Bootlickers don't interact ++ no gods no masters ++ 30s · intersex gnc woman · she/her · tme dyke · white · neurodivergent ++ my stance on most LGBTQ+ discourse is "mind your own business about other people's labels"
a whole bunch of gazan mutual aid projects and nonprofits. if the decision of which individual fundraiser to give to feels too daunting, or if you just want to help as many people as possible in one go, these are great initiatives to support.
care for gaza - focuses on providing food and essential supplies. donate here or here.
connecting humanity - securing internet access via donations of virtual sim cards (esims). if you can't afford a whole plan yourself, crips for esims is a communal pool that will use your donation to purchase and maintain esims
gaza soup kitchen - provides food, medical care, and classes for children. also has a gofundme
glia gaza medical support initiative - provides medical care through field clinics and tents at hospitals. donations can also be sent through their website.
ele elna elak - provides clean water, food, clothing, and shelter. they also have a gofundme
life for gaza - raising money for the gaza municipality to repair water and waste management infrastructure
taawon - partners with local civil organizations to provide food, water, medical care, shelter, and basic supplies
the sameer project - running various initiatives providing tents, medical care, and necessities. they have their own encampment project focused on sheltering families with children, sick and disabled members, or members in need of perinatal care
islamic relief worldwide's gaza emergency appeal - provides food, water, hygiene kits, medical supplies, and psychological support
baitulmaal - provides a variety of necessities, including food, water, shelter, and medical supplies
gaza mutual aid fund - distributes food, hygiene products, water, and other essential supplies, including financial support. run by @/el-shab-hussein's amazing friend Mona. updates can be found on her instagram.
hygiene kits for gaza - provides hygiene supplies including menstrual products, wipes, and toothbrushes/toothpaste
anera - provides a variety of necessities, including food, water, hygiene supplies, medicine, blankets and mattresses, and psychological care
palestine children's relief fund - provides supplies and support with a focus on children. also has an initiative for lebanon
dahnoun mutual aid - provides water, food, tents, baby supplies, financial support, and other necessities. updates can be found through their instagram
certainly this is not an exhaustive list, so please feel free to add on other projects or organizations that i didn't include. and as always, please take the time to donate if you can and share. it truly makes all the difference.
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I really don’t want to open this can of worms because Tumblr hath no fury like people called out on their political performativeness but it is literally driving me up the wall to watch people react to Serkis’ ‘keep Tolkien white’ commentary by insisting twice as hard that Tolkien would descend down to earth and dropkick the entire Republican party to hell or whatever, just because they want to ensure that a piece of media they enjoy isn’t seen as being morally impure. Case in point: I have seen at least five instances of Tolkien’s ‘I hate apartheid’ valedictorian address being used as a ‘counter’ to Serkis being racist, including by actual news outlets.
Except it’s only ever the ‘I hate apartheid’ line that’s shared, and not the actual quote in its full context. Because here it is:
If we consider what Merton College and what the Oxford School of English owes to the Antipodes, to the Southern Hemisphere, especially to scholars born in Australia and New Zealand, it may well be felt that it is only just that one of them should now ascend an Oxford chair of English. Indeed it may be thought that justice has been delayed since 1925. There are of course other lands under the Southern Cross. I was born in one; though I do not claim to be the most learned of those who have come hither from the far end of the Dark Continent. But I have the hatred of apartheid in my bones; and most of all I detest the segregation or separation of Language and Literature. I do not care which of them you think White.
Which is to say. This isn’t exactly the antiracist quote of the century, to say the least. This is a white South Africa born man and a white Australian shaking hands and going ‘omg we relate’ and expressing what is a very, very mild ‘segregation is not great’ opinion in order to convey his thoughts on an academic subject, ie the confluence of language and literature. Using race to make a point about his own subject of interest, in his own interest, which is, amusingly enough, what a lot of ostensibly well meaning progressive seem to be doing.
