The Tea Emporium

10 - i'll go drink a cup of water

25- i'll write a paragraph for one of my wips (repeat every 25)✅ ✅

50 - i'll start working on the metis/hera fic i've been meaning to do for a while

100 - i'll dm my favourate singer and ask if i can mention her music in a book i'm writing

250 - I'll come out to my dad as aro/ace (i'm already out to my mum)

500 - i'll teach my (very responsible) little sister about Ao3 and pray she doesn't read explisit stuff

750 - i'll come out as nonbinary to my parents

1000 - i'll ask my mum to come out to her side of the family for me (idk if that makes sense)

1500 - i'll ask my parents for a binder

2000 - i'll burn any suicide letters i have left

3000 - i'll ask my dad to come out to his side of the family for me

done

in progress

not yet

Orym has a tenuous connection to Kiki, and this manifests in knowing more about what’s happening in the wider political landscape (even if it’s just knowing who the players are). Orym is a fully functional person outside of his connection to Kiki. In fact you can remove his being a Tempest Blade from his backstory and just make him a standard Ashari and it all still makes sense.

Bertrand went to the Hells with VM, but other than being able to name drop them, he didn’t have much going on with them.

Ashton having Dunamancy Juice in his brain made for some interesting conversations with Essek, and Caleb, and the Bright Queen. But he had other shit going on between the Titans and trying to keep his suicidal robot friend alive, and finding out what happened to him as a kid, that if you took the Dunamancy Juice out there’s still something to dig into.

Laudna’s whole deal though is/was Delilah. You can’t separate her from that callback, you can’t ignore it. It’s there, all the time. And it means that on some level Laudna is a problem the Vox Machina needs to deal with, it means spending time in White Stone, it means interacting with Vox Machina. It means introducing those characters into C3 in a way that you can’t take back or move past.

Orym, probably:

And i need stories with big feelings - not the little ones. Let the plot rip my heart out. Leave me crying over the regret of a character. Let me sob about the purest of hearts and the softest words (un)spoken. End me with the worst possible outcome of the story.

Lantern Part 3

Read Lantern Part 1 🔥 Read Lantern Part 2

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