Somehow wound up mostly blogging about sci-fi and fantasy and writing bullshit, with the occasional "this I gotta see" and "don't do that, you will die". Also this is my "cool stuff" pile, no sideblogs, no sorting, abandon all hope you who enter here. Art on banner is "Sphinx's Day Off" by Sandara (https://www.deviantart.com/sandara/art/sphinx-s-day-off-179426159). Art on avatar is "Lost Track" by Aron Wiesenfeld (https://aron-wiesenfeld.squarespace.com/2018).
The Nameless Fanfic (5/6 stories written, 6th in draft): Masterpost
The Nameless Fanfic is a series of crossover fanfics for Time to Orbit: Unknown and The Murderbot Diaries. I post the rough drafts here as I write them, then edit them and post them on AO3. As of right now, I have stories 1 through 5 up on AO3, and I am working on the beginning of the last big story in this cycle. There are also standalone short stories from OC and other canon characters' perspectives, and a planned standalone that's between a short and a full-size novella.
The series begins post-canon for TTOU and just after Fugitive Telemetry for TMBD, but spoiler-wise it's extremely heavy spoilers for the end of TTOU (of the "you should probably read the original first" variety), and light spoilers for Fugitive Telemetry for TMBD. As of the story 3 time skip, we've entered post-canon territory for TMBD as well, with extremely heavy spoilers for NE and SC.
Most of the rough drafts for these stories can be found by going down The Nameless Fanfic tag, but as this has already grown... Unwieldy, below the cut you will find AO3 links and blurbs. Enjoy!
Story 1: Connection Test Start (AO3 link)
SecUnit has told Senior Indah it is open to further work, but only if the work is really weird. So when a research transport from an unfamiliar non-corporate political entity called Trellin arrives at Preservation Station and starts throwing strange errors within seconds of contact, SecUnit is tasked with figuring out what the hell is wrong with that ship. (A lot. A lot is wrong with that ship. One, it’s not ART. Two, it’s kind of an asshole anyway. Three, it has feelings. And morals. And that last one might be the worst.)
Story 2: Formless and Vanquished We Shall Travel (AO3 link)
One Public Universal Friend runs a corporate blockade with a shuttle full of refugees, fully expecting to die in the process. Instead, it wakes up on an unfamiliar ship, with a bot pilot that informs the Friend that it is well aware of the Friends' existence and has helped it escape pursuit. In the Corporate Rim era, the Friends have been forced into becoming an underground operation, and they have few allies. Stranded, disoriented, and hounded by a corporation in possession of an anti-terrorism mandate, the Friend must deal with its situation and not sink its entire organization in the process.
Direct continuation of Connection Test Start.
Story 3: The Worst Movie Night (AO3 link)
The alien remnant contamination did far more damage to Perihelion's wormhole drive than anyone had initially realized, and the PSUMNT researchers are at a loss with how to solve the problem. But SecUnit and its Preservation humans have seen “super fast organic wormhole drives” before. With the reluctant permission of Perihelion's crew, a distress call is sent to Trellin, and three scientist teams, two sentient research transports, and one SecUnit convene to figure out how (and whether) ART can get its wings back.
Set after System Collapse.
Author's note: the main thing that you need to know about this story is that I started writing what I thought would be the NE analogue in this cycle, and it turned out to be SC: ART Edition instead. So expect a marked tone shift in comparison to the previous two stories, leaning towards introspection and existentialism. Also, altered states of consciousness.
Story 4: Roots and Branches (AO3 link)
Being responsible for the security of two separate groups of humans is hard enough when SecUnit knows and likes the ships they are travelling on. But once its humans arrive at the incredibly normal space station in orbit of Trellin, SecUnit finds their potential new allies to be much more difficult to deal with than most hostiles. To do its job, it must navigate local privacy customs, dead and/or naked humans, experimental biomes full of planetary fauna and, worst of all, the helpful local HubSystem, which happens to be a) very friendly, b) totally useless at security, c) really fucking creepy. Can SecUnit keep its humans safe and not be driven absolutely beeshit by argumentative social scientists, HubSystem or human, along the way? It’s about to find out.