I also think that some of the general surprise around ‘what do you mean large swathes of the Tolkien fandom are incredibly conservative!?’ in lib/left Tolkien fandom is the result of a tendency in said parts of the fandom to transpose one’s own progressiveness onto Tolkien and turn a blind eye to things like, say, the Shire being a very specifically mid-century British racist construct that is very, very clear in its politics, often going so far as to insist it’s anarchist or an ideal society or whatever the fuck… and then getting really Pikachu-meme ‘but they’re misreading it’ every single time a conservative explains exactly what it is about the legendarium that they really love, and get surprised when someone uses the Shire being a racist construct to do more racism. It is 2026 let us do away with ‘I don’t see colour’ interpretations of media, I beg. Nobody is cancelling you for enjoying a book that is not kind to race. Most of the books I love are not kind to race.
I genuinely don’t have the energy to go deeper into it now because I and others have been beating this drum for ages but like man. Man. I’m not surprised by Serkis’ comment. I don’t really give a shit about what Andy Serkis says and does because if I was the kind of person who gave a fuck about Andy ‘I felt like an ethnic minority on the Black Panther set’ ‘I somehow interpreted Animal Farm in the most ridiculous way possible’ Serkis’ opinions on anything, let alone race, my life would be much sadder. I think the adaptation will be an enshittified money-grab, and I will probably embrace cannibalism when McDonalds inevitably starts giving out little Gollums with every Happy Meal. Again.
What I am surprised and disappointed by is how the liberal-left reaction to this shit is to always and forever just either pretend it doesn’t exist in the text, or is the result of a complete misreading. So seldom is the response ‘fuck me, this book has some real wild thoughts on race, let’s see how we can engage creatively with that in an adaptation’. Which has never happened. In fact, all your thoughts on Amazon and lore faithfulness and other adaption criticism or applause aside, TROP, the only Tolkien interpretation that has directly engaged with race has thus far done so very, very badly, and only on a surface level. Why?
Because the loudest parts of liberal Tolkien fandom is not interested in exploring race as it exists in the text, to explore it progressively, to engage creatively with the structural conservatism present within the very construction of Middle Earth. They’re interested in concessions that change very little: you can have your brown elves, as long as we don’t have to think about the implications of foundational aspects of our beloved world, which we relate to greatly and do not wish to think about why we relate to it beyond our own experience of encountering the text.
No, it’s always either an insistence that the Racists are Wrong because the Text is Pure, or a slight, grudging concession that Tolkien had ‘a few racist elements’ but ‘nothing like the racism of today’. Of course it’s nothing like the racism of today. Tolkien isn’t writing in 2026. It was the racism of yesterday, and it is very clearly written into the text. Tolkien is not your mildly problematic grandpa. Tolkien was an Oxford don with an enormous, wide-ranging cultural impact, and refusing to acknowledge that is the misreading, not the pointing out of or engagement with structural racism within the text.
There's also a version of this where people cite Tolkien's 1938 letter to the German publisher, ie the one where he refuses to confirm he's of "Aryan" descent and basically tells them to fuck off, as the other canonical "proof text" that Tolkien Was Not Racist, and it does the same flattening as the valedictorian quote. It's a great letter, very ‘get thee gone from my gate’ but it is also a letter about refusing a specific, legally coded Nazi racial category, not a statement about the internal racial logic of his own fiction.
Nobody is saying Tolkien was a fascist white supremacist Nazi. Hell, Tolkien’s own thoughts on military atrocity is pretty clear in the depictions of the escalating kinslayings. But people love to conflate "hated actual fascism, said so on the record and is very evident in his fiction" with "therefore the legendarium contains no racialised hierarchy," as though those two things have to rise or fall together, when they don't. You can be sincerely, personally opposed to Nazi race science and apartheid violence and still write a mythology where moral and aesthetic worth consistently map onto a Northern-European somatic ideal. Because the racialisation Tolkien both inherited and passed on wasn't Nazi race science, it was the broader Edwardian/interwar philological raciology he was actually swimming in, hell, drowning in, considering the Oxford environment. And I find it so, so frustrating how fandom keeps failing to make this distinction: structural racialisation and personal bigotry are not the same axis, and refusing to be measured on one doesn't clear you on the other.
