A Mass Effect blog for a little while. Finished the trilogy for the first time in July 2022 and it broke my brain. This is my attempt to put the pieces back together. He/him.
Hi, Iâm Ryan! I took to writing fanfic as therapy, and itâs the most fun Iâve had in years. Mostly I write fluff and fun with the occasional introspective character study. Say hi! Fandom community can be awesome if you let it.
Mass Effect fics
Two Lovesick Idiots (tumblr) (Ao3) - mshenko; my first fic since college twenty years ago about a silly scrapbook, inspired by this artwork by @sinclairsolutions
Chamomile with Honey (tumblr) (Ao3) - Cortez & Vega; fluff about getting through a cold
Pretty Sweet Hoverboard (tumblr) (Ao3) - mshenko; in which Shepard annoys Kaidan with a hoverboard, inspired by this post from @zet-sway
Here at the End of Everything (tumblr 1, 2, 3, 4, 5) (Ao3) - a character study about Joker making the choice to leave Shepard on the Crucible, aka the fic thatâs helping me fix whatever it was about the ME3 ending that broke my brain
Six Words for Shepard (tumblr) (Ao3) - Jack/fShep; gift fic for @all-truths-wait-in-all-things for Holiday Harbinger 2022! Jack writes a sestina for Shepard
Peace of Mind (tumblr) (Ao3) - mshenko; gift fic for @Cardhwion on AO3 for ShenkoSummer 2023. Kaidan navigates painful memories to figure out heâs in love
Small Comforts (tumblr) (Ao3) - fshenko; gift fic @palimpsetus on AO3 for ShenkoSummer 2023: Kaidan gets his ass kicked in beach volleyball and then breaks into a lighthouse.
Ticking Like A (tumblr) (Ao3) - Joker & Vega; gift fic for @vesperfloyd for the Hatboy Exchange 2023; James isnât alright after Sanctuary, and Joker pushes him to figure out why
The Longest Night (tumblr) (Ao3) - mshenko; Kaidan deals with the guilt of surviving Virmire by holding vigil on the longest night; because sometimes you have to wait for the light
As the Revel Meets the Day (tumblr) (Ao3) - mshenko; Four times someone sees Shepard in pain, and one time Shepard finally, finally has peace; because sometimes you get to see the light return
And I Know It (tumblr) (Ao3) - Kaidan & Ashley; gift fic for Viggorah for Big Place Exchange 2024; sometimes buying a terrible shirt can lead to life-changing revelations
Wired Again (Ao3) - Joker/Cortez; gift fic for KeriWeird for Hatboy Exchange 2024; Joker, Steve, and that time Joker figured everything out because of their haptic implants
Split and Uneven (Ao3) - Joker & Chakwas; gift fic for Unfairwaterplain for Hatboy Exchange 2024; two weeks after traveling through the Omega-4 relayâand, impossibly, returningâKarin Chakwas learns how to let go
Doing My Best (tumblr) (Ao3) - Kaidan & Jack; gift fic for jackwillwrite for Big Place Exchange 2025; Jack asks Kaidan for help teaching her students before the final push to Earth
Drydock (tumblr) (Ao3) - Joker/EDI; gift fic for Destroyer_of_insects for Hatboy Exchange 2025; one hundred and eighty-one days in drydock on Earth. Joker and EDI figure out how to communicate
Dragon Age fics
What Bards Sing About (tumblr) (Ao3) - Lacklon/Roland; four times during the show Lacklon notices Roland and blames it on his legs
Of Butterflies and Flying Dwarves (tumblr) (Ao3) - Lacklon/Roland; because thereâs nothing funnier than putting a dwarf on a hoverboard
Itâs Just a Rock, Man (tumblr) (Ao3) - Lacklon/Roland; how to court your Orlesian boyfriend in the most ridiculous way possible.
If Itâs True (tumblr) (Ao3) - Fenris/Male Hawke; gift fic for ginbiscuit for A Romance for the Ages 2025; after the events of Inquisition, Fenris is given a book-that-isnât-a-book, and the chance to tell a better ending to his story
Endless Sunsets and Roses (tumblr) (Ao3) - Aveline & Varric; Aveline receives a letter during the events of Veilguard, and wishes she hadnât
Horizon fic
Three Month Delve (tumblr) (Ao3) - Erend/Gildun; post-Burning Shores, Aloy drops Gildun at Hidden Ember so that Erend can take him on to GAIA. Erend is, predictably, Not Okay With This.
Essays
When Genocide Is The Best Option (tumblr) - my attempt to piece together my thoughts about the ending of Mass Effect 3, complete with references to Stranger Than Fiction and Samuel Beckett
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
Yeah, so Heated Rivalry stuck with me enough that I read all the books and decided to adopt Troy Barrett. And then this week, I saw what this jackass did at the SF Giants Pride Night and thought, "Well, the gayest team in hockey wouldn't stand for that.â
Trigger warning for Christian-influenced homophobia.
Read the whole thing on Ao3.
***
What does gen nine twelve sixteen mean?â
âWhat?â
Troy looks up from where heâs stretching on the ice. From this angle, Haasy looks like a giantâa confused, rainbow-streaked giant. Troy loves more than a little what the front office did for the Centaursâ pride jerseys this year. âGayest team in the league,â Harris had laughed when heâd revealed them last week, âmight as well lean into it!â And lean into it they did. Explosive rainbow swirls curl up and around the white-backed jerseys, creating a heart-shaped puff of color around each playerâs number. Garishly beautiful, Troy thinks, though it makes Haasyâs confused figure look even more ridiculous.
âOver there,â Haasy says, pointing across the ice to where the Metros are also warming up. âOn Comeauâs helmet.â
Troy looks up awkwardly from his hands and kneesâhis hips are always a little tight these daysâand cranes his neck. And narrows his eyes. âThatâsâŠthatâs a Bible verse.â
âWhat?â
He pushes himself to his feet, toeing his blade into the ice. âBook of Genesis, chapter nine, verses twelve through sixteen. Itâs a Bible verse,â he says again flatly.
Haasy blanches. âTonight?â
âPar for the fucking course,â Troy grimaces.
Theyâve faced Montreal any number of times over the last few years since Hollander joined themâwell, since Hollander was outed, ostracized, and exiled from the Metrosâand the Centaurs come up on top more often than not. But itâs always a slog, and itâs only gotten worse since Ottawa won the Stanley Cup the same year Montreal finished dead last. Youâd think the Metrosâ hatred for Hollanderâs new team would cool at some point. Youâd be wrong. When the front office announced that the Centaursâ Pride Night would be during a Metros game, wellâŠmaybe thatâs why Harris pushed so hard for such showy jerseys this year.
âBut whatâs it mean?â Haas asks.
Troy shakes his head. âNo idea. We never really went to church. Probably something homophobic, though.â
âItâs about the fucking rainbow.â Rozyâs face is a mask of cold fury as he skates up to them. âThat fucking asshole.â
Haas blinks.
