Just as sensation, when given the priority, is not a mere reactive process of no further importance for the object, but is almost an action which seizes and shapes the object, so it is with intuition, which is by no means a mere perception, or awareness, but an active, creative process that builds into the object just as much as it takes out. But, because this process extracts the perception unconsciously, it also produces an unconscious effect in the object. The primary function of intuition is to transmit mere images, or perceptions of relations and conditions, which could be gained by the other functions, either not at all, or only by very roundabout ways. Such images have the value of definite discernments, and have a decisive bearing upon action, whenever intuition is given the chief weight; in which case, psychic adaptation is based almost exclusively upon intuition. Thinking, feeling, and sensation are relatively repressed; of these, sensation is the one principally affected, because, as the conscious function of sense, it offers the greatest obstacle to intuition. Sensation disturbs intuition’s clear, unbiassed, na[umlaut]ive awareness with its importunate sensuous stimuli; for these direct the glance upon the physical superficies, hence upon the very things round and beyond which intuition tries to peer. But since intuition, in the extraverted attitude, has a prevailingly objective orientation, it actually comes very near to sensation; indeed, the expectant attitude towards outer objects may, with almost equal probability, avail itself of sensation. Hence, for intuition really to become paramount, sensation must to a large extent be suppressed. I am now speaking of sensation as the simple and direct sense-reaction, an almost definite physiological and psychic datum. This must be expressly established beforehand, because, if I ask the intuitive how he is orientated, he will speak of things which are quite indistinguishable from sense-perceptions. Frequently he will even make use of the term ‘sensation’. He actually has sensations, but he is not guided by them per se, merely using them as directing-points for his distant vision. They are selected by unconscious expectation. Not the strongest sensation, in the physiological sense, obtains the crucial value, but any sensation whatsoever whose value happens to become considerably enhanced by reason of the intuitive’s unconscious attitude. In this way it may eventually attain the leading position, appearing to the intuitive’s consciousness indistinguishable from a pure sensation. But actually it is not so.
Just as extraverted sensation strives to reach the highest pitch of actuality, because only thus can the appearance of a complete life be created, so intuition tries to encompass the greatest possibilities, since only through the awareness of possibilities is intuition fullysatisfied. Intuition seeks to discover possibilities in the objective situation; hence as a mere tributary function (viz. when not in the position of priority) it is also the instrument which, in the presence of a hopelessly blocked situation, works automatically towards the issue, which no other function could discover. Where intuition has the priority, every ordinary situation in life seems like a closed room, which intuition has to open. It is constantly seeking outlets and fresh possibilities in external life. In a very short time every actual situation becomes a prison to the intuitive; it burdens him like a chain, prompting a compelling need for solution. At times objects would seem to have an almost exaggerated value, should they chance to represent the idea of a severance or release that might lead to the discovery of a new possibility. Yet no sooner have they performed their office, serving intuition as a ladder or a bridge, than they appear to have no further value, and are discarded as mere burdensome appendages. A fact is acknowledged only in so far as it opens up fresh possibilities of advancing beyond it and of releasing the individual from its operation. Emerging possibilities are compelling motives from which intuition cannot escape and to which all else must be sacrificed.
