Somehow wound up mostly blogging about sci-fi and fantasy and writing bullshit, with the occasional "this I gotta see" and "don't do that, you will die". Also this is my "cool stuff" pile, no sideblogs, no sorting, abandon all hope you who enter here. Art on banner is "Sphinx's Day Off" by Sandara (https://www.deviantart.com/sandara/art/sphinx-s-day-off-179426159). Art on avatar is "Lost Track" by Aron Wiesenfeld (https://aron-wiesenfeld.squarespace.com/2018).
The Nameless Fanfic (5/6 stories written, 6th in draft): Masterpost
The Nameless Fanfic is a series of crossover fanfics for Time to Orbit: Unknown and The Murderbot Diaries. I post the rough drafts here as I write them, then edit them and post them on AO3. As of right now, I have stories 1 through 5 up on AO3, and I am working on the beginning of the last big story in this cycle. There are also standalone short stories from OC and other canon characters' perspectives, and a planned standalone that's between a short and a full-size novella.
The series begins post-canon for TTOU and just after Fugitive Telemetry for TMBD, but spoiler-wise it's extremely heavy spoilers for the end of TTOU (of the "you should probably read the original first" variety), and light spoilers for Fugitive Telemetry for TMBD. As of the story 3 time skip, we've entered post-canon territory for TMBD as well, with extremely heavy spoilers for NE and SC.
Most of the rough drafts for these stories can be found by going down The Nameless Fanfic tag, but as this has already grown... Unwieldy, below the cut you will find AO3 links and blurbs. Enjoy!
Story 1: Connection Test Start (AO3 link)
SecUnit has told Senior Indah it is open to further work, but only if the work is really weird. So when a research transport from an unfamiliar non-corporate political entity called Trellin arrives at Preservation Station and starts throwing strange errors within seconds of contact, SecUnit is tasked with figuring out what the hell is wrong with that ship. (A lot. A lot is wrong with that ship. One, it’s not ART. Two, it’s kind of an asshole anyway. Three, it has feelings. And morals. And that last one might be the worst.)
Story 2: Formless and Vanquished We Shall Travel (AO3 link)
One Public Universal Friend runs a corporate blockade with a shuttle full of refugees, fully expecting to die in the process. Instead, it wakes up on an unfamiliar ship, with a bot pilot that informs the Friend that it is well aware of the Friends' existence and has helped it escape pursuit. In the Corporate Rim era, the Friends have been forced into becoming an underground operation, and they have few allies. Stranded, disoriented, and hounded by a corporation in possession of an anti-terrorism mandate, the Friend must deal with its situation and not sink its entire organization in the process.
Direct continuation of Connection Test Start.
Story 3: The Worst Movie Night (AO3 link)
The alien remnant contamination did far more damage to Perihelion's wormhole drive than anyone had initially realized, and the PSUMNT researchers are at a loss with how to solve the problem. But SecUnit and its Preservation humans have seen “super fast organic wormhole drives” before. With the reluctant permission of Perihelion's crew, a distress call is sent to Trellin, and three scientist teams, two sentient research transports, and one SecUnit convene to figure out how (and whether) ART can get its wings back.
Set after System Collapse.
Author's note: the main thing that you need to know about this story is that I started writing what I thought would be the NE analogue in this cycle, and it turned out to be SC: ART Edition instead. So expect a marked tone shift in comparison to the previous two stories, leaning towards introspection and existentialism. Also, altered states of consciousness.
Story 4: Roots and Branches (AO3 link)
Being responsible for the security of two separate groups of humans is hard enough when SecUnit knows and likes the ships they are travelling on. But once its humans arrive at the incredibly normal space station in orbit of Trellin, SecUnit finds their potential new allies to be much more difficult to deal with than most hostiles. To do its job, it must navigate local privacy customs, dead and/or naked humans, experimental biomes full of planetary fauna and, worst of all, the helpful local HubSystem, which happens to be a) very friendly, b) totally useless at security, c) really fucking creepy. Can SecUnit keep its humans safe and not be driven absolutely beeshit by argumentative social scientists, HubSystem or human, along the way? It’s about to find out.
Direct continuation of The Worst Movie Night.
Story 5: Digging in the Dirt (AO3 link)
Following the events of Connection Test Start, one doctor from Preservation Alliance decides to make things right and sets out for the Corporation Rim, hoping to unearth and eventually bring to justice a certain humanitarian-cum-terrorist organisation. Utterly unprepared for the reality of the Rim, the good doctor finds far more horrors than they ever bargained for—but also many more friends than they expected. Nobody is what they seem to be, and now Dr. Mrinal must decide what to do with what they have discovered and live with their choice.
