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Alchemy in Beetlejuice | Part 1 | Part 2
Claire, Leon & Sherry Symbolism | Here
Phantom of the Opera in Hazbin | Here
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@tenebroux
My Posts 💭
Alchemy in Beetlejuice | Part 1 | Part 2
Claire, Leon & Sherry Symbolism | Here
Phantom of the Opera in Hazbin | Here

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Claire Redfield in the trailer for the new remake Resident Evil: Veronica
Drawn to people and things that aren’t easy to explain.
𝔳𝔞𝔪𝔭𝔦𝔯𝔢 𝔱𝔥𝔢 𝔪𝔞𝔰𝔮𝔲𝔢𝔯𝔞𝔡𝔢 🦇
I put them in my jackets ❤️🖤🧋

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🖤 How Symbolism in RE2R Frames Claire, Leon & Sherry as a Found Family ♣️
Although this wasn't the case for the OG game, the remakes graced Claire and Leon with exclusive items for either character that help us to read between the lines of their shared narrative.
Claire finds her exclusive item, the Heart Key, within the Lovers' Relief, unlocking her path through love in order to progress through the story.
Hearts in iconography typically symbolise love and family, mirroring Claire's drive for venturing through Raccoon City. Her purpose starts out as a love for her brother, desperate to find him and know that her only remaining family member is safe. After Claire meets Sherry and witnesses the horrors around them, her purpose for escaping becomes ensuring the safety of this little girl - this piece of innocence who desperately needs a saviour from this terrifying nightmare.
Leon's exclusive key is the Club Key, found within the boiler room - a room associated with an industrial setting and blue collar work, much like Leon's hardworking self in his blue collar job. Clubs in iconography symbolise authority, protection, and the working man. Leon, a working man, feels his duty is to serve and protect citizens under the law as an officer for the RPD.
If you are familiar with Jungian archetypes and how characters within stories are also given archetypal roles, you might be interested to know how the Heart and Club relate to Claire and Leon's relationship.
In the Mysterium Coniunctionis, a piece of work produced by Carl Jung, he talks about the sponsa and sponsus, which refer to the archetypes of the wife and the husband. These are archetypes we usually see paired together when two characters at once display opposing characteristics while still being complementary to each other. Jung says that the sponsa calls out to the sponsus like the Church and Christ, Luna and Sol, etc. in order to come together in complete union.
And so, when authors create two characters with opposing traits, the goal is more often than not, to get these two characters back together to be in union.
Coincidentally, Claire and Leon are separated shortly upon meeting, yet their fates still collide. Constant barriers are put between the two - a fiery car explosion, a locked gate, and a one-sided mirror.
Which brings me back to their respective keys. Claire's Heart Key unlocks the Interrogation room, while Leon's Club Key grants him access to the Observation room. These rooms are directly across from each other, thinly separated by a one-way mirror.
In the Interrogation room, Claire becomes the subject. In a police setting, the subject is the one whose heart and motives are being picked apart and interrogated by the detective. Claire sees the humanity of the situation, exposed to the light, first-hand experiencing the truth, and I feel this reflects her vulnerability as a young girl and college student, who was forced to pick up a weapon and fight.
In the Observation room, Leon is the authority. He is behind the glass, protected by the darkness and his status as an officer. He is the weapon of the observer; he is there to judge, protect, and document. He is the external law while Claire is the internal truth. They represent two sides of the situation and two methods used in research and problem-solving. Firsthand experience and observation are complementary tools used to gather empirical data.
Finally, that glass is broken both literally and metaphorically. The theme of light and darkness blends together, and they are no longer civilian & cop. They are two human beings standing in the same wreckage; artificial roles are stripped away, leaving only their partnership. Claire and Leon are never present at this location simultaneously; instead, each encounters the other's presence almost like a ghost. Yet, the glass breaking shatters this illusion. The game is telling the player that while the Heart and the Club see the world through different glass, they are both truly searching for the same thing. And what is that thing? Well, it's a little girl named Sherry!
We see further symbolism through various items, such as the medallions. Claire is symbolised by the Unicorn medallion - a mythological creature said to be fierce and untameable, but represents a peaceful spirit who brings healing, though it can only be tamed by a pure hearted Maiden. Sherry is symbolised by the Maiden medallion, who tames the Unicorn. We can see on the back of the medallions imagery which depicts both the Maiden surrounded by the Unicorn & Lion, and a small child gently holding onto an adult. This represents Sherry's dependence on Claire and Leon for safety, but especially the positive impact she has on Claire.
As for Leon, his representation as the Lion medallion is a little more on the nose considering "Leon" means lion, and his knife has a lion etched into it. Lions symbolise protection, bravery, courage - beautifully laid out for the lionhearted Leon.
Their shared purpose is further highlighted by the Unicorn and Lion statue left without their Maiden between them.
By the end of the game, the trio are reunited, cleverly closing their chapter together with Sherry's enquiry whether Claire and Leon are dating ["So... are you guys, like, boyfriend and girlfriend?"] And if they could adopt her.
Themes of marriage are often told through the lens of the sacraments, in which two opposites who were perfectly made for each other must come together as one flesh. It just so happens one half of the party has appeared in RE's recent installment, Requiem, wearing a ring on his wedding finger. Sherry, too, appears to be wearing a family ring - so if the rule of 3 applies, who else could be wearing the 3rd ring other than Claire?
© Nona Limmen {via Instagram}
What is your opinion on the Beetlejuice 2 Dream Theory?
This theory?
My opinion is that it's very likely to be true. I walked away from the cinema extremely happy with all of the shippy moments—so happy I hadn't even considered theorising anything yet, however my first thought about the ending was, So it was all Lydia's dream?
I read through the post and was blown away by how much sense it made, but I think it helped push me to believe it when my friend sent me this
My friend is not interested in theorising or shipping, and has no connection to the BJ fandom, he's just a horror fan. Yet his interpretation of the movie's ending was a summarised version of the whole dream theory. Isn't it far more romantic to imagine Lydia having spent her life with Betelgeuse, and he's indulging her with a dream of her own child? Considering they both have a 'psychic connection', I'm not convinced that Lydia hasn't been thinking about BJ just as much as he's been thinking about her.
This user pointed out both of Betelgeuse's love songs are by artists named Richard, conveniently the name of Lydia's previous partner. The same partner who was described as a horror fan that loved playing pranks, and dressed as a Beetlejuice lookalike for Halloween.
Looks like Beetlejuice, acts like Beetlejuice—either Lydia is equally obsessed, or it's BJ projecting himself onto Lydia's human lover within the dream. Watching the movie with new eyes, I noticed in the "Later, fucker" scene that BJ is sitting in the same place Richard sat while working at the border control. "Astrid" herself has a name related to the celestial bodies, much like "Betelgeuse". You can either take this as a romantic parallel, or Tim is trying to show us that Richard's creation is based on Lydia's fixation with Beetlejuice.
Dream sequences often use characters to represent something within the dreamer's psyche. It's like an abstract analysis of the way that character thinks and feels. Astrid's sequence within the dream shows Lydia's material desires—it confirms everything was based off of what Lydia wanted, which included getting married to a 'monster' (in the sequence of events, Astrid marries a guy dressed as a vampire), and then gives birth to the Beetlebaby. I know in the first movie there is a reference to the horror movie "The Fly", so I imagine this was too.
Did anyone notice the dream sequence watching Astrid didn't actually have a clear indication for when it began? It transitioned from the movie as if everything was a dream right from the start.
Let's not forget BJ straight up looking into the camera and saying "I love a good dream sequence". Lol.
My other reasoning for believing the dream theory is what Winona said about Lydia. Winona and Tim are close friends. Winona pitched the idea of having Betelgeuse and Lydia be the endgame ship in her words, and she happily took part in this movie. If Tim had rejected the idea, why would Winona reprise her role for a story she didn't agree with? Winona knows that Lydia is Tim's self insert (Tim has said many times he relates the most to Lydia), so why would Tim approve of all the shippy moments if he opposed Winona's pitch? No one knows Lydia like him!
Winona said in this interview that she hadn't imagined Lydia ever becoming a mother, but that after a while it started to make sense. She does not elaborate on that, but explains her idea for Lydia was that she would end up a spinster in the attic. If you read the dream theory, it highlights how the movie begins with Lydia in the attic, and then transitions to Lydia's TV show, but the background is still the attic. I found the whole film very dreamlike in this way, and I think the fact that Tim has said Wizard of Oz (a movie where the girl wakes up after a dream, in which those she knew acted as characters within the sequence) is one of his favourite movies helps to put it into effect.
And finally...
It's Lydia Deetz. Lydia loves the strange and unusual.. do you really think she wasn't curious enough to contact Beej again?
they eloped. chris was salty. they didn't care.

