ur trans?
lol
It would appear the transvestigators are not sending their best, or their brightest
YOU ARE THE REASON

祝日 / Permanent Vacation
Show & Tell
PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

Origami Around


roma★

izzy's playlists!
One Nice Bug Per Day
taylor price
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
Lint Roller? I Barely Know Her

Discoholic 🪩
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@theartofmadeline
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@teethdreamer
ur trans?
lol
It would appear the transvestigators are not sending their best, or their brightest

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Wakamatsu Koji on his reason to become a filmmaker, in Shane O'Sullivan's documentary Under the Skin (2002)
OK so following up on this, I did succumb to some kind of horrific illness a couple days after this. This might be a bad look for my mouldy trough water and iron constitution, but I'm actually pretty sure the thing that took me out here was some kind of nightmare cold/flu variant that myself and all my friends were exposed to at a gig the night before. Didn't show up on any tests as any of the common cold, flu, rhinovirus, covid variants which, again, is probably a bad look for drinking mould but a bunch of other people who didn't drink the trough water also got the mystery illness so --
"When someone gives you that hackneyed “it’s okay to not be okay” speech look at them with the pity they deserve and treat it the way you would the dribbling of a beloved senile relative.
It’s not okay. Some of us would give anything to feel clean again. It’s all fine til the illness starts manifesting itself in real, visceral ways like when I’m calling you at 5 in the morning all my windows and mirrors covered to stop them watching and asking you if you know when They started to conspire against me or when She or He sleeps with a knife next to her bed because of what They did to them. When all that we are dying to try conceals ways we are trying to die.
It’s the scars and grotesque weight loss you look away from. It’s not socially acceptable. It’d probably scare your boss and your neighbours. And they should be scared but not for the reasons they think.
You know, when I was waiting on HIV tests following the worst knife point pain of my life we made a black comedy playlist for an AIDS reveal party. Lots of Queen, Infected by The The, Another Invented Disease by the Manics etc. I found out I was Negative and we were very happy.
You still view schizophrenics as cackling caricatures from the Victorian asylum. You romanticise the diseases who take my friends and leave me a shambling drunken paranoid wreck. You who fetishise quirk and abhor weird. The words which describe our condition you use as insults.
You say I shouldn’t be ashamed just often enough for me to realise you don’t mean it. I’m a good whore who goes where he’s kicked – you’re ashamed of me but I’m fucking not.
Hear the beauty of our Notes from the Psychiatric Underground (Dostoyevsky knew what he was talking about the old perv). This is why Mad Pride is so important: we all come into this world naked bloody and screaming and on occasion spend the odd weekend that way but it doesn’t have to be that we leave that way. We must not do this alone!"'
TRIBUTE Words: Dan Shea Probably the most candid and personal post the Monolith Cocktail has ever posted, Dan Shea pays a special tribute to
It feels painful and deeply telling that the rawest & more painfully familiar expression of queer love I have found in recent memory comes from a blogpost from several years ago in which one underground artist eulogises another. Two peripheral figures, found almost by accident (it was linked somewhere in the body of a recent Ramleh interview) in a moment of tender posthumous embrace. This is us.
"When someone gives you that hackneyed “it’s okay to not be okay” speech look at them with the pity they deserve and treat it the way you would the dribbling of a beloved senile relative.
It’s not okay. Some of us would give anything to feel clean again. It’s all fine til the illness starts manifesting itself in real, visceral ways like when I’m calling you at 5 in the morning all my windows and mirrors covered to stop them watching and asking you if you know when They started to conspire against me or when She or He sleeps with a knife next to her bed because of what They did to them. When all that we are dying to try conceals ways we are trying to die.
It’s the scars and grotesque weight loss you look away from. It’s not socially acceptable. It’d probably scare your boss and your neighbours. And they should be scared but not for the reasons they think.
You know, when I was waiting on HIV tests following the worst knife point pain of my life we made a black comedy playlist for an AIDS reveal party. Lots of Queen, Infected by The The, Another Invented Disease by the Manics etc. I found out I was Negative and we were very happy.
You still view schizophrenics as cackling caricatures from the Victorian asylum. You romanticise the diseases who take my friends and leave me a shambling drunken paranoid wreck. You who fetishise quirk and abhor weird. The words which describe our condition you use as insults.
You say I shouldn’t be ashamed just often enough for me to realise you don’t mean it. I’m a good whore who goes where he’s kicked – you’re ashamed of me but I’m fucking not.
Hear the beauty of our Notes from the Psychiatric Underground (Dostoyevsky knew what he was talking about the old perv). This is why Mad Pride is so important: we all come into this world naked bloody and screaming and on occasion spend the odd weekend that way but it doesn’t have to be that we leave that way. We must not do this alone!"'
TRIBUTE Words: Dan Shea Probably the most candid and personal post the Monolith Cocktail has ever posted, Dan Shea pays a special tribute to