The Southrons/Easterlings material is obviously the part most quoted when it comes to Tolkien’s ‘problematic elements’ except it's imo super telling how rarely it actually gets quoted compared to how often it gets vaguely waved at (except Charles E Mills. I love you Charles E Mills). Anyway “Black men like half-trolls," swarthy, slant-eyed, riding out of the south and east to serve Sauron… it’s the same mapping of good-north/evil-south-and-east you get in a dozen other early-twentieth-century adventure texts. And this imo actually undermines the "it's just medievalism, calm down" defense, because medievalism is a selectively retrospective construction of which past you're claiming and which one you're othering, not some sort of static, neutral historical styling.
Tolkien's medievalism is specifically Northern European heroic-elegiac medievalism, the "Northernness" he talks about loving as a kid, and that aesthetic preference is not extractable from the racial hierarchy it produces on the page. You cannot keep the aesthetic and disclaim the politics because as in all art, the aesthetic is the politics, that's what "structural" means as opposed to "incidental”, and I just wish that many extremely clever people who understand this in a contemporary sense would allow themselves to feel uncomfortable and look at it in a beloved text.
Jackson's trilogy didn't invent racialisation in Tolkien, hell I think he even softened some of it because the Scouring is straight up impossible to adapt without it being very clear about its politics, but his adaptation does go quite some way make the existing racism legible… casting, costuming, choreography and cinematography does the same racialised sorting the text does, and does it visually: Uruk-hai as a kind of grunting brutalised, brutalistic mass, Haradrim on oliphaunts as a fairly straightforward Orientalist boogeyman, and the Fellowship itself photographed like a Pre-Raphaelite fantasy lmfao. Serkis isn't introducing a new interpretive layer with his commentary, hell Serkis was in all those Jackson films as well! Serkis is being very clear about what aspects of the legendarium matter to him, and that aspect happens to be the whiteness of it all. And I genuinely cannot understand why the huge ‘scandal’ around his comment is not that someone said the quiet part, but that saying it out loud is what became the scandal, taken as some kind of transgression against Tolkien and all his readers with Good Politics™️, rather than the quarter-century of adaptations, readings, and analysis of the text that wordlessly encoded the racism and got called faithful and dedicated for it.
I didn’t want to go to author is dead territory but. Fandom discourse keeps reaching for authorial intent as the arbiter of textual meaning in exactly the way most of these same people would reject in any other context. Everyone is a massive New Critic the second the author in question is someone they love. But Tolkien doesn’t need to have consciously intended a racial hierarchy or a white nationalist mythology for the text to functionally produce one, for it to be so loved by conservatives and ethnonationalists who come fifty years after his time.
Intent is not even a contested position in literary theory, it's just the very basic understanding that "text has ideology independent of authorial intent". The insistence on relitigating Tolkien's personal feelings as though that settles the structural question is wild to me, and I find it so extremely unproductive how liberal fandom reaches for this constantly, repeatedly chanting Tolkien’s few vaguely liberal statements that read far less liberally in context. But I guess the alternative, ie reading the actual construction of race in the legendarium on its own terms, requires giving up the fantasy that the thing you love is politically inert. And it’s just so sad man. Like I fucking love the legendarium, and I think insisting on its moral purity is the worst thing you can do to it.
I think my entire argument can be summed up in a few questions. Why do conservatives keep saying "I love Tolkien" completely unashamedly, in a way they don’t realy say about most other ‘canonical’ twentieth-century texts, while we on the left have to perform a whole apologetic dance before we say it? What is it that they embrace about the text, that we have to occlude in order to express an unproblematic ‘love’? Why do we have to disavow parts of a text to claim we love it? Who are we performing to? What are we losing in focusing so hard on this performance?
