Somehow wound up mostly blogging about sci-fi and fantasy and writing bullshit, with the occasional "this I gotta see" and "don't do that, you will die". Also this is my "cool stuff" pile, no sideblogs, no sorting, abandon all hope you who enter here. Art on banner is "Sphinx's Day Off" by Sandara (https://www.deviantart.com/sandara/art/sphinx-s-day-off-179426159). Art on avatar is "Lost Track" by Aron Wiesenfeld (https://aron-wiesenfeld.squarespace.com/2018).
The Nameless Fanfic (5/6 stories written, 6th in draft): Masterpost
The Nameless Fanfic is a series of crossover fanfics for Time to Orbit: Unknown and The Murderbot Diaries. I post the rough drafts here as I write them, then edit them and post them on AO3. As of right now, I have stories 1 through 5 up on AO3, and I am working on the beginning of the last big story in this cycle. There are also standalone short stories from OC and other canon characters' perspectives, and a planned standalone that's between a short and a full-size novella.
The series begins post-canon for TTOU and just after Fugitive Telemetry for TMBD, but spoiler-wise it's extremely heavy spoilers for the end of TTOU (of the "you should probably read the original first" variety), and light spoilers for Fugitive Telemetry for TMBD. As of the story 3 time skip, we've entered post-canon territory for TMBD as well, with extremely heavy spoilers for NE and SC.
Most of the rough drafts for these stories can be found by going down The Nameless Fanfic tag, but as this has already grown... Unwieldy, below the cut you will find AO3 links and blurbs. Enjoy!
Story 1: Connection Test Start (AO3 link)
SecUnit has told Senior Indah it is open to further work, but only if the work is really weird. So when a research transport from an unfamiliar non-corporate political entity called Trellin arrives at Preservation Station and starts throwing strange errors within seconds of contact, SecUnit is tasked with figuring out what the hell is wrong with that ship. (A lot. A lot is wrong with that ship. One, itâs not ART. Two, itâs kind of an asshole anyway. Three, it has feelings. And morals. And that last one might be the worst.)
Story 2: Formless and Vanquished We Shall Travel (AO3 link)
One Public Universal Friend runs a corporate blockade with a shuttle full of refugees, fully expecting to die in the process. Instead, it wakes up on an unfamiliar ship, with a bot pilot that informs the Friend that it is well aware of the Friends' existence and has helped it escape pursuit. In the Corporate Rim era, the Friends have been forced into becoming an underground operation, and they have few allies. Stranded, disoriented, and hounded by a corporation in possession of an anti-terrorism mandate, the Friend must deal with its situation and not sink its entire organization in the process.
Direct continuation of Connection Test Start.
Story 3: The Worst Movie Night (AO3 link)
The alien remnant contamination did far more damage to Perihelion's wormhole drive than anyone had initially realized, and the PSUMNT researchers are at a loss with how to solve the problem. But SecUnit and its Preservation humans have seen âsuper fast organic wormhole drivesâ before. With the reluctant permission of Perihelion's crew, a distress call is sent to Trellin, and three scientist teams, two sentient research transports, and one SecUnit convene to figure out how (and whether) ART can get its wings back.
Set after System Collapse.
Author's note: the main thing that you need to know about this story is that I started writing what I thought would be the NE analogue in this cycle, and it turned out to be SC: ART Edition instead. So expect a marked tone shift in comparison to the previous two stories, leaning towards introspection and existentialism. Also, altered states of consciousness.
Story 4: Roots and Branches (AO3 link)
Being responsible for the security of two separate groups of humans is hard enough when SecUnit knows and likes the ships they are travelling on. But once its humans arrive at the incredibly normal space station in orbit of Trellin, SecUnit finds their potential new allies to be much more difficult to deal with than most hostiles. To do its job, it must navigate local privacy customs, dead and/or naked humans, experimental biomes full of planetary fauna and, worst of all, the helpful local HubSystem, which happens to be a) very friendly, b) totally useless at security, c) really fucking creepy. Can SecUnit keep its humans safe and not be driven absolutely beeshit by argumentative social scientists, HubSystem or human, along the way? Itâs about to find out.
Direct continuation of The Worst Movie Night.
Story 5: Digging in the Dirt (AO3 link)
Following the events of Connection Test Start, one doctor from Preservation Alliance decides to make things right and sets out for the Corporation Rim, hoping to unearth and eventually bring to justice a certain humanitarian-cum-terrorist organisation. Utterly unprepared for the reality of the Rim, the good doctor finds far more horrors than they ever bargained forâbut also many more friends than they expected. Nobody is what they seem to be, and now Dr. Mrinal must decide what to do with what they have discovered and live with their choice.
Direct continuation of Connection Test Start and Roots and Branches.
