Yojimbo and Sanjuro are just about a guy who doesn't need to get involved…doesn't even want to get involved…but looks at the sorry state of things, sighs, and says, "I guess I'm getting involved!"
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Yojimbo and Sanjuro are just about a guy who doesn't need to get involved…doesn't even want to get involved…but looks at the sorry state of things, sighs, and says, "I guess I'm getting involved!"

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Always fun to see how my art's been faring over the years LOL
I think Ittosai is one of my most drawn charas so I was able to put this together (i still think that 2024 piece is one of the best pieces I've ever drawn in my life and i dont even know how i did it) (i had a few other pieces but theyre not really worth adding)
Also is it just me or is the image mysteriously low quality here.... sad. Added my latest sketch in as its own piece just in case
I cant believe it's already been 4 fucking years????? time flies wtaf. I have to replay it someday ... ive been saying that for 4 years tho... but i need to play hotokenser first. I love you twofive thank you for your comedy services
also. man. 4 years. if i locked in and actually studied i couldve gotten so much better at drawing during those 4 years... well better late than never i guess OTZ my own laziness is to blame
Yôjinbô | Yojimbo (1961), dir. Akira Kurosawa
he called him a daimyōjin, i’m dead

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創作、以前描いた用心棒をまた描きました。まだ色を塗る前ですが、白黒がそれなりにまとまりよく見えたため投稿してみました
Photographie de l’acteur
Mifune Toshirō 三船敏郎 (1920 – 1997), dans le film "Le garde du corps" (1961) - titre original : Yōjinbō
Sa stature imposante, son aisance avec les langues étrangères et sa longue collaboration avec le célèbre réalisateur Akira Kurosawa 黒澤明, (1910 – 1998) en font l'acteur japonais le plus célèbre à l'époque, et certainement le plus connu dans le monde occidental.
Yôjinbô | Yojimbo (1961), dir. Akira Kurosawa