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Snail Salon by Carlo Bugatti

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magictransistor

Kurt Seligmann. The Witches. 1950.

surrealism

Double Exposure by Art Green, 1969. Oil on canvas, 36 x 24 inches.

lionofchaeronea

The Sorceress Circe, Dosso Dossi, ca. 1507

sugarmeows

Lauren Street, Charleston (1951) – Thomas Adrian Fransioli (American, 1906–97)

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Juan O'Gorman (Mexican, 1905-1982), Proceso de transformación de la materia en energía (Ensayo 1), 1966. Oil and tempera on panel, 10 x 11 in.

alfiusdebux

the-hungry-eye

Félix Vallotton. La paresse

thunderstruck9

Marianne Von Werefkin (Russian-Swiss, 1870-1938), Phantastische Nacht, 1917. Tempera on paper laid down on board, 79 x 57.4 cm.

cavinmorrisgallery

Jerry Wagner Untitled Mixed media 8.5 x 6.5 inches 21.6 x 16.5 cm JWa 126

inneroptics

Linda Butler,

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Marie-Madeleine (détail), Carlo Crivelli, 1480.

Photo: https://www.flickr.com/photos/mazanto/

atomic-flash

Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari) - Artist: Atelier Ledl Bernhard.

A 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. Considered the quintessential work of German Expressionist cinema, it tells the story of an insane hypnotist (Werner Krauss) who uses a somnambulist (Conrad Veidt) to commit murders.

inneroptics

Veruschka - Holger Trülzsch

animus-inviolabilis

Illuminated Leaf

Iran

16th Century (via https://www.flickr.com/photos/125761528@N06/15350413157/ and The Metropolitan Museum)

Poem by Jalāl ad-Dīn Muhammad Rūmī

My heart is like an oyster shell, the Beloved’s phantom is the pearl; now I am no more contained, for this house is filled with Him.

Night split the lip of my soul with the sweetness of His talk; I am surprised at him who says, “Truth is bitter.”

Mortals’ food comes from without, but the lover’s food is from within; he regurgitates and chews, for the lover is like a camel.

Be swift-faring like a peri, denude yourself of your body; nakedness is not allowed to him who has the mange.

Salah al-Din has come to the chase; all the lions are his quarry; that man is his servant who is free from the two worlds.

kundstphoto

Henri Matisse, Nice, France, 1948

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mudwerks

(by alittleblackegg)

Back cover of Fantastic Stories, Fall 1952. Illustration by George Tooker.

lawrenceleemagnuson

Charles Ephraim Burchfield (1893-1967) Early Spring (1917) watercolor and gouache on joined paper 52.1 x 72.4 cm

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