The Extraverted Intuitive Type
Whenever intuition predominates, a particular and unmistakable psychology presents itself. Because intuition is orientated by the object, a decided dependence upon external situations is discernible, but it has an altogether different character from the dependence of the sensational type. The intuitive is never to be found among the generally recognized reality values, but he is always present where possibilities exist. He has a keen nose for things in the bud pregnant with future promise. He can never exist in stable, long-established conditions of generally acknowledged though limited value: because his eye is constantly ranging for new possibilities, stable conditions have an air of impending suffocation. He seizes hold of new objects and new ways with eager intensity, sometimes with extraordinary enthusiasm, only to abandon them cold-bloodedly, without regard and apparently without remembrance, as soon as their range becomes clearly defined and a promise of any considerable future development no longer clings to them. As long as a possibility exists, the intuitive is bound to it with thongs of fate. It is as though his whole life went out into the new situation. One gets the impression, which he himself shares, that he has just reached the definitive turning point in his life, and that from now on nothing else can seriously engage his thought and feeling. However reasonable and opportune it may be, and although every conceivable argument speaks in favour of stability, a day will come when nothing will deter him from regarding as a prison, the self-same situation that seemed to promise him freedom and deliverance, and from acting accordingly. Neither reason nor feeling can restrain or discourage him from a new possibility, even though it may run counter to convictions hitherto unquestioned. Thinking and feeling, the indispensable components of conviction, are, with him, inferior functions, possessing no decisive weight; hence they lack the power to offer any lasting. resistance to the force of intuition. And yet these are the only functions that are capable of creating any effectual compensation to the supremacy of intuition, since they can provide the intuitive with that judgment in which his type is altogether lacking. The morality of the intuitive is governed neither by intellect nor by feeling; he has his own characteristic morality, which consists in a loyalty to his intuitive view of things and a voluntary submission to its authority, Consideration for the welfare of his neighbours is weak. No solid argument hinges upon their well-being any more than upon his own. Neither can we detect in him any great respect for his neighbour’s convictions and customs; in fact, he is not infrequently put down as an immoral and ruthless adventurer. Since his intuition is largely concerned with outer objects, scenting out external possibilities, he readily applies himself to callings wherein he may expand his abilities in many directions. Merchants, contractors, speculators, agents, politicians, etc., commonly belong to this type.
Apparently this type is more prone to favour women than men; in which case, however, the intuitive activity reveals itself not so much in the professional as in the social sphere. Such women understand the art of utilizing every social opportunity; they establish right social connections; they seek out lovers with possibilities only to abandon everything again for the sake of a new possibility.
It is at once clear, both from the standpoint of political economy and on grounds of general culture, that such a type is uncommonly important. If well-intentioned, with an orientation to life not purely egoistical, he may render exceptional service as the promoter, if not the initiator of every kind of promising enterprise. He is the natural advocate of every minority that holds the seed of future promise. Because of his capacity, when orientated more towards men than things, to make an intuitive diagnosis of their abilities and range of usefulness, he can also 'make’ men. His capacity to inspire his fellow-men with courage, or to kindle enthusiasm for something new, is unrivalled, although he may have forsworn it by the morrow. The more powerful and vivid his intuition, the more is his subject fused and blended with the divined possibility. He animates it; he presents it in plastic shape and with convincing fire; he almost embodies it. It is not a mere histrionic display, but a fate.
This attitude has immense dangers—all too easily the intuitive may squander his life. He spends himself animating men and things, spreading around him an abundance of life—a life, however, which others live, not he. Were he able to rest with the actual thing, he would gather the fruit of his labours; yet all too soon must he be running after some fresh possibility, quitting his newly planted field, while others reap the harvest. In the end he goes empty away. But when the intuitive lets things reach such a pitch, he also has the unconscious against him. The unconscious of the intuitive has a certain similarity with that of the sensation-type. Thinking and feeling, being relatively repressed, produce infantile and archaic thoughts and feelings in the unconscious, which may be compared with those of the countertype. They likewise come to the surface in the form of intensive projections, and are just as absurd as those of the sensation-type, only to my mind they lack the other’s mystical character; they are chiefly concerned with quasi-actual things, in the nature of sexual, financial, and other hazards, as, for instance, suspicions of approaching illness. This difference appears to be due to a repression of the sensations of actual things. These latter usually command attention in the shape of a sudden entanglement with a most unsuitable woman, or, in the case of a woman, with a thoroughly unsuitable man; and this is simply the result of their unwitting contact with the sphere of archaic sensations. But its consequence is an unconsciously compelling tie to an object of incontestable futility. Such an event is already a compulsive symptom, which is also thoroughly characteristic of this type. In common with the sensation-type, he claims a similar freedom and exemption from all restraint, since he suffers no submission of his decisions to rational judgment, relying entirely upon the perception of chance, possibilities. He rids himself of the restrictions of reason, only to fall a victim to unconscious neurotic compulsions in the form of oversubtle, negative reasoning, hair-splitting dialectics, and a compulsive tie to the sensation of the object. His conscious attitude, both to the sensation and the sensed object, is one of sovereign superiority and disregard. Not that he means to be inconsiderate or superior—he simply does not see the object that everyone else sees; his oblivion is similar to that of the sensation-type—only, with the latter, the soul of the object is missed. For this oblivion the object sooner or later takes revenge in the form of hypochondriacal, compulsive ideas, phobias, and every imaginable kind of absurd bodily sensation.