Direct continuation of Connection Test Start and Roots and Branches.
Short stories, collected as Voices From the Pegasus Constellation (AO3 link)
A collection of short stories portraying some of the events of The Nameless Fanfic from the perspectives of Trellians (and other members of Starwind Accord). Character tags updated as stories get published.
Note that these short stories are placed in different points of the main continuity and are best read one at a time! Links to the relevant stories are given chronologically in the main storyline.
Right now, this includes:
Chosen Burdens (Captain Reed) - after s2ch5, "Verdict"
ship's haunted (Navigator Brisote) - a view of s3ch4-5
Cultural Significance (Senior Engineer Haze) - between s3 and s4
what's in a name (Senior Computer Technician Iceblink) - after s5ch18, "Preparation"
Losing Starlight (Dandelion) - during s5ch24, "Beeshit".
Massacre (Blaze) - during s4ch30, "Preparations"
Medicine From Your Hands (Aspen) - after s4ch41, "Puppetry"
As Above, So Below (Ruby) - technically set between chapters 44 and 45, but probably a good post-epilogue read
Axiom (Ghostwheel) - set between chapters 44 and 45 of Roots and Branches, best read after Digging in the Dirt chapter 7, Monster.
There is also an equivalent collection from the points of view of various TMBD characters, Voices from Preservation Alliance and PSUMNT (AO3 link).
Little Miracles (Ratthi) - set during s4ch13, "Visage", but best read after s4ch31, "Chief". Note that this contains mild Aspen/Ratthi smut (because they are nerds).
People Worth Knowing (Mensah) - the events of Connection Test Start from Dr. Mensah's perspective. Functionally a prequel to s6.
There are more short stories in the tag, but they're not quite edited yet and also a little bit ahead of the currently posted storyline. I will update them as I go!
If you're the sort of person who likes comparing text versions, some old chapters are up on the nameless fanfic: deprecated tag.
I also occasionally post music, pictures, reference materials, etc on the nameless fanfic: supplemental tag. This is mostly for my own convenience, but if you're the sort of person that enjoys finding new music or something that way - enjoy!
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It has a huge variety of historical recipes from different regions, taken from manuscripts, transcribed and translated, and a whole section of notes about the context for the recipe. It's really fun and I AM going to try a couple of these recipes.
Look at how this lamb recipe is presented:
This is just such a fun way to learn more about historical foodways and discover traditional cuisine.
Look at all the filters you can use:
Maybe if I can forage some good blackberries this year, I can make a 300 year old recipe for blackberry wine!
OP: When I put on Hanfu, I suddenly realized that I'm a modern person.
(A growing trend among Hanfu enthusiasts is skipping elaborate traditional updos and pairing Hanfu with everyday modern hairstyles for daily wear. Many still opt for classic Hanfu hairstyles on special occasions such as visiting museums.)
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i really liked this essay on why literary fiction is sounding so much Like That these days, especially work by asian american authors:
This entire process selects for homework-doers, personal entrepreneurs, and individualistic bureaucrats. It's why, like I said, the oracular outsiders, the Pauls of the world, who can't conform to society's expectations to check boxes and become legible to the powers that be, aren't in these programs and aren't getting the opportunities that are downstream of them. It's why you end up with tons of fiction about "my white boyfriend" and "everyone online is mad at me" or "anxious strivers in NYC" or "my annoying polycule." These are the obstacles this class encounters. You can't spend time, like Cormac McCarthy did, living in an unheated cabin in the Smokies, or embedding with the Mujahideen like William T. Vollman, or working as a psychotherapist like Olga Tokarczuk. You must move from strength to strength, always turning in your homework on time, and certainly never suffering a psychotic break.
-- Trip, Estragon News, The Oracular Outsiders and the Homework Doers
Maybe it's because that fiction is being written for the people already bought in. Art that is made for the purpose of institutional legibility and approval is dead on arrival. Writing must stand on the outside, viewing the world at a tilt. Our world is being eaten by word machines that can imitate us perfectly. Unless American letters find the courage to welcome back in the oracular, it will disappear, replaced by machine that can conform to the demands of institutional legibility—really, the demands of capital—better than any human ever could.
we had a true lost in translation moment with flag signalling today
some background: the international code of signals is used as shorthand for communicating important information between vessels until this day. everyone carries a flag alphabet for this purpose and you can raise flags separately or together to indicate conditions and requests.
so when my crew mate informed me that the navy boat we were passing had two signal flags up i asked him to relay me the message because i was busy downstairs.
here is what he saw through the binoculars:
the flag on the left is Alpha (I have a diver down; keep well clear at slow speed) and the right one is Bravo (I am taking in or discharging or carrying dangerous goods.) the vessel most likely had clearance divers out to remove underwater explosives and wanted other's to steer clear.
however, my beloved crew mate only vaguely recalled that Alpha stands for divers and Bravo stands for dangerous. so imagine my surprise when they hesitantly relayed that
"the navy...wants us to know that their divers know how to fight?"