âNoah!â Rozy says angrily, gesturing in a loop over his head. âWhen the rain came down and flooded everything and then there was a rainbow? Do you not know the story about the two-by-two animals?â
âOhh,â Haasy says, âyeah, okay.â
Troy raises an eyebrow. âYou knew that off the top of yourââ
âYes, yes.â Rozy exasperatedly shakes the chain around his neck. âIs not just pretty decoration, you know.â
âBut thatâs a nice storyââ
âGenocide of humanity aside,â Rozy grumbles under his breath.
ââwith cute animals and a happy ending,â Haasy continues, while Troy goggles at Rozanov knowing how to translate genocide, âand a rainbow. Is Comeau really being an asshole?â
No Iâm completely normal since being exposed to Heated Rivalry for the first time ten days ago, of course I havenât sloughed off work to read a mountain of Hollanov fic since then. Why. Why do you ask
Okay no but this is making me feral in an English-major-close-reading-of-the-text way that I havenât been in a very long time. Because hereâs the thing:
There is a world of meaning in the word âanything.â It can mean âone of several things,â or âno matter what,â or just âat all.â It can connote âlike whateverâ or âjust pick somethingâ or âthe set of all things.â The possibilities are literally endless because âanythingâ can also function as a synecdocheâa whole standing for the partâso it really can mean, well, anything. âAnythingâ is as much a fill-in-the-blank test as it is an actual word. So the lyric âIâll believe in anythingâ could mean âIâll believe in one specific thingâ or âIâll believe in everythingâ depending on the context.
But! Repeating the clause and putting the conditional âifâ between them opens the lyric up to larger interpretation. It can certainly mean âIâll believe in one specific thing among many/if you believe in one specific thing among many.â But it can also mean âIâll believe in everything/if you believe in just one thing.â Your âanythingâ and my âanythingâ donât have to be the same âanythingâ because you and I are not the same. Which is brilliant.
But! The âifâ! Is such a huge subordinating conditional conjunction! âIfâ can mean âon the condition thatâ or âin the event that,â but it can also mean âin the unreal situation thatâ as in âif I were you,â or âeven thoughâ as in âhe was strong, if not open-minded,â or even âI wish this thing were trueâ as in âif only.â And then you get into the logical âifâ! If A, then BâB can only happen in the presence of A; A only becomes true if B is first true. So then you can make the lyric mean âIâll believe in everything/on the condition that you believe in just one thing.â Which! If you contrapositive it (yeah thatâs a verb now) means âif you donât believe in this one thing, then I will not believe in anything.â The lyric is putting the singerâs faith in âanythingâ in the hands of the person theyâre singing to! Which is itself an enormous act of faith!
Which matters because! The lyric also uses the word âbelieveâ! And there are so many different types of belief! (Side note: yes I also have an MDiv, yes I mostly regret it, yes my professors wouldnât approve of me using it like this, so hell yes weâre doing this.) Thereâs âbeliefâ like âI think that thing I canât see is real,â like belief in fairies or God. Thereâs âbeliefâ like âI want this esoteric concept to be executable,â like belief in democracy or the goodness of other people. Thereâs existentialist belief, where you stumble through life blind and can only work out whatâs happening by yourself with fear and trembling. Thereâs evangelical belief, where you want everyone to believe what you believe and itâs worth demonstrating that by telling them so. Thereâs eschatological belief, that at the end of the story, everything works out for the best. Thereâs belief because, and belief despite, and belief if only. Belief can be as weak as an unverified opinion (âI believe he went that way?â) or as strong as eternity itself (âI believe in youâ).
And then! I figured out that I maybe misheard the lyric and itâs âandâ instead of âif,â which potentially changes the meaning of the repeated lyric. Because âandâ can mean sequential, like âIlya says jump, and (then) Shane says âfuck you.ââ It can also mean simultaneous, like âIlya says jump, and (also) means âfuck you.ââ So then the lyric could be âIâll believe in endless possibilities/and (also) youâll believe in this one specific thing,â putting the action in the hands of the singer. But âandâ can also be conditional just like âif,â except in the opposite direction! First A happens, and B happensâbut only if A happens first. Except! Also! Itâs contextual! And this lyric happens in the context of everything preceding it, including the âbutâ ending the previous lyric, and the imperative tense of the first lyric, so the âandâ is entirely subjective and can function as an âifâ anyway!
And Iâve only begun to be feral about this!
So the words âanythingâ and âifâ and âbelieveâ are entirely contextual, right? Then letâs apply context to them! Specifically, the scene over which the song is playing: Scott calling Kip down to the ice, knowing what it means, and Ilya calling Shane, also knowing what it means. And also! Ilya watching Scott act, and Shane watching Kip be brave, and Kip seeing Scott seeing him and and and.
To wit: Scott is a (relatively) old queer man, with a reputation, a legacy, a career that he is very, very good at protectingâso good that heâs functionally publicly alone. And because of his job, his life has to be publicâso no matter how kind and generous and loving he is to Kip in private, because Scott Is A Public Person, he canât have âanythingâ in the definition of âwhatever I want.â This thing that he wants is just a fairy tale (in his mind), but in that moment on the ice, he thinks Kip can help him see it. So if Scottâs filling in the blanks in the lyric, itâs âIâll believe, despite knowing how the world actually functions, that I can have the thing I really want/on the condition that you demonstrate in real life to me that I am capable of this one thing.â For him, itâs a leap into faith: lyric part A is true even though he doesnât know yet about the truth of lyric part B.
But also! Ilya is watching this! And the song frames them both! Because Ilya is also a queer public figure, but crucially, heâs young: his âanythingâ is much bigger than Scottâs âanythingâ because age closes doors, but itâs also much smaller because experience opens them. And queerness is a death sentence where he comes from, so heâs never had an âanything,â not really, because âthe set of all thingsâ is literally forbidden to him, so his âanythingâ has been âonly that which I can actually grasp.â But his whole relationship with Shane is marked by moments of pure revelation brought about by this absolute dork with freckles. So for Ilya, the lyric might read, âIâll believe that it might be true that what Iâm seeing is possible/but only in the event that you believe that this one thing about me is possible.â But his conditional isnât about Scottâbecause duhâwhich is why he immediately stands up and calls Shane, because for Ilya, itâs not a leap of faith; itâs a cry into the darkness. I want so badly for part A to be true; please, please tell me part B is true.
Shaneâs more complicated because if heâs filling in the lyric, itâs mediated through both Scott and IlyaâScott because of what heâs doing publicly on TV, Ilya because itâs Ilya. Shane is terrified of so many things: that his sexuality makes him unworthy, that it will ruin his life, that Ilya will decide heâs not enough. Shane believes in so little, barely even what he sees and experiences, so if heâs filling in the lyric, itâs âI am scared of and trembling about the fact that it might be true that this thing I am seeing might exist/but only in the extraordinary circumstance that you tell me that it is so.â Iâm blind; be my eyes, so that I can know for sure that my A is true because of your B.
And Kip, sweet Kip. The most grounded in who he is and what he wants. Willing to be invisible for Scottâs sake even though he wants to stand in the sun. The one who just believes, because he can do no other. If Kipâs filling in the lyric, itâs âI trust that the thing I want will be/once you are able to see that the end of one thing is the beginning of another.â I know that part A will one day be true, because I know that your B can one day be true.
