#veter

From Star Wars: The High Republic #001, “Trial By Ordeal”

Art by Ario Anindito, Mark Morales and Annalisa Leoni

In terms of the comic, the first issue is the definition of a C story – it is a 7 out of 10 because it is average. The simplicity and lack of depth is both the saving grace and condemning damnation of it.

The story follows a new, human Padawan called Keeve Trennis, who is revealed to be on the planet Shuraden, partaking in her final Jedi trial; result of which will be the deciding factor of whether she become a full fledge Jedi Knight. Chaperoning and assessing the trial is her Jedi Master, Sskeer – a Trandoshan – who is sporting one arm (more on that later on).

During said “final” trial, a swarm of giant alien insects – called Ridadi – pop out of nowhere and start stampeding toward a community of fairy like aliens, called Ximpi. Keeve makes an “audacious” choice to abandon her trial in order to save the village. One thing to note, is that she made a utilitarian decision during the course of her rescue, as did not attempt to save one Ximpi who was swallowed whole – she allowed the death of one to save the lives of many.

After relaying the situation those at Starlight Beacon’s, in particular Master Estala Maru, she is told to read the minds of the insects; in doing so, she gathers that these creatures normally using a magnetic homing beacon to guide their migration course – Starlight Beacon has thrown it off course and if Keeve were to fail to stop them here, they would eventually fly to the Beacon, itself.

Using a new lightsaber powered, Force attuned ship – a Vector – Keeve is able to steer the bugs back on course and off of the planet. 

As she reconvenes and recounts with her master, he takes her the Starlight Beacon. Thinking she is about to be expelled from the Order for failing the trial, a new Jedi Master, Avar Kriss – who, via Grandmasters Veter and Yoda, most recently was christened as the new Marshall of Starlight Beacon, officially promotes Keeve to the rank of Knight. As her valediction ceremony takes place on the Beacon, itself, we see Keeve shedding an emotional tear of joy. 

This is interesting as, I thought it was the padawan’s master that would knight them but, this seems not to be the case. Even more curiously, the Jedi do not exclaim “May the Force be with you” but, “For Light and Life”. At the conclusion of the comic, we see Sskeer alone in his chambers screaming “No!” at the top of his lungs.

As forementioned, this debut issue is the epitome of a C story and as so earns it’s 7 out of 10. This is my first introduction into Cavan Scott’s writing and, so far, it is subpar at best and candidly amateurish at it’s worse. The narrative was very telegraphed at times and makes mistakes that are unbecoming of a writer given this caliber of material to work with. Writers like Greg Wiseman, Kyle Higgins, and or David F. Walker would not be making these kinds of errors – Marvel might need to call them to take over.

In the same vein, Ario Anindito’s art is decent but, could be better. It’s not as crisp as I think it should be and looks like it needed another render. Artists like Dan Mora, Stefano Caselli, and especially Doc Shaner would have delivered an efficient job as opposed to the sufficient one Anindito is giving.

It’s vexing as honestly, there is something there in terms of Keeve Trennis in terms of both her character and design.

I am more than fine with a protagonist that doubts themselves because that is a manner in which we are able to learn with them, and there is definitely an avenue to explore with a newly dubbed Jedi Knight still working on finding her niche in the Order. Reviewers, like Thor Skywalker, are not so keen on her having these kind of thoughts and emotions but, it makes sense to me. One of the eventual downfalls of the Jedi was that they were trying to negate their emotions as opposed to controlling them. Keeve showing self-doubt illustrates her struggle to regulate her emotions but also that allows herself to feel the doubt work through it.  Nonetheless, it seems as if we, the reader, have missed an arc and or development with this character – I think it would have been more apt to show her in the Order working her way to the trials as opposed to the last hour of her last trial AND her becoming a Jedi Knight; this is reinforced by the alleged rapport and pedestal she puts Sskeer on – it’s more tell than show and a comic book is meant to show.