This is why the Serkis-style comment, or the Rings of Power casting discourse, ends up being the deepest engagement we collectively get in fandom terms. Because both "sides" of that fight are actually shallow in the same way, just from opposite ends. The right-wing backlash to diverse casting is, repulsively, responding to something absolutely present in the text: a defensive crouch around a racial aesthetic it identifies as being under threat. The liberal-left response, the "just add brown elves" gesture, claims the problem to be one of representation and casting rather than structure, which is precisely why the racial elements of The Rings of Power satisfies no one and changes nothing.
You can put actors of colour in Númenor and Harfoot villages and yet the underlying moral framework of who is coded as inherently noble and who as inherently monstrous, whose skin colour the textual narrative uses as a standin for corruption, stays completely untouched. Again, see my TROP link above, with the jihadi-coding of the villains. Because that framework isn't located in the casting of an adaptation, it's located in the construction of Arda itself and physiognomy-as-morality at the level of the prose itself, constantly present throughout the text. Casting a Black actor as an elf doesn't do anything to the fact that "evil race coded as racially other" is still sitting right there in the Southrons and the orcs, unadapted, undiscussed, doing exactly the same work it always did, and this work takes on a new look in post-2001 adaptations.
So what you get is two adaptations of the same tiresome insanemaking discourse rather than two different arguments: the right defends the racial aesthetic as the substance of their love, and the liberal mainstream defends the fantasy that representation-level tweaks constitute engagement with race. And so, nobody actually produces the adaptation that takes seriously what nonwhite Tolkien scholars have been saying for decades, which is that you'd have to touch the orc/Southron/Valar/Valinor/blondeness architecture itself to ever productively have this conversation. Not diversify who plays the good guys, but interrogate why "evil" in this legendarium has a face and a hair colour and points compass east.
But if the talk about this goes on as it does, and continues between Tolkien the Pure versus Tolkien the Misread, there will never be anyone willing to make that adaptation, and we’ll go on forever in a sisyphean climb, where both the reactionary embrace and the progressive denial are just two versions of refusing to read the same damn book. Basically, I think we on the left etc need to stop treating "is Tolkien racist" as a yes/no gate you have to clear before you're allowed to enjoy the books, and stop acting like enjoying problematic media makes you a fascist. We need to start treating the racialised architecture within Tolkien’s world as the actual object of study, same way you'd read imperial romance or Forster or Kipling or Haggard, without needing to acquit or convict the author first.
Which means we have to name the conservatism specifically rather than gesturing at "some outdated attitudes," trace where it comes from historically (the philological Northernness Tolkien grew up steeped in, not some special personal failing that reflects badly on you), and then ask what an adaptation would look like which dramatised that rather than smoothing over it or weaponising it. We have to let go of the idea that critical engagement is disloyalty, and let go of the idea that loving something requires defending its honour. We need to get the resilience needed to engage with the idea that a work can be both formative and ideologically compromised at the same time.
We don’t need to resolve that tension into either adoring hagiography or totalising cancellation. If we do, we're going to keep getting “keep the Shire white” Serkis soundbites and “hooray we cast a brown elf in our we-invented-elf-jihadis show!” news cycles standing in for a conversation that hasn't actually started yet, and ngl buddies I have to say I personally will be biting people the next time I see yet another rendition of the same damn response-reaction cycle start again because everyone, both the conservatives and the left, wants the things they love to be a reflection of themselves, and will twist themselves into pretzels to ensure that remains the case.
You can be sincerely, personally opposed to Nazi race science and apartheid violence and still write a mythology where moral and aesthetic worth consistently map onto a Northern-European somatic ideal.
Animation time works differently. Fifteen seconds for them is five hours for me. Kinda makes you wonder. Five hours for me must be like five days for my animator
this is the one art form I genuinely just cannot get my brain to accept as real. I’ve watched sped-up videos of it being done, read about it, seen in-progress marble statues and I still just can’t get it to sink in or stick. My mind doesn’t want to believe that any person has ever been able to start with a big block and break little bits off of it until it looks like a finely detailed person. At some point it has no recognizable shape and they still know where and how deep they should take a chip out of it that’ll still be the right decision 50,000 fucking chips later?!?