But then! Also! This song is playing during this scene and this lyric happens at a specific part over three specific shots and so that context also matters.
The first shot: Scott, alone on the ice, intentionally looks at Kip in the stands. Really looks. Not a skate-by hi, not a quick glance up and then back down (as happens ten seconds earlier). Scott is clearly, publicly, joyfully acknowledging Kip. The lyrics play: âIâll believe in anyââ, splitting the first âanythingâ with Kip. This isnât âI believe in that which I canât see,â not anymore. This is âI believe because I can see.â
The second shot: Kip smiling down through tears as the man he loves in secret celebrates, and then his face falls into an âoh holy shitâ moment for the books (which is just incredible face work by Robbie GK, a gut punch on the level of John Spencer), and I use âholyâ intentionally, because that is the face of the believer who finally, finally gets to see the thing that heâs always always known was there. The lyrics continue: ââthing, and youâll believe inââ, because Kip doesnât need that last âanything,â because he doesnât need to hide behind metaphor or synecdoche or âsomewhere in this set of things is the thing I actually wantâ because he never has. And, because of Scottâs belief, he wonât ever have to.
The final shot: Svetlana stands up and leaves the frame, and Ilya doesnât watch her go because heâs locked onto Scott on the ice on his TV. Because you canât look away from revelation. Because even nonbelievers, when confronted with that confusing, weird, untranslatable-but-perfectly-intelligible moment of clarity canât look away, because it strikes that chord deep inside of them that has always longed to be plucked. Ilya is the sudden convert, the man of new faith. The last word of the lyric plays: ââanything.â Anything is possible. The set of all things is open to him. Despite everything he knows to be true, he just as certainly knows this thing is possible.
And the perfect expression of that faith is to call Shane.
And thatâs not even talking about the rest of the song! Or how the rest of the lyrics fit over the scene! Or how queer joy is transformative and this lyric is queer joy in all its many messy iterationsânot because your queer identity is constructed or validated by someone elseâs belief, but because joy is always made more real through belief. Belief in yourself. Belief in your goodness. Belief that you are wonderfully made, just as you are.
And for this one lyric, those characters believe all that and more.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
Part five of my "fix my brain by writing about Joker" is the mshenko chapter. I have a tendency to imprint pretty hard on specific ships (Isabela, my one true love, come to me), and when Mass Effect broke my brain, some of the pieces reassembled themselves in Kaidan's shape. I love what the story says about his stumbling, fumbling relationship with Shepard and how it changes who Shepard is. But this is a story about Joker, so why do we care about Kaidan at all?
Because when Shepard calls for an evac meters away from Harbinger, Joker doesn't hesitate to risk everything to rescue Kaidan.
First part's below, rest is up on Ao3.
Chapter 5: Who We Really Are
With simple songs I wanted more
Perfection is so quick to bore
You are more beautiful by far
Our flaws are who we really are
 - Cody Fry, âI Hear a Symphonyâ
----
Sol System, Earth, SSV Normandy SR-2
Twenty-one minutes before Hackettâs order
He hates atmo.
He knows intellectually that itâs weirdâsome would say incorrect as a matter of science and psychology, whatever, fuck youâbut heâs never felt trapped inside of a ship. The cold steel bulkheads and fabricated deckplates feel comfortable. Inviting. Safe. He knew a cadet who washed out first year because he had a panic attack the first time he flew solo in a cockpit, and Joker was never able to understand that; being alone, surrounded by the metal of his very own bridge? Thatâs the goal, man.
Itâs atmo that feels like the trap. Part of it is that the presence of an atmosphere requires a gravity well to accrete it. Gravity wells are fine on their own, inasmuch as he can use them to slingshot through the emptiness of space. But getting close enough to one so that youâre in its atmo means youâre fighting the gravity well, not working with it. Flying through the vacuum of space only requires fuel for acceleration and deceleration; the constant drag of gravity burns fuel continuously. And atmo only makes that worse.
âSilaris ablative down to 45%!â
âGARDIANs 1, 7, 9, and 14 unresponsive, sir!â
âJeff, the lithium tanks on the port fore are beginning to sublimate.â
Because atmo creates friction.
Joker dives back through Earthâs atmosphere for the second time in an hour, for much the same reason, with one crucial difference: last time, he wasnât flying directly toward Harbinger. Flames lick the edges of the viewport, the combination of the Normandyâs speed and the oxygen in the atmo creating a fireball around the ship that would be beautiful if it didnât also paint them as Target One for the Reaper currently guarding the conduit.
âGARDIAN 2 now offline!â Sparks explode in the CIC corridor behind him. âShit, and 5 too!â
Joker hates atmo because it creates heat, the enemy of most starship systems. Heat melts the ablative armor keeping the ship together. Heat turns their weapons turrets into inoperative hull decorations. Heat is what their stealth system is supposed to counteract to keep them hidden from enemy radars, but you canât hide a fucking fireball in the sky.
âJoker! Harbingerâs firingââ
âShit, I see it!â
He barrel-rolls to the left, just in time to avoid the searing heat of the Reaperâs beam weapon, the sound of the blast vibrating through the atmosphere and into the Normandyâs deckplates, rattling Jokerâs porcelain bones like the toll of a bell.
One more thing to hate about atmo. You canât hear a Reaperâs beam weapon in space.
âJeff, I do not see how we can get close enough to the conduit to assist Major Alenko without risking major damage to the Normandy.â EDIâs voice through the speakers is tense, the haptic feedback in his chair minimal. She clearly thinks this is a bad idea.
âSir, the fighters canât cover us under this kind of fire. I know what the commander said, but thereâs nothing we can do right now!â Cortezâs voice is just as tense, layered with the thick grief of memory. He also thinks this is a bad idea.
Because it is. Way worse than rescuing Beta Team.
(At any and all cost. A pause. Consider it my final order.)
But Joker doesnât have a choice.
âThen give me options, people!â he shouts back over the din in the cockpit. âYour commander called for an evac!â
âBut Jokerââ
Joker looks over at Tali, eyes tight, and snaps, âShepardâs not gonna focus on anything else until we get Alenko out of there.â You know this as well as I do, he doesnât add.
She nods slowly, turning back to the bridgeâs engineering console, fingers flying furiously over her haptic panels.
âJoker-Â Sir,â Cortez says again, silencing the chatter from the remnants of the squadron heâs supposed to be coordinating, âwith all due respect, Shepardâs not in command right now. You are. Regulation 0803.1: an officer who accedes to command shall notââ
âWell, Iâm not very good with regs, Cortez,â Joker bites back, rolling to the left to dodge Harbingerâs next strike, âso let me get a second opinion. Tali, who do we know whoâs good with regs around here?â
âKaidan,â she says, a little trill of mirth weaving through the tightness in her vocoder.
Joker just shrugs at Cortez.
