Love After Death: Concepts of Posthumous Love in Medieval and Early Modern Europe

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Love After Death: Concepts of Posthumous Love in Medieval and Early Modern Europe

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Magalhaes (Lav Diaz, 2025)
“Someday we will have to agree over violence and its long history. Its way of standing between us and the pure beauty of sky and sea, which we have forgotten to such a degree that our terrorized eyes can no longer make out, through the flood of thoughts, a horizon for our thoughts to move on.”
— Nicole Brossard, from “Obscure Languages”, Selections
On Ugliness, Umberto Eco (2007)
The Hollow Crown – Richard II, dir. Rupert Goold (2012)
Sex, Violence and Faith: The Art of Caravaggio, Amelia Arenas (2016)
The Martyrdom of Saint Matthew, Caravaggio (1599)
Judith Slaying Holofernes, Artemisia Gentileschi (1620)
The Torture Garden, III, 3, Octave Mirbeau (1899)
James Norton as The Cowboy – RIDE by Jessie Ware

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“He slid the stiff blade up to my ear: Oh, fear, this should have been thirst, a cheapening act. But I lacked, as usual, the crucial disbelief. Sticky, cold, a billfold wet in my mouth, wrists bound by his belt, I felt like the boy in a briny night pool, he who found the drowned body, yet still somehow swam with an unknown joy. That boy.”
— Randall Mann, “Straight Razor”
Peter Paul Rubens (detail)
Alfiletero (Pincushion), Lucía Maya, 1986
“Be the right kind of hungry.”
—
- Randall Mann, Advice to a Young Poet

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The Visitor (2024) // dir. Bruce LaBruce
“what will you sing if hunger abides in your blood? there is a name for the animal grief makes of us—”
— Ojo Taiye, from “Elegiac: Unfinished Draft of Hauwa Liman’s Humanitarian Work,” All of Us are Birds and Some of Us Have Broken Wings
“Succubus”
— vintage postcard, c. 1900
“i know the tongue she speaks— grief is a kind of language you can touch.”
— Ojo Taiye, from “Is This Still What I Want?” All of Us are Birds and Some of Us Have Broken Wings

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A secret moment - Ricardo Cherbeluka , 2025.
Brazilian , b. 1978 -
Oil on canvas , 100 x 80 cm.
instagram.com/bonjoursimonleclerc