Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
L'Art et la mode, no. 14, vol. 17, 4 avril 1896, Paris. Théâtre du Vaudeville, Amoureuse. Dessin de M. de Solar. Bibliothèque nationale de France
Mlle Rose Bruck (2e acte). Corsage drap bleu et satin, col soutaché bleu marine et velours bleu retenant d'énormes boutons d'émeraudes et de diamants.
Mademoiselle Rose Bruck (Act 2). Bodice of blue cloth and satin; collar trimmed with navy blue soutache braiding and blue velvet, fastening with enormous emerald and diamond buttons.
—
Mlle Sorel (1er acte). Corsage et jupe en drap vieux vert; col et ceinture de taffetas changeant rose et mauve. Étole de dentelle et de mousseline de soie rose pailletée vert.
Mademoiselle Sorel (Act 1). Bodice and skirt of antique-green cloth; collar and sash of iridescent pink-and-mauve taffeta. Stole of lace and pink silk muslin, spangled with green.
—
La princesse de Chimay à la 1re d'Amoureuse. Grande blouse plissée accordéon noir, garnie d'un étole carrée en satin noir pailleté d'argent. Grand chapeau taffetas noir et plume noires.
The Princess de Chimay at the premiere of "Amoureuse". A voluminous black blouse featuring accordion pleats, adorned with a square stole of black satin spangled with silver. A large hat of black taffeta, trimmed with black plumes.
—
Mlle Drunzer vue de dos (1er acte). Corsage faisant blouse devant en drap vanille brodé argent, or et cerise. Le dos faisant pans habit également brodés, ceinture de taffetas cerise.
Mademoiselle Drunzer, seen from the back (Act 1). Bodice featuring a blouse-style front in vanilla-hued cloth, embroidered in silver, gold, and cherry red. The back is cut in the style of a tailcoat, with tails that are similarly embroidered; sash of cherry-red taffeta.
It’s so unfair that the women who led the Temperance movement (which led to alcohol prohibition in the 1920s in the US) are painted as these joyless prudish nags who hated when others had fun, when really their issue was the fact that male failure to responsibly consume alcohol led to the rape, neglect, battery, and murder of their wives and children. They couldn’t stop male violence, but they did what they could to stop what exacerbated it.
To add to this, men controlled the family finances. So if it was going disproportionately on booze, that is less money for food, sanitation, rent, clothing, and household supplies. Men were impoverishing their families in favour of the drink.
I recently read Compañeras, a book about women Zapatistas living in autonomous communes in Mexico, and one of the things these women really insist on is banning alcohol. Because men drink and waste the little money they have, or don’t earn any money and just work in exchange for alcohol for pay, and then they come home drunk and beat and assault the women.
All the communes where these women have significant say in the organisation have banned alcohol.
When antibiotics were first invented they were brilliant to cure syphilis. However doctors stumbled upon an obstacle: the men contracted syphilis by going out on pay day and spending all their money on gambling, drinking… and prostitutes. That was how the disease was spread around.
The doctors could see the connection between drinking and having sex with prostitutes but they couldn’t convince the men to stay home and sober, even though they warned them that during the first week of taking antibiotics they were still infectious and could still give the disease to someone else.
So they created the myth that you can’t mix antibiotics with alcohol or they won’t be effective anymore. Because men wanted to be healed they abstained from drinking and that got them to stay home.
Because this lie was created by male doctors, to this day there are people who still believe it. What men say is taken very seriously.
The women who were the victims of men’s promiscuity weren’t taken seriously even when they begged for their lives and for the lives of their children and even though the consequences of syphilis are devastating. So they too came up with a strategy of their own to try to keep men sober: they appealed not in their own name or in the name of the children these men didn’t care about, but in the name of God, because they knew men would sooner respect an imaginary male in the sky than a real woman in front of them.
So to this day they are painted as fanatically religious sour pusses who were just really really jealous and envious of how much fun men were having, gambling and fighting and catching their death of syphilis with prostituted women. Because that is such an amazing way to waste your life away and to introduce a devastating disease into your family home that who wouldn’t want in on that.
Martin Freeman Stunned By Syphilis Deaths In Family
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
An extant men's ensemble from c. 1833: coat and trousers of British make (Metropolitan Museum of Art collection).
Handbook of English Costume in the 19th Century, by Phillis and C. Willett Cunnington, describes the men's suit of the 1830s:
The tail coat was double-breasted or single-breasted; the cut-in now square; the collar high behind with rolled lapels turning low for full evening dress. The waist was rather short (until 1836) and the skirt at first scanty — ‘scarcely perceptible’ (1831.) — but becoming fuller and longer by 1838. The corners were rounded.
The sleeves, long and close-fitting, ceased to be gathered at the shoulders soon after 1832 although slight gathers sometimes persisted into the 1840s. The cuffs were usually slit (the French riding cuff) with two buttons in the cuff and sometimes two above; the corners of the cuff, from 1838, might be rounded off.
A fashion plate detail from 1834 (Met collection) showing a similar style of double-breasted tailcoat on the man at right, also paired with pleated Cossack-style trousers with foot straps.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
dededos
baratheonpilled
blakekathryn
kianamaiart
kaledo-art
theartofmadeline