In accordance with this self-doubt, she also has the quirk of cursing. This is interesting, albeit jarring because of the era she is in – the High Republic has been presented as the apex of the Order and as so, I thought that meant this would be the time where the Jedi would be the most dogmatic and adherent to their traditions and mentality.

Her design yields the same jarring aspects, once you go beyond the superficial facet. At first glance, it’s very attention-grabbing; young Black woman with half her head shaved on one side, utilizing two lightsabers – holstered on her chest – that she can combine into a dual-sided lightsaber. However, once again, this seems to be out of place given the time period and temperament of the era. Does it make sense for a Jedi in this era to be so bombastic in their look, particularly when it comes to her hair? Seems like a better fit for a time of REVIVING the Jedi Order as opposed to them being at their APEX.

In the Light of the Jedi novel, it is said that Keeve sees the Force as a tapestry – a massive piece of art that spreads across the universe. This is a really nice take on the Force and I hope it gets expanded on with her character in this series – it certainly could attest to aspects of her design, such as her hair. I haven’t really seen Star Wars characters interested in art aside from Sabine Wren, Grand Admiral Thrawn, and Alva Brenne; now we have a character who the Force IS art for her. Granted, this aspect of hers has not been seen and or mentioned in the comic and it SHOULD be as this is the formal DEBUT of this character for many people.

The issue gets some major points off, as well because:

1.  Keeve’s uses her lightsaber to not only slow down descent but to stop the fall completely.

This is cardinal sin that follies in the mechanics and use of how lightsabers work. This happens nine pages in and broke my immersion within the issue - immediate red flag.

At best, an argument could be made that because this is set 200 years before the Skywalker Saga these sabers are weaker than their future counter parts and therefore not as potent in terms of lethality but, this is me – the fan – writing for the writer. Star Wars (or its content creators) simply do not get that luxury anymore. Plot holes are to be called out by the consumer and filled in/addressed by the writer; plain and simple.

2.  There is a general lack of references and or footnotes to other material – particularly to the current books and comics – that would have given context to some of the events and tools used in the comic. Prime examples of missed opportunities to seed this world cohesively take form in Sskeer’s missing arm, the Ximpi themselves, and the Vectors.

The High Republic, as a whole, was marketed ongoing multimedia project and as so, interconnectivity should be the prime focal point of this serious. Continuity is key ESPECIALLY when they’ve thrown out the old canon and are new canon. The tools are there – USE THEM!!! The book – really Charles Soule in general –  is doing the heavy lifting of world building and establishing many of the characters – the least Scott can do is alley oop these layups.

3.  As mentioned earlier, Keeve uses a Vector to as the driving force to solve the problem but, there was no footnote and or reference to the fact that this was a special kind of ship. Moreover, the use of the Vector has already broken the canon that has JUST been established for it – Vectors are powered by the Jedi’s Lightsaber, the hub changes color to that of the lightsaber that activated it, it is steered by the user’s ability with Force, and there should be no autopilot and astromech droids there to guide it based on the fact that these innovations are rare within the galaxy in this era.

Why add these parameters if the creators that be are not going to adhere to them?

Anonymous said: Is a physics class required in vet school? Also, what is the highest level of math required? Calculas?

Physics is required in the first year of the vet degree, but it’s fairly basic as far as physics goes. You need to be able to understand how all the diagnostic imaging machines work - Xrays, ultrasound, CT scanners, MRI, radioisotopes, etc.

You also need it for a basic understanding of biomechanics, which is most commonly used in orthopedics. It’s not a bunch of super theoretical physics, but it is a bunch of practical physics.

Ultimately a 7.5 out of 10, this installment was slightly better because of how Cavan Scott decided to advance the plot. While there some are nice nuggets of good-story telling and character interactions, even worse than last time, it’s bogged down with cardinal errors that truly make me question Scott’s competency as a writer for this story.