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My fantasy is someone going through my switch store wishlist and buying everything ~_~
mine is eating mold and being fine
thanks for letting me hang out on here even though i dont have a favorite mounting goats song
Turning you into a girl isn’t a sex thing for me. It’s just praxis.
You’re encouraged to get off to it though.
teeth dreams // Mama Chen's // July 5th, 2025
Played alongside: Your Mother's Disgusting Window, Colostomy Baguette?, and False Animal.
📷: @loveplusnoise
Screech owl By: Shelly Grossman From: Life Nature Library: Animal Behavior 1965

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the only grind I respect is girls grinding against each other or something. like whatever the mortar and pestle get up to
idk, grindcore is pretty cool too. not quite as cool as what you’re talking about, but definitely up there in terms of things i like
Out Now: Teeth Dreams - Baroque Sunbursts, Vol. 1 (aka. Airport Ketamine)
From time to time, like a diseased eyeball in which disturbing flashes of light are perceived or like those baroque sunbursts in which rays of from another world suddenly break into this one, we are reminded that Utopia exists and that other systems, other spaces are still possible. (Fredric Jameson, Valences of the Dialectic)
uboa is a band now. introducing my drummer lulu (without hat) and my bassist violet (with hat, she was there for roadburn so its technically reintroducing). We have a festival with eye from boredoms and then a tour with chelsea wolfe. pics by lulu + halcy
hello i’m “with hat”
teeth dreams - fears unspoken from: teeth dreams - With My Back to the World (2024)
Violet Aisling (teeth dreams): synths, noise, cassettes, electroacoustic devices, no-input mixing board, controlled feedback, field recordings, laptop, vocals
Xandra Metcalfe (uboa): mixed, mastered, emotionally supported
Orchid Carmen (twinsoul): album art
"woman as animal" collage + ash + whiteout + wine + pen on A4 paper, with colour correction after scan

