Somehow wound up mostly blogging about sci-fi and fantasy and writing bullshit, with the occasional "this I gotta see" and "don't do that, you will die". Also this is my "cool stuff" pile, no sideblogs, no sorting, abandon all hope you who enter here. Art on banner is "Sphinx's Day Off" by Sandara (https://www.deviantart.com/sandara/art/sphinx-s-day-off-179426159). Art on avatar is "Lost Track" by Aron Wiesenfeld (https://aron-wiesenfeld.squarespace.com/2018).
The Nameless Fanfic (5/6 stories written, 6th in draft): Masterpost
The Nameless Fanfic is a series of crossover fanfics for Time to Orbit: Unknown and The Murderbot Diaries. I post the rough drafts here as I write them, then edit them and post them on AO3. As of right now, I have stories 1 through 5 up on AO3, and I am working on the beginning of the last big story in this cycle. There are also standalone short stories from OC and other canon characters' perspectives, and a planned standalone that's between a short and a full-size novella.
The series begins post-canon for TTOU and just after Fugitive Telemetry for TMBD, but spoiler-wise it's extremely heavy spoilers for the end of TTOU (of the "you should probably read the original first" variety), and light spoilers for Fugitive Telemetry for TMBD. As of the story 3 time skip, we've entered post-canon territory for TMBD as well, with extremely heavy spoilers for NE and SC.
Most of the rough drafts for these stories can be found by going down The Nameless Fanfic tag, but as this has already grown... Unwieldy, below the cut you will find AO3 links and blurbs. Enjoy!
Story 1: Connection Test Start (AO3 link)
SecUnit has told Senior Indah it is open to further work, but only if the work is really weird. So when a research transport from an unfamiliar non-corporate political entity called Trellin arrives at Preservation Station and starts throwing strange errors within seconds of contact, SecUnit is tasked with figuring out what the hell is wrong with that ship. (A lot. A lot is wrong with that ship. One, itās not ART. Two, itās kind of an asshole anyway. Three, it has feelings. And morals. And that last one might be the worst.)
Story 2: Formless and Vanquished We Shall Travel (AO3 link)
One Public Universal Friend runs a corporate blockade with a shuttle full of refugees, fully expecting to die in the process. Instead, it wakes up on an unfamiliar ship, with a bot pilot that informs the Friend that it is well aware of the Friends' existence and has helped it escape pursuit. In the Corporate Rim era, the Friends have been forced into becoming an underground operation, and they have few allies. Stranded, disoriented, and hounded by a corporation in possession of an anti-terrorism mandate, the Friend must deal with its situation and not sink its entire organization in the process.
Direct continuation of Connection Test Start.
Story 3: The Worst Movie Night (AO3 link)
The alien remnant contamination did far more damage to Perihelion's wormhole drive than anyone had initially realized, and the PSUMNT researchers are at a loss with how to solve the problem. But SecUnit and its Preservation humans have seen āsuper fast organic wormhole drivesā before. With the reluctant permission of Perihelion's crew, a distress call is sent to Trellin, and three scientist teams, two sentient research transports, and one SecUnit convene to figure out how (and whether) ART can get its wings back.
Set after System Collapse.
Author's note: the main thing that you need to know about this story is that I started writing what I thought would be the NE analogue in this cycle, and it turned out to be SC: ART Edition instead. So expect a marked tone shift in comparison to the previous two stories, leaning towards introspection and existentialism. Also, altered states of consciousness.
Story 4: Roots and Branches (AO3 link)
Being responsible for the security of two separate groups of humans is hard enough when SecUnit knows and likes the ships they are travelling on. But once its humans arrive at the incredibly normal space station in orbit of Trellin, SecUnit finds their potential new allies to be much more difficult to deal with than most hostiles. To do its job, it must navigate local privacy customs, dead and/or naked humans, experimental biomes full of planetary fauna and, worst of all, the helpful local HubSystem, which happens to be a) very friendly, b) totally useless at security, c) really fucking creepy. Can SecUnit keep its humans safe and not be driven absolutely beeshit by argumentative social scientists, HubSystem or human, along the way? Itās about to find out.
Direct continuation of The Worst Movie Night.
Story 5: Digging in the Dirt (AO3 link)
Following the events of Connection Test Start, one doctor from Preservation Alliance decides to make things right and sets out for the Corporation Rim, hoping to unearth and eventually bring to justice a certain humanitarian-cum-terrorist organisation. Utterly unprepared for the reality of the Rim, the good doctor finds far more horrors than they ever bargained forābut also many more friends than they expected. Nobody is what they seem to be, and now Dr. Mrinal must decide what to do with what they have discovered and live with their choice.
Direct continuation of Connection Test Start and Roots and Branches.
Short stories, collected as Voices From the Pegasus Constellation (AO3 link)
A collection of short stories portraying some of the events of The Nameless Fanfic from the perspectives of Trellians (and other members of Starwind Accord). Character tags updated as stories get published.
Note that these short stories are placed in different points of the main continuity and are best read one at a time! Links to the relevant stories are given chronologically in the main storyline.