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"I have to believe that our worst moments don’t make us monsters, Jim."
Some extras under cut:
I am never not mentally here
i must drink, and deeply
stitches sept print club is Bloodlines themed, a few days left to join to get this print + one more! link
Aimee-Ffion Edwards and Saskia Reeves behind the scenes of Season 5 of Slow Horses 🐌🐎

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Alastor & Charlie are based on the Phantom & Christine
I came to this conclusion as Phantom of the Opera is one of Vivziepop's favourite musicals. You can see multiple references to the production in Helluva Boss.
In Moxxie's Bad Trip, Blitzo dresses as the Phantom as it's canonically Moxxie's favourite musical too.
Even Blitz's default design is styled after the Phantom, with his face scarring shaped similarly.
Many have drawn comparisons between Alastor and Charlie's dynamic and that of the Phantom and Christine, but here's why the parallel works so well.
In POTO, Christine's conflict revolves around her perception of the Phantom as both a father figure and her sexual awakening.
Christine is confused as to what exactly the Phantom is, but her perception of him becomes very blurry as she is half-convinced he is the spirit of her father guiding her (and thus becomes her father figure via manipulation), but at the same time falls in love with him romantically.
Similarly, Alastor and Charlie's dynamic is based on his attempt to manipulate her by claiming he is her new father figure (this is despite Viv's confirmation that he does not view her as a daughter). Two episodes later, he sneakily reveals in "Ready For This" that he plans to guide and mentor her.
♪ Sing once again with me, our strange duet
My power over you grows stronger yet ♪
So, both the Phantom and Alastor manipulate their muse by adopting a fatherly role while secretly harboring deeper, more complex desires. Both see Christine and Charlie as protégés whose talents they want to cultivate, but their intentions go beyond mere mentorship. Both are mentor-student relationships, albeit the Phantom and Christine develop romantic feelings.
Christine is also the first person to show the Phantom genuine kindness, thus opening his heart.
What else does POTO include? A love triangle between Christine, the Phantom, and her childhood friend Raoul, similar to how Alastor is very eager to get between Charlie and Vaggie.
To add, in 2018 Vivziepop animated this short clip of Charlie and Vaggie as humans, using audio from Parks & Rec.
Vaggie: Describe your ideal man.
Charlie: He's dark and mysterious, and he can sing, and he plays the organ.
Vaggie: I think you just described the Phantom of the Opera.
Charlie: *smirks*
when your circle small but y'all crazy