an object with transparency and we illuminate it from the inside. The bin is multiplicated 157 times inside the cube, creating a curved surface that provokes the sense of a protected enviroment. The mirrors on both sides of the cube create the effect of the multiplication of space to infinity. The swing invites the user to sit and experience.

*Awarded a Mention from the CATEDRA CERÁMICA, directed by Jesús Aparicio Guisado, under the theme ‘la casa soñada con celosia ceramica’.

project team: Ana Ascic, Tonia Papanikolaou, Eugenio Pandonfini, Ricardo Montoro Coso

The project was a study about the construction of a dream house, a ceramic fog that creates unique conditions for living in. Movement is what creates space. http://vimeo.com/31427536

project team: Tonia Papanikolaou/Evi Balogianni The new use of the building needs to be compatible with the today’s new version of the region, Ladadika in Thessaloniki, and therefore the program includes a photography workshop, exhibition hall and a cafeteria. The goal was to create a form that avoids any comparison to the old one, while drawing the visitor’s attention and stressing its historic nature. Both new and existing buildings are organised around a central public space in the sense of an arcade developed in height.

Constructed during the EASA assembly between 1 and 16 August 2010 in Manchester by the project team itself and the most valuable help of 25 architecture students. By September 2010 the fifth floor of Hope Mill was fully functionable and all the studios had been rented to mancunian artists. http://www.awol-studios.co.uk/studios project team: Alison Katri, Christina Kontana, Tonia Papanikolaou, Christina Tsakiri The project is situated in the fifth floor of an old cotton factory in the suburbs of Manchester. The key feature of the proposal is the flexibility of the studios in order to adjust to the users’ needs for space, communication and privacy. To achieve this, we use convertible plasterboard panels and wooden, sliding doors. All these elements are low in height, maintaining the feeling of a large unified space. A sculptural element runs through the space in a continuous flow forming the kitchen, sitting places and show room for the exhibitions. In that way the communal spaces are unified not only visually but also functionally in order to increase social interaction. The floor is also equipped with a room large enough to house the woodturners’ and print makers’ tools and machinery, and a dark room for the photographers. The storage room situated alongside the main elevator, has sliding walls in order to facilitate the access of large objects.