#thunderful

The Gunk is a fairly short, linear game that could be played in its entirety in a day or two, but is a pretty fun time./gen The main gameplay loop involves traveling through jungles, caves, and ruins, using Rani's mechanical arm to vacuum up Gunk and revive the planet's flora (which is satisfying as heck!), a bit of basic combat, and solving environmental puzzles. Most of the puzzles are simple and easy enough to figure out, but they aren't mind-numbing either. The main loop doesn't evolve much, but with the game's length, it will be over before you can truly get tired of it, and it is executed really well, feeling smooth and intuitive.

One thing that stood out to me while playing is that this would probably be a really good "baby's first platformer" because of its short length, simple controls and gameplay, and smooth handling. So, keep that in mind if you want to corrupt any friends or family and hook 'em on platformers!/lh

Rating and Trigger Warnings

The Gunk is rated T for Teen for violence, bad language, and blood.

Gonna be real for a sec, I'm not even sure what to mention in this category, The Gunk is a really "safe" game in my opinion.

I honestly don't remember any blood, so if it's there, I'm gonna say it's incredibly minor.

The violence is pretty mild in comparison to most video games.

The bad language is prevalent throughout the course of the game but is confined to the relatively tame end of the spectrum.

And that's it? If there are any major triggers, I don't know what they are, tongues, maybe? There's a type of fungus in the game that look like tongues and is a little gross. So, avoid the game if you have an extreme aversion to tongues or the word shit? That's all I got for ya!

Verdict

If you're looking for a challenging game, this ain't it, but if you're looking for a casual game with smooth controls, pretty environments, and a few unique mechanics it pulls off really well, this might be the game for you!

My Personal Thoughts (AKA Gushing, Gabbing, and Griping!)

Story and Worldbuilding

For as short as the game is, it does a really good job in these areas. I appreciate that you can scan all the flora, fauna, and mechanisms to learn their names and attributes and that this plays into upgrading equipment. It goes a long way to make this alien planet feel grounded. Honestly, I wish more games did this!

I like the story of the game, but kind of wish we saw more of it, both the story of the actual planet and the story of Rani and Becks. How they became partners, where Bunny and C-RT came from, what a normal day in their lives looks like when they aren't dealing with Gunk. Who really is the Gardener? Where did he come from? What's the origin of the geist?

Maybe the fact that I care enough to ask these questions at all is a sign that the worldbuilding does everything it's really supposed to!

Characters

Rani and Becks are a really likable duo and I honestly don't mind that they're really the only characters throughout most of the game. Rani's optimism, compassion, and sense of adventure bring a lot of heart to the game and Becks' practical outlook helps ground everything. Their back and forths over the comms also do a lot to liven up the exploration and really intensifies the feeling of isolation when the Gunk causes interference.

As much as I enjoy them though, I can acknowledge issues like queer-coding and Rani falling into the perfect prosthetic trope.

I'm more inclined to forgive this game's handling of Rani's prosthetic because it is easily one of the most creative and plot relevant uses of this trope I've seen, but leaving the specifics of Becks and Rani's relationship in a grey area doesn't benefit the game in any way. Either make them girlfriends or make them more explicitly platonic, pick one!

Environments

The environments are stunning and one of the highlights of the game in my opinion! The world feels so vibrant and alive, you end up wanting to stop the corruption just as much as Rani does!

It also reminds me of the planet Felucia from Star Wars, so that's cool!/gen

One thing I really appreciate about the environments in this game is how they manage to be so linear without feeling boxed in. I tend to obsessively try to explore every nook and cranny in games (that's part of the fun!) and am prone to feeling overwhelmed by big open worlds, so it's nice every once in a while to find a game that's really efficient to explore. It's nice that there are so few branching paths and that the optional paths tend loop back around on their own without making you backtrack. The exploration feels very streamlined and is honestly refreshing to see occasionally./gen

I also really like the difference in how the areas look when they're corrupted versus purified. Sucking up all the Gunk and restoring life to the flora is so satisfying, even late into the game and is actually the reason I bought the Gunk in the first place. One of my favorite games of recent years, Kena: Bridge of Spirits has a similar mechanic of having to clear corruption from nature and I found that so rewarding that when I saw that there was another game focused around that concept, I just had to play it!