Hi yes I have been there and seen all of these IRL and I have some more pictures to share:
Insanely detailed feet with veins from “Aeneas, Anchises, and Ascanius”
Another foot from the same statue because a) he textured underside of the foot and the folds of skin in the arch and b) can you see the light coming through the thin marble between the toes?
One of the mouths of Cerberus from “The Rape of Prosperina”.
Prosperina/Persephone’s facial expression and HAIR TEXTURE
Hades’ hair as well - this man was entirely too good at making CURLS out of ROCK.
A (poorly lit) close-up on the tree textures from “Apollo and Daphne”.
Hand, sling, and rock from “David” which I think deserves to be at LEAST as well-known as Michelangelo’s. Saw them two days apart and I prefer Bernini, honestly.
Facial expression from “David” - I just love the character in this so much.
Kind of a weird angle but look at the texturing on the sling pouch!!!
We also got to see one of Bernini’s earliest works (possibly his very first) in the Uffizi; it’s not currently on display, unfortunately, but look at this:
Forgive the poor photo quality but. He was 14 when he carved this. FOURTEEN.
Man was a straight-up wizard.
In conclusion: if you get the chance to visit the Borghese Gallery in Rome (which has the most Bernini sculptures gathered in one place), do it. The “Ecstasy of St. Theresa” is in a church a short walk away from there, too, and well worth a visit. There are also several more Berninis in churches around Rome which can be visited for free or for a nominal donation! Just… be smarter than we were and make sure you’re not trying to visit them on days they have services.
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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.
You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
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just saw a "tragedies iceberg" with titanic and chernobyl at the top and the bhopal disaster near the bottom...i'm begging you to have even the slightest hint of curiosity about the world around you...the bhopal disaster is literally considered the world's worst industrial disaster!!!!!!!!!
it bothers me the way certain industrial disasters are treated as uniquely tragic and terrifying as opposed to others, just because of narratives that can be spread
Some more information on the Bhopal disaster and surrounding events:
"[Union Carbide Corporation] built the plant in Bhopal because of its central location and access to transport infrastructure. The specific site within the city was zoned for light industrial and commercial use, not for hazardous industry."
"[T]he facility [operated] with safety equipment and procedures far below the standards found in its sister plant in Institute, West Virginia."
"The local government was aware of safety problems but reticent to place heavy industrial safety and pollution burdens on the struggling industry because it feared the economic effects of the loss of such a large employer."
Among a number of other safety issues at play the night of the disaster, "The gas flare safety system was out of action and had been for three months."
"An estimated 3,800 people died immediately, mostly in the poor slum colony adjacent to the UCC plant. Local hospitals were soon overwhelmed with the injured, a crisis further compounded by a lack of knowledge of exactly what gas was involved and what its effects were."
"Immediately after the disaster, UCC began attempts to dissociate itself from responsibility for the gas leak. Its principal tactic was to shift culpability to UCIL, stating the plant was wholly built and operated by the Indian subsidiary. It also fabricated scenarios involving sabotage by previously unknown Sikh extremist groups and disgruntled employees but this theory was impugned by numerous independent sources."
"In a settlement mediated by the Indian Supreme Court, UCC accepted moral responsibility and agreed to pay $470 million to the Indian government to be distributed to claimants as a full and final settlement. The figure was partly based on the disputed claim that only 3000 people died and 102,000 suffered permanent disabilities. [...] Had compensation in Bhopal been paid at the same rate that asbestosis victims where being awarded in US courts by defendant [sic] including UCC – which mined asbestos from 1963 to 1985 – the liability would have been greater than the $10 billion the company was worth and insured for in 1984."
"At every turn, UCC has attempted to manipulate, obfuscate and withhold scientific data to the detriment of victims. Even to this date [2005], the company has not stated exactly what was in the toxic cloud that enveloped the city on that December night."
"[M]any [victims] responded well to administration of sodium thiosulfate, an effective therapy for cyanide poisoning but not MIC exposure. UCC initially recommended use of sodium thiosulfate but withdrew the statement later prompting suggestions that it attempted to cover up evidence of HCN [hydrogen cyanide] in the gas leak. The presence of HCN was vigorously denied by UCC and was a point of conjecture among researchers."