Direct continuation of The Worst Movie Night.
Story 5: Digging in the Dirt (AO3 link)
Following the events of Connection Test Start, one doctor from Preservation Alliance decides to make things right and sets out for the Corporation Rim, hoping to unearth and eventually bring to justice a certain humanitarian-cum-terrorist organisation. Utterly unprepared for the reality of the Rim, the good doctor finds far more horrors than they ever bargained for—but also many more friends than they expected. Nobody is what they seem to be, and now Dr. Mrinal must decide what to do with what they have discovered and live with their choice.
Direct continuation of Connection Test Start and Roots and Branches.
Short stories, collected as Voices From the Pegasus Constellation (AO3 link)
A collection of short stories portraying some of the events of The Nameless Fanfic from the perspectives of Trellians (and other members of Starwind Accord). Character tags updated as stories get published.
Note that these short stories are placed in different points of the main continuity and are best read one at a time! Links to the relevant stories are given chronologically in the main storyline.
Right now, this includes:
Chosen Burdens (Captain Reed) - after s2ch5, "Verdict"
ship's haunted (Navigator Brisote) - a view of s3ch4-5
Cultural Significance (Senior Engineer Haze) - between s3 and s4
what's in a name (Senior Computer Technician Iceblink) - after s5ch18, "Preparation"
Losing Starlight (Dandelion) - during s5ch24, "Beeshit".
Massacre (Blaze) - during s4ch30, "Preparations"
Medicine From Your Hands (Aspen) - after s4ch41, "Puppetry"
As Above, So Below (Ruby) - technically set between chapters 44 and 45, but probably a good post-epilogue read
Axiom (Ghostwheel) - set between chapters 44 and 45 of Roots and Branches, best read after Digging in the Dirt chapter 7, Monster.
There is also an equivalent collection from the points of view of various TMBD characters, Voices from Preservation Alliance and PSUMNT (AO3 link).
Little Miracles (Ratthi) - set during s4ch13, "Visage", but best read after s4ch31, "Chief". Note that this contains mild Aspen/Ratthi smut (because they are nerds).
People Worth Knowing (Mensah) - the events of Connection Test Start from Dr. Mensah's perspective. Functionally a prequel to s6.
There are more short stories in the tag, but they're not quite edited yet and also a little bit ahead of the currently posted storyline. I will update them as I go!
If you're the sort of person who likes comparing text versions, some old chapters are up on the nameless fanfic: deprecated tag.
I also occasionally post music, pictures, reference materials, etc on the nameless fanfic: supplemental tag. This is mostly for my own convenience, but if you're the sort of person that enjoys finding new music or something that way - enjoy!
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#why do people think shipping containers are the cure to every issue????#unless youre filling them with sand theyre not bulletproof#and theres no fucken roof
Fill the shipping containers with concrete to make Giant Bricks
shipping containers are also not that strong and also only cheap/relatively accessible to use if you live somewhere where shipping containers just end up
Fun fact about shipping container houses is that because so many shipping containers are used to transport hazardous materials and are unsuitable to live in for contamination reasons, it's often easier to make them out of entirely new, unused shipping containers than to source appropriate second hand ones. Which destroys the entire purpose of shipping container houses. Because we already know how to make rooms that are cheaper, better insulated, and more spacious and easy to acquire and transport than brand new shipping containers.
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The fun thing about finnish is that the way you ask for things in a polite way has been in-baked into the suffixes you use, so you don't have to use many words when few do trick. Like asking someone "could you give me [-]" is "voisitko antaa" in written and some variation of "voisiksä antaa" in spoken dialects*, but instead of asking "could you", the polite polite way to ask is "haluaisitko", not as can you, but would you want to. The tone distinction is so clear that asking someone "could you [do thing]" instead of "would you want to [do thing]" is less of a polite request and more of instruction - someone's gotta do it, and the task is being assigned to you.
On the other hand, dropping out the conditional out of the question turns the tone into a passive-aggressive threat. If someone tells you "stop that" as an imperative, "lopeta", that's a command. Asking in conditional, could you stop that, "voisitko lopettaa" is a polite request. "Haluaisitko lopettaa", would you like to stop that, is so polite that depending on the tone it might be sarcastic politeness that indicates hostility.
