Somehow wound up mostly blogging about sci-fi and fantasy and writing bullshit, with the occasional "this I gotta see" and "don't do that, you will die". Also this is my "cool stuff" pile, no sideblogs, no sorting, abandon all hope you who enter here. Art on banner is "Sphinx's Day Off" by Sandara (https://www.deviantart.com/sandara/art/sphinx-s-day-off-179426159). Art on avatar is "Lost Track" by Aron Wiesenfeld (https://aron-wiesenfeld.squarespace.com/2018).
The Nameless Fanfic (5/6 stories written, 6th in draft): Masterpost
The Nameless Fanfic is a series of crossover fanfics for Time to Orbit: Unknown and The Murderbot Diaries. I post the rough drafts here as I write them, then edit them and post them on AO3. As of right now, I have stories 1 through 5 up on AO3, and I am working on the beginning of the last big story in this cycle. There are also standalone short stories from OC and other canon characters' perspectives, and a planned standalone that's between a short and a full-size novella.
The series begins post-canon for TTOU and just after Fugitive Telemetry for TMBD, but spoiler-wise it's extremely heavy spoilers for the end of TTOU (of the "you should probably read the original first" variety), and light spoilers for Fugitive Telemetry for TMBD. As of the story 3 time skip, we've entered post-canon territory for TMBD as well, with extremely heavy spoilers for NE and SC.
Most of the rough drafts for these stories can be found by going down The Nameless Fanfic tag, but as this has already grown... Unwieldy, below the cut you will find AO3 links and blurbs. Enjoy!
Story 1: Connection Test Start (AO3 link)
SecUnit has told Senior Indah it is open to further work, but only if the work is really weird. So when a research transport from an unfamiliar non-corporate political entity called Trellin arrives at Preservation Station and starts throwing strange errors within seconds of contact, SecUnit is tasked with figuring out what the hell is wrong with that ship. (A lot. A lot is wrong with that ship. One, it’s not ART. Two, it’s kind of an asshole anyway. Three, it has feelings. And morals. And that last one might be the worst.)
Story 2: Formless and Vanquished We Shall Travel (AO3 link)
One Public Universal Friend runs a corporate blockade with a shuttle full of refugees, fully expecting to die in the process. Instead, it wakes up on an unfamiliar ship, with a bot pilot that informs the Friend that it is well aware of the Friends' existence and has helped it escape pursuit. In the Corporate Rim era, the Friends have been forced into becoming an underground operation, and they have few allies. Stranded, disoriented, and hounded by a corporation in possession of an anti-terrorism mandate, the Friend must deal with its situation and not sink its entire organization in the process.
Direct continuation of Connection Test Start.
Story 3: The Worst Movie Night (AO3 link)
The alien remnant contamination did far more damage to Perihelion's wormhole drive than anyone had initially realized, and the PSUMNT researchers are at a loss with how to solve the problem. But SecUnit and its Preservation humans have seen “super fast organic wormhole drives” before. With the reluctant permission of Perihelion's crew, a distress call is sent to Trellin, and three scientist teams, two sentient research transports, and one SecUnit convene to figure out how (and whether) ART can get its wings back.
Set after System Collapse.
Author's note: the main thing that you need to know about this story is that I started writing what I thought would be the NE analogue in this cycle, and it turned out to be SC: ART Edition instead. So expect a marked tone shift in comparison to the previous two stories, leaning towards introspection and existentialism. Also, altered states of consciousness.
Story 4: Roots and Branches (AO3 link)
Being responsible for the security of two separate groups of humans is hard enough when SecUnit knows and likes the ships they are travelling on. But once its humans arrive at the incredibly normal space station in orbit of Trellin, SecUnit finds their potential new allies to be much more difficult to deal with than most hostiles. To do its job, it must navigate local privacy customs, dead and/or naked humans, experimental biomes full of planetary fauna and, worst of all, the helpful local HubSystem, which happens to be a) very friendly, b) totally useless at security, c) really fucking creepy. Can SecUnit keep its humans safe and not be driven absolutely beeshit by argumentative social scientists, HubSystem or human, along the way? It’s about to find out.
Direct continuation of The Worst Movie Night.
Story 5: Digging in the Dirt (AO3 link)
Following the events of Connection Test Start, one doctor from Preservation Alliance decides to make things right and sets out for the Corporation Rim, hoping to unearth and eventually bring to justice a certain humanitarian-cum-terrorist organisation. Utterly unprepared for the reality of the Rim, the good doctor finds far more horrors than they ever bargained for—but also many more friends than they expected. Nobody is what they seem to be, and now Dr. Mrinal must decide what to do with what they have discovered and live with their choice.
Direct continuation of Connection Test Start and Roots and Branches.
Short stories, collected as Voices From the Pegasus Constellation (AO3 link)
A collection of short stories portraying some of the events of The Nameless Fanfic from the perspectives of Trellians (and other members of Starwind Accord). Character tags updated as stories get published.
Note that these short stories are placed in different points of the main continuity and are best read one at a time! Links to the relevant stories are given chronologically in the main storyline.
