Padmaavat (2018)
Sanjay Leela Bhansali has attempted a film about a subject that should have been a matter of pride, but has now become a matter of protection.
Padmavati, rechristened Padmaavat, is a tale about an ethereal Queen, and everyone who saw her, or didn’t, was mesmerised by her beauty. Her marriage to the King of Mewar and the subsequent interest in her by Emperor Khilji show us the inner workings of politics, power and war.
The director is no stranger to scale, or aesthetics, and he has gone a step further than his previous epic Bajirao Mastani. The film needs atleast two viewings to take in all the details, metaphors, costumes, dialogues and expressions.
Deepika Padukone is the pragmatic Queen who represents not only courage and dignity, but rules of engagement as well. Though her physical beauty is striking, it is her resolute and visionary thinking that make her truly remarkable.
Shahid Kapur is perfect for the role of King Ratan Singh. He embodies the characteristics of Rajputs in every manner of his being, reserving his reactions to only necessary situations. He, like Deepika, speaks volumes with his eyes.
Ranveer Singh portrays every sin in one personality in a menacing and convincing way as Khilji. Achieving a spectrum of disturbing, violent, obsessive and repulsive actions and gestures shows his growth as an actor.
The Indian Republic Day is when India adopted the constitution 70 years ago, which is a living document. An opportune day to write this review. Let’s honour our freedom and those who fought for it by rebelling against forces who want to harm our country and it’s creativity.
It’s a film of pride, of choices, of honour, of valour and a celebration of everything Indian. Everyone must watch it, and exercise their democratic right to.
4.5/5