Short stories, collected as Voices From the Pegasus Constellation (AO3 link)
A collection of short stories portraying some of the events of The Nameless Fanfic from the perspectives of Trellians (and other members of Starwind Accord). Character tags updated as stories get published.
Note that these short stories are placed in different points of the main continuity and are best read one at a time! Links to the relevant stories are given chronologically in the main storyline.
Right now, this includes:
Chosen Burdens (Captain Reed) - after s2ch5, "Verdict"
ship's haunted (Navigator Brisote) - a view of s3ch4-5
Cultural Significance (Senior Engineer Haze) - between s3 and s4
what's in a name (Senior Computer Technician Iceblink) - after s5ch18, "Preparation"
Losing Starlight (Dandelion) - during s5ch24, "Beeshit".
Massacre (Blaze) - during s4ch30, "Preparations"
Medicine From Your Hands (Aspen) - after s4ch41, "Puppetry"
As Above, So Below (Ruby) - technically set between chapters 44 and 45, but probably a good post-epilogue read
Axiom (Ghostwheel) - set between chapters 44 and 45 of Roots and Branches, best read after Digging in the Dirt chapter 7, Monster.
There is also an equivalent collection from the points of view of various TMBD characters, Voices from Preservation Alliance and PSUMNT (AO3 link).
Little Miracles (Ratthi) - set during s4ch13, "Visage", but best read after s4ch31, "Chief". Note that this contains mild Aspen/Ratthi smut (because they are nerds).
People Worth Knowing (Mensah) - the events of Connection Test Start from Dr. Mensah's perspective. Functionally a prequel to s6.
There are more short stories in the tag, but they're not quite edited yet and also a little bit ahead of the currently posted storyline. I will update them as I go!
If you're the sort of person who likes comparing text versions, some old chapters are up on the nameless fanfic: deprecated tag.
I also occasionally post music, pictures, reference materials, etc on the nameless fanfic: supplemental tag. This is mostly for my own convenience, but if you're the sort of person that enjoys finding new music or something that way - enjoy!
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who up in a kafka-esque rut sleep deprived, casually malnourished, socially awkward, painfully self-conscious, struggling financially, lacking community, altogether anhedonic
most blacktip reef sharks are no more than 5.5ft long when mature. not only that, blacktip reef sharks are timid and shy, with no fatal human attacks documented. donât comment stuff like this on my posts, save it for another post and stay off mine. thanks
I almost forgot to mention: this woman came into the penguin enclosure with a KESTREL??? I said âoh my god is that an American Kestrel?â and she said âYes! She was outside doing raptor education for the kids, but she doesnât like to get rained on.â
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microslop is currently feuding with some nerd and it's the funniest thing ever
basically, some guy called nightmare-eclipse has found several zero-day exploits in windows and at first contacted microsoft about it but they kept ignoring him (even though they have a bug bounty program, so technically they have to pay him a grant for finding these)
so then he started posting them publicly whenever he found any in hopes of microsoft finally fixing them that way, but of course that leaves windows users vulnerable, because now not-so-nice hackers can see exactly how they can use those exploits. He has found FOUR so far and microsoft did nothing about it.
microsoft then deleted the guy's gitlab account and sued him, after which he said they should mark july 14th in their calender because he is done playing nice and is going to "shatter their bones"
I don't need the chatgpt random algorithm to write emails for me because I already have a custom and 100% flawless algorithm called "writing the exact same three emails with the names changed"
#1: "hi [landlord], hope you're doing well! [apartment thing] is [broken/a problem]. we need it [fixed/replaced/handled] by [date]. let us know when you'll send someone over so we can be here to let them in. thanks so much, [op]"
#2: "hi [professor], hope you're doing well! unfortunately, I'm [sick/stuck at work/dead] and won't be able to submit [assignment] by [due date]. could I please have an extension? if not, is there anything else I could do to make up this credit? thanks so much, [op]"
#3: "hi [customer service person], hope you're doing well! unfortunately, [product] [didn't arrive/is broken/wrong color/gave me a rash/poisoned my crops] and I'd like to receive a [refund/replacement]. here is the documentation of the order and photos of [broken thing/wrong thing/my rash/dead crops]. thanks so much, [op]"
Writing an email is so easy and I will tell you how it's done. This is the advice is for everyone with an email job, but you can apply it to normal human interaction.
The FIRST SENTENCE is the thing you want the recipient to do. Do not make them guess.
I want to let you know about ... (This email is to inform someone of something not to ask them to do anything)
Could you please do ... (This is a request. You want them to do something).
I'm looking into x and wondering if you can help me (this is also a request but for information instead of an action).
