Bjork and Michel Gondry, 1999, photog. Benni Valsson
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@tinydropsofperfumedtime
Bjork and Michel Gondry, 1999, photog. Benni Valsson

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ryuichi sakamoto | a carved stone
“I used to know things intellectually, but now I feel them.”
— Ryuichi Sakamoto
Heidi Gustafson, who has spent the past five years collecting and working with ocher, walks along Whidbey Island’s Double Bluff Beach, off the coast of Washington, in search of the material. She came to scout this area, where she spent time as a child, after recalling its interesting cliff exposure.Some ochers, Gustafson believes, are calling out to be turned into a pigment. Others are more resistant. Those ocher fragments are either returned to their point of origin, or, if Gustafson cannot get back there, placed outside in a stone graveyard of sorts that she has created in the forest near her cabin. A few of her ocher-based artworks hang on the wall.
https://www.nytimes.com/2019/10/24/t-magazine/ocher-heidi-gustafson.html
Dorothy Cross 1. Chiasm (Poll na bPéist [The Wormhole] Calm Weather, Inis Mór, Galway, Ireland), 1999 2. Chiasm (Poll na bPéist [The Wormhole] Stormy, Inis Mór, Galway, Ireland), 1999

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cocteau twins | my truth
Bats & Flowers, Costa Rica
Laurel Nakadate, Farther From Home Than I’d Ever Been (2009).
protective amulet against miscarriage, mid-20th century, locks, metal cross, coins, seashells, strips of leather, kerrando, morocco
ana das carrancas, petrolina, 1999, lita cerqueira

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judee sill | lopin’ along through the cosmos
tim elkaim brian molloy kai newman w magazine 2022
La vie sur terre (Abderrahmane Sissako, 1998)
Kazuo Ohno

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Inuit sculptures by Liss Stender
Traditional inuit male and female sculptures in Nuuk, Greenland
“To be humorous in a moment of suffering is to build a bridge, to refuse the isolation that so often keeps us suffering.”
— Anne Boyer and Cassandra Gillig