Dostoevsky/Marina Crossover Episode

Lana ofc is much older and has a way bigger discography, and Ferry’s music is more intense and electronic/industrial, but honestly when it comes to pure songwriting ability I place them at about the same level in my mind.

I also love Ferry’s music so much because honestly they always deliver. Production always slaps. Lyrics always kick ass. Art and story always break into my house and beat me with a stick. Their work is so fantastic. Honestly at this point all I need to do is get around to asking my parents to let me spend my money on their patreon lol.

He's rolling up to those roadside attractions, he's taking breaks in bougie places so he can hear people fawn over him, and then he's destroying people either physically or emotionally at night in those races. He goes home to Breakdown but Unfortunately also everyone else.

YOU HEARD IT, FOLKS!! Villainous is finally coming to the USA! It’ll stream on May 23rd on HBO Max (now called Max)!!

Please PLEASE stream it that day to support the show!!

“I found this picture in a old textbook. It’s kinda consumed, I swear that whoever took it was in love with the young man in the picture”

Her big motivations for season 1 were proving herself to Vi/Silco and chasing after their love and approval.

So now Silco's dead and her relationship with Vi is strained to say the least. Suddenly Jinx has no one left to prove herself to. No one left to obsessively build her life around.

She's claimed her identity as Jinx but what does that identity mean now that she doesn't have to live up to what either Silco or Vi expect from her?

Her first act as fully independent Jinx was to shoot the council. Was it a deliberate act? Or just lashing out in the moment?

By extension, will her act of violence be more acting out or will they be part of a greater plan?

And when all is said and done and blown up, how does Jinx deal with the fallout of her actions when she no longer has Silco or Vi to protect her?

1. Explore her maturity (this is my big point since now all her authority/parental figures are gone and she feels abandoned by the world the way many people forced to mature too early may want)

I personally REALLY want a scene where she undoes and redoes her braids, because

- it could symbolize maturing, because her braids in the game were a character design choice to convey her childishness and clinging to childishness, especially even after she’d “outgrown” it

- I think (I’m not sure tho correct me if I’m wrong) one of the writers confirmed Silco would braid her hair, so seeing her braid her hair without Silco to help her would be a really great way to show how she’s missing him in her life and in her identity (since her braids are a massive part of how recognizable she is as a character)

- literal and figurative “undoing”/“unraveling” (doesn’t need much explanation)

2. Explore her relationship with Ekko (NO romance tho)

- Ekko’s guilt for thinking he’s responsible making her the way she is ???? Hello ??????

- as they’ve both developed as characters, I love love love the dynamic of “build up the undercity” vs “burn down Piltover” because there’s so much they can do with that. I can also see that idea extending to the two of them, Ekko taking the high road in conflict and Jinx being undercutting and even self-sabotaging (like with the grenade in their last fight scene).

- and ofc I trust the writers to not make them love interests because. That would just be stupid. For obvious reasons. As much as I enjoy Timebomb as an ship, it’s more of a “what could’ve been” ship rather than one I want to be canon/ think should be canon.

3. Something something uhhhh Sevika

- seeing them both without Silco choosing to turn against each other would be sick as hell bro (Sevika is probably gonna try to beat Jinx’s ass sooner or later and I want a fight scene with them so bad)