The light works at turning itself
down, down, and the shapes up.
Defining everything it isn’t. Maybe you
first typed evening for everything, so it was.
Spot of time between day and night.
Golden hour, dark coming on
at any minute, his book in your lap,
cicadas in the original surround sound—
so deafening you almost don’t hear them.
That’s how surrounded you are.
You watch the apricot light shift
a tree toward you, slowly. Foregrounding,
you think. The tulip poplar’s leaves
sharpen, misshapen hands discernible
from those of oaks and maples.
The light presses the poplar’s
strange black leaves into your eyes.
Then the outlines of houses, scalloped
wings of bats, shadow neighbors
walking their shadow dogs. You watch,
in real time, soft light hardening
landscape to silhouette: spots of time
falling darker than the pages. Everything
recedes but you at the age you are, age
you won’t be long, and the light as pale
and sweet as stone fruit, and the trees
becoming more sure of themselves,
becoming edgier—and what else?
Nothing else. More? says the world.
And your open eyes answer more.