Autism and Phonecalls
The Autistic Teacher


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Autism and Phonecalls
The Autistic Teacher

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Six Idiots Acting Masterclass: wine red and plum purple
In BBC Ghosts S1E5 and 6, wine red is everywhere. It's on Alison and Mike. It's on Kitty and Humphrey, who gets a body shot to an extent we haven't gotten to see before, because his body is actually sitting down. Whatever that neighbor guy's name is and Bunny are wearing it. The dining room is carpeted with it. In E6, Fiona's hair is an unnatural maroon. When Alison and Mike go to see other houses for sale, their color schemes are totally different. But when they return, they both have the color again. So what kind of messages are we being sent here?
These shades represent opulence, but Alison is clearly wearing it in a way that doesn't suit her when she hosts her dinner party. Mike's dress shirt doesn't suit him, either. The color in the dining room is dusty and pulls the entire setup into shadow. Mike and Alison are playing at the idea of richness, but every time they try, it fails. The pheasant burns. The stew burns. The fancy wine gets broken and then the cheap stuff runs out fast. They're not fancy people. Conversely, their terrible neighbors are swimming in money and are used to it, wearing this wine color in cozy textures (Bunny's cardigan and the guy's sweater vest). Bunny is literally drinking this color. But they're caricatures of shallow rich people. Money doesn't make class. And red can portray a warning, which proved true in the attempt to win the property rights with a card game.
So if Mike and Alison really aren't old money or comfortable pretending to be Money, then why are their characters wearing this color so clearly in their costuming? Well, at the end of E6, that color looks red inside the house but outside it clearly has a different tone. Now it's plum.
Purple designates royalty, creativity, and tranquility. Once Alison's clothes shift from uncomfortable wine red to a soft sweater in purple, we know the Coopers are here to stay. They're going to figure out how to make the house their own, and how to make money from it. More importantly, Alison decides to choose the Ghosts, as they've chosen her. As Joel McHale famously said, "I now declare you a community."
Loving to talk but being awful as calls is an awful curse to have bcz I can never tell when itâs my turn to talk and I end up talking over ppl so muchđđ I promise I donât do it on purpose Iâm not rude on purpose I just genuinely cannot tell
Canonically, When Does the NY Special Take Place?
So, in todayâs episode of âLycoRogue way overanalyzes thingsâ, I think ZagToon has actually given us some pretty decent evidence to more-or-less lock-in when this special takes place.
The key to narrowing it all down relies on this quick shot that the Miraculous team deemed worthy to grace us with:
This is Adrienâs bodyguard starting up a meditation app just as the flight from Paris to NYC is about to take off. This, plus the sunset showcased in the next few scenes, will help us start to narrow it all down.
August 2019. 22.8.19. @carolrwhite-62

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Iiaat to hate talking to people in the dark or when you can't see their face? Whenever I work backstage & I want to talk to someone I have to find some light because when its pitch black & I can't see them I get kinda confused & freeze up a little.
Without knowing what your reason is for this, itâs hard to say for sure whether itâs an autism thing or not.
After some discussion among the mods, one possible explanation that weâve come up with is that you may have auditory processing difficulties and be relying on visual cues such as lipreading to understand people (even if you donât realize youâre doing this). Â If this is the case, trying to communicate with people when you canât see them would be confusing and difficult because itâs harder to understand what theyâre saying. Â Auditory processing difficulties would be an autism thing.
-Liz
Ever notice how movies use visual cues to inform you of characterâs roles, position and emotion state?
Take a look at the scene above. Kaoru is framed in a bright, fierce ray of light around her, while Jin-e is shrouded in darkness. If a movie opened with a shot like this, youâd immediately know whoâs the bad guy in the scenario, even without showing us Kaoruâs bound hands, as weâve been conditioned to know light = good, shadows = bad.Â
But this lighting device also serves a double meaning in the scene above, to inform us of Kaoruâs weight and position in both the film and Kenshinâs life. In a lot of ways, by this point in the movie, Kaoru is the light in Kenshinâs darkness. Sheâs the idealistic one who always sees the best in people, who can forget and forgive someoneâs past when they canât bring themselves to do so. She is the one who allows Kenshin to break through his darkness and become the man he had always wanted to be but feared he canât become. The person who gives him a reason to stay and, sometimes, to fight. Not in the way he was made to fight before, but in his way, with his belief system in play.Â
Thatâs why she is bathed in light, almost obscured by it. She is the light, at least for Kenshin. For some other characters, too. Â
In comes Kenshin. Two things to note here; the Fire in the peripheral of the shot, and the smoke effect. First, it represents Kenshin RAGE. Do you need Kenshin to tell Jin-e that he has gone too far? No, you donât. The fire is Kenshinâs emotional state. Raging, uncontrolled, untamed.Â
But again, we have a double effect. The smoke from the fire makes the shot unfocused. Kenshinâs figure cannot be seen clearly through it. Why? Because, again, this is how Kenshin feels. With Kaoru kidnapped, he canât think properly and clearly. His rage distorts him, reverts him back to the time in his life that he would like to forget.Â
In a mostly silent minute of screen time, you can get so much information. Isnât it fabulous?Â
Okay, framing & lightning appreciation post over!Â
Shedding Light on How Our Brain Processes Visual Cues
The mystery of how human eyes compute the direction of moving light has been made clearer by scientists at The University of Queensland.
The research is in Nature Communications. (full open access)