MORN: (speaking for first time ever) Sisko...you crazy son of a bitch. You're the only one who can stop the bad guys now...tell quark im sorry i couldn't close my tab. (Jumps into the lava wall to sort of push the lava back while our heroes slowly climb up a melting ladder that the wide angle didn't show you so you weren't initially sure why the lava was a problem)
O'BRIEN: (directed to act completely unlike hes ever behaved in the entire history of the franchise) FUUUUUUCK!!! NOOOOOO! MORN!!!!! NO!!!!! NO!!!!! NO!
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The Silmarillion fandom is genuinely insane. Like, you hang out on tumblr, read fic on AO3 and you think, yeah. Lots of people have read the Silmarillion. It’s Tolkien. Everyone’s read Tolkien. Barnes and Noble has a whole bunch of the HoME and also a bunch of books by people writing about the legendarium. This is mainstream, surely.
But then you actually touch grass and talk to normal people. Not even that, you talk to people who self diagnose as hard core Tolkien fans. And. None of them have read the Silmarillion. The Silmarillion is famously a book that nobody reads.
And yet. On AO3 The Silmarillion and Other Histories of Middle Earth has more works than The Lord of the Rings. Think about that. That’s baffling. It’s ridiculous. Like I realize that LotR fandom is split a bit by the movie, but still. The Silmarillion has almost four times as many fics as the LotR movies. Everybody has watched the movies!
I need to know what percentage of people who actually read the Silmarillion went on to write fic or draw fanart about it. Because it must be insane, surely. Like, I’m pretty sure the Silmarillion wins some kind of record in this department.
Thinking about the fanfic bell curve where on one end you have “Perfect, needs no improvement or elaboration” (LotR sits here) and on the other you have “So bad it’s no fun to even think about” with the middle being the fanfic zone. But I think there may be a secret fourth Silmarillion option. Which is a book that is perfect* but simultaneously non existent. It’s not even a real story! The language is super pretty and deeply incomprehensible (especially to people who, unlike me, were not raised from early childhood on both the Bible and classic literature). And it’s more of an outline and an abstract painting of cultural and world building vibes (not cultural and world building facts and information) than an actual narrative. There are story hooks galore. There are vivid and fascinating characters, but their lives are glossed over and you only get one or two paragraphs of prose that will reorder your brain chemistry and haunt you forever. There are countless more characters who only exist as names, the implication of whose existence is fascinating. All of this is deeply frustrating, both to casual readers who just want a Normal Enjoyable Book, and super fans who want All the Lore. But it is catnip to anyone who engages in transformative work.
*I am aware that not anyone who is a fan of the silm thinks it’s perfect
Heard this stupid dad joke that killed me: Which Chinese word takes the longest to write? "Friend" (朋友) because it takes two months just to write half of it
so a few days ago I accidentally spilled some hot chocolate on my copy of Durrant’s the cloudy mirror, (which critically evaluates the strengths and biases of the historian Sima Qian) and i was in the uni gym for 1 hour painstakingly drying the pages with a hairdryer
today: i thought it would be funny to officially make an offering of some hot chocy to the Grandaddy of East Asian History himself, Sima Qian.
I brought a bar of whittaker’s just for this lol. no expenses spared.
Sima Qian’s Special Hot Chocy has 3 squares of dark chocolate, 1 tsp of sesame paste, 1 tsp of decaf coffee, a pinch of cinnamon, 2 marshmallows, a wafer stick and 1 cup or hot milk. now, i cant be sure that i am the first person in history to offer Sima Qian a cup of hot chocy, but i can be sure that this cup is the most unique, delicious and decadent!