Cortez, in turn, rolls his eyes. âMajor Alenko knows just as well as I do that you canât evac in the middle of a dogfight. Heâd be on my side.â
âProbably.â Jokerâs eyes flick to the panel tracking Alpha Team. âBut from the look of his blood pressure, heâs not really in a position to overrule me, so give me some fucking options.â
Cortez blows out a frustrated breath. âThey can see us! We canât exactly hide!â
Jokerâs just swiping an additional sensor panel into existence when EDI beats him to the punch. âThe Normandy is not taking fire from Reaper ground troops. I suspect they are occupied with our own ground forces.â
Cortez waves his hands fruitlessly around the bridge. âWeâre the biggest fucking heat source in the sky! Harbinger can track us. We canât hide.â
Heâs right, of course, and Joker knows it. The lithium heat-storage tanks were nearing capacity even before Vegaâs evac call, and theyâre all but useless at this point. Not to mention the dozen inoperative GARDIAN turrets that might as well be giant neon signs, and the fireball of friction surrounding them.
But it gives him an idea.
âCortez,â he says, hands spinning up a suggested flight path over the top of the Normandy, âcan you get your guys to do this for me?â
âJokerââ
âThatâs an order, lieutenant.â Joker stares Cortez down. He can count the number of times heâs ever pulled rank on one hand.
(At any and all cost.)
But he knows the fucking regulations as well as anyone.
Cortez relents, turning back to his console to scramble the squadron, while Tali murmurs, âThatâs not gonna make the ship any less hot.â
âNo, but it gives him something else to focus on,â Joker mutters back, leaving the him open to interpretation as he swipes yet another panel into existence.
âI heard that,â Cortez calls over. Okay, so not that open.
âJoker,â Tali says with a little more urgency in her voice, âthe closer we get, the easierââ
âCan you rig this?â He swipes the panel over to her.
Thereâs a beat of silence that somehow cuts through the chaos of the cockpit as she processes what heâs asking. Then, with a sharp intake of breath, she whispers, âKeelah.â
âItâll work.â
âOnce.â EDIâs single word reverberates ominously, not unlike Harbingerâs weapon, before she adds, âThe stealth drive will then be rendered permanently inoperable.â
âAs will a half-dozen tertiary systems,â Tali breathes.
 âIf Shepard doesnât get to that beam, it wonât matter.â Joker looks over at Tali again. âAnd he wonât go if we donât get Alenko.â
Another beat of silence. Then, wordlessly, she turns back to the engineering console, raising Donnelly on comms as she makes her preparations.
He turns his chair back, too. As he begins programming the next maneuver, he subvocalizes, âIâm sorry.â
âI am not my parts, Jeff,â EDI responds in his ear, a soft thread of haptic movement traveling up his back.
He gives a soft smile.
In seconds, heâs made the necessary adjustments. He hates atmo, but this one time, it might be their saving grace.
âReady Tali?â
âReady.â Her voice is tense. But this is gonna work.
âCortez?â
âSquadron in position.â
âOn my mark.â
The fireball that is the Normandy descends through the atmosphere toward London, toward the beam, like a moth to flame. Even without sensors, Joker can see Harbinger below them. As big as a skyscraper. Its red light pulsing like a boil.
âNow.â
His haptic panels suddenly bloom with a hundred warning lights as the lithium tanks explode out the port side of the hull, propelled by the explosions of the hundred different power conduits that Tali rigged to overload.
âWeâve lost primary and secondary access to the hologrid!â
âRerouting power to the port fields through the comms bypass lines.â
As the Normandy decreases its speed, the fireball of friction surrounding the ship dissipatesâright at the moment the inoperative GARDIANs also jettison away from the ship, colliding with the tanks and ripping them open. The overheated lithium inside shatters into dust, igniting on contact with the water vapor in the atmosphere in a flash of white light that lingers.
Harbingerâs next shot flies right past the Normandy, shooting into and through the cloud of superheated particles. And when Cortezâs fighters fly through it, their wake spreads the particles in contrails over all of southern London.
Harbingerâs following shot is almost a kilometer off.
It worked. For the moment, the Normandy is free and clear.
âSilaris ablative down to 32%!â
âAll aft GARDIANs unresponsive, Jeff.â
âRed 5 and 17 downed, sir!â
For the moment.
He races down towards the place where he can picture Shepard holding Kaidanâs crushed hardsuit together with his bare hands, the chaos around him be damned. Meters from Harbinger. Meters from the conduit. Meters from the end of everything. Focused on one man and one man only.
New headcanon: Kaidan Alenko is just the great-grandson of Shane Hollander from Heated Rivalry. An adorable, kind, dark-haired Canadian with a fat ass? Like, yes.
New headcanon: Kaidan Alenko is just the great-grandson of Shane Hollander from Heated Rivalry. An adorable, kind, dark-haired Canadian with a fat ass? Like, yes.
Uh oh, looks like Iâm back on my Mass Effect nonsense for a little while. Spent the last three days watch YouTube videos of every romance arc. Tear up pretty much every time they get to âitâs been a good rideâ/âthe bestâ. Shrug emoji. Itâs been too long; love this heartbreakingly wonderful story.
Part four of my âfix my brain by writing about Jokerâ fic took me eighteen months to finish because of writer's block on three paragraphs. Just how it goes sometimes. This part explores how it is that Joker's able to build community. He reads as such an isolated, selfish jackass for so much of the story, but it's also clear he wants to be around people. Where does that come from? How does that figure in to his decision to leave Shepard behind at the end of ME3? Figuring this one out was so much fun; the "Dead Parents Club" in particular hit me quite hard. This chapter also fills in the plothole of "how does the rest of the Normandy ground team get back on the ship before the ship leaves the system" lol. First part's below, rest is up on Ao3.
Chapter 4: With Open Arms
This life is amazing when you greet it with open arms
I see on your face there is so much guilt inside your heart
So why not replace it and light up the world
Hereâs how to start
Greet the world with open arms
Greet the world with open arms
 - âOpen Arms,â Jorge Rivera-Herrans
â
Sol System, Earth, SSV Normandy SR-2
Thirty-five minutes before Hackettâs order
A harvester explodes in the air in front of the Normandy, bits of viscera and mutated machinery glancing off the shipâs kinetic shielding. Joker can hear one of the gunnery corporals in the CIC hallway crow, âDirect hit, sir!â His eyes flick over to see the heat sink saturation creep over 85%. No time to worry about that one.
âJoker to Beta Team, does anyone copy?â he says again. Heâs doing his best to keep the frustrationâand the fearâout of his voice, but he can feel it building with each passing second.
No response.
âDammit. EDI, can youââ
ââto compensate! â them off me!â
The feed is static-y, garbled, but clear enough that Taliâs voice is recognizable. Joker lets out a strangled breath. âTali!â Thank the stars. âWeâre sixty seconds out. Get toââ
âNegative, Joker!â Vega interrupts, the static fading in and out. âThereâs too many ofâ â âgot no place to land now.â The marineâs out of breath, voice hoarse from yelling. âStay on Shepard, itâs too lââ
âGet to this navpoint,â Joker snaps, transmitting coordinates for the middle of the plaza theyâre trapped in, pointedly ignoring the end of Vegaâs frantic sentence, âand standby.â
âNegative! The plazaâs overrun andââ
âTali,â Joker says calmly, interrupting Vega again, âyou guys need to clear a radius of fifteen meters around that navpoint and stay there no matter what.â
Thereâs a beat. âJoker, thatâs â on the edge of the hole weââ
âI know. Iâm flipping the Tantalus.â
Another beat. âKeelah. Youâre crazy.â
âYep!â Joker responds. âTrust me.â
âAlways do,â Tali chirps.
