Three American Beauties, 1906. Dir. Edwin S. Porter & Wallace McCutcheon.
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Three American Beauties, 1906. Dir. Edwin S. Porter & Wallace McCutcheon.

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An extant men's ensemble from c. 1833: coat and trousers of British make (Metropolitan Museum of Art collection).
Handbook of English Costume in the 19th Century, by Phillis and C. Willett Cunnington, describes the men's suit of the 1830s:
The tail coat was double-breasted or single-breasted; the cut-in now square; the collar high behind with rolled lapels turning low for full evening dress. The waist was rather short (until 1836) and the skirt at first scanty — ‘scarcely perceptible’ (1831.) — but becoming fuller and longer by 1838. The corners were rounded.
The sleeves, long and close-fitting, ceased to be gathered at the shoulders soon after 1832 although slight gathers sometimes persisted into the 1840s. The cuffs were usually slit (the French riding cuff) with two buttons in the cuff and sometimes two above; the corners of the cuff, from 1838, might be rounded off.
A fashion plate detail from 1834 (Met collection) showing a similar style of double-breasted tailcoat on the man at right, also paired with pleated Cossack-style trousers with foot straps.
Men's jewellery art details, 1840s.
Bildnis eines Herrn im schwarzen Gehrock, mit Orden, Albert Theer, 1843.
Josef Benesch, Eduard Ender, 1840.
Der Industrielle Maximilian Todesco, Friedrich von Amerling, 1846.
Portrait eines Architekten, Adam Brenner, 1849.
Navy Beaded Afternoon Dress
c. 1907-1912
Museum of Vancouver
Gold, diamond and aquamarine necklace by Faberge. Russia, 1900s.

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Molinard French Glass Cicada-form Perfume bottle, c. 1900
Pendant
mid 18th century
gold, quartz, silk, hair
England
London Museum
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"Robe de Paul Poiret" de Paul Iribe
Les Robes de Paul Poiret racontées par Paul Iribe, planche 10
Oeuvre de Paul Iribe (1883-1935) 1908
Estampe en couleurs sur papier chagriné
Else Berna
Vintage German postcard. Gustave Liersch & Co, No. 1541/5. Mailed in France in 1908.
Actress and singer Else Berna (1886-1935) appeared in 13 silent German films between 1917 and 1924.

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Le Jeune, Paris - Madame Cordero
Black leather album 41. CDV
Library Table
Maker: Herter Brothers (German, active New York, 1864–1906) Date:1879–82 Geography: Made in New York, New York, United States
More images, a detailed description, and an audio description of this gorgeous work are available at the museum link in the original post.
According to the site, the piece was (unfortunately) intended as a monument to William Henry Vanderbilt because of his wealth and international influence. I like it much better separated from that legacy and imagine it as tribute to the beauty of the heavens and earth.
I spent about 15 minutes gazing at it on my last visit to the Met. If the museum gift shop sold a full-size replica (the top is about 1x1.5 meters), I’d sell all my other furniture to buy one.
Evening Gown
c. 1848-1849
by Edward Molyneux
Wadsworth Atheneum Museum
On This Day: 19th April, 1891
Fashion plate 2694 from the Moniteur de la Mode, engraved by Edouard Tailland after an illustration by Jules David.
Toilettes de Mad'e Moslard, 96, r. St. Lazare. _ Soieries & Hautes nouveautés des Frabiques Lyonnaises.
Lait Antéphélique pour le teint de Candès & Cie, 16, Bd. St. Denis. _ Parfumerie Exotique Mon. Senet, 35, r. du Quatre-Septembre.
~~~~~
No description for this one, have not found any archives that cover the Moniteur de la Mode or any of their partner magazines for 1891.

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Day Dress
c. 1876
by Martha J. De La Mater
American
The Fenimore Art Museum
Illustrations from Old Hungarian Fairy Tales