Night near Yalta (1866) by Ivan Aivazovsky
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Night near Yalta (1866) by Ivan Aivazovsky

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Wyckoff Avenue and Eldert Street on the Brooklyn-Queens border near the Evergreens Cemetery, 1926. New York Board of Transportation via The New York Historical.
the backless dress – georges barbier – 1918
found in: art deco fashion | masterpieces of art (by gordon kerr)
Double Indemnity was released in the US on 3 July 1944.
Based on James M. Cain’s 1943 novella of the same name (which was based on a 1927 murder Cain covered as a reporter and serialized in Liberty magazine in 1936), director Billy Wilder wanted Cain to help him adapt the work for the screen, but Cain was already under contract elsewhere, so Wilder turned to Raymond Chandler.
Chandler and Wilder did not get along (Chandler even sent the studio a list of reasons why he couldn’t work with Wilder), but the two were committed to the project and overhauled Cain’s novella, changing much of the characterization (especially Barton Keyes, played by Edward G. Robinson), plot, and dialogue. (Wilder defended the antagonistic relationship, saying, “If two people think alike it’s like two men pulling at one end of a rope. If you are going to collaborate, you need an opponent to bounce things off of.”
Cain was pleased with the adaptation, “It’s the only picture I ever saw made from my books that had things in it I wish I had thought of. Wilder’s ending was much better than my ending, and his device for letting the guy tell the story by taking out the office dictating machine – I would have done it if I had thought of it.“
The film was an immediate commercial success, and was nominated for 7 Academy Awards, including Best Picture, Best Director, Best Actress (Barbara Stanwyck), Best Screenplay, and Best Cinematography (John F. Seitz). It did not receive an Oscar in any category (Wilder famously stuck out his foot and tripped director Leo McCarey as he made his way to the podium to collect his Oscar for Going My Way).

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Violet Fairy Book
Andrew Lang
First Edition Longmans 1901,
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Joan Fontaine in Suspicion (1941)
The Fisher Building in Detroit opened in 1928 and became one of Albert Kahn’s most celebrated Art Deco works.
Today’s Inspiration: Anita Loos
Loos’ wrote the book “Gentlemen Prefer Blondes” a spoof on romance. Published in 1925, it’s had (at least) 85 editions & has been translated into more than 14 languages. The book became a play, a musical in 1949, starring Carol Channing. In 1953 it became a feature film starring Marilyn Monroe.
Born in 1893, in California, her childhood was hard. Dad, though charming, was unreliable, Mom was always digging the family out of a crisis. “Miss Loos’s insouciance was hard-earned.” One of dad’s odd jobs resulted in Loos getting a small part in a play, it did well, she became a child actor & supported her family. By 10 she was appearing in the comedy bits that were shown with longer films.
Loos never really had an education, but was a lifelong autodidact. She always wanted to write, at 13 she began to sell “humorous anecdotes” to theatrical papers. Once she understood that movies were based on written outlines she wrote a short (under the name A. Loos) and sent/sold it to the American Biograph Company & it in 1912 it was made into a movie starring Mary Pickford & Lionel Barrymore. She was the first woman to professionally write scripts. Film director DW Griffith hired her as a screenwriter when she was 20, starting off writing screen captions- remember these films were silent.
Loos was a prolific writer, wrote dozens of plays, novels, and screenplays. She was also a bit of a character; “she seemed to epitomize the vamp or the flapper’ apparently her Mainbocher clad figure was often seen in nightclubs. Her plays and films starred actresses like Norma Shearer, Joan Crawford, Rosalind Russell, & Paulette Goddard. Cecil Beaton was her buddy. She wrote the (stage) adaptation of Collette’s “Gigi”.
Until a year before her death, Loos kept up her busy lifestyle; fashion shows, parties, balls. She was “a New York social institution” only slowed down when she began to lose her hearing & sight. She died of a heart attack at 93, in 1981.
“ She had a relentless desire to rebel, an honest love of flim-flam and a disarmingly pertinent comic vision of life. She was unashamed of working and just as unashamed of having fun.” NYT Obituary
https://www.instagram.com/p/B7Eo90Og3_t/?igshid=1602ht19pxtdx
Anita Loos, actress, novelist, playwright and screenwriter, pictured in a candid with Clark Gable during a break in filming 'Saratoga’ in 1937.
The King of Hollywood Clark Gable, Facebook

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Are you afraid of sharks?
TR wasn’t.
Lt. Jack Greenway was one of Theodore Roosevelt’s most trusted officers. General Fitzhugh Lee was the nephew of Robert E. Lee.
One day at Santiago harbor, Cuba, TR decided to take a swim in the Caribbean to inspect the wreck of the Merrimac, some three hundred yards out to sea. He persuaded an unenthusiastic lieutenant, Jack Greenway, to go with him. They had scarcely entered the water when General Fitzhugh Lee, who had climbed up on the parapet of Fort Morro, began to yell at them.
”Can you make out what he’s trying to say?” asked TR, still swimming.
”Sharks,” said Greenway, wishing he was back on shore.
”Sharks?” said TR, blowing out a mouthful of water and punctuating his words with strokes. “They – won’t – bite. I’ve – been – studying them – all my life – and I never – heard of one – bothering a swimmer. It’s all – poppycock.”
Just then a big shark showed up alongside the swimmers; it was soon joined by several others. But TR paid them no attention. Meanwhile General Lee continued shouting and gesticulating. Finally the swimmers reached the Merrimac, which TR eagerly examined while his companion kept thinking of sharks and hoping they would get back to shore unharmed.
”After a while,” Greenway said afterward, TR “had seen enough, and we went over the side again. Soon the sharks were all about us again, sort of pacing us in, as they had paced us out, while the old general did the second part of his war dance. He felt a lot better when we landed, and so did I.”
The Roosevelt Dynasty, Facebook
Artist Carol Collette
ON THE WATERFRONT - 1954, dir. Elia Kazan
The best debut big screen performance goes to Eva Marie Saint for ON THE WATERFRONT (1954)
NORTH BY NORTHWEST (1959) dir. Alfred Hitchcock

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James Mason, Eva Marie Saint, and Cary Grant at Mount Rushmore filming Hitchcock’s NORTH BY NORTHWEST (1959).
Happy 102nd, Eva Marie Saint!