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@terriblefool-a

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@voirveriteâ.Â
   â oh, you are a peach. â from anyone else, the sentiment might come laced as thinly as arsenic on ice. a bitter undercurrent that comes too late, a cutting line that hides behind the back of a delicate hand. tracy, all too aware, is quick to offer up an extra swathe of hurried sincerity. â truly. â she leans away from proper etiquette and twists the stem of an empty champagne glass between anxious fingers. empty conversation is all well and easy -- itâs when they begin to border on sincere (lengthy!) that she begins to lose her footing.Â
   â i do wish weâd crossed paths sooner. âÂ
Grace Kelly as Lisa Carol Fremont in Rear Window (1954)
@halbermenschen.Â
   â gosh, what a clever set-up you have there. âÂ
   oblivious to the truth in his appearance, the look on tracyâs face is pure, (and only slightly) scandalized curiosity. truly, she only wonders if heâs a movie star. for thereâs no other explanation for a pallor quite that dismal, much less the mess thatâs been made of his stomach, is there? must be. and then -- she remembers the question sheâs allowed to go on unanswered. she fans a hand, a physical counterpart for the apology she offers.Â
   â so very sorry -- you were saying something? âÂ
@guttersniper.Â
   leave it to tracy to flounder in the face of someone naturally inclined to dislike her. ( maybe itâs because heâs a child. sheâs always had good fortune with them. then -- most children donât have the thousand yard stare of a soldier from war. ) she supposes sheâs lucky to have had marion and bennie give it the old college try to soften the misconceptions. she folds her hands in front of her waist as if sheâs not sure where else to set them.
   delicately, â marion told me you have a fondness for the arts. âÂ

