#wittering

Spoilers for Undertale, all the routes. "It came out nearly a decade ago!" Yeah and I first played it last week and was happily surprised by the sheer amount of things I hadn't been spoiled on, so. Have a courtesy warning! Also courtesy warning: Too many fucking words. I'm sorry.

As a preface: Undertale really genuinely touched me. I bring this up as a preface because I think it's important to why it is exactly I feel how I feel, and that is important to how I perceived Chara.

And it having such an impact honestly surprised me; Undertale seemed cute and fun but silly and something I had felt… prepared for? Like, inadvertently, from hearing about it and its characters for so long. And for some parts early on, I was, at least in part. I liked Sans and Papyrus from the start, but in the way that I liked a gimmick, and it took time for the enjoyment to get more and more… not genuine, it already was, but I can't find the word I'm looking for. I guess it struck me with less artificiality? It started actually getting to me. This was happening throughout the whole length of things, like, I really genuinely liked Toriel basically from the start, but the farther in I got the more it was happening. Actually, looking back, the intro cinematic really hit for me in a way that should have clued me in that this game was going to get me.

Because I really connected with Chara as the character I was playing as, to an extent that honestly really surprised me? It felt emotionally resonant. Admittedly, naming Chara the way that I did probably did a fair amount of lifting there; I used a nickname of mine that isn't used that often. I think that hit more than it would have if I had used one of my first names, since it was distant enough to easily have differentiation while also close enough to feel so immediately personal. Chara is someone where most things with them are up to interpretation, but I just had a specific interpretation readily and naturally come to me.

Of course, I knew the Chara and Frisk distinction beforehand, and that informed my interpretation pretty heavily; but I hadn't really heard much of anything about Chara other than the Genocide Route stuff, prior. I mostly saw them treated as like some pure evil nasty may-as-well-have-been-demon. I hadn't been reading like narraChara theories or anything (amazing name, 10/10 whoever coined it). I just landed there naturally. When Undertale was giving the early hints that Chara had actually come before the human you played as, like in the garbage dump, it only amplified those feelings.

My read was that I as the player I was, largely, controlling Frisk's actions, but seeing Chara's thoughts. Every time I saw or heard memories, they were Chara's. But I don't think Chara was in control of the body or anything. I think Chara was there tagging along as an observer, at first not sure what exactly was happening or understanding why; but linked to Frisk's SOUL and so having Frisk's feelings resonate through them. So, they decided to help. They not only lent their lingering Determination but also just tried to help Frisk stay determined in the normal sense. But that was what they were doing: Not acting, but watching Frisk's actions and feeling their feelings.

And in my playthrough, Frisk was a dogged pacifist who was very reluctant to even slightly hurt anyone and very willing to put themselves into terrible danger because of that. And I think seeing that, feeling the feelings behind it resonating with them, made Chara a better person. A profoundly better person. Just in itself, the way it would anyone, but… Here's an example of the best of humanity, that same humanity they despised. Here's someone willing to refuse violence even if it puts them at risk of dying, even actually dying once before they discovered they could LOAD even after death, if they remained determined. Someone who again and again and again takes attacks and doesn't fight back unless it's absolutely necessary, who sees a whole people that have time and time again just tried to callously kill them and keeps choosing to help them. To trust them, and reach out to them, again and again and again, and who each time is proven right. Even when there's nothing to reach out to but dead human children whose SOULs had been absorbed for power by an entity whose power was represented in their SAVE by the highest numbers expressible there.

I think seeing all of that really challenged Chara's worldview in general and view of humanity in particular. I think they understood that they had been wrong, and done wrong.