Right now, this includes:
Chosen Burdens (Captain Reed) - after s2ch5, "Verdict"
ship's haunted (Navigator Brisote) - a view of s3ch4-5
Cultural Significance (Senior Engineer Haze) - between s3 and s4
what's in a name (Senior Computer Technician Iceblink) - after s5ch18, "Preparation"
Losing Starlight (Dandelion) - during s5ch24, "Beeshit".
Massacre (Blaze) - during s4ch30, "Preparations"
Medicine From Your Hands (Aspen) - after s4ch41, "Puppetry"
As Above, So Below (Ruby) - technically set between chapters 44 and 45, but probably a good post-epilogue read
Axiom (Ghostwheel) - set between chapters 44 and 45 of Roots and Branches, best read after Digging in the Dirt chapter 7, Monster.
There is also an equivalent collection from the points of view of various TMBD characters, Voices from Preservation Alliance and PSUMNT (AO3 link).
Little Miracles (Ratthi) - set during s4ch13, "Visage", but best read after s4ch31, "Chief". Note that this contains mild Aspen/Ratthi smut (because they are nerds).
People Worth Knowing (Mensah) - the events of Connection Test Start from Dr. Mensah's perspective. Functionally a prequel to s6.
There are more short stories in the tag, but they're not quite edited yet and also a little bit ahead of the currently posted storyline. I will update them as I go!
If you're the sort of person who likes comparing text versions, some old chapters are up on the nameless fanfic: deprecated tag.
I also occasionally post music, pictures, reference materials, etc on the nameless fanfic: supplemental tag. This is mostly for my own convenience, but if you're the sort of person that enjoys finding new music or something that way - enjoy!
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It is So Boring in the mattress store for kids. It’s basically hell for children because there’s fuckall to do for them.
A couple I was helping earlier had two little ones, three and six, who were behaving in a rather saintly fashion for the average bored kid I see. I tried to engage them with remotes and things while their parents talked.
Eventually they were restless enough that I pulled out notepads and asked if they wanted to draw. The three year old quickly lost interest and I went over to ask her favorite animal. She told me “elephant” so to delight and amaze her I started drawing an elephant. Usually kids are into it.
When I was done she pronounced, “It looks like a giraffe.”
I staggered back melodramatically but actually laughing hysterically and said, “There goes my art degree!”
The parents laughed and said kids were harsh critics. When they checked out they saw my elephant doodle on the desk and both did a double take like, “Woah, that’s a really good elephant!”
“Yeah, I actually did go to art school, but it’s okay. My niece wasn’t very impressed with my drawings at that age either.”
Bashir's work establishing a dental service on DS9 is surely one of the great unsung achievements of the post-Occupation period, and the work he does is adopted throughout Bajor during the reconstruction. It's not like you'd be able go to the dentist easily towards the end of the Occupation, nor train as a dentist either. He trains up a couple of his team so that he doesn't get overwhelmed just dealing with everyone's teeth.
But naturally there's a fair amount of resistance to having anyone poke around inside your gob, or wave a needle at you, given Cardassian practices in this regard. Poor old Kira has to step up and set an example, having first had to put up with Bashir pinning her down at every available opportunity to explain the importance of dental care. She works out her frustration by ordering every single member of the Bajoran militia stationed on DS9 to get themselves down to Bashir's House of Dental Horrors. But it works, and the civilians start to follow.
None of the Ferengi take Bashir up on the doctor's kind offer to extend the station dental service to them, and, indeed, consider it something of an insult.
As for the rest of the station crew - no problem there except, naturally, with O'Brien. Eventually Molly persuades him. "You can come along with me and we can both be scared together. But Uncle Julian won't hurt us, Daddy. You'll see. Also you get a sticker and if you're extra brave you get a lolly."
@hartlins i would like it to be known that these plot bunnies are not ”random” and i actually work really really hard on them. for this one, for example, i went outside and saw a dentist’s office,
The summer between the end of high school and the start of college, I wrote a ridiculous play about pirates and put on a staged reading with some friends at an amphitheatre at a local park before a small audience of friends and family. It was never published or staged again. But I just got a message from an old high school friend I haven’t seen in years. He accidentally quoted the play in a conversation with friends, was asked what he was quoting, he couldn’t remember either, and wracked his brain until he finally remembered it was that silly play reading that we did one day in the park over 10 years ago. It made me happy. (The line was, “Huzzah for mercantilism!” by the way.)
A very tiny percentage of creators go on to be famous, but that doesn’t mean that people don’t remember little things you did for years and years. Who came up with most of the world’s most famous jump rope rhymes? Who coined some of the famous idioms we use in daily speech? Who made up ‘Jingle Bells, Batman Smells?” Somehow, all of these things stuck and spread around.
When I was a small child, I saw a high school put on a production of the musical HONK. In one song, the mother duck describes various dangers that her baby should avoid in the water, including fishing line, which could strangle him. A member of the ensemble played the role of fishing line, doing a maniacal laugh and over-the-top strangling motions, and I found it hilarious– and to this day, that’s an example I often think of when talking about how ensemble members can still stand out in theatre. The guy who played the role might not even remember that he did that, but I do.
