almost home
JVL
"I'm Dorothy Gale from Kansas"
Kiana Khansmith
trying on a metaphor
pixel skylines
Mike Driver
he wasn't even looking at me and he found me
izzy's playlists!
occasionally subtle
★
YOU ARE THE REASON
祝日 / Permanent Vacation
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Stranger Things
Peter Solarz
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@tomareedocumentary-blog
The main theme for Tomaree. I have composed this after visiting Mount Tomaree for a scout. The landscape has inspired me to write this original piece. Note that the strings volumes ‘undulate’ like rolling hills and mountains. There is also flute arpeggios to emulate a bird’s tweeting. Timpani rolls further build upon the soundscape by acting as crashing waves and the roar of wind.
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An ambience backing track for the documentary I have composed. It’s mood could be described as “melancholy” in that it evokes emotions with no particular reason for feeling moody/sad. I love using such emotional score with beautiful shots of scenery as it feels like nature itself evokes a sense of melancholy. Watching mountains, sitting at a beach, in open green fields with storm clouds above, these grand scenic locations all evoke a sense of loneliness. I have tried to capture that sentiment in the score.
For the first time, trekkers in Port Stephens can explore deeper into Tomaree Mountain's war history.
Lizzie Wylie - Producer/Assistant Director of Photography
I’m here to make sure we can actually produce what we want to do. This involves solving internal conflict, last minute disasters, technical difficulties, lots of paperwork. In addition to this, I will be managing the production and post-production process to ensure that we will achieve the director’s and our coherent creative vision.
On the side of this I will be assisting the cinematographer in establishing and blocking shots, and attending any technical assistance they may require.
This is an exciting journey to be a part of.
(via https://www.youtube.com/watch?v=LTvFsTbyILg)
Lizzie Wylie - Producer/Assistant Cinematographer
This video demonstrates potential shots that can be done with a drone. Potential hazards does include trees and the coastal waters, so shots will have to be carefully planned.
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Rules regarding the use of Drones in national parks
(via https://www.youtube.com/watch?v=VytlRdQ-i1M)
Lizzie Wylie - Producer/Assistant Cinematographer
Lachlan Carney - Director
Here are some examples of media we could use which corresponds with our proof of concept for ‘Tomaree: A Historic Summit’
Soundscape Examples:
Birds Chirping -
https://www.youtube.com/watch?v=teXK2kOCkU8
Lightning Strike and Thunder -
https://www.youtube.com/watch?v=6_39wbGIJ_I
Didgeridoo -
https://www.youtube.com/watch?v=ykV0hx65HJM
Effect Examples:
History Timeline -
https://www.youtube.com/watch?v=O0LpfDnoOMA
Parallax of 2D images to 3D -
https://www.youtube.com/watch?v=OFmp-A0Wakg
Harry Keating - Director of Photography
As the director of photography, it is my role to execute on the vision of the director. It’s important that myself and Lachlan develop a strong understanding of what we wish to achieve visually and aesthetically.
We’ve discussed the fact that we want to emphasise the scenic and panoramic qualities of Mt. Tomaree. The location is very visually appealing and sparks immediate inspiration and ideas. We want to capture the scale and scenic beauty of the location, whilst simultaneously serving the story. Tomaree National Park has a very rich history, and it’s our objective to tell those stories in a coherent and striking way.
Dunkirk (2017) dir. Christopher Nolan
Hoyte van Hoytema’s work on Dunkirk
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scenic af
capturing the vastness of the landscape
Lachlan Carney - Director
Drawing on some of the more advanced Documentaries and Films such as Leonardo DiCaprio’s Documentary ‘Before The Flood’, Brain Cox’s Documentary ‘The Wonders of the Universe’ and Alejandro González Iñárritu’s drama/thriller film ‘The Revenant’ I intend to emulate a similar style as my approach to tackle this documentary assignment. The cinematography, camera movements, sound design and effects/transitions used within these film’s are a notable inspiration for how I intend for ‘Tomaree: A Historical Summit’ to turn out. Basic structure of these documentaries and their linear timeline of past-present-future is the exact thing that I am passionate to attempt to replicate in our documentary. Since the inception of our idea I have been passionate about all aspects of how we will tackle such an ambitious project and interesting in the kinds of shots we can get to best convey the purpose of the piece.
Sid Acharya - Editor and Sound
We have chosen to make an expository documentary on Tomaree National Park.
We hope to cover three main categories:
Prehistoric volcanic heritage, Aboriginal significance, World War II history.
Wildlife, Flora and conservation strategies to deal with impacts.
Current day tourism and attractions.
As editor, I am drawing inspirations from my role models in the industry:
Christopher Nolan - Director
Hoyte Van Hoytema - Director of Photography
Lee Smith - Editor
Hans Zimmer - Composer
Over time, I have adopted the same styles as my role models, and hope to bring that into this project. This style can be summarized as being dramatic, cinematic, epic and often considered ‘larger than life’. Similar to the styles of the role models, the style can be seen as very theatrical, immersive and visually moving.
This would work very well in capturing the vastness and grandiosity of Tomaree and should will keep the end result true to the scenery we will be capturing.
Lachlan Carney - Director
17/08/2018 - Today the group met up for our first group meeting, we started on the preproduction documents necessary for the documentary assignment. After dividing up segements of the powerpoint and the word document we then threw around multiple ideas about how we wanted to tackle this project. ‘Tomaree: A Historical Summit’ is an ambitious education, nature documentary which will highlight the importance of history and conservation aspects of Tomaree National Park, as well as present day activities that take place around the mountain. We got to writing and developed a more conceptual idea on how we wanted the documentary to play out.
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