Brennan's so right about the separately evolving genres, though. Soldiers in a blockbuster action, Schemers in a high-concept spy intrigue, and the Seekers have just been thrust against their will into a regency romance.

average castle watching experience is being hit with the most devastating and emotional cliffhanger (with or without caskett teases that make you want to pull your hair out/pos) and then the credits hit you with that cheerful ass whistling

Nancy Danderhoof is like the de facto 7th member of the coterie at this point

Banksy sighting: 3 dead, 2 injured

there’s something about the way that siobhan is essentially playing an entirely different game to literally the entire rest of the table like madelaine is just soooo optimised to being a cool hot sexy vampire

extremely funny to me that brennan has stepped away from his classic ‘every npc wants to fuck zac’ to something fresh n funky: every npc wants to fuck siobhan

One of their associates wants your job but thinks buying a notepad is the equivalent of what you do and you just have to put up with it. Your boss gets you a rolex for no clear reason.

and like, here’s the thing with tyranny. her being a yearner isn’t confined to simply yearning in the romantic sense. she desires the very nature of humanity and everything that comes with it. she’s jealous of love and of companionship and of freedom of choice. she’s jealous of growing up and of growing old. she wants to experience EVERYTHING. she’s hedonistic and that’s the core of her character.