The issue comes right off the back end of Keeve being promoted to a Master Jedi and chronicles her first mission in the position. She is still dealing with the growing pains of what it means to be a Jedi which is depicted with her ongoing internalized self-doubt as well as her difficulty expressing certain Jedi mantras, such as “May the Force be with you.” Arguably exacerbating this bottled up uncertainty are the Keeve-proclaimed legends of Jedi Masters Sskeer, and identical Kobati twins Terec and Ceret. These twins are Bond-twins and as so are able to share the same mind and experiences of each other.

As they exit “hyperspace” (more on that later), the four masters come across the leftover demise of a ship that has been attacked. The Jedi were tasked with responding to the scrambled distress call that the ship had sent out sometime ago but, it seems as if they arrived too late. Both Keeve and one of the twins, using the Force, are able to sense survivors within the ransacked ship. As so, they board and enter.  Almost as soon as they are inside, they are met with poisonous Nihilian ovax gas and utilize a device called “rebreathers” to mitigate the effects.  Fully aware that the Nihil have raided this ship, they continue their investigation and split up to cover more ground. Traversing in groups of two, Terec – who is accompanying Sskeer – can sense the Trandoshan experiencing extreme trauma which means that Ceret can feel it as well via their bond; specifically, Sskeer is having flashbacks to the exact moment he lost his arm in the Battle of Kur.

On Keeve’s side of things, she and Ceret come across the corpses of a Hutt and Gamorrean guards. Upon further examination, it seems the Hutt was killed via an amalgam of stab wounds, blaster bolts, and nagnol poisoning – the latter being a toxic natural gas, capable of disrupting starship sensors, poisoning beings based on dosage, and a key element in the Nihil smokescreen.

On Sskeer’s end, he comes across a barley crop and together the Jedi deduce that the Hutt was capitalizing on the grain shortage that has occurred thanks to the Great Disaster. As the twins work on trying to ascertain where exactly the crop came from, Ceret is attacked by a Nihil that has been left behind; this causes both twins to feel the pain but, the wounds are not fatal. Sskeer charges ahead and chases after the Nihil raider, who is already suffering from serious injuries previously sustained in the raid. While Sskeer is perturbed that he cannot sense the attacker he is able to fatally strike down the assailant; coming to gripes that he has just killed, Sskeer goes on a rampage and continually slashes the bifurcated carcass only be brought back to his senses when Keeve addresses him.

Afterward, the Masters relay their findings to Marshall Avar Kriss and with the analysis from Master Maru, come to the conclusion that the barley – specifically Vratixia Renanicus – is a key ingredient in bacta; moreover, the shipment likely came from the Sedri System – principally, Sedri Minor. With this in mind, Kriss assigns Sskeer and Ceret to got to Sedri while she and Jedi Master Rwoh convene with Keeve and Terec to collect the Hutt ship that is breaking trading sanctions. Keeve moves to go with Sskeer but, Sskeer stonewalls her to stay with Terec.

Arriving on the planet, Sskeer is met with unwecolmedness by a citizen, Kalo Sulman who makes it clear that the Jedi’s presence will interfere with the colony’s independence. As the two are discussing, Ceret sees a Rodian in the crops motioning him to come over – as Ceret goes deep into the brush he is attacked by Drengir.

Back on the ship, Kriss and Keeve are discussing the remains of the corpse that Sskeer has left; Kriss reprimands Keeve for not telling her sooner but, also admonishes herself for not looking deeper into the signs the Force were giving her – such as not being able to hear Sskeer’s “song”.

As this happens, Terec – who is being medically assessed by Rwoh – screams out in pain feeling his brother’s anguish and relays this to Kriss. Kriss immediately contacts Sskeer and asks if Ceret is with him; when Sskeer realizes that the twin is gone rushes into the fields only to find his lightsaber.

What I liked:

A growing plot pivoting off of the bacta manufacturing that was touched on by Jedi Grandmaster Veter; this is much welcomed world building within the parameters that is the High Republic.