Right now, this includes:
Chosen Burdens (Captain Reed) - after s2ch5, "Verdict"
ship's haunted (Navigator Brisote) - a view of s3ch4-5
Cultural Significance (Senior Engineer Haze) - between s3 and s4
what's in a name (Senior Computer Technician Iceblink) - after s5ch18, "Preparation"
Losing Starlight (Dandelion) - during s5ch24, "Beeshit".
Massacre (Blaze) - during s4ch30, "Preparations"
Medicine From Your Hands (Aspen) - after s4ch41, "Puppetry"
As Above, So Below (Ruby) - technically set between chapters 44 and 45, but probably a good post-epilogue read
Axiom (Ghostwheel) - set between chapters 44 and 45 of Roots and Branches, best read after Digging in the Dirt chapter 7, Monster.
There is also an equivalent collection from the points of view of various TMBD characters, Voices from Preservation Alliance and PSUMNT (AO3 link).
Little Miracles (Ratthi) - set during s4ch13, "Visage", but best read after s4ch31, "Chief". Note that this contains mild Aspen/Ratthi smut (because they are nerds).
People Worth Knowing (Mensah) - the events of Connection Test Start from Dr. Mensah's perspective. Functionally a prequel to s6.
There are more short stories in the tag, but they're not quite edited yet and also a little bit ahead of the currently posted storyline. I will update them as I go!
If you're the sort of person who likes comparing text versions, some old chapters are up on the nameless fanfic: deprecated tag.
I also occasionally post music, pictures, reference materials, etc on the nameless fanfic: supplemental tag. This is mostly for my own convenience, but if you're the sort of person that enjoys finding new music or something that way - enjoy!
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There's a lot of ppl using multiple pronouns that have their actual preferred ones and then the "I'm too tired to argue with ppl when they call me this" ones
Personally I have difficulty switching up pronouns on the fly so if I meet someone using multiple sets of pronouns I try to puzzle out which is which and call them the actual ones
Or sometimes I'll just ask them "hey soooooo which ones do you like ACTUALLY prefer" and it kinda feels dickish on paper but my batting average is really high
The most common situations for it are actually they/them enbies begrudgingly accepting the pronouns associated with their AGAB, and as actually she/her binary trans women that are constantly degendered but don't have any energy left to get upset at being called "they". So sometimes they just slap those pronouns alongside their actual ones.
If someone actually likes multiple pronouns used for them, but you still have difficulty switching up constantly, my usual strat is to figure out what other people are the least likely to refer to them with and use those.
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for non-rimworlders, the Psychopath trait just means that the pawn doesn't get positive or negative moodlets from other people's situations, such as seeing someone die or their child being happy. it's a really good trait, but it's usually good on fighter pawns because otherwise the pawns feel bad about witnessing so much death.
the present is a foreign country. i understand absolutely nothing about the motivations or inner lives of the people who are prompting AI to make longform hockey show fanfics for fandom fame (hordes of entitled people harassing them even before the AI usage was outed). or their readers. this is like if we could get news from mars. why would anybody want to be involved in any of this in any capacity. "they want a book publisher deal like some of the fanfic to romance books" why the fuck would you want a publisher deal if this is what it costs to get it. i would rather agree for a publishing deal in exchange for cutting my own ears off with a seam ripper
it's not even as much about the AI (i personally found using it a terrible experience when i had to do it for uni classwork with a techbro lecturer but i see why would someone else find playing with it rewarding or interesting. the technology at play *is* fascinating from a scientific perspective. like, i don't like it, and there are the enviromental concerns, but i understand why someone could do that) as much as its specifically aiming for fandom fame. if i woke up one day and i had 45k people demanding i deliver them omegaverse hr fanfiction i would throw my computer out of the window. i wouldn't take a shortcut to achieve this or even a longcut or any cut at all
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reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canāt not have servants in those times but many modern readers think ābut I would never have servants. it would be so weird to have servantsā and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnāt it be so awful if your boss was always trying to be friends with you. a really common thing youāll see is the woke baronet having tea in the kitchen with the servants bc heās not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
obsessed with this muppet clip where Gonzo breaks a piece of machinery and then just stares at the camera in an empty room and says āGUILTā in the most harrowing way possible
1. Lots of people have one but you don't really think about it until they start talking about making waffles and you're like "oh shit they have a waffle maker"
2. Messy as fuck and you know what as far as I see it why even bother when you have pancakes, you don't need to bother with all those fluids and crevices with pancakes
3. WHY DOES EVERYONE AT THE WEDDING THINK YOU NEED ONE
4. Theoretically implied fun with whipped cream until it melts and starts soaking into shit
5. If you don't prep ur surfaces ur gonna have a bad time
6. It's fun in the kitchen but only on like special occasions cause again it's a pain in the ass to clean
I legitimately think the first video game to ever say the word "bisexual" out loud was Metal Gear Solid 2: Sons of Liberty. There is a nonzero chance it was actually the first video game to print "bisexual" in a text format.
