TheOtterGod

Rorschach test, final level, legendary difficulty

someone at work told me 'oh, just ask chat' when i raised a casual question and i asked what she meant and she said 'you know, chatgpt' like im an idiot. and i should get an award for the fact that i did not start snarling and biting and killing

i know everyones justifiably mad right now but do you wanna get madder? i work at a school. a teacher said this to me.

im glad this version of the post is making rounds now. the amount of casual ai use i see some teachers do these days is disgusting and they genuinly dont see the problem with making school assignments for children using chatgbt, and even encourage them to use it themselves. school is about teaching kids how to think and they're taking that away from them. this is a sickness and we should be calling it out more so people realize the damage they're doing

they’re burning me onto a CD tomorrow

let 👏 actors 👏 have 👏 male 👏 pattern 👏 baldness 👏 again

it’s a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets “chuckied,” a term coined by yours truly referring to the shift between the first and second acts of child’s play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the film’s serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckying—just like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgi’d in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later child’s play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transform—the thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasn’t seen yet, something they don’t know to brace themselves for. it’s a fine line to walk, of course, but that’s the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you