And then Frisk goes back one more time to set things right and save everyone. Chara is there experiencing what Frisk is feeling as they go through that lab, as they learn about Determination... when they find those videotapes and learn about how Chara died intentionally, hoping to wreak violence on humanity and then break the Barrier. And Chara learns that Flowey was their adoptive brother, all along. Sees with what must be horror what has become of sweet little Asriel, knowing that this only happened because of then. Understanding what Asriel chose in the end, why he chose it, and now seeing what trying to make up for that 'mistake' had done to him. And Chara sees Frisk try so hard to save him, even after everything he's done, just because he's another person. And Chara does everything they can to help Frisk, together mustering enough Determination to deny death itself, as many times as needed, until Frisk does it. Reaches out to Asriel and helps him to get over what happened enough to stop fighting, to start to heal, to give up on godhood... To use a moment of unity to bring down the Barrier without needing to hurt anyone else.

And Chara watched their brother realize that Frisk isn't them, and that that is good. That Frisk is a better person, and one whom Asriel wishes he could have had in his life before, as he admits to himself that Chara wasn't a good person. And Chara lets go. They let Frisk and everyone else go to their happy ending, while they stay behind.

And then Asriel and Chara have one last moment, in the game. Chara comes back and Asriel, even once again lacking a SOUL, cares enough about everyone else to ask Chara to let them be happy, to not tear them away from everything. But Asriel doesn't trust Chara, and so asks that if they are going to rip them out of their happy ending… do it to him too. Don't make him sit through everything repeating. Don't make him become deadened all over again by seeing everything play out over and over and over again in countless variations. And then he imagines that this exchange has happened again and again and again and Chara must be tired of hearing it. Because that is what Chara would do, isn't it?

But Chara doesn't say anything. Maybe they can't, maybe they just choose not to. Instead, they let their brother say goodbye to them. And then they choose to let go. Chara couldn't be the one to save Asriel; it had to be Frisk. Once Frisk has... What waits for them and their brother… I don't know. But I hope they can be happy. I hope they got their closure. And, maybe vainly, I hope they can find some way to have each other again, but healthily this time. But that's for them, not for me. Maybe one or both choose to let go entirely and fade away, return to the death that had once taken them. All I've got is hopes for the future of these people that aren't even real.

Immersion is a powerful thing, huh?

...

So, about the Genocide Route. There's a lot of characterization for Chara there, and some for Asriel too. I know people tend to read the Genocide Route as Chara taking Frisk over and unleashing their preexisting violent impulses, but I really don't think that's right. I don't think that route shows what Chara was like before much at all. I think the Genocide Route is what happens when Chara finds themselves brought back from the pall of death, given some sort of second chance, and all they can do in it is watch Frisk murder everyone they encounter. When they see their mother get murdered in cold blood, and can feel how little Frisk cared about her while doing it. When all they can feel when it happens is that sick sense of pleasure at an accomplishment. When they're forced to find some kind of meaning in that, some reason for why they were brought back and made to be complicit in this, some purpose to this existence.

And they find it. They find it in their idea of numerical invincibility, and they cling to it. And they are abraded down until all that's left of them is their worst impulses stripped of context, magnified, and then redefined under the light of this 'purpose'… and that sick sense of accomplishment. More and more, Chara wears down to this thing that only cares about power and violence, and more and more Chara loses their sense of distinction from Frisk, sees these actions as their own; or maybe they become more and more able to exert control of the actions as they redefine themselves to be better at wielding power. Either way, Chara murders their father. Chara murders their brother. Then Chara destroys humanity, not even out of hatred, but simply for the sake of power. They destroy all the monsters they missed, too. Only power matters; the gaining of it, and also the exercise of it for its own sake. The only thing they don't destroy is Frisk, their reliable partner, the one who showed them their purpose. The one they are perversely grateful to, but will betray the moment it suits them, now that they have the power to do so.