"UCC discontinued operation at its Bhopal plant following the disaster but failed to clean up the industrial site completely. The plant continues to leak several toxic chemicals and heavy metals that have found their way into local aquifers. Dangerously contaminated water has now been added to the legacy left by the company for the people of Bhopal."
"The events in Bhopal revealed that expanding industrialization in developing countries without concurrent evolution in safety regulations could have catastrophic consequences. The disaster demonstrated that seemingly local problems of industrial hazards and toxic contamination are often tied to global market dynamics."
"UCC has shrunk to one sixth of its size since the Bhopal disaster in an effort to restructure and divest itself. By doing so, the company avoided a hostile takeover, placed a significant portion of UCC's assets out of legal reach of the victims and gave its shareholder and top executives bountiful profits. The company still operates under the ownership of Dow Chemicals and still states on its website that the Bhopal disaster was "cause by deliberate sabotage"."
However angry you are about the Bhopal disaster, you're not angry enough.
[All quotes from Broughton, E. (2005). The Bhopal disaster and its aftermath: a review. Environmental Health, 4(6). https://doi.org/10.1186/1476-069X-4-6. Bolding mine.]
Had a shitty scary situation at work tonight + the nausea and stomach issues that seem to have magically started the moment I began hooking again are still lingering, so I thought I'd plug my fundraiser and my Ko-fi ha ha ha 🫠
Outtakes from work cos I forgot to put lipgloss on
My phone is beginning to refuse to charge and my job 100% relies on it, without it I'll have to just go into the city and walk around the stroll hoping for the best (extremely unsafe, terrible for my arthritis, illegal, bad all round) so getting a new phone before this one dies is a huge urgency bordering on emergency
This job is so unpredictable I have no idea what I'm going to make when to be able to plan for this
I've also started selling pics and vids plus I have to take pics to advertise so a decent camera quality is absolutely essential. So unfortunately I can't just make do with a cheap burner phone
I don't own a computer, my whole life happens through this phone
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do you have any thoughts on wasp stings? I got stung at work (garden center) yesterday and I could tell the little guy was being gentle with me. I'm very very in tune with my body and the way my arm felt afterwards was nearly identical to how it felt after a tetanus shot, as in, I could feel the injection spread up my arm slowly and cause some stiffness, stop at my shoulder and then move on into my whole system a couple hours later. Felt different than other vaccines, almost like I could feel it was bacterial based. I am trying to research wasp venom and have found some interesting stuff about what all is in it. There's the stuff that cause allergic reactions, and a lot of enzymes and peptides etc that break down your cell walls(!!!!) to allow the venom to spread (this is what is being researched for cancer treatment potential!!!). There's a paralytic which causes the stiffness and something that causes pain. There's also something called wasp kinin which I am struggling to understand, but seems like a specific goo that wasps produce that varies widely from species to species and even individual to individual. There's also lots of other "biologically active" substances that include antimicrobial stuff and antifungal stuff. My woowoo theory is that venom could be hyper specific to whatever chemicals the wasp interacts with in its environment regularly, and that wasps that have developed resistance to insecticides may have more painful stings (I think this is the case for fire ants, too), or the potential for their venom to function as a sort of ~vaccine~. But against what, I don't know, maybe the chemicals present in their environment like neurotoxins in insecticides that can also hurt people. I have this theory about ticks too. Surely there is some ecosystem service that puncturing and injection performs? Like with ticks most diseases arent passed on until the tick has been attached for a few hours, but surely they are passing Something at the moment of puncture. Could animals benefit from sharing a concoction fermented inside the insect and sourced from many other animals? Like an ecosystem sourdough?? And with vespid stings, obviously getting stung repeatedly or deeply increases the dose and risk, but if there's Good Stuff contained in the venom, could a small dose actually be good for you?? I have a friend who is a first gen Mexican immigrant and he says that bee venom is really good for pain relief and picked up a dead bee and injected himself with the stinger to relieve back pain, so I know anecdotally there are some cultural practices that support this theory. The basic googling I normally do to find studies about stuff is challenging for wasps because the internet is full of a ton of anti wasp propaganda from pest control companies and research seems to be specific to each component of the venom rather than the entire mixture as a whole, and each species is different so its hard to extrapolate. I can't seem to find a full list of Ingredients of wasp venom either. Have you ever looked into this? As a fellow wasp supporter I am very curious about your thoughts! Also, we have a huge powdery mildew outbreak at work currently and the wasps have been alllllll over the plants with it, which ive also observed in my native garden at home. Have you noticed anything like that in your garden? My guess is that mildew is a sign that there might be more aphids or slugs around and so they are hunting but I also wonder about if they actually like or use the mildew itself somehow. Much to consider.