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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100 Great Albums from 2024.
OK…
I listened to a lot of music this year, and I am not going to prattle on about it all this time because there's too much. These are the albums that came out this year that I really liked. They aren't in a specific order, but they are in a general order (closer to the top just means I listened to it more often, or responded enthusiastically/felt really strongly about it). I have been doing a lot of radio this year, and so I've listened to so much music. It's not trying to be a definitive top 100 list, I am sure I missed some gems, but these are things I personally liked. Then there are some special mentions at the end that include some reissues that include some reworked/additional material, and some compilations/live albums as well. Genres are all over the place, from heavy to light to weird to weirder. Check things out and enjoy the adventure.
Muuntautuja by Oranssi Pazuzu
Dreaming the Strife for Love by Bedsore
Absolute Elsewhere by Blood Incantation
Impossible Light by Uboa
Lives Outgrown by Beth Gibbons
Red Hot & Ra - The Magic City by Meshell Ndegeocello
COEXISTENCE by Johanna Elina Sulkunen
13" Frank Beltrame Italian Stiletto with Bison Horn Grips by Xiu Xiu
Coagulated Bliss by Full of Hell
Orchards of a Futile Heaven by The Body & Dis Fig
The Healer by Sumac
Scope Neglect by Ben Frost
I Saw the TV Glow by Various/Alex G
Maxxxine by Tyler Bates
The Substance by Raffertie
Colour by Material Object
NONAGE by Li Yilei
Delight by Arushi Jain
RECESSED DRAUGHTING by Robert Aiki Aubrey Lowe
NATI INFINITI by Alessandro Cortini
Much Unseen Is Also Here by Lustmord
Mosaic by Fennesz
Generative Etudes Vol 2.1 by Matthew Ryals
Nidar Effigy by Althru
MANTRA by Diploid
Cutting the Throat of God by Ulcerate
Emerald Fires Atop The Farewell Mountains by COSMIC PUTREFACTION
The Great Bailout (Deluxe) by Moor Mother
Vajranala by Senyawa
The love it took to leave you by Colin Stetson
Cellophane Memories by Chrystabell & David Lynch
NRTYA by SAICOBAB
Black Blues by Keiji Haino
Disconnect by KRM & KMRU
The Light is Real by Thollem, Terry Riley, Nels Cline
Chytridiomycosis Relinquished by Slimelord
Cool World by Chat Pile
You Could Do It Tonight by Couch Slut
Highly Irresponsible by Better Lovers
The Head As Form’d In The Crier’s Choir by Sarah Davachi
with my back to the world by Teeth dreams
Chroma by Loscil // Lawrence English
Argot by Passepartout Duo
Farm Psychedelia I & II by eucademix
Placenta by Carlos Niño & Friends
Spectral Evolution by Rafael Toral
Paloma Wind by EVA-MARIA HOUBEN + JOHN HUDAK
Arise in Sinking Feelings by PINKCOURTESYPHONE
September 23rd by William Basinski
Two Verses by Mark Templeton
Outer Spaceways Incorporated : Kronos Quartet & Friends Meet Sun Ra by Red Hot Org
The Copyrite of Spring by Buttress O’Kneel
marked by Klein
Bearings: Soundtracks for the Bardos by Ka Baird
Elden Ring Shadow of the Erdtree by Various
Black myth wukong by Zhai JinYan
UFO 50 by Eirik Suhrke
Idea Man by David Flemming
Natur by KMRU
Sharqan Hatta Al Maut - 4 by Firas Shehadeh
Harmony / Balance by Ibukun Sunday
Radio Yugawara by Passepartout Duo and Inoyama Land
In - Tran - Situ by babyxxan
Dulcitone 1804 by Nightports w/ Matthew Bourne
The sound of flowers by Daniel O’Toole
Dawn by Raymond Haddad
Horror Vacui by 9T Antiope
Halki pilvien by Tomutonttu
Standstill by Disasterpeace
Challengers by Trent Reznor & Atticus Ross
Nautnir þrjár by Guðmundur Arnalds
Space As An Instrument by Félicia Atkinson
The Itself of Itself by Bass Communion
Instability of the Signal by Simon Fisher Turner
DÝRA by SHHE
Salt And Sugar Look The Same by Tim Koh / Sun An
Aurora Liminalis by William Basinski + Richard Chartier
On Leaving by RICHARD CHARTIER
Lambda by ZULI
Face to Face, Day by Day by ACT!
Endlessness by Nala Sinephro
For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved. by Dekalb Works
Anatomical Heart by Erik Griswold, Chloe Kim, Helen Svoboda
Talitakum by Avalanche Kaito
Giant Beauty by أحمد [Ahmed]
Let Us Descend by Francesco Leali
Peurakaira by Maja S. K. Ratkje/Marte Ingeborg Haltli/Frida Helene Haltli
Turzets by James Rushford
Music For A Bellowing Room by Sarah Davachi and Dicky Bahto
MUNDANAS VII-XI by John McCowen
Eleven Fugues For Sodium Pentothal by Adam Wiltzie
Social Engineering by Jan Jelinek
Suite For The Drains by Lisa Lerkenfeldt
Princ€ss by Princ€ss
Ataque Mental by Interzona
Crises Trilogy by Darlene
Ag Titim by Anocht
Material by Connor D'Netto
Special mentions (compilations/live albums/reissues)
Disposable Heroes of Hit Em by Various
Blue and yellow through Black and Grey by Various
Special versions - Live at ACCA, Brighton by Colleen
Hear the Machine #4 by serene ailment
Alley of the Sun by Various
Vile Luxury - Redux 1924 (24-bit HD audio) by Imperial Triumphant
plexure '24 by plunderphonics
Selected Ambient Works Volume II (Expanded Edition) by Aphex Twin
whoah! banger year for new releases, so it’s a huge honour to find myself on here!
teeth dreams - fears unspoken from: teeth dreams - With My Back to the World (2024)
Violet Aisling (teeth dreams): synths, noise, cassettes, electroacoustic devices, no-input mixing board, controlled feedback, field recordings, laptop, vocals
Xandra Metcalfe (uboa): mixed, mastered, emotionally supported
Orchid Carmen (twinsoul): album art
New gf record get it if u havnt
hello im gf