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singinâ in the rain (1952) sentence starters.
itâs no wonder theyâre a household name.
weâre just good friends!
we were kids together. we grew up together. we worked together!
dignity. always dignity.
[irritably plays a ragtime piano melody]
[iâm] fit as a fiddle and ready for love!
oh, thatâs swell. just swell.
thatâs a moot point.
well, thatâs funny. iâm busy.
hot-diggity, kids!
canât a girl get a word in edgewise?
no oneâs got that much money.
why donât you go out now and recite the gettysburg address?
you shouldnât believe all that banana oil.
there is nothing between us.
there has never been anything between usâ just air.
havenât you heard? sheâs irresistible. she told me herself.
i got no glory. i got no fame. i got no big mansions. i got no money. but i got â well, what have i got?
do something, call me a cab!
okay, youâre a cab.
donât worry, iâm not a criminal!
youâre a famous gangster!
well, thanks for saving my life.
iâd very much like to know whose hospitality iâm enjoying.
we movie stars get the glory, i guess we have to take the little heartaches that go with it.
they just make a lot of dumb show.
youâll have to wear a beard for that one.
youâre nothing but a shadow on film.
farewell, ethel barrymore!
how did you come, by way of australia?
you gotta show a movie at a party; itâs a hollywood law!
theyâll lose their shirts.
well, if it isnât ethel barrymore.
all i do is dream of you.
youâre every thought, youâre everything, youâre every song i ever sing.
___, you never looked lovelier!
well, itâs a living.
sheâs the first dame who hasnât fallen for your lines since you were four.
come on now, snap out of it.
the show must go on!
iâm sure we should be as happy as â but are we? no. definitely no. positively no. decidedly no.
make âem laugh!
theyâll be standinâ in lines for those old, honky-tonk monkeyshines.
you could study shakespeare and be quite elite.
you could charm the critics and have nothing to eat.
slip on a banana peel, the worldâs at your feet!
donât you know the world wants to laugh?
go out and tell âem a joke, but give it plenty of hoke.
[cackles brightly, lengthily, and breathlessly]
why, you rattlesnake, you.
i never heard of anything so low.
i donât like her half as much as i hate you, you reptile.
iâd rather kiss a tarantula.
i donât â hey, ___, bring me a tarantula.
at last i can stop suffering and write that symphony!
what can i do but give my heart to you?
gee, iâm glad you turned up. weâve been looking inside every cake in town!
iâm such a ham.
you sure look lovely in the moonlight.
iâve laid awake the whole night through.
you were meant for me, and i was meant for you.
nature patterned you, and when she was done, you were all the sweet things rolled up in one.
youâre like a plaintive melody that never lets me free.
the angels must have sent you, and they meant you just for me.
sinful caeser sipped his snifter, seized his knees and sneezed.
moses supposes his toeses are roses, but moses supposes erroneously.
but moses, he knowses, his toeses arenât roses, as moses supposes his toeses to be.
a rose is a rose, a nose is a nose, a toese is a toese.
hupi-dubi-du!
gee, this is dumb.
well, i canât make love to a bush!
swell!
i love you, i love you, i love you.
this is a scream.
iâm no actor, i never was. just a lot of dumb show.
well, at least youâre taking it laying down.
or worse still, [you could] go back into vaudeville!
of course. itâs a cinch!
hot dog!
fellas, i feel this is my lucky day.
itâs 1:30 already. itâs morning!
weâve talked the whole night through.
good morninâ!
itâs great to stay up late.
when the band began to play, the stars were shining bright.
now the milkmanâs on his way, itâs too late to say goodnight.
so, good morninâ!
sunbeams will soon shine through.
weâve gabbed the whole night through!
nothinâ could be grander than to be in louisiana.
might be just as zippy if we was in mississippi!
the pain is gone, the show goes on, and i donât wanna say goodnight.
she canât act, she canât sing, and she canât dance. a triple threat.
wait a minute. i am just about to be brilliant!
watch my mouth.
enchanting. what are you doing tomorrow?
where i stand, the sun is shining all over the place.
iâm singinâ in the rain; just singinâ in the rain.
what a glorious feeling, iâm happy again.
iâm laughinâ at clouds, so dark above.
the sunâs in my heart, and iâm ready for love.
let the stormy clouds chase everyone from this place.
come on with the rain, iâve a smile on my face.
iâll walk down the lane with a happy refrain.
remind me to give you a raise!
hey, ___. give me a raise.
would you dare to say: letâs do the same as they?
i would. would you?
first, we set the stage with a song.
donât bring a frown to old broadway.
your troubles there, theyâre out of style.
gotta dance!
broadway rhythmâs got me.
when i hear that happy beat, i feel like dancinâ down the street.
our love will last until the stars turn cold.
try and understand this: iâm going to marry her.
i once gave you a cigar. can i have it back?
tonight, iâm gonna do my own talking.
youâve gotta do it, ___. this thing is too big.
you are my lucky star.
i was starstruck!
you are my lucky charms.
iâm lucky in your arms.
youâve opened heavenâs portal here on earth for this poor mortal.Â
me: tracy is nauseatingly niceâ me, remembering that she offered to have jeremy ââtaken care ofââ after he and marion divorced: wait.
@sloaneve.
   â oh, no -- i must confess, â tracy begins, looking dreadfully guilty. she smooths down the front of her slacks, brushing away nonexistent wrinkles in the pristine fabric, before clasping her hands together in front of her chest. â iâm not actually here for myself. see, iâm trying to find something for my younger sister. â ( and what an adventure that is -- to find something exciting enough for dinah, but appropriate and subdued enough for their mother to approve. )Â
@brainfareâ.
   â golly moses, they really did a number on you, didnât they? â tracy drifts in close, raising her hand and allowing the back of it hover a hairâs breadth from his cheek. â you know, iâm going to have to speak with your partner, marion, sweetheart. â the red bow of her mouth droops as she continues her scrutiny. â i thought you were pulling my leg. âÂ

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I suppose the best mainstay a man can have as he gets along in years is a daughter. The right kind of daughter, one whoâs full of warmth and affection - a kind of foolish, unquestioning, uncritical affection.
Grace Kelly as Tracy Samantha Lord in High Society (1956)
High Society (1956) dir. Charles Walters