gotta love the well documented quarter life crisis of a 27 year old lesbian. Yes that currently looks like a Heated Rivalry hyperfixation and I will talk about it
Every action you ever take is political whether you are aware of it or not.
How you allow yourself to interact with society tells us how much you value living in that society. How society interacts with you tells you how much society values the things you value.
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Heated Rivalry, Shane Hollander and What it means to be Asian x WenWen
I wanted to talk about how Shane's being Asian was presented differently between the Heated Rivalry book and TV Show. I'll also be discussing The Long Game and how different the book and subsequently the upcoming season 2 of the tv show could've been.
I know it's mainly just ignorance of what the term means but I do wonder if this happens in part bcos 'death of the author' sounds so dramatic like oh this author is dead to me, I don't care about them anymore. Whereas 'separating the art from the artist' is a lot more neutral and well. In CERTAIN CASES it is kind of immediately apparent that you cannot.
Death of the Author is a term coined by Roland Barthes for his essay of the same name in 1967.
In brief: death of the author is the concept that analysis of a work of art should not be focused on the artist's intent; the artist's intended reading of their own work is just A reading and no more valid than anyone else's.
A good straightforward example of this in practice is the response to Andy Weir and Project Hail Mary. Weir is adamant that his work contains no politics but I would say that PHM is pretty clearly a story about climate change.
You can apply death of the author to any work of fiction and it has nothing to do with whether the author is a good or bad person.
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"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem âintimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.â Crucially, he added that this is ânot a matter of laziness on the part of the studentsâ but of underlying skills they were never given a chance to build.
The Chronicle of Higher Educationâs 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of âmeet your students where they areâ for so long that she has begun to feel âlike a cruise director organizing games of shuffleboard.â
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessmentâs own language, they likely âcannot draw general conclusions based on concepts presented explicitly in a text.â And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austinâs McCombs School of Business showed that the mere presence of a participantâs smartphone â whether that be face down, powered off, untouched, or across the desk out of vision â measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japanâs Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they âkept losing trackâ of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled âYour Brain on ChatGPT.â They divided 54 participants into three groups writing SAT-style essays â one using ChatGPT, the second group using a search engine, the last group using nothing â and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and âconsistently underperformed at neural, linguistic, and behavioral levels.â Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term âcognitive debtâ for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brainâs engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the studentâs mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not âfree students up for higher-order work.â It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their Kâ12 schooling. Whatever the standardsâ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling âevidenceâ from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on âfinding the main ideaâ in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as âsevere or very severe.â
In July 2025, the journalist Mary Harrington argued in The New York Times that âthinking is becoming a luxury good.â The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a âdeep workâ lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a sourceâs claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into âthis is goodâ and âmaybe add more detailsâ the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
Iâm afraid I donât have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? Kâ12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that âstudents will adapt.â They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish studentsâ sentences before theyâve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
â Tyler Jagt, 1 June 2026, "My Students Canât Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
Hey have y'all listened to the official recording of Strained Glass Eyes yet? I have. Am I crazy or is that Claudia duetting. This song already had me fucked up with my parental issues but fuck me sideways this shit hurts.
You can tell the difference in Lestatâs intent based on who was telling the story.
In Claudiaâs version of events, Lestat was being cruel by making her watch Charlie burn. Grabbing her with his hands and forcing her to gaze as his face melted. His face is serious as he tortures her with this lesson.
In Lestatâs memories, he was holding Claudiaâs hand the entire time as she watched Charlie burn in front of her. His face is melancholic and tearful as he likely recalls Nicki being burned by Armand. He was enduring the pain with her in real time.
Claudia never knew any of this because she never looked back to see his face.