Intuition
Intuition, in the introverted attitude, is directed upon the inner object, a term we might justly apply to the elements of the unconscious. For the relation of inner objects to consciousness is entirely analogous to that of outer objects, although theirs is a psychological and not a physical reality. Inner objects appear to the intuitive perception as subjective images of things, which, though not met with in external experience, really determine the contents of the unconscious, i.e. the collective unconscious, in the last resort. Naturally, in their per se character, these contents are, not accessible to experience, a quality which they have in common with the outer object. For just as outer objects correspond only relatively with our perceptions of them, so the phenomenal forms of the inner object are also relative; products of their (to us) inaccessible essence and of the peculiar nature of the intuitive function. Like sensation, intuition also has its subjective factor, which is suppressed to the farthest limit in the extraverted intuition, but which becomes the decisive factor in the intuition of the introvert. Although this intuition may receive its impetus from outer objects, it is never arrested by the external possibilities, but stays with that factor which the outer object releases within.
Whereas introverted sensation is mainly confined to the perception of particular innervation phenomena by way of the unconscious, and does not go beyond them, intuition represses this side of the subjective factor and perceives the image which has really occasioned the innervation. Supposing, for instance, a man is overtaken by a psychogenic attack of giddiness. Sensation is arrested by the peculiar character of this innervationdisturbance, perceiving all its qualities, its intensity, its transient course, the nature of its origin and disappearance in their every detail, without raising the smallest inquiry concerning the nature of the thing which produced the disturbance, or advancing anything as to its content. Intuition, on the other hand, receives from the sensation only the impetus to immediate activity; it peers behind the scenes, quickly perceiving the inner image that gave rise to the specific phenomenon, i.e. the attack of vertigo, in the present case. It sees the image of a tottering man pierced through the heart by an arrow. This image fascinates the intuitive activity; it is arrested by it, and seeks to explore every detail of it. It holds fast to the vision, observing with the liveliest interest how the picture changes, unfolds further, and finally fades. In this way introverted intuition perceives all the background processes of consciousness with almost the same distinctness as extraverted sensation senses outer objects. For intuition, therefore, the unconscious images attain to the dignity of things or objects. But, because intuition excludes the cooperation of sensation, it obtains either no knowledge at all or at the best a very inadequate awareness of the innervation-disturbances or of the physical effects produced by the unconscious images. Accordingly, the images appear as though detached from the subject, as though existing in themselves without relation to the person.
Consequently, in the above-mentioned example, the introverted intuitive, when affected by the giddiness, would not imagine that the perceived image might also in some way refer to himself. Naturally, to one who is rationally orientated, such a thing seems almost unthinkable, but it is none the less a fact, and I have often experienced it in my dealings with this type.
The remarkable indifference of the extraverted intuitive in respect to outer objects is shared by the introverted intuitive in relation to the inner objects. Just as the extraverted intuitive is continually scenting out new possibilities, which he pursues with an equal unconcern both for his own welfare and for that of others, pressing on quite heedless of human considerations, tearing down what has only just been established in his everlasting search for change, so the introverted intuitive moves from image to image, chasing after every possibility in the teeming womb of the unconscious, without establishing any connection between the phenomenon and himself. Just as the world can never become a moral problem for the man who merely senses it, so the world of images is never a moral problem to the intuitive. To the one just as much as to the other, it is an ae[]sthenic problem, a question of perception, a 'sensation’. In this way, the consciousness of his own bodily existence fades from the introverted intuitive’s view, as does its effect upon others. The extraverted standpoint would say of him: 'Reality has no existence for him; he gives himself up to fruitless phantasies’. A perception of the unconscious images, produced in such inexhaustible abundance by the creative energy of life, is of course fruitless from the standpoint of immediate utility. But, since these images represent possible ways of viewing life, which in given circumstances have the power to provide a new energic potential, this function, which to the outer world is the strangest of all, is as indispensable to the total psychic economy as is the corresponding human type to the psychic life of a people. Had this type not existed, there would have been no prophets in Israel.
Introverted intuition apprehends the images which arise from the a priori, i.e. the inherited foundations of the unconscious mind. These archetypes, whose innermost nature is inaccessible to experience, represent the precipitate of psychic functioning of the whole ancestral line, i.e. the heaped-up, or pooled, experiences of organic existence in general, a million times repeated, and condensed into types. Hence, in these archetypes all experiences are represented which since primeval time have happened on this planet. Their archetypal distinctness is the more marked, the more frequently and intensely they have been experienced. The archetype would be—to borrow from Kant—the noumenon of the image which intuition perceives and, in perceiving, creates.