I took Suzuki violin lessons as a kid. The teacher made up lyrics to some of the songs, and she let her students make some up, too. Now whenever I hear the instrumental of one of those pieces, I always remember these ridiculous lyrics about a skunk that we sang in violin class. I don’t even know which student invented them!
In middle school, I found a video about atoms parodying Bill Nye made by some kids for a school product. It probably had less than 1,000 views, but I think of quotes from that video all the time. They had a parody of “We Will Rock You” with the chorus, “Protons, neutrons, electrons” that I think about a lot.
I just love that this is part of human life. Our memories don’t just pick up quotes from great art, literature, and music, but little things, too.
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There's a lot of ppl using multiple pronouns that have their actual preferred ones and then the "I'm too tired to argue with ppl when they call me this" ones
Personally I have difficulty switching up pronouns on the fly so if I meet someone using multiple sets of pronouns I try to puzzle out which is which and call them the actual ones
Or sometimes I'll just ask them "hey soooooo which ones do you like ACTUALLY prefer" and it kinda feels dickish on paper but my batting average is really high
The most common situations for it are actually they/them enbies begrudgingly accepting the pronouns associated with their AGAB, and as actually she/her binary trans women that are constantly degendered but don't have any energy left to get upset at being called "they". So sometimes they just slap those pronouns alongside their actual ones.
If someone actually likes multiple pronouns used for them, but you still have difficulty switching up constantly, my usual strat is to figure out what other people are the least likely to refer to them with and use those.
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for non-rimworlders, the Psychopath trait just means that the pawn doesn't get positive or negative moodlets from other people's situations, such as seeing someone die or their child being happy. it's a really good trait, but it's usually good on fighter pawns because otherwise the pawns feel bad about witnessing so much death.
the present is a foreign country. i understand absolutely nothing about the motivations or inner lives of the people who are prompting AI to make longform hockey show fanfics for fandom fame (hordes of entitled people harassing them even before the AI usage was outed). or their readers. this is like if we could get news from mars. why would anybody want to be involved in any of this in any capacity. "they want a book publisher deal like some of the fanfic to romance books" why the fuck would you want a publisher deal if this is what it costs to get it. i would rather agree for a publishing deal in exchange for cutting my own ears off with a seam ripper
it's not even as much about the AI (i personally found using it a terrible experience when i had to do it for uni classwork with a techbro lecturer but i see why would someone else find playing with it rewarding or interesting. the technology at play *is* fascinating from a scientific perspective. like, i don't like it, and there are the enviromental concerns, but i understand why someone could do that) as much as its specifically aiming for fandom fame. if i woke up one day and i had 45k people demanding i deliver them omegaverse hr fanfiction i would throw my computer out of the window. i wouldn't take a shortcut to achieve this or even a longcut or any cut at all
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
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obsessed with this muppet clip where Gonzo breaks a piece of machinery and then just stares at the camera in an empty room and says ‘GUILT’ in the most harrowing way possible
1. Lots of people have one but you don't really think about it until they start talking about making waffles and you're like "oh shit they have a waffle maker"
2. Messy as fuck and you know what as far as I see it why even bother when you have pancakes, you don't need to bother with all those fluids and crevices with pancakes
3. WHY DOES EVERYONE AT THE WEDDING THINK YOU NEED ONE
4. Theoretically implied fun with whipped cream until it melts and starts soaking into shit
5. If you don't prep ur surfaces ur gonna have a bad time
6. It's fun in the kitchen but only on like special occasions cause again it's a pain in the ass to clean
I legitimately think the first video game to ever say the word "bisexual" out loud was Metal Gear Solid 2: Sons of Liberty. There is a nonzero chance it was actually the first video game to print "bisexual" in a text format.
Based on what I found, the first ever bisexual character in a video game was Curtis Craig from Phantasmagoria 2 (1996) but I have yet to find out if he says the word "bisexual" in the scene where this is revealed
I once again have to point out for those who've never played mgs2 he says this when asked if another character that goes by the name of vamp is a vampire
a really really really underrated feeling in learning a different language is when you start to hear words. as in it's no longer a string of sounds, you can parse through where words start and stop as you're hearing them. even words that you don't know what they mean yet but you can distinctly hear it as a whole word
I can’t remember if I’ve posted about this here already, but one of the weirdest things to happen to me in my very poor attempts to Irish was after I’d been immersed in it for a week or so at home. I was super-busy with writing, and didn’t really see anyone other than family. I’d sort of grunt at them then go back to work. And I was only watching Irish language television in my downtime.
Then I went from that straight into a trip to London for the day. And I was walking through a packed King’s Cross station, and suddenly I realised I wasn’t parsing the sounds around me as English. I was trying to decode it as Irish. It was very disconcerting and absolutely delicious. I’m abysmal at language learning, and that’s the only time in my life that I’ve “got” it.
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it pains me to say it but the more people talk shit about the women who wear those shorts/leggings with the weird butt seam that looks like it gives you a terminal wedgie, the more compelled I feel to take the women’s side
and while we’re at it, I’m done worrying about cameltoe. I don’t have time to be pulling and tugging at my clothes all day. if you can see the outline of my pussy you should say thank you and go about your business
man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great
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