People do not want to read an email and even if they do read it, most people are skimming and not interested. Tell them what you want first, then provide context or other information (when you need a thing is often key). If the email is informational, you can even add "you don't need to do anything, this is just to keep you informed!" People will appreciate not having to figure out what you want from them.
If you can't articulate what you want the recipient to do with the message, you are not ready to email them. I read too many emails where I have no idea what the person wants from me.
Put the most important thing first and everyone will be impressed! AI cannot do this for you because it can't tell what's important! Only you know that, which is why you must write your own emails.
to everyone who wants help with emails: go through the notes of this post. there are ideas I've never thought of and plenty of scripts for all kinds of situations/jobs
US based but itâs similar reasons in other countries. and of course many companies have international locations. idk if thatâs why itâs happening with sour patch kids but this is a thing
My nephew is very allergic to eggs, peanuts, tree nuts, and sesame. Last year my sister discovered all hot dogs and hamburger buns now contain sesame. Not "may contain", but listed in the ingredients. This year basically every brand of sliced bread also now contains sesame, making it very difficult to find bread items he can eat.
They're just adding it to their products, so they can just list it as an ingredient and not bother with worrying about cross contamination. And they aren't even bothering with telling anyone. Capitalism is going to kill us all.
"Which brings us back to Kelloggâs. Back in 2016, the company found a way around the added burden and expense of complying with the FSMA: they simply began adding trace amounts of peanut flour to their cracker products. Doing so allowed them to list peanuts as an ingredient of the product, freeing them from having to prevent cross-contact.
At the time, Kelloggâs notified Food Allergy Research and Education (FARE) about the impending change and left it to them to warn the allergic community. In this case, Pearsonâs didnât even bother as near as we can tell."
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ten years ago as part of my creative writing degree we had a class on professional development where we learned how the publishing process works for different mediums and how to choose an agent and what the role of a publishing house is and back then, the advice was "self-publishing has its advantages but a traditional publisher will provide editorial support and market your book and if your book sells well enough they want to invest in your future" and now basically none of that is true anymore. books make it to shelves with noticeable errors and structural issues that could be addressed with one or two more rounds of developmental editing, authors are expected to do more and more of the marketing themselves to the point that they are expected to be social media influencers in their own right, and publishers appear to be prioritising flashy debut novels with huge advances they don't outsell, which means the author is less likely to get a follow-up deal.
Obviously a publisher is a business and a business needs to make money, but the idea used to be that you'd have a couple of very successful authors who bring in so much cash that they subsidise the new kid who is building a back catalogue of books that sell okay until they get name recognition and pay for themselves. I was told back then that a couple thousand pounds was very reasonable for a debut novel because you want to get royalties for the sales exceeding your advance and that way the publisher sees you as a profitable investment. The last couple of years I keep hearing about six figure book deals for debut (!) literary fiction (!) novels, what on earth?
I'm not saying that the publishing industry is uniquely awful or that it's worse than it's ever been or whatever, but especially in a time when reading and talking about books is trendy and there is so much money in books, it feels very, I don't know, symbolic? Prioritising flashy one-time projects over sustained and sustainable growth. Investing only enough resources to make your product fit for sale but not enough to make it good because people will buy it anyway. It's frustrating to me as a reader and as an aspiring writer and as a person existing in a capitalist system.
One of the tags referred to people thanking their editorial teams in acknowledgments, and I want to point out the growing prevalence of people thanking beta-readers and writing groups, both of which usually rely on a pre-existing community or relationship and, just as importantly, are unpaid.
My day job is as a freelance editor for nonfiction books, and I can safely say that if the publishing industry were operating as intended, I would either not have a job at all or be working for a specific press. Authors pay me directly to do the work that a press editor used to do as part of publication contracts. This is because so many presses have started outsourcing all their editorial work to either third-party contractors or, even worse, to genAI.
In short, venture capital has broken the publication industry the same way it's broken the retail, restaurant, and travel industries.
I didn't go into this side of it in my original post but YES! Fuck! I know this is a huge issue for translators too because they're being asked to do more work in less time for less money and I've heard rumblings about human translators being brought in only to essentially proofread work done by AI, which is so disrespectful to the sheer skill and artistic abilities of (literary) translation...
Anyway, I love editing. I think I love editing almost more than writing, and I'm pretty sure that I'm better at it. Last year I edited an academic article from 11k to 9k words for my supervisor and I felt like a god when I finished it, but when my supervisor asked if I'd thought about doing this professionally, I had to tell her that there's just not a viable career in editing anymore. Publishers used to employ! editors! Several different kinds of editors for different stages of the process! That used to be my dream job!