There's a book you might like called Venomous by Christie Wilcox. It's amazing.
Basically, venom is insanely complex. It's not just a toxic substance, even the simplest venom has dozens of different components specially adapted to mess with your cells in some way. "Poison" is just something that hurts you, "venom" is a highly sophisticated bioweapon.
The reason for this complexity is evolutionary: it's easy for a species to evolve immunity to just one of the components in venom, so the species has to evolve lots and lots of new components to outpace the evolution of resistance.
You're right on the money with medical applications. Venom is an incredible source of potential drugs because it has so many different components.
I can't recommend that venom straight from the bug be used for medicinal applications, since, as I just said, there are dozens or even hundreds of different components in there that affect you in all different ways, but yes, people have intentionally stung themselves with bees to self-treat chronic pain and stuff.
Venom can also have weird effects on your immune system and your body overall that we don't understand anything about. Lots of anecdotes of people saying they were cured of their this-or-that after being stung by a bunch of bees.
There is probably some truth to it because venom is full of stuff that evolved specifically to affect your cells, and it's not that weird to suppose that occasionally that effect could be a positive one. But it seems equally plausible that other people have gotten mysterious ailments from venom too, for the exact same reasons.
Worth noting that the more bee stings you have in your life, the more likely you are to develop an allergy to bee venom. So watch out!
Yes, when a tick bites you, its saliva gets in your body which is how Alpha-gal happens: with lone star tick there is a component in the saliva which your body can have an immune reaction to, causing you to become allergic (sometimes anaphylactic level allergy) to red meat.
Which is similar to a vaccine, superficially, it's causing your body to recognize something as a threat and have an immune response to it. It's just not beneficial to you and is in fact quite harmful.
Ticks perform the ecosystem service of redistributing nutrients from larger organisms into smaller ones. A tick bites a large animal, takes some of its blood, falls off, and can then be eaten by a smaller animal. It's almost like the food chain moves "backwards", where nutrients flow from larger organisms into smaller ones.
It's actually really cool, how a deer can become food for spiders and ants and wasps and lizards through being bitten by a tick and that tick being eaten by a much smaller creature.
As for the behaviors of wasps and why they might be attracted to the powdery mildew, who knows? Fungi, insects, and plants all communicate with each other in complex ways. Here's a couple papers suggesting that powdery mildew has an effect on wasps, but weirdly, the effect in these papers is opposite: parasitoid wasps are less attracted to plants with powdery mildew, possibly because the powdery mildew affects the plant's ability to release chemicals to attract wasps to parasitize caterpillars eating them.
You could try identifying the wasps, at least on a general level, and investigate further. It's worth keeping a little journal to record your observations of interactions between organisms.
I took a beekeeping class a while back and honeybees are SO well studied, like there are THOUSANDS of papers on them, and yet, there is still SO much we do not know about honeybees. And there are thousands of other social insects that have few or even NO papers on them. The amount we don't know about wasps is probably absolutely mind-boggling.
Fact is, insects that are not "economically important" are barely studied at all, even though many fascinating secrets lie within their biology and ecology.
These are good questions and they are worth investigating. It's just that nature is so ridiculously complicated we are nowhere near understanding the basics of it.