âGot it,â Vega says resignedly. âWatch out, though, looks like â something above us, coming in fast â probably a harvester.â
Joker grins. âNot a harvester. Twenty-five seconds, big guy.â
A beat of silence. Then, âHoly shit, man, youâre coming in too fast!â
âGo!â Joker breaks the comm.
This trick wouldnât work with any other ship. Sure, you might be able to arrest your descent by flipping a 180 and using your thrusters, but youâd fry everything on the ground below you. Antiproton thrusters, like the ones the Normandy uses for standard propulsion, give off incredible amounts of heatâthe kind of heat you might use to surgically remove the engines from an enemy batarian ship, for example. Conventional FTL drive cores work in much the same way, utilizing mass effect fields to lighten the mass of the ship and then employing standard thrusters to provide the propulsion.
But the Normandyâs different. Better. Her Tantalus drive core doesnât use thrusters at FTL speeds. Instead, it continuously deploys tiny mass effect fields that the ship falls intoâpulling the ship, rather than pushing it. And pulling is exactly how Jokerâs going to pull this off.
Well, that or pull the ship into pieces, but EDIâs gotten that risk down toâhe checks the panelâ15%. No sweat.
âReady, EDI?â
âSpinning up the drive core now,â she answers. âReversing the fields on your mark.â
âEighteen secondsâŠâ
London expands in front of them as they dive toward the city, nose pointed directly at Beta Teamâs location. Joker relaxes a little. Heâs found them, theyâre alive, and in anotherâŠfifteen seconds, theyâll be safe. Heâs got this.
Heâs got them.
âShould we inform Chief Engineer Adams?â The playful flit of haptic touches across his shoulders makes him chuckle.
âFuck no,â he says cheerfully, âbecause heâd tell us not to do it. Ten seconds.â
The ground rushes up to meet them. He can see the hole in the center of the plaza now, courtesy of Tali and Cortezâs earlier last-ditch effort to collapse the horde into the London Underground. He can see movement on the ground around it, not individual combatants but movement, like the collective churning of whitecaps on water. He can see the flashes of gunfire, of grenades and biotic-powered explosions.
He canât see his friends yet. But he will.
He will.
Jokerâs hands fly over his haptic panels for another moment, rigging some final calculations, then rest above one single button. All he has to do is push it; if it doesnât work, no amount of maneuvering will save them. He hears a squawk of surprise in the CIC hallway from the gunnery corporal. âHolyâ holy shit! Weâre gonnaââ
âNow.â
Joker presses the button.
In a single instant, three things happen. First, the aft antiproton thrusters stop firing. Their descent is now in the hands of momentum, gravity, and that son of a bitch Isaac Newton. Second, the Tantalus core flares to life, a field of blue energy surrounding the Normandy, reducing her mass as if preparing to jump to FTL. And last, but most importantly, a series of mass effect fields begin to cycle, faster than the eye can see, right behind the shipâprecisely counteracting first the shipâs momentum and then Earthâs gravity itself.
The Normandy is now hovering, nose-down-tail-up, between the buildings in the centre of London.
Except itâs even better than that. Because to get his friendsâthe teamâinside, the cockpit airlock has to be reachable. So the nose of the ship is actually several meters below street level, poking straight through the hole into the Underground.
Joker takes a moment to process everything: the darkness of the Underground outside the viewport, the haptic panel displaying the word NORMAL underneath schematics of the Tantalus core, the yelling in the CIC hallway, the thudding of his heart inside of his chest.
Holy shit, it actually worked.
âEDI?â
âAll systems normal, Jeff,â EDI says, measured relief in her mechanical voice. âTransverse hull stress currently within acceptable parameters. Hull integrity holding. It worked.â
âYeah. Yeah, I figured it would,â Joker says as nonchalantly as possible. The haptic flutter on his back tells him EDI knows heâs full of shit, but she stays silent.
âEDIââ
âJoker, what the hell?â Adams shouts through the comm. âDid you just spin up the Tantalus inside atmo? Are you trying to get usââ
âSorry, Chief, canât talk right now, someoneâs at the door!â Joker blithely interrupts. âEDI, could you get that, please?â
âDammit Jokerââ
âOpening airlock.â
Joker busies himself programming the next stage of the planâescapeâas the sounds of shouting and shooting suddenly become audible. He glances over his shoulder just in time to see Tali dive into the hallway, the shipâs mass effect fields pulling her perpendicular to Earthâs gravity. He calls back, âHey, could you keep it down back there? Some of us are trying to work.â
In a flash, Tali is on her feet. She leaps over Javik as he dives in next carrying an injured Liara, and sprints into the cockpit to throw her arms around Jokerâs chair. âYou came for us!â
Joker grins as the quarian squeezes him. âFor you. The others, eh.â
She looks him straight in the eye, opaque faceplate streaked in blood and goo and grime, her head tilted in a recognizable sign of gratitude. âThank you.â
âOf course I was gonna come for you guys,â he responds, thunking his head against her helmet. âYouâre my team, right?â
Cortez dives in next, followed last by Vega, whoâs got EDIâs chassis slung over one shoulder. Cortez shoots from his prone position out the door as Vega shouts, âClose it! Close it now!â
âClosing airlock.â
The cacophony outside is abruptly silenced with a loud kachunk. For a moment, the CIC is still.
And then Vega starts chuckling. As does Cortez. Which sets off a cascade of laughter, the hooting and hollering and cheering echoing up and down the CIC right on into the cockpit.
âYou crazy bastard,â Vega yells, still tangled up with Steve and EDIâs chassis on the floor. âFucking idiot-ass comodĂn!â
âYou are absolutely gonna have to show me how you did that sometime,â Cortez says, pushing himself up. âLanding on the nose like that? Never seen anything like it.â
âReckless,â Javik grumbles. âFoolish to risk an asset like the Normandy on a rescue such as this.â
âOnly foolish if it doesnât work,â Cortez responds.
âEDI, are you alright?â Liara says as Javik helps her to her feet. Of the whole ground team, she looks the worst, blood pouring down her paler-than-usual face, arm bent at an odd angle.
âWhile my mobile platform is currently non-functional, I myself am fine, Dr. TâSoni,â EDI says through the speakers in the cabin.
âGood to hear your voice, EDI,â Vega calls out, hoisting her chassis back over his shoulder. âWhere do you want, uh, you?â
âMy mobile platform can be stored in the AI Core until it can be repaired,â she responds.
âAre the othersâŠ?â Tali says in a low voice to Joker.