But asking someone "do you want to stop that", "haluatko lopettaa tuon" is a matter of "do you want to stop doing that voluntarily, or do you want me to stop you." By physical force, if necessary.
* the different form varies depending on what first and second person pronouns are used in the specific dialect. This is a whole another rabbit hole so for shortcut I'm doing the examples in the southern finnish dialect that I have grown up speaking
Link is to a 4-minute youtube video titled Black Freedom Reimagined: Where Afrofuturism Meets Pan-African Liberation.
"Afrofuturism isn’t just art, fashion, or science fiction, it’s a liberation philosophy. In this video, we explore how Afrofuturism and Pan-Africanism are two sides of the same coin, both committed to Black freedom, unity, and self-determination. From Wakanda’s vision of an unconquered Africa to Sun Ra’s cosmic jazz, from Octavia Butler’s prophetic stories to Janelle Monáe’s futuristic soundscapes, Afrofuturism imagines a world where we reclaim our power politically, culturally, and spiritually. This video connects the past and the future showing that Marcus Garvey, Kwame Nkrumah, and Fannie Lou Hamer’s dreams are the same blueprints that artists, musicians, and writers build upon today through Afrofuturism."
In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories.
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So I was thinking about Garak and Julian expanding their cultural exchange to include movies, which got me considering what Cardassian movies would be like, and then specifically what Cardassian movies Garak would watch.
long story short, Julian will fall asleep, dad-style, on the couch an hour into the movie and right in the middle of the fifth major monologue; Garak will be pissy about it; and Julian will not apologize for it because it's not his fault Cardassian Citizen Kane is seven hours long.
Bashir puts on the full-length cut of Abel Gance’s Napoléon as revenge. Garak is mesmerised. He goes off and does some research and then demands they see it again the following week in the holosuite but this time with the live orchestra, dinner break, and gun salute.
It has a huge variety of historical recipes from different regions, taken from manuscripts, transcribed and translated, and a whole section of notes about the context for the recipe. It's really fun and I AM going to try a couple of these recipes.
Look at how this lamb recipe is presented:
This is just such a fun way to learn more about historical foodways and discover traditional cuisine.
Look at all the filters you can use:
Maybe if I can forage some good blackberries this year, I can make a 300 year old recipe for blackberry wine!
OP: When I put on Hanfu, I suddenly realized that I'm a modern person.
(A growing trend among Hanfu enthusiasts is skipping elaborate traditional updos and pairing Hanfu with everyday modern hairstyles for daily wear. Many still opt for classic Hanfu hairstyles on special occasions such as visiting museums.)
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i really liked this essay on why literary fiction is sounding so much Like That these days, especially work by asian american authors:
This entire process selects for homework-doers, personal entrepreneurs, and individualistic bureaucrats. It's why, like I said, the oracular outsiders, the Pauls of the world, who can't conform to society's expectations to check boxes and become legible to the powers that be, aren't in these programs and aren't getting the opportunities that are downstream of them. It's why you end up with tons of fiction about "my white boyfriend" and "everyone online is mad at me" or "anxious strivers in NYC" or "my annoying polycule." These are the obstacles this class encounters. You can't spend time, like Cormac McCarthy did, living in an unheated cabin in the Smokies, or embedding with the Mujahideen like William T. Vollman, or working as a psychotherapist like Olga Tokarczuk. You must move from strength to strength, always turning in your homework on time, and certainly never suffering a psychotic break.
-- Trip, Estragon News, The Oracular Outsiders and the Homework Doers
Maybe it's because that fiction is being written for the people already bought in. Art that is made for the purpose of institutional legibility and approval is dead on arrival. Writing must stand on the outside, viewing the world at a tilt. Our world is being eaten by word machines that can imitate us perfectly. Unless American letters find the courage to welcome back in the oracular, it will disappear, replaced by machine that can conform to the demands of institutional legibility—really, the demands of capital—better than any human ever could.
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