Editing is so essential to making a text good. It doesn't matter how talented or dedicated you are as a writer, you cannot achieve the level of quality by yourself that you could achieve by working with a skilled editor. That's normal! The lone genius who comes out of the cave with the perfect novel does not exist! The manuscript that gets sold to a publisher is supposed to be handed off to an editor who tells you to tighten up that plotline and reminds you that every day can't be Tuesday and sharpens your prose so your voice really shines. Skimping out on that part of the publication process takes money out of the hands of skilled professionals, leads to consumers (ew) receiving subpar products (ew!), and is such an injustice to the writers whose work can't reach its full potential (and the writers who won't get published because they can't afford to pay an editor out of pocket!).
It drives me up the wall. I hate reading a mediocre book and knowing that a skilled editor could have easily raised it from 3 stars to 4. We should all be way angrier about it, frankly.
important reminder that most people you follow online are significantly lamer than you think they are including me. and if you feel insecure comparing yourself to someone online: DON'T. theyre probably also lame and weird. most people on the internet are
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Weeeeee really need to be figuring out how to build outside of the traditional internet. Meshtastic and such are doing a really good job at what they do but itâs not enough, that isnât infrastructure. Iâd love to get plugged in with any folks working on the software side of that, iâm a hardware and infrastructure guy myself so like if a node needs to get on a roof or somesuch i can make it happen! Tap in bro PLEASE
Permacomputing is both a concept and a community of practice oriented around issues of resilience and regenerativity in computer and network technology inspired by permaculture.
In a time where computing epitomizes industrial waste and exploitation, permacomputing encourages a more sustainable approach, maximizing hardware lifespans, minimizing energy use and focussing on the use of already available computational resources. Permacomputing asks the question whether it is possible to rethink computing in the same way as permaculture rethinks agriculture. Permaculture is the science and practice of creating semi-permanent ecosystems of nature. The resilience of any such ecosystem is equal to its diversity and interconnectedness. Permaculture design is a system of assembling conceptual, material and strategic components in a pattern which functions to benefit life in all its forms. It seeks to provide a sustainable and secure place for living things on this earth.
At first it may seems paradoxical to connect permaculture and computation. Indeed, an extractive technology that depends on a wasteful use of finite resources can hardly be permanent. Therefore, by making this connection, what we are truly asking is whether or not there can be a place for computer and network technology in a world where humans contribute to the well-being of the biosphere rather than destroy it? And if yes, how?
Permacomputing wants to imagine such a place and take steps towards it. It is therefore both utopian and practical. We want to find out how we can practice good relations with the Earth by learning from ecological systems to leverage and re-center existing technologies and practices. A radical reduction of wastefulness is a fundamental aspect of it: maximize the hardware lifespans, minimize the energy use. And this is not just about a set of technical problems to be fixedÂâthe attitudes also need a radical turn. Understandability is aesthetics, virtual does not mean immaterial and doing things with less is not a return to the past. We want to investigate what a permacomputing way of life could be, and what sort of transformative computational culture and aesthetics it could bring forward.
The principles of permacomputing are:
Hope for the Best, Prepare for the Worst
Care for All Hardware â Especially the Chips
Observe First
Not Doing
Expose the Seams
Consider Carefully the Interaction Between Simplicity, Complexity and Scale
Keep It Flexible
Build on Solid Ground
(Almost) Everything has a place
Integrate Biological and Renewable Resources
Properties of permacomputing systems
The principles concretely manifest themselves in various forms so as to highlight the following properties:
accessible: well documented and adaptable to an individual's needs.
compatible: works on a variety of architectures.
efficient: uses as little resources (power, memory, etc) as possible (minimization).
flexible: modular, portable, adapts to various use-cases.
resilient: repairable, offline-first, low-maintenance, designed for disassembly, planned for longevity, maximized lifespan, descent-friendly or designed for descent
Some additional concerns are of indirect interest because they impose costs on the entire end-to-end process of software creation:
it's bootstrapped from machine code without circular reasoning (bootstrappable builds)
it's obvious what source code went into it (reproducible builds)
it's easy to audit its source code, including all dependencies
have been really enjoying this essay (from 2004!) wrt permacomputing. the modern tech industry is obsessed with whether software can scale, whether a prototype is a viable business, whether code is maintainable indefinitely. it doesnt have to be any of those things! if you know how to code, you can write software just for yourself, or your community, or for one event. and its ok for software to just be that, to be hyperlocal, to not have its own life, to be specific to what you (yes, you!) actually *need* your computer to do.
also if anyone reading doesnt have a technical background im gna plug this workshop i ran on beginners html and css for london permacomputing club. cant reccomend learning browser basics enough as a starting point for getting into permacomputing. we all hate react web apps taking over everything, but as far as standards go, you can do so much with vanilla html, css, and js, with zero dependencies, and it is guaran-fucking-teed to work the same in twenty years. and its fun!
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