I've heard a lot about how this is criticism of RPG players, and I can see that but more and more I don't think that the purpose of this is to moralize, or at least that that's not the only purpose. Because this shows Chara become their worst self, this epitome of power in a husk of a person. Someone who wasn't a great person from the start falls to horrific depths. And then they can't climb back out. You can't help them out. Chara defines themselves as Numbers Go Up because after all this trauma from the first moment that their plan went awry and Asriel held back their powers, and they both died a second time… All they have refuge in is that belief in invincibility. Chara believes you can escape suffering if you become the strongest thing in the world. And so Chara does just that. And it's all they can hold onto, because it's the only thing holding them together.

But really they're just another lost soul who you no longer have the power to save or comfort or bring positive emotions to, someone tricking themselves into thinking they're an unfeeling demon beyond sentimentality just to feel like they have some control, so they can delight in exercising power over others without guilt or regret.

Frisk can give them their SOUL and Chara doesn't change, doesn't really feel anything more, no matter what Frisk shows them. Because they've closed their heart to those feelings. You can't take this back. You can't save them. They're the only person you can't save. Sometimes, when you hurt people you make them worse and you can't be the one to help them after that. And you can't cheat. Whatever you do… Chara remembers it. You can't just take it back, can't do it over. You can only look on in horror at what Chara has become and accept or deny your fault in it.

In the Pacifist Route… I think Chara feels something like that when learning that Flowey was Asriel all along, and knowing it was their fault.

It's easy to blame what Asriel became on the lack of his SOUL. But I really believe that's not what it was. Maybe that does dull feelings, but you don't need a SOUL to love, to care. We see that, with Asriel-as-Flowey asking Chara to leave the others to their happy ending. We can see it in how Chara, at their worst, gets a SOUL and gets no better. How Chara, with a SOUL, does not understand the sentimentality still held by the player who has already given up theirs. Flowey didn't become a monster because of the lack of his SOUL. He was a traumatized little kid who couldn't get his life back, couldn't get his sibling back, but had the power to evade consequences and abused it to try and cope until it further wore down his ability to care. So he retreated to seeing things as less than real to cope with it all, resorted to cruelty and vindictiveness just to feel something.

Where Asriel as Flowey makes a performative show of his petty cruelty and vindictiveness, Chara dresses it up with dispassion and a veneer of objective judgement. But, deep down? They're the same. If you don't let yourself feel anything you can't be hurt.

The Genocide Route isn't some creepypasta about a demon taking over an innocent. Nothing so convenient as that. Because the point is that you choose to do it. You do it, and you choose it every step of the way, and only at the very very end does it become too late to turn back. So it fits it better, I think, if it's not about Chara corrupting Frisk... But about you corrupting Chara. Whether that you is Frisk, or you the player, you make someone who was a bad person to start with so much worse.

Asriel was pressured and manipulated by Chara and became a worse person for it, and then retreated to the toxic ideology of "kill or be killed" to cope with that and further trauma, as well as denying his own emotionality in an attempt to make himself invincible. And in the Genocide Route, Chara does the exact same fucking thing. A different toxic ideology, that the only thing that matters is acquiring power, a different mask to deny their emotions which is impassive rather than irreverent, but so similar. Beat for beat. Even down to the fact that Asriel still idolized the person who hurt him, considered them special, the only person worth caring about: Chara wants you to come with them to conquer and destroy new worlds, considers you the perfect partner, doesn't kill you even when you try to resist them, even keeps remaking the world for you when you ask despite already getting your SOUL the first time. You showed them the truth of their existence, after all, even without meaning to. Just as Chara showed Asriel that this world is kill or be killed, even without meaning to.

So… Knowing that all of this could happen…

It adds a lot, I think, to the Pacifist Ending. To Chara getting better, growing as a person and helping everyone, learning they were wrong about the world and humanity, and letting power go. Letting Frisk go. Letting everyone go. Hearing out Asriel's grievances with what they did and accepting them. Just being happy that Asriel could be saved along with everyone else, before the end, despite the negative impact they had had on him and how coming back as a flower no one recognized as him fucked him up even worse.

And have only just now realised it comes with this stonking great fold out map:

A Royal Recycling (part 126)