He swipes the haptic panel with Alpha Teamâs information on it over so she can see. The three transponders representing Shepard, Alenko, and Vakarian are traveling at the head of a column of Alliance blue, about half a click from the Conduit. More blue dots seem to be converging on a point some hundred meters from the beam. He points and says with more confidence than he feels, âTheyâre okay.â She just squeezes his shoulder.
âWorried about your boyfriend, Sparks?â Vega catcalls as he turns to take EDIâs chassis below deck, shit-eating grin on his face.
âDonât make me regret saving you from that brute just now, boshâtet,â she yells after him, amusement in her voice as she sits lightly on the arm of Jokerâs chair.
Joker finds himself looking around the cockpit for a moment, silently watching the controlled chaos, the bantering and cajoling, the concern and the care of the people around him. The team. His friends. In no universe did he ever think heâd have this. What normal people have. What everyone except him seemed to have for so long. He smiles to himself.
âJeff, transverse stress on the hull is beginning to increase,â EDI says in his ear as he takes in the scene. âWe have to move.â
He turns back to the panels and begins prepping for departure, staying silent so he can bask in the cheerful noise around him.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
Recently replayed Dragon Age 2 with my young sons (their first time), and Varric's offhand line to Aveline while walking around in Act 3 got to me: "For you, madam? Endless sunsets and roses."
So this fic is for me grieving the end of Dragon Age, for Bioware's legacy and the poison of greed and capitalism, andâabove allâremembering that the best way to honor a storyteller is to keep telling the story.
----
you'll come back
when it's over
no need to say
goodbye
 - "The Call," Regina Spektor
----
The messenger came before midday.
It was, truth be told, a minor miracle that the message had made it at all. With the Antaam spread throughout Antiva and Rivain, rumours of an explosion and then a dragon in Minrathous, refugees beginning to cross the Waking Sea with tales of a new Blightâa passage she remembers making all too wellâthe safe arrival in Kirkwall of something as fragile as a letter feels like nothing short of divine grace.
Acting Viscount Aveline Vallen wishes it had never come.
The afternoon sun streams through the picture window at the rear of the viscountâs office, the wet streaks on her face catching the light. She closes her eyes and listens to the faint hustle and bustle of the western quarter of the city, the sounds of merchants and nobles and guardsmen and life. Heâd always been fond of this window. How many times had she walked in here to raise some concern or other about security in the city, and heâd been standing right here, half-smile on his face? She can almost see him pointing out at Sundermount standing tall in the distance, saying something like, Hey, remember that time Hawke popped a witch out of an amulet? We should go see if that altarâs still there. You know, for old timesâ sake.
Oh, for the chance.Â
Heâd hated being stuck in this office, she knew he did. Loved the city, and evenâthough heâd rarely admit itâloved the work. But the keep itself felt like a prison to him. Especially with the guard barracked just over there, heâd told her once with a glare. No wonder Orsino went crazy, having someone with a big sword watching his every movement.
Somebody has to, sheâd replied with a smile, adjusting the pommel of her greatsword against her pauldron.
She knew he wouldâve rather been out adventuring. He missed it more than she ever did. His stories from his time with the Inquisition never failed to remind her of those years with Hawke, traipsing around, solving peopleâs problems, trading barbs with Isabela. But where the memories filled her with a pleasant nostalgia sheâd take home to Donnic and the little ones, theyâd fill him with a restlessness. An ache, to be out there again. There was always some new problem in the city cropping up, though, a rebuilding project gone awry or a funding issue or bandits in Darktown again, and the time slipped away.
Perhaps that was why he jumped at the chance to travel again when that scout from the Inquisition stopped by all those months ago, Harding. Easy to remember her name, because Varric had burst into laughter the moment she walked into his office, repeating over and over You did it! Youâre Harding in Hightown!
The long-suffering look that passed between the two women said all she needed to know about the scout.
The message Harding had brought from the remnants of the Inquisition quelled his laughter fast. Heâd filled Aveline in on everything that had happened in the original Inquisition and then in Halamshiral when heâd returned from the Winter Palace. In the intervening years, while managing the chaos of Kirkwall, heâd kept her updated on the search for this Solas and the various theories on what he was trying to do. So when Harding showed up with instructions from the now-former Inquisitor to recruit a new, unknown group of people to stop the would-be god, Varric was gone the next day.
Back soon, Aveline, heâd said, Bianca strapped to his pack, bemused smile scrawled across his weathered face. Tell little Belle to keep a pot of tea warm for storytime.
She glances back at the message on the desk. Short, tidy scrawl, the neat and practiced hand of a veteran scout trained to deliver news efficiently. Varric died defending us. Veil in danger. Iâm so, so sorry.
She wishes heâd stayed to climb Sundermount instead.
A sharp knock at the door interrupts her reverie. She takes a moment to compose herself before saying, âEnter.â
Last of the summer writing, for the Hatboy exchange, destroyer_of_insects wanted some Joker/EDI interactions between ME2 and ME3, and it turns out, Iâd been wanting the excuse to write about their time impounded on Earth.
Read the whole fic on Ao3.
ââ
And every night my mind is running around her
Thunder's getting louder and louder and louder
- âElectric Love,â BĂRNS
Local Cluster, Sol System, Earth
181 days before the fall of Earth
Day 1
âLast chance.â
âYou know Iâm not going to take it.â
âIâm just saying, weâve still got a minute if you want to, I donât know, buzz the Alliance tower, give âem the finger, skeeve off back to Omega.â
âJoker.â
Joker spreads his hands wide. âIâm just saying, commander. We beat the Collectors fine without the Alliance.â
âSuggestion noted.â Thereâs a trace of humor in Shepardâs tone, even if the set of his shoulders belies the tension of the moment. âBut you and I know both know what was past the Omega 4 was nothing compared to whatâs coming. Our only chance is if we get everyone off their asses, and soon.â He looks past Joker. âRight, EDI?â
âAffirmative, Commander Shepard.â EDIâs holographic orb pulses her assent. âThe data you collected from the Alpha Relay indicates the arrival of Reaper forces from dark space is imminent. We have been over this, Jeff.â
Joker gives her orb a side-eye. âYou always take his side.â
EDI responds, âHe is usually right,â at the same time as Shepard says, âThatâs because Iâm usually right.â
âYeah, yeah, whatever,â Joker grumbles goodnaturedly over the sound of Shepardâs laughter, EDIâs orb spinning with mirth. âYou knowââ
âNormandy, this is Alliance Tower Vancouver-1. We are tracking your position.â
The crackle of the outside comm shuts all that up real fast.
Joker looks over at Shepard one final time. âYouâre sure?â
Shepard gives him a single nod. Good enough.
Joker toggles the outside comm. âVancouver-1, this is Normandy. Good to be home. Weââ
âYou will be escorted on the provided vector. Deviation from this vector will constitute an act of aggression.â
âTouchy, touchy,â Joker mutters off-comm, entering the provided course into the navigational haptic panel. The two interceptor pings on the sensor panel become visible outside the viewport.