Since the unconscious is not just something that lies there, like a psychic caput mortuum, but is something that coexists and experiences inner transformations which are inherently related to general events, introverted intuition, through its perception of inner processes, gives certain data which may possess supreme importance for the comprehension of general occurrences: it can even foresee new possibilities in more or less clear outline, as well as the event which later actually transpires. Its prophetic prevision is to be explained from its relation to the archetypes which represent the law-determined course of all experienceable things.
The Introverted Intuitive Type
The peculiar nature of introverted intuition, when given the priority, also produces a peculiar type of man, viz. the mystical dreamer and seer on the one hand, or the fantastical crank and artist on the other. The latter might be regarded as the normal case, since there is a general tendency of this type to confine himself to the perceptive character of intuition. As a rule, the intuitive stops at perception; perception is his principal problem, and—in the case of a productive artist—the shaping of perception. But the crank contents himself with the intuition by which he himself is shaped and determined. Intensification of intuition naturally often results in an extraordinary aloofness of the individual from tangible reality; he may even become a complete enigma to his own immediate circle.
If an artist, he reveals extraordinary, remote things in his art, which in iridescent profusion embrace both the significant and the banal, the lovely and the grotesque, the whimsical and the sublime. If not an artist, he is frequently an unappreciated genius, a great man 'gone wrong’, a sort of wise simpleton, a figure for 'psychological’ novels.
Although it is not altogether in the line of the introverted intuitive type to make of perception a moral problem, since a certain reinforcement of the rational functions is required for this, yet even a relatively slight differentiation of judgment would suffice to transfer intuitive perception from the purely æsthetic into the moral sphere. A variety of this type is thus produced which differs essentially from its æsthetic form, although none the less characteristic of the introverted intuitive. The moral problem comes into being when the intuitive tries to relate himself to his vision, when he is no longer satisfied with mere perception and its æsthetic shaping and estimation, but confronts the question: What does this mean for me and for the world? What emerges from this vision in the way of a duty or task, either for me or for the world? The pure intuitive who represses judgment or possesses it only under the spell of perception never meets this question fundamentally, since his only problem is the How of perception. He, therefore, finds the moral problem unintelligible, even absurd, and as far as possible forbids his thoughts to dwell upon the disconcerting vision. It is different with the morally orientated intuitive. He concerns himself with the meaning of his vision; he troubles less about its further æsthetic possibilities than about the possible moral effects which emerge from its intrinsic significance. His judgment allows him to discern, though often only darkly, that he, as a man and as a totality, is in some way interrelated with his vision, that it is something which cannot just be perceived but which also would fain become the life of the subject. Through this realization he feels bound to transform his vision into his own life. But, since he tends to rely exclusively upon his vision, his moral effort becomes one-sided; he makes himself and his life symbolic, adapted, it is true, to the inner and eternal meaning of events, but unadapted to the actual present-day reality. Therewith he also deprives himself of any influence upon it, because he remains unintelligible. His language is not that which is commonly spoken—it becomes too subjective. His argument lacks convincing reason. He can only confess or pronounce. His is the 'voice of one crying in the wilderness’.
The introverted intuitive’s chief repression falls upon the sensation of the object. His unconscious is characterized by this fact. For we find in his unconscious a compensatory extraverted sensation function of an archaic character. The unconscious personality may, therefore, best be described as an extraverted sensation-type of a rather low and primitive order. Impulsiveness and unrestraint are the characters of this sensation, combined with an extraordinary dependence upon the sense impression. This latter quality is a compensation to the thin upper air of the conscious attitude, giving it a certain weight, so that complete 'sublimation’ is prevented. But if, through a forced exaggeration of the conscious attitude, a complete subordination to the inner perception should develop, the unconscious becomes an opposition, giving rise to compulsive sensations whose excessive dependence upon the object is in frank conflict with the conscious attitude. The form of neurosis is a compulsion-neurosis, exhibiting symptoms that are partly hypochondriacal manifestations, partly hypersensibility of the sense organs and partly compulsive ties to definite persons or other objects.