A very competent and aptly written investigation, analysis, and deductive reasoning done by the Jedi as a whole. The way the Jedi got on the ship, looked for clues, relayed their information to the data analyst/forensic expert, and hash out a plan to go to the planet where the clue originated from was great and definitely resonated with the idea that these Jedi are analogous to Texas Rangers. They certainly seemed like proto-Jedi investigators, not unlike future Jedi Master Tera Sinube.

The continued delving into Jedi Master Sskeer. I like the balancing act that is being conducted with his character. He’s a virtuous being that is dealing with trauma but, that doesn’t, ultimately, stop him from being a Jedi – it just tests it. He is still a “knight” and applies that chivalry when it needs to shine. Witnessing his accident and how it is affecting his psyche, ability to use the Force, and his morality is the highlight of this issue. This is what should be focused on to establish WHY Keeve looks up to him – give her these thoughts in accordance with herself doubt.

The dynamics of Ceret and Terec as interconnected Force Twins (could be seen as “Dyad Force-bond” inspired). Their link is a double-edged sword that reminds me of the Tomax and Xamot Paoli from Cobra Command. The original Star Wars was centered around Force sensitive twins and it’s nice to see that element played with more here – haven’t really seen that since the Mikkian twin sisters – Tiplee and Tiplar – in Clone Wars.

The holster to the lightsabers – it’s a nice, subtle way to convey how the Jedi of this era are more in a time of peace and reservation. To have a weapon holstered means that they have to take the extra moment to consider brandishing it. This underlying detail syncs really well with the time period considering that most of their enemies would be lifeforms and could be reasoned with – “life is precious.”

This can be seen as succinct yet distinct dichotomy between this era Jedi and the Skywalker Saga Jedi, as their sabers were without a holster and normally fashioned around the hips allowing for both instant access and draw in an age encompassed by war with droids – “droids are replaceable.”

What I disliked:

The application of Keeve’s personality traits continues to feel like a mismatch for the particular time period and volk she supposedly has been training and studying with; Ezra Bridger – who by the High Republic’s standards would not even be a Jedi – acts more like a Jedi than Keeve does. If anything, the uncertainty, quirks, and misapplication of Jedi traditions would have fit Ezra WAY more than it does (or really doesn’t) with Keeve. The concept itself is fine but, the iteration is what is flawed. Keeve is fast feeling more like a Jedi from post revenge Revenge of the Sith – like Kanan Jarrus – that a High Republic Jedi.

The sloppy fan service – there is a scene not only of a Hutt but, the Hutt is dead with its tongue out, surrounded by dead Gamorrean guards. It would be one thing if we just had a dead Hutt, I can even look past the Gamorrean guards (even though it would be nice if we saw this race in more roles than guards – there are some but, it does seem like guards is niche as far as the universe is concerned) but, to also have the Hutt dead with its tongue out to me just screams “DO YOU REMEMBER THAT ONE SCENE IN RETURN OF THE JEDI WITH JABBA?!!!” Just, how much are you going to dilute a reference? Make the fan service substantive and or just not in your face – the Rodian luring Ceret is a good version of fan service; present, notable, but not impeding in terms of the narrative.

What I Marked Off:

The completely wrong depiction of hyperspace; Star Wars Hyperspace is blue and certainly not immersed in stars when one is traveling through it. This error is on the very first page of the issue. This shook me to my very core and yanked me out of the immersion. IT’S THE FIRST PAGE! HOW DOES ONE MESS UP ON THE FIRST PAGE?!!! To add grave insult to mortal injury, hyperspace is a FOCAL element of the High Republic Era – you CAN NOT mess this up. Ultimately, it’s a team mess up but, Scott gets the brunt of this reprimand because this is his story and arguably his script is the one that should be guiding the artist.

The fact that Scott continues to fail to make the necessary references about crucial dynamics, events, and positions within this era. I had to learn from a YouTube video (link below) that Sskeer is actually the “Steward” to Kriss’ Marshall role. As of issue #3, this position is still not established to be held by Sskeer which is a real shame as it adds more substance and weight to his plight as a perturbed Jedi. https://www.youtube.com/watch?v=TPeRcyJE5dk&feature=emb_title