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@tantosentire

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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000) - Jonas Mekas
me remembering i have a name and body and people know me:
“Calm and queenly, comes the summer nymph, July—crowned with azure, clothed with splendour,”
— John Critchley Prince, from Dreams & Realities In Verse and Prose; “July,”

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Da sempre pensando al mio desiderio mi riempio di speranza e poi mi spavento, ritirando qualsiasi timido tentativo di espressione. Il risultato sono decenni di immobilismo. Ora, a trent'anni, mi trovo faccia a faccia con la realtà del non avere combinato nulla, perchè nulla sono tante esperienze e due lauree in un ambito che non sento propriamente mio. Cosa mi impedisce di avere un'idea? Di uscire e connettere con le persone, reali? Cosa mi terrorizza tanto nell'espormi?
Octavio Paz, ‘The House of Glances’ (selected lines), A Tree Within (trans. Eliot Weinberger)
Viaggiamo, visitiamo luoghi, scopriamo cose, ma tutto rimane fine a sè stesso e noi siamo sempre nello stesso punto.
Passo sempre più tempo sola e con N. Siamo tristi e non usciamo da un limbo pericoloso che porta solo a sterilità e solitudine. Entrambe abbiamo accantonato troppi sogni. Come ci si immerge di nuovo in sè stessi?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Qua sopra siamo 10 persone che continuano a mettersi like a vicenda.
In realtà è un paesino di provincia.
color sketch ended up having a zelda vibe
embarrassment is the cost of entry.
if you aren't willing to look like a foolish beginner, you'll never become a graceful master.
Allan O'Marra (Canadian b. 1947), The Bather (La Baigneuse), 2014,. Oil and Acrylic on canvas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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