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@thesingingknives

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Homecoming, Tathev Simonyan
I once lived by so many horses, so many goats and unendangered bison. Eagles, bald eagles! Really! Right there by the river in the dead tree. I lived there too, right by the river, by the minor league field. I had the neighbor man sharpen the blades on the push mower. There wasn’t so much electric. We didn’t plow the streets. I don’t know how else to say it. My life was very small and beautiful. I was young though I didn’t know it. I was happy when the lilacs filled the alleyways in June. I got drunk, I got loved so many ways. I carried a knife. The brakes weren’t good but good enough. I traded needles, I cut stalks, I planted garlic, I taught school, I put a check in the mail with a stamp on it. I fell off my bike. I wore a bandana like a bandit for the smoke. When I danced, I spun around. I paid a buck to shake the dice. There were dogs everywhere. There were cattle. Coyotes. Owls. Bats. Sage. I used to live right beneath the stars. Right there, between the hills. There’s no other way to say it. I was so animal, I wrote poems, I was so young. I thought it would always be this way. I can still smell it. I can hear the crickets. And the coal train, how it howled like a song.
Ecstatic Past by Alicia Mountain
Bay View neighborhood of Milwaukee, WI
August 2025
Leicaflex SL2
Kodak Color Plus 200
Bay View neighborhood of Milwaukee, WI
August 2025
Leicaflex SL2
Kodak Color Plus 200Â

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Creedence Clearwater Revival - Fortunate Son, 1969

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View of the Manhattan Bridge framed at the intersection of Washington St. and Water St. in Brooklyn.
Television - CBGB, New York City, June 30, 1976
A half-century ago this evening, Television were doing that thing they'd been doing for more than two years — playing CBGB! Since helping jumpstart the Bowery scene in '74, they'd delivered dozens upon dozens of sets at the tiny club, sometimes soaring into the heavens, occasionally crashing down to earth.
This better-than-average audience tape is almost 100% celestial, letting us listen in on a band on the cusp of greatness. Dizzying / dazzling versions of "Elevation," "Venus" and "Foxhole" show Verlaine, Lloyd, Ficca and Smith in pure go-for-broke mode, confident enough in these songs to bend them to various breaking points, tighter than a tight toy night. The closing, 12-minute "Marquee Moon" is unreal, Verlaine's imagination running riot on the fretboard during the long instrumental section, the rest of the players responding to every beautifully twisted note.
The crowd at CBs knows something is happening ... and they might even know what it is. There are multiple hollered song requests for songs that hadn't yet made it to wax — and even someone making up (?) a title. "Toxic Infatuation"? Well, it sounds like something Richard Hell might've written. The audience is clearly enjoying the privilege of being in the coolest place in the world, seeing the coolest band in the world. And we can enjoy a little bit of that, too, 50 years later. The tape is a sweet you-are-there document, with a waitress floating from one side of the stereo spectrum to the other, asking if we need anything. Maybe a Jack and Coke?
Oh and hey, anyone score anything good from Tom Verlaine's record collection?
📸 Bob Gruen
In July the bright ones come from the ground. Stars on rented stalks cover strings of silver strewn by elven-folk who live for but a day.
Tell me any color— sea lavender, limonium, marsh-rosemary— I tell you l believe in any memory come from water.
A sky full of foam, a fire burning down the hatchery, that’s the madness of July. Give me the herb, the everlasting calyx.
Dry me a bouquet and quiet the wind. Let night put out even the boldest blues, the most outrageous purples and dissolute creams.
Field of Statice by Judith Skillman

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"Afternoon Angels", photographed by Laura Marie Cieplik
Dave Vanian, Captain Sensible and Joey Ramone.