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Oh, okay. I see. You think this has nothing to do with you. You go to your closet and you select out, oh I donât know, that gaslight gatekeep girlboss meme, for instance, because youâre trying to tell the world that you think modern feminism has been co-opted by corporations. But what you donât know is that that meme is not from Instagram, it's not from Twitter, it's not from Tiktok, itâs actually from Tumblr. Youâre also blithely unaware of the fact that in January 2021, Tumblr user missnumber1111 posted, "today's agenda: gaslight gatekeep and most importantly girlboss." And then I think it was a-m-e-t-h-y-s-t-r-o-s-e, wasnât it, who reblogged it with an image of the phrase edited over a piece of "Live, Laugh, Love" wall art? And then gaslight gatekeep girlboss showed up in the feeds of eight different Twitter repost accounts. Then it filtered down through Instagram and then trickled on down into some tragic âalt side of Tiktokâ where you, no doubt, fished it out of some clearance bin. However, that meme represents millions of notes and countless Tumblr users and so itâs sort of comical how you think that youâve made a choice that exempts you from Tumblr when, in fact, youâre wearing the meme that was selected for you by the people in this room. From a pile of âstuff.â
and also it's always about claudia. the story remains about two fathers haunted by the memory of their daughter. lestat's music becomes raw and vulnerable and pure when he is haunted by claudia, when he allows himself to think about her again. the entire album is being rerecorded because of claudia. akasha will awake because of the pain of lestat losing his daughter. the story is claudia.
When farmers grow the same crop too many years in a row, it can leave their soil depleted of minerals and other nutrients that are vital to the health of their fields.
To avoid this, farmers will often alternate the crops that they grow because some plants will use up different minerals (such as nitrogen) while other plants replenish those minerals. This process is known as âcrop rotation.â
So the next time you find that you need to step away from a project to work on something else for a while, donât beat yourself up for âquittingâ that project. Give yourself permission to practice âmental crop rotationâ to maintain a healthy brain field.
Because Iâve found that when that unnecessary guilt and pressure are removed from the process, a good mental crop rotation can help you feel more energized and invigorated than ever once youâre ready to rotate back to that project.
: A crucial part of crop rotation is that the field is let fallow sometimes. You plant whatâs called a âcover cropâ, which is something you donât expect to harvestâ itâs there for its roots to hold the soil in place, and often itâll be whatâs called a nitrogen-fixer, i.e. a plant that can pull nitrogen out of the air and fix it into the soil with its roots (but sometimes it wonât, sometimes itâs really just there to shelter the soil surface), and then youâll till in that cover crop, or let the frost kill it and the stalks lie as mulch, and then youâll rotate productive crops back into that field the next season.Â
Itâs important, though, to understand that during the fallow period, no nutrients are removed from that ground, and nothing is expected of it. Whatever the land grows then, it keeps, and it gets tilled back in or decomposes in place, to return its energy to the earth.
Weâre not allowed, in our current society, to just let our minds be fallow for a bit, to produce nothing for export, to make nothing that can be sold. But itâs part of good land stewardship, to give every field time when it doesnât need to give you anything back.Â
So yes, grow and produce different things from time to time, rotate them around your mind and exercise different mental muscles, take different things from your creative processes, yesâ but also, give yourself a fallow spell now and again, and let the field of your mind grow things for itself to keep, to break down and save for later.Â
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Look I don't think Supergirl (2026) is secretly a perfect masterpiece or anything (I personally thought it was like. a 6/10 fun time) but I do think it's wild that Tumblr isn't going crazy for it because this Kara is one coattailed suit away from being a Tumblr sexyman. she is the flawed messy female character people have supposedly been clamouring for. she's the popular archetype of a gruff self-destructive alcoholic middle-aged man begrudgingly having to look after a kid and growing fond of them but genderswapped and also 23. she's allowed to be visibly messy and kind of gross and her hair is constantly all over the place and she literally cries, screams, throws up, and pisses onscreen. she's caustic and mean and puts up an act of carelessness but has a heart of gold. she's heavily traumatised and coping with it terribly. if anything happens to her dog she will kill everyone in this room and then herself. she spends most of the movie in a trench coat and baggy band T-shirt. she gets into bar brawls and breaks a guy's hand. she is Going Through It 24/7 and looks the part. she stabs a guy in the throat. how is everyone else not obsessed with her.
i love the idea of this version of akasha thinking of lestat as like. her purse dog. heâs her chihuahua with gucci shades. he runs around outside and brings her little treasures. he does tricks for her. he gives her cuteness aggression. she owns him.
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