Happy Satan

Art by Morgan Sorensen, known as See Machine

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals:

Ask yourself, how does this piece make you feel? (No wrong answers)

Look for an artist statement nearby. What does it say about the artist and their relationship to their work? What does the artist say that they are trying to convey with their art? What contextual clues can you pick up from what they say about their background, or what they omit?

Look at the title of the piece. What is the artist saying about their work by naming it that, either explicitly or implicitly?

Look at the medium. Is there anything about the piece that stands out to you, knowing what it's made of?

Look at the year it was made. What cultural events might have been happening around this time? Was this piece part of a particular art movement? What was the purpose of that art movement, and what was it trying to say?

In just the past two months, Sony has:

Said the PS6 will be more than $1000 at launch

Announced the end of all physical PS game releases

While simultaneously announcing the end of two of their console game stores — ensuring multiple games will die forever

Declared that they are wholly dedicated to (A) leveraging A.I. when making games and (B) creating live-service games above all other game types

Announced that if you bought any movies through their PlayStation Store, over 550 of them will soon be deleted from all users' libraries — with no restitution offered of any kind

Gamers, it is time — to paraphrase Robert Vann — to turn Sony's picture to the wall. Any one of these insults would be bad, and taken alone? Maybe it could be swallowed. But this is an ongoing campaign of disdain towards customers, with each declaration worse than the last.

I knew a rapist who was an absolute ride-or-die friend to his gamer bros. Like, give the last dollar from his pocket to a friend who got a flat tire, and then turn around and go rape a Freshman that evening.

I knew a vicious child abuser who wept like a baby when her dog died.

The nastiest human being on the planet nevertheless feels obscurely melancholy sometimes, or has high spirits when they step out doors on the first warm day of spring, or has opinions on their favorite TV show and which side the toilet paper should hang on and whether or not the room should be cold or warm when you go to sleep.

We're all still just people. Complex, with fully-realized interior worlds.

None of that will save you from becoming a monster, if you decide to do monstrous things.

You're not nomads relying on each other to hunt and gather anymore, you're talking about stocking shelves for fucking wal marts

Instead of bottling it or lashing out, he took the time to stop in a quiet place to process an upsetting event. He validated his anger, and stated he felt his needs were going unmet. He then humanized the person who upset him, and considered their intentions. He then found perspective on the event and his own emotions. This then genuinely calmed him down.

I learned this from a German friend (she might have been messing with me):