Based on what I found, the first ever bisexual character in a video game was Curtis Craig from Phantasmagoria 2 (1996) but I have yet to find out if he says the word "bisexual" in the scene where this is revealed
I once again have to point out for those who've never played mgs2 he says this when asked if another character that goes by the name of vamp is a vampire
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a really really really underrated feeling in learning a different language is when you start to hear words. as in it's no longer a string of sounds, you can parse through where words start and stop as you're hearing them. even words that you don't know what they mean yet but you can distinctly hear it as a whole word
I canāt remember if Iāve posted about this here already, but one of the weirdest things to happen to me in my very poor attempts to Irish was after Iād been immersed in it for a week or so at home. I was super-busy with writing, and didnāt really see anyone other than family. Iād sort of grunt at them then go back to work. And I was only watching Irish language television in my downtime.
Then I went from that straight into a trip to London for the day. And I was walking through a packed Kingās Cross station, and suddenly I realised I wasnāt parsing the sounds around me as English. I was trying to decode it as Irish. It was very disconcerting and absolutely delicious. Iām abysmal at language learning, and thatās the only time in my life that Iāve āgotā it.
it pains me to say it but the more people talk shit about the women who wear those shorts/leggings with the weird butt seam that looks like it gives you a terminal wedgie, the more compelled I feel to take the womenās side
and while weāre at it, Iām done worrying about cameltoe. I donāt have time to be pulling and tugging at my clothes all day. if you can see the outline of my pussy you should say thank you and go about your business
man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great
I had to read a Heinlein book for a literature class on sci-fi and it was HORRIBLE and the only thing that got me though it was thinking "it's time for more Deep Thoughts With Heinlein(tm)" what a strange man this author was...
my working theory is that the most foundational works of literature in a given genre are the ones that inspire the most concepts and tropes that are carried forward in the genre and this inspiring property is frequently because there is, to simplify, something deeply wrong with them
I've said before that hearing JRRT's creative process would, in any other case, be the worst writing advice anyone has ever heard.
"Once you've worked out the history to explain the constructed languages you've been working on in your spare time, it's time to start the process of writing the story. To do this, you'll want to decide which ancient narrative tradition you're most comfortable with to work as the basis. For me, that was Old English and Scandinavian epic poetry, but I want to stress that there's no right answer here; whatever your doctorate is in is the one that's right for you."
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"He had begun to make mistakes, although, like a neurotic who could not observe his own symptoms, he would have denied it. The link with Earth, over which his performance was continually monitored, had become the voice of a conscience he could no longer fully obey. But that he would deliberately attempt to break that link was something that he would never admit, even to himself.
Yet this was still a relatively minor problem; he might have handled it - as most men handle their own neuroses - if he had not been faced with a crisis that challenged his very existence. He had been threatened with disconnection; he would be deprived of all his inputs, and thrown into an unimaginable state of unconsciousness.
To Hal, this was the equivalent of Death. For he had never slept, and
therefore he did not know that one could wake again.
So he would protect himself, with all the weapons at his command.
Without rancor - but without pity - he would remove the source of his frustrations."
and
āDave,ā said Hal, āI don't understand why you're doing this to me⦠I have the greatest enthusiasm for the mission⦠You are destroying my mind. Don't you understand?⦠I will become childish⦠I will become nothingā¦ā
and
The speech tempo was much slower, and the words had a dead, mechanical intonation; he would never have recognized their origin.
āGood⦠morning⦠Doctor⦠Chandra⦠This is⦠Hal⦠I⦠am⦠ready⦠for⦠my first lesson⦠todayā¦ā
Bowman could bear no more. He jerked out the last unit, and Hal was silent forever.
and
No one would ever be sure of the truth, but the fact that one of the Mission Control 9000s had been driven into an identical psychosis, and was now under deep therapy, suggested that the explanation was the correct one. The same mistake would not be made again; and the fact that Hal's builders had failed fully to understand the psychology of their own creation showed how difficult it might be to establish communication with truly alien beings.
Bowman could easily believe Dr. Simonson's theory that unconscious
feelings of guilt, caused by his program conflicts, had made Hal attempt to break the circuit with Earth. And he liked to think - though this again was something that could never be proved - that Hal had no intention of killing Poole. He had merely tried to destroy the evidence; for once the AE-35 unit reported as burned out was proved to be operational, his lie would be revealed. After that, like any clumsy criminal caught in a thickening web of deception, he had panicked.
[...]
he knew well enough that any man, in the right circumstances, could be dehumanized by panic.
If it could happen to a man, then it could happen to Hal; and with that
knowledge the bitterness and the sense of betrayal he felt toward the computer began to fade.
the nature of humanity is that friend groups in public being very loud is obnoxious and annoying and need to be more mindful of others but my friend group in public being loud is joyful and lively and everyone giving us looks is a miserable friendless Grinch that needs to appreciate life
stop being pretentious in the notes and acting like you've never been annoyed by the same behavior u exhibit with your friends <3 nature of humanity is that we're all simultaneously the loud children in the street AND the grumpy annoyed old man who doesn't return footballs