I deserve fangs. I promise to use them justly
🪼

Jar Jar Binks Fan Club
Fai_Ryy
occasionally subtle
"I'm Dorothy Gale from Kansas"
KIROKAZE
Glass Animals
h
Cosmic Funnies

shark vs the universe
Game of Thrones Daily

titsay
d e v o n
EXPECTATIONS

TANKHALL
Noah Kahan
YOU ARE THE REASON

pixel skylines

Love Begins

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seen from Mexico
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@the-antlered-cryptid
I deserve fangs. I promise to use them justly

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Dolly Parton and Kermit, 1987 🐸
Summer vibes.
Unrestrained summer fun.
People don’t even say w00t anymore.
This sux00rz…
(Sequel to ‘This memory is being forgotten’)

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Rome, Italy.
dolly parton, 1987
rest in peace dolly, our sweet lady of the moonlight greatsword 💔🥀 and many many numerous other feats
IT SHOULD HAVE BEEN

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"Dolly's dead let's all kill ourselves" NO! Dolly is gone, let's all find out who we are and do it on purpose! Let's live authentically and with love for yourself and your community!
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Jolene (33 R.P.M) - click for .mp3
Unsure where this came from, if not the palsied hands of the good Lord himself.
Simple premise: Dolly Parton’s “Jolene” slipped from 45 to 33 rpm. Nothing more; no studio trickery, no trip hop drum breaks. The guitar lopes back in and around itself. The bass becomes elastic, hot rubber. The violin stabs become sustained cello lines. The backing choir’s split harmony rattles around, slinking ghostly into the corner. And most importantly, Parton’s once-frantic vocal is transformed from bubblegum country scrawl into something approximating field holler reverence.
An already perfect song made transcendental..
Who would win in a battle for my immortal soul: the devil on his fiddle or “Jolene” at 33 RPM
Rename nashville it’s that serious
Why are you promoting drug use on your blog
stop being funny on my own post

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Diné Weaver Venancio Aragón
"From researching historic twill patterns in museum collections to dyeing wool with Kool-Aid, Diné (Navajo) weaver and instructor Venancio Aragón interlocks research and experimentation to expand the visual and technical vocabularies of Diné weaving. Working on the Diné upright loom, Aragón is part of a generation of Diné weavers who reinterpret ancestral knowledge through experimentation, carrying the medium forward on their own terms. As he stated in our interview with him, “I am not a purist.”
Based in Farmington, New Mexico, Aragón is trained in cultural anthropology and Native American and Indigenous studies, currently teaching at Diné College, the Navajo Nation’s tribal college. Before transitioning to full-time weaving and teaching, Aragón worked as an interpretive park ranger at the Mesa Verde, Aztec Ruins, Bandelier, and Petroglyph National Monuments, where he led tours and developed public education initiatives. He was born to the Tó’aheedlíinii (The Water Flow Together People) clan and born for the Naakaii (Mexican people). His maternal grandfather is of the Tsénahabiłnii (Sleeping Rock) clan, and his paternal grandfather is of the Naakaii (Mexican people)."
https://hyperallergic.com/dine-weaver-venancio-aragon.../...
Dolly Parton photographed by Ed Caraeff for her “Heartbreaker” album, 1978.