'eye of maria miles heyward,' 1 cm painting of watercolor on ivory, edward greene malbone, 1802.
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@thatiswhytheywilldestroyus
'eye of maria miles heyward,' 1 cm painting of watercolor on ivory, edward greene malbone, 1802.

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“The history of mankind is the history of our misunderstandings with god, for he doesn’t understand us, and we don’t understand him.”
— José Saramago, Cain
ok. enough suffering now. i am seeking out delight
Garren Rood, Soulframe
"Then Túrin sprang about, and strode against him, and fire was in his eyes, and the edges of Gurthang shone as with flame. But Glaurung withheld his blast, and opened wide his serpent eyes and gazed upon Túrin. Without fear Túrin looked into those eyes as he raised up his sword; and straightaway he fell under the dreadful spell of the dragon, and was as one turned to stone. Thus long they stood unmoving, silent before the great Doors of Felagund."

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A Knights Dress by Frieda Lepold ⚔️
L. V., exhumed writings
The Harpies, feeding then upon its leaves,
Do pain create, and for the pain an outlet.
Canto XIII, Inferno Dante Alighieri
made an edit of a line from the piece, "A Little Lamb's Autopsy", from my debut writing collection [get a copy & read the full piece HERE] [or PDF] —L. V.
“Perhaps you have forgotten. That’s one of the great problems of our modern world, you know. Forgetting. The victim never forgets. Ask an Irishman what the English did to him in 1920 and he’ll tell you the day of the month and the time and the name of every man they killed. Ask an Iranian what the English did to him in 1953 and he’ll tell you. His child will tell you. His grandchild will tell you. And when he has one, his great-grandchild will tell you too. But ask an Englishman—” He flung up his hands in mock ignorance. “If he ever knew, he has forgotten. ‘Move on!’ you tell us. ‘Move on! Forget what we’ve done to you. Tomorrow’s another day!’ But it isn’t, Mr. Brue.” He still had Brue’s hand. “Tomorrow was created yesterday, you see. That is the point I was making to you. And by the day before yesterday, too. To ignore history is to ignore the wolf at the door.”
- A Most Wanted Man, John le Carré

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“This is how we all come to the world… Weak and needy, desperate to learn how to be a person.”
— Yaa Gyasi, Homegoing
your humorous post has delighted me. i will now absorb it into my dark crystal
Arón Piper for Número Netherlands by Filip Ćustić
Tunisia, 2022 - by Zied Ben Romdhane (1981), Tunisian

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Kayleb Rae Candrilli, from Water I Won’t Touch; “Here we are, aging together, just like we said we would”
Hathor, -600 / -475 (Chypro-archaïque II), Louvre