Heâs not surprised, really. Shepard, after filling Hackett in about the shitshow at Project Rho and the Alpha Relay, had negotiated a fairly generous surrender of the Normandy to the Alliance. Theyâd been allowed to drop almost the entire ship's complement off on Omega firstâleading to one of the wildest going away parties Jokerâs ever seenâleaving behind a skeleton crew, all former Alliance. It was only then that Shepard had ordered Joker to take them to Earth to, quoting Hackett, âface the music.â
Jokerâs not sure what kind of music plays over the trial of the guy whoâs stopped the Reapers from getting a foothold in the galaxy three separate times, but he sure fucking hates it.
The mood in the cockpit is tense for the rest of the ride down to Vancouver. Jokerâs responses to ground controlâs guidance are terse, perfunctory. EDIâs responses to his commands are nearly silent. And ShepardâŠ
He glances over at Shepard while executing a near-perfect landing on Pad 5 at Vancouver Base. (He absolutely couldâve made it perfect, of course, except that while landing, he knocked one of the landing struts against a perfectly-balanced stack of equipment; in response to the squawk from ground control, he just said, âOh did I hit that oh nooooo,â and turned the comm channel completely off.) By all rights, Shepard should be pissed. Or scared. Or disillusioned. But if anything, he looks determinedâmore determined even than when he stepped off the ship at the Collector Base. The set of his jaw, the squareness of his shoulders, his laser-like stare at the building outside the viewport. Itâs why heâs allowing the Alliance to impound the Normandy in the first place: to give himself a chance to convince Command to do something about the Reapers.
Joker would be intimidated, if he didnât respect the man so damn much.
The Normandy finishes landing, EDI powering the engines first down, then off. For a moment, the cockpit is as still as dark space.
âDo you think weâll make it, Commander?â Joker asks quietly.
Shepard takes a long moment to respond. âIt all depends on who we have around us,â he says at last. He puts his hand on the back of Jokerâs chair, finally meets Jokerâs gaze, and with a small nod, says, âTake care of her, Joker.â
âFuck âem up, Commander,â Joker replies, same steel in his voice, warmth flooding his chest.
The corners of Shepardâs mouth twitch upward, and he walks calmly, but purposefully, to the airlock door, and palms it open.
âWhat do you think theyâre gonna do to him?â Joker mutters to EDI, watching a big jarhead lieutenant salute (which feels weird, given that Shepard isnât technically Alliance anymore?) and formally read the charges against him.
EDIâs orb pulses slightly, but the audio comes through his aural implant instead of the cockpit speakers. âAlliance standard protocol would be interrogation, followed by incarceration and a court martial.â Joker nods. The same awaits him, heâs sure. EDI continues, âBut the demeanor of Shepardâs arresting officer seems unusual.â
Sheâs right. The jarhead who saluted Shepard has made no move to cuff him, andâdespite being several centimeters taller and a couple dozen kilos more muscularâhe seems to be much more deferential to Shepard than any MP Jokerâs ever known. âHmm,â is all he says out loud.
Which is when a team of techs swarm inside, brandishing tools and probes and devices, heading straight to consoles and ductwork as they chatter to each other.
âHey!â Joker snaps. âWhat the hell do you think youâre doing?â He swats a tech away from his station like a particularly annoying gnat. âGet yourââ
âMr. Moreau,â says a sharp voice behind him. Joker swivels his chair angrily around to find a short, balding man holding a pad in front of him like a shield, flanked by two more MPs. âI am Lieutenant Commander Durlin. These gentlemen are here to escort you.â
Joker bristles, standing up. âPretty sure I donât work for you, so you can get your vorcha-looking assholes off my ship rightââ
âMr. Moreau,â the man repeats, closing the distance between them with a scowl. âThis is not your ship. You are charged with dereliction of duty, desertion, conduct unbecoming, theft, and treason. Do you really want to add assault to that list?â
Joker just glares.
âI thought not,â the small man smirks. He gestures toward the waiting MPs.
Joker grabs his crutches from their holder. âI can fucking walk myself,â he says to the MP who reaches for his arm, stalking past them both.
âOh, and Mr. Moreau?â
Joker looks over his shoulder. The smirk on Durlinâs face grows wider. âThanks so much for bringing it back to us.â
Joker barely bites back his response. The last thing he sees as he crutches out of the airlock is EDIâs silent orb fading out.
The second fic for this summer of writing was for the Big Place exchange. The lovely jackwillwrite had a prompt about Kaidan and Jack bonding over teaching. Turns out these two have a really fun rapport in my head. Bonus mshenko because any chance I have to write my otp, Iâll take.
Read the whole thing on Ao3.
ââ
Told my mom I'm doing my best
It's too late to go and get rest
So I'm gonna live in my head
- Hazlett, âDoing My Bestâ
Andersonâs apartment, Silversun Strip, Citadel
Eleven days before the end of the Reaper War
The second time they meet, heâs content.
Kaidan leans against the railing overlooking the first floor, sipping the drink in his hand, pleasant smile on his face as he watches Shepard argue with Wrex and Vega. Itâs not hard to hear them over the cacophony of the party, Wrexâs shouted epithets and Vegaâs raucous laughter carrying well above the din. But his smile isnât for them. Itâs forâ
âSo youâre the fuckinâ boy scout, huh?â
He chokes on his drink and springs back, the voice in his ear catching him by surprise. For the briefest of moments, the hair on the backs of his arms goes rigid as he reaches instinctively for the biotic energy inside of him, years of tactical training automatically scanning the battlefield for threats.
Not a battlefield. Not a threat. Youâre at a party. Keep control.
He takes a deliberate breath, releasing the energy. And then he turns to see who got the jump on him and reviews his threat assessment.
The woman next to him puts a finger in the liquid dribbling from his chin down onto his chest, wipes it off, and smirks. âLooks like you got a little akantha on your uniform there. Not veryâŠboy-scout-y.â
Itâs not that he didnât know she was going to be at the partyâShepard invited literally everyone heâs ever knownâbut Kaidan had hoped they might justâŠavoid each other, like satellites rotating around opposite sides of a gravity well. For the whole night. In an apartment. With an open floor plan.
Heâs normally better at threat assessments than this.
Still, generations of Canadian conditioning asserts itself, and he gives her a warm smile his mother would be proud of. âYou must be Jack. Itâs nice to meet you.â
Jack gives him a look, leaning with her back against the railing. âYeah,â she responds, decidedly not returning the greeting.
They stand there awkwardly for a few moments. Well, he stands there awkwardly; she sips her drink, cool as a cucumber, looking him up and down. His eyes flick back down to Shepard, whoâs now gleefully cajoling Wrex and Vega into an arm wrestling contest. What would Shepard do?
Go for the joke.
He follows her eyeline down to his uniform and, smiling self-effacingly, says, âSee any more akantha? That stuffâs murder to get out of synth fabric.â
âNo,â she says with a long, slow drawl. âIâm trying to figure out what the fuck he sees in you.â
I went on a bit of a writing spree this summer, which felt good. Still trying to unlock a bit of writerâs block, so Iâm glad for the chance to be given prompts and deadlines; makes my writing better.
