team ‘enemies to lovers’ or team ‘friends to lovers’?
enemies to friends to lovers you fool you absolute buffoon

Origami Around
trying on a metaphor
Sade Olutola
Alisa U Zemlji Chuda
Cosmic Funnies

⁂

❣ Chile in a Photography ❣
sheepfilms
Cosimo Galluzzi
Show & Tell
DEAR READER
Claire Keane

Love Begins

pixel skylines

★
Lint Roller? I Barely Know Her

"I'm Dorothy Gale from Kansas"
todays bird
seen from Germany
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seen from Brazil
seen from Belgium
seen from United States
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seen from Italy
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seen from United States
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seen from United States
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@tempsdecerises
team ‘enemies to lovers’ or team ‘friends to lovers’?
enemies to friends to lovers you fool you absolute buffoon

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Oil paintings by Seth Armstrong
Valeriy Gridnev (Russian, b. 1956. Active in the UK). Oil on canvas.
Orangeland. Oranges ripen and blossoms perfume the air—both at the same time in the vast groves of Southern California.
National Geographic - January, 1962

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nights above chamonix, france 🏔✨
HORROR FILMS IN THE 2010′S: Every decade of horror has a different tone and feeling to it. Things come and go. Tastes change. It is very possible that in 20 years we will feel nostalgia for the 2010s the same way we feel nostalgia for the 1980s. However, what is more likely is that, like the 80s, the era of horror we’re living in now will reverberate. It will continue on. It will remain ever-relevant to us as audiences because, quite frankly, we will keep coming back to the films we’re watching now. Because quality films stay alive. Long live the 2010s — a new age of Gods and Monsters. (source)
Get Out (2017) dir. Jordan Peele The Cabin in the Woods (2011) dir. Drew Goddard The Conjuring (2013) dir. James Wan Us (2019) dir. Jordan Peele Hereditary (2018) dir. Ari Aster It Follows (2014) dir. David Robert Mitchell The Witch (2015) dir. Robert Eggers It (2017) dir. Andy Muschietti
weird little treetop girl
WHERE THE FUCK AM I GONNA GO NOW?
Look, I know I don’t always do what you need me to do or say what you need me to say, but I… I see this… this spark in you, it’s amazing, it’s why I push you. But it’s yours, and whatever you choose to do with it, you’ll be great.
SPIDER-MAN: INTO THE SPIDER VERSE (2018) dir. Peter Ramsey, Robert Persichetti Jr., Rodney Rothman

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“We lose June. We lose July. In August we look in mirrors and want to die.”
— Kim Addonizio, from ‘The Women’, Wild Nights: New and Selected Poems
the female impressionists…………………… they Knew……………..
she Knows…………. she Gets It………….
she Knows…………………..
these ladies? they Know……….
1. Berthe Morisot, The Cradle, oil on canvas
2. Eva Gonzalès, In the Boat, oil on canvas
3. Marie Bracquemond, On the Terrace at Sèvres, oil on canvas
I mean thats just what happens when you live in the 19th century when you couldnt vote and hated your husband
as a society we have to start bullying rich ivy league kids more. they’re like “i go to harvard” and you gotta be like “what? never heard of it”
i got a lot of shit about this post a few days ago but ever since that scandal broke? crickets
“I have a degree from yale”
“Psh did your MOM buy it for you?”
This guy doesn’t pull any punches
Reblogging this version instead cause ppl think this is about trashing LOK.
And it ain’t. LOK was good despite all the bullshit nickelodeon kept pulling on the creators.

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the fact that phones dont have little charm loops in them anymore only goes to show that humanity as we know it is on the decline
what a fucking power move