Sima Qian was not present in person so I drank it on his behalf
my family has had some pretty interesting encounters with psychics/mediums that seem genuine in the past, but nothing will ever be funnier to me than the last guy my mom talked to who was so definitely bullshitting, because she said "I was hoping to hear from my husband" and the guy went "he said....it's okay to Move On" and like. every single person my mom has recounted this too has been like "He Would Not Fucking Say That". as if this was an ooc fanfic about my father. it's just so fucking funny. fake psychic dude take your shitty headcanons about my ghost dad and LEAVE!!!
like, my parents were legitimately insane about each other. I cannot stress how much he wouldn't say that. I have to assume his ghost was standing right next to this fake psychic yelling "WHAT THE FUCK!!!!" when he told my mom to move on lmfao
actually. funnier to imagine he was a Real Psychic who was just trying to put a move on my mom and didn't think the ghost would do anything about it and now is now dealing with a violently angry haunting for the rest of his days lmfao
btw if someone talks about something that is clearly not traumatic or emotionally intense to them, it is not possible for that to be trauma dumping. Trauma dumping is about emotionally unloading on an unsuspecting person, and an offhanded/casual mention of something that makes you uncomfortable is not trauma dumping. you, as a listener, may be bothered by it (maybe it's a squick or trigger), but that isn't called trauma dumping.
say you've got person A and person B. Person A mentions something offhandedly that they deal with on a regular basis, something that's routine that doesn't bother them. Person B finds themself agitated at the mention because why would person A bring this up? Don't they know people find that triggering?
if person B takes this emotional response and proceeds to then go off on person A about how no one wants to hear about [insert thing], however, that is trauma dumping. Person B is taking their trauma or discomfort with the topic and making it person A's problem, rather than recognizing that their reaction isn't matched to the emotional investment person A has. That isn't anyone's fault. But by blaming their reaction on person A and accusing them of trauma dumping, person B is discarding their responsibility to handle their own emotions and shoving them onto someone who did not consent to being their therapist. That's the definition of trauma dumping.
it's truly ironic, because I most frequently see the concept of trauma dumping used for harm - to silence marginalized voices by dumping a rant onto person A, blaming them for person B's reaction driven by trauma or bigotry (or sometimes, both). The people I see slinging around accusations of trauma dumping the most are the ones who start trauma dumping on the people they accuse. They use it like a weapon to shut down discussion of marginalized people's experiences, no matter how tame and non-traumatic.
The most common scenario I've encountered? Ableism. People telling disabled people to shut up about their disabilities because according to ableists, talking about disabilities at all is trauma dumping. And I'm sorry, but that just isn't acceptable. You cannot go around accusing disabled people of trauma dumping for mentioning the facts of their existence, the medical treatments they need, the mobility aids they use, the lifestyle changes required by their health, or the accommodations they need. These are all routine parts of day to day life. It is entirely too common for disabled people to be accused of trauma dumping for simply daring to exist while disabled, and I will not accept that.
For the able: your discomfort around disability is not disabled people's fault or responsibility. Talking about disability is not trauma dumping, and I've seen way too many of you emotionally unload on unsuspecting disabled people who didn't ask for your opinion. Keep your ableist ranting to yourself, please.
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To be clear for the notes, OP isn't saying this post invented the concept of liminal spaces / liminality. The post mentioned seems to mark the first time the concept was applied to "photos of places with uncanny energy" and caused the term to be introduced to pop culture.
the-crepes-of-wrath did not invent the concept nor did they claim to! liminality was conceptualized by folklorists / anthropologists, initially to describe a three-part process of rites of passage. the wikipedia page goes into all kinds of contexts liminality has been applied in. unfortunately a lot of people do not know this & think "liminal" is just a word for "spooky or uncanny." a shame imo!
happy birthday to The Concept Of Liminality Being Applied To Photos Of Uncanny Places!
what I fucking love is how tvl was written in the 80s and lestat is constantly sayinf shit like “as the kids say 🤪 that’s so rad!!” or whatever, and to me, reader of the vampire lestat in this modern age, that does NOT register the way anne rice intended it.
like it is supposed to feel jarring and insane. it is supposed to feel like lestat has been violently submerged in modern young people trends and culture and is now repeating all the new words he learned like a beautiful fresh baby. but because the book is from 1985, all I think is oh interesting huh I didn’t know that slang term even originated in the 80s how vintage how retro how lestat wow he’s so embarrassing aw aw so cute.
but amc in all their incredible genius decided that honoring anne rice’s original vision of writing an extremely modern and weird book that fully embodied the era it was written in was more important then bringing back the 80s nostalgia thing that streaming services love and it’s incredible to me. now I get to listen to lestat say shit like “labubu FOMO cosplay reddit discord Gen Z more like gen SNOOZE 🤪🤪🤪 safe space pronouns donald trump labubu tiktok dance 🕺🏻” and suddenly I understand what it felt like to be a young anne rice reader in 1985. God…. I understand.
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