So first up, for the Dragon Age A Romance for the Ages exchange back in June, a prompt from ginbiscuit: Fenris trying to get Hawke back after Hawke gets left behind in the Fade.
Read the whole thing on Ao3.
ââ
if itâs true what they say
Iâll be on my way
we can all be on our way
if itâs true what they say
- Anais Mitchell, âIf Itâs Trueâ
It started with a book that wasnât a book.
âReally? Thatâs how you want to start it?â
He glares. âItâs how the story starts.â
âThe words trip around his mind like a brook, babbling, bending, breaching the surface. Iâm not usually the one who does this, but for him, Iâll do anything.â
A soft, focusing touch. âItâs a great opening.â A gentle smile. âKeep going.â
I wasnât expecting it. I wasnât expecting anything, really. For two years, four months, and ten days, Iâd stopped expecting anything at all.
Hawke was dead. There was nothing left to expect.
Varric hadnât said âdeadâ in his letter, of course. âLeft behind.â We had to leave Hawke behind to cover the Inquisitorâs escape. Almost like there might still be hope, like they could just go back to get him tomorrow. Except that Varric had addressed the letter to âFenrisâ instead of âBroodyâ or just âElf.â Dear Fenris.
It took me an entire day to be able to read what followed those first two words.
The grief surprised me with its ferocity. It felt like anger, like my anger at Danarius, at my enslavement and my disfiguring and what he made me do in his name, except somehow worse. It had never occurred to me that anything could be worse. It didnât just fester, it burned, like acid in my stomach and heart and veins until I couldnât handle it anymore and ran. Left the hidden house we had called home and ran. Away from the Free Marches. Away from everyone and everything we had known together. JustâŠaway.
âYouâre a hard man to find, Elf.â
And still, I somehow wasnât surprised when, two years, four months, and ten days later, I heard that gravelly voice behind me.
âI really didnât think I was going to, to be honest,â he continued, the squelching of his muddy footsteps stopping five paces behind me.
I wiped the gore and rain off my face and growled without turning around. âYou werenât meant to, dwarf.â I stepped over the body in front of me, intending to run. Again.
âI really think you ought to hear me out. Might make your day a little better.â
I spun around before I knew I was doing it, successfully goaded, and there he stood. Varric Tethras. Author of half a dozen books. Author of my living nightmare. The greatsword in my hands shook, not with fear or fatigue but rather grief transmuted to rage, as I leveled it at him. âYou dare to show your face after what you did?â
Varric, as ever, seemed wholly unconcerned with the knifeâs edge on which he was perched. Bianca strapped to his back, no allies in sight, just his perpetually bemused expression as a defense. âI can see that youâre mad, butââ
With a roar, I lunged at him, dropping the greatsword and grabbing his neck in one hand, tattoos flaring blue as I lifted him high in the air. I screamed again, âYou fucking dare show your face to me?â
His hands scrabbled at my wrist. âWhatââ he gasped, âwhat didâ Iââ
âYou FUCKING MURDERED HIM!â I bellowed in his face, shaking his small body like a rag. The blue light wreathing my arm intensified as I prepared to phase through his neck and collapse his windpipe.
But he was just barely able to squeak out, âHeâsâ notâ deadââ
My hand went slack in shock.
Varric rolled around in the mud for a full minute hacking and coughing, but I barely registered it. I couldnât. I stared at the space where his head had been, at the splay of my bone white fingers, not quite understanding why my heart was beating so fast, why my arm didnât seem to want to move.
âThatâs not funny,â I whispered, knowing it wasnât a joke.
âItâs not a joke,â Varric replied with another cough, standing back up. âFuck, Broody, remind me never toââ
âItâs not funny!â I yelled, a different sort of yell now, and this time, he didnât back off.
âItâs not a joke. Look at me.â He grabbed my arm. âLook at me!â
I did.
And I saw a grief like mine. Not as big. Not as sour. But still the same. The whole time Iâd been running, it had never once occurred to me that this was a feeling I could share. And it wasnât all that I saw.
Playing God of War: Ragnarok for the first time and found the Eternal Campfire tonight to start âFavors.â Iâd read about it back when the game first came out, but I still wasnât prepared for the absolute gut punch. Already crying, no idea how Iâm gonna finish it.
For reference:
A side quest in God of War Ragnarok honors the real love story of two developers, Sam Handrick and Jake Snipes. In 2020, Snipes passed away
JustâŠI know everything is terrible. And broken. And getting worse, and itâll get even worse before it gets better. But a celebration of queer love, written by a queer man in honor of his late partner and celebrated by his studio, in a major video game thatâs at its core about what masculinity is and is not, with this kind of emotional depth?
There is still beauty in the world, all Iâm saying.
I love being queer. Happy Pride, friends, a few days late.
JustâŠthis game is this beautiful essay on masculinity in all its forms, and what masculinity looks like when itâs toxic and what it looks like when itâs not, and how you move from toxic to healthy, and that the only way you truly can is with love. Love for yourself. Love from others. Love for others.
And then, right in the middle of that essay is this little illustration of healthy masculinity, one that chooses itself and rejects the toxicity put on it by family and instead journeys into the terrifying unknown and finds the unnameable in another man and calls that unnameable âhome.â A queer love story as an illustration of healthy masculinity. In a game from a major studio, headed by a title character steeped in decades of machismo lore. Written by the friends of a gay man, in his memory, for a gay man, to comfort his grief.
Hope I always ugly cry at kindness like this.
Anyway. Kindness, mercy, justice. Be brave enough to be kind. Queer love is transformative.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
Playing God of War: Ragnarok for the first time and found the Eternal Campfire tonight to start âFavors.â Iâd read about it back when the game first came out, but I still wasnât prepared for the absolute gut punch. Already crying, no idea how Iâm gonna finish it.
For reference:
A side quest in God of War Ragnarok honors the real love story of two developers, Sam Handrick and Jake Snipes. In 2020, Snipes passed away
JustâŠI know everything is terrible. And broken. And getting worse, and itâll get even worse before it gets better. But a celebration of queer love, written by a queer man in honor of his late partner and celebrated by his studio, in a major video game thatâs at its core about what masculinity is and is not, with this kind of emotional depth?
There is still beauty in the world, all Iâm saying.
I love being queer. Happy Pride, friends, a few days late.
Kurajo, my male Adaar mage who romanced Dorian. Sassy. Rescued the mages, left Stroud in the Fade, put Celine and Briala on the throne. My favorite by far, Iâve replayed a version of him dozens of times. Huge buff Qunari and Dorian? Yes please.
Yorin, my male Trevelan rogue who romanced Josephine. Polite. Rescued the mages, left Stroud in the Fade, put Celine in the throne solo. My OG, a little boring but oh-so-noble, and Josephineâs just the best.
Derwyn, my male Cadash warrior who romanced Cassandra. Very mean. Rescued Templars, left Hawke (female mage w/Isabela) in the Fade instead of Alistair, put Celine solo on the throne. Told Solas off at the end and got the âpissed off Solasâ short ending. Derwinâs not my fave but pissing off Solas was satisfying lol.
Inquisition was the first BioWare game I ever played, so it holds a special place in my heart!