DEAR [ YOU ], WELCOME TO YOUR RETREAT.
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DEAR [ YOU ], WELCOME TO YOUR RETREAT.
( new edition / coming soon )

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THE TRIAL OF HEARTS unfurls its velvet claws within the confines of a manor where the Society was once founded, or so the story is told by the DARK-HAIRED WOMAN. She is, and was, your Gamemaster all along. The hand behind every curtain. The breath behind every flame. The sole living testament that the Society and its Trials ever existed at all.
Your FINAL GAME is the matching game, and you are each anointed with new titles, bright and damning as brands pressed into skin, announcing the crimes that belong to you and you only. Only by matching sin to sinner will you unearth THE TRAGEDY's killer. Only confession and surrender will earn you some penance.
And yet, after the game has played its last card, a fire is born by the hand of THE VICTOR, and it devours the TRIAL whole. The manor becomes a labyrinth of smoke and ruin, and one by one you claw your way through its maze with nothing but instinct and the animal will to survive. Not everyone emerges.
And still, mercilessly, the world finds you. In the days and weeks that follow, you are ALL exposed and dragged into the spotlight of the press, dead and living alike, for your SECRETS. You are ALL stripped of your glory. You are ALL rendered undeserving. Unmade.
THE PRODIGY'S DEATH
Only a handful had accidents worth erasing for the greater cause. LACHLAN was VINCENT's greatest reason for designing the TRIAL OF HEARTS. It was the only way to make LACHLAN win fairly.
DEAR [ YOU ], LET'S CONTINUE ACT IV.
You find THE MIMIC in the chapel just after THE GUESSING GAME.
THE MIMIC lies in a pool of crimson that has long since stopped spreading, stopped being anything but evidence of their uncanny demise. Their blood forms a halo around their head, soaking into their unbound hair, spreading like ink in water, like a final curtain call. One of you kneels beside them, shaking, pressing fingers to their cold wrist in a futile search of a pulse that has long stilled.
They have fallen on their side, one hand clutched at their throat as if trying to hold something precious inside. The other arm stretches forward, fingers splayed against the cold stone floor, reaching toward the altar and failing. It seemed they have crawled, dragging their dying body toward salvation, setting their final scene in this theatre of the divine with no audience left but the wooden saints and the cold moon visible through the windows. Their eyes, still open, reflect nothing. The stage lights behind them have gone dark. Their mouth hangs slack in an expression between horror and surprise.
The wound smiles beneath their desperate fingers: A second mouth carved below the first like THE TRAGEDY's, grinning wider than any stage smile they've ever worn.
The blade is nowhere to be found. And whatever theatre production stars THE MIMIC will cancel its next performance. THE SECRET SOCIETY will close the chapel for another investigation that will yield nothing, find nothing, explain nothing.
DEAR [ YOU ], LET'S CONTINUE ACT IV.
THE CAMPUS BREATHES DIFFERENTLY NOW. Days have crawled by since the last excursion, since that storm-drenched night. Since the Horror Gala, with its masks and blood. And yet, in the sleepless hours, a question gnaws at you: When does your pulse quicken more, at the weight of cold steel resting in your palm, or at the echo of footsteps behind you, belonging to someone whose face you might know?
And tonight, another envelope finds you.
« We trust the group therapy proved... illuminating. You are cordially invited to your final mock trial. THE GUESSING GAME. Tonight. Lecture Hall A04. Come discover how well you truly know yourself and those who remain. »

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THE JOURNAL / PAGE 16
THE TRAGEDY sat hunched over the leather-bound journal, its pages already crowded with dense, meticulous script. His pen carved an emphatic underline, the nib scraping with such finality it seemed the word might tear through the paper. He was lost inside his orbit of plans and figures, so absorbed that the low coo behind him nearly pulled him out of his skin.
“You’ve grown distant from your friends.”
He lifted his head, startled, and met the taller blonde’s soft gaze.
“I can’t get emotionally invested,” THE TRAGEDY muttered, shaking his head with an air of regret that his eyes betrayed at once. He had his heart and mind at war, craving different pieces of the same cake. His fingers tightened around the pen, a muscle twitching as if refusing a confession. He turned a page.
“Interesting,” came the taller blonde’s voice, a balm against the scrape of THE TRAGEDY’s thoughts.
“Now that I saw them all in one place, everything suddenly felt… strange. I could barely hold myself together.” THE TRAGEDY’s words thinned to sincerity and his eyes dragged back to the journal. His compass, his altar, his blood and sweat laid bare. He rushed to add, almost defensive, “Before you say anything, I know: Be the spectator.” The blonde’s gaze followed the words as THE TRAGEDY scrawled All choices are real across the center of the page, his pen slowing with deliberate care. “See them from the outside, and keep the mantra that all choices are real.”
A smile, faint but genuine, twitched at the blonde’s lips. “Consequences,” he corrected, veltet upon velvet. A hand found THE TRAGEDY’s shoulder, steady, grounding. Reassuring. “She insists all consequences are real.”
THE TRAGEDY paused visibly, fixed on the words he had just carved onto the page. He seemed to be mulling over his answer. Moments passed before he spoke. “Back then, I didn’t think you’d be smiling with the weight of the trial participants suddenly shackled to you.”
With a sudden, deliberate stroke, THE TRAGEDY struck through choices.
The taller blonde dropped his voice to a whisper. “The shackle runs both ways.”
DEAR [ YOU ], LET'S BEGIN WITH ACT IV.
YOU ARRIVE PRECISELY AT THE APPOINTED HOUR AS YOU DO. The letter was specific about that, though vague about everything else. That damned letter, black as coal dust, black as the ink that pools at the bottom of ancient wells. A simple event greets you in golden script:
A hunting trip.
DEAR [ YOU ], LET'S BEGIN WITH ACT III.
THE ANCIENT STONES OF BELLINZONA'S CASTLES STRETCH across the valley as the limousines wind through the serpentine mountain roads. Thirty minutes of silence, save for the whisper of tires against asphalt and the collective held breath of anticipation as you journey toward Bellinzona's magnificent fortress this Friday evening, perched in splendid isolation like a jewel against the darkening Alps.
The main castle rises before you as all sixteen of you step out, a monument to both medieval grandeur and contemporary excess. Winding pathways branch out like arteries from the central structure, yet it is through the main entrance that destiny calls, those great doors promising to reveal not the austere medieval halls you might expect, but a realm transformed beyond recognition.