Soundtrack and Atmosphere

The Gunk (Original Game Soundtrack)

The Gunk's soundtrack is beautiful./gen There is one complaint that I have though, there are no happy tracks.  All the tracks are really pretty, but they all sound sad or bittersweet, maybe nostalgic, and I just wish there were a few lighter, more whimsical tracks thrown in to break it up some. Don't get me wrong, this is PERFECT for most of the environments in the game! We're exploring the remnants of an abandoned civilization on a dying world and the soundtrack conveys that melancholy incredibly well, but it's just a little out of place at the beginning of the game.

Rani's enthusiasm for this beautiful, lush new world in the start is palpable, but the soundtrack just doesn't really capture that. It feels especially odd at the campsite with Becks and Bunny and the immediate surrounding area where there are no signs this planet was even inhabited once.  Rani is such a vibrant, free spirit and is so excited to explore, I just think there should have been a few tracks early on that matched her whimsy and sense of wonder.

Gameplay and Puzzles

*slurping noises intensify*

Animations

Definitely not the highlight of the game, but also not the worst I've ever seen! Mostly they feel like they're from a much older game, maybe from the Wii era.

Art Style

I really love the art style for the environments, all of which are absolutely gorgeous, and honestly don't mind it for the characters either. Some people think the characters look weird or uncanny, which is valid, but I honestly find them kind of endearing. They remind me a bit of the character designs from Scooby-Doo! First Frights and Spooky Swamp, which look terrible, but are also very nostalgic!/lh

Closing Thoughts

Spider-Man 2    In a game about everyone’s favourite web-slinging wallcrawler(s), getting Spider-Man’s distinct movement style right is crucial - and Insomniac Games nailed it. Swinging through Manhattan feels incredibly satisfying and realistic as the city whips by you, and the physics of the Spider-Men have real dynamic weight to them so you can build up speed with short rapid swings nearly brushing against the roads or reach the highest rooftops with longer, slower arcs. The sequel introduced web-wings for gliding on the winds, and other new tricks like slingshotting yourself across the city or using abilities in midair to gain height and momentum. Thwipping from one end of the city to the other to chase after criminals or violent mutated scientists gives a huge adrenaline rush; it’s a sign of a perfectly-executed movement system when it’s actually more fun to manually swing around instead of using the slightly-quicker fast-travel points.

Wavetale    Behold, a game with actually enjoyable water movement. Skating across the ocean surface in a flooded post-apocalyptic shanty town in Wavetale is just as creative as it is fun, building up speed as young Sigrid skims around, diving under and leaping out like a supercharged dolphin, and grappling onto hooks for massive speed boosts. Zooming around the waters from one corner of the map to the other, Sigrid can even outrun boats chugging along as she dodges the creepy shadow monsters threatening the town of Strandville! There’s pipes and funnels dangling above the waves to use as waterslides, launching you across the sea and keeping up your momentum - perfect for the challenging races that put your coordination to the test on lightning fast obstacle courses that snake around the drifting houses and shallow islands. For extra challenge, the game’s gigantic bosses will keep you on your toes as you duck and weave on the waves around their attacks that rain from above.

Super Mario Odyssey    Mario’s jumping talents get an overhaul in Odyssey, adding loads of fancy new moves and tricks to learn in this sprawling open-world adventure. His new companion, Cappy, allows for stylish leaps and bounces from one end of the kingdom to the other as well as “capturing” just about any creature Mario encounters. Capturing things transforms Mario into the target, granting unique abilities for even more new forms of movement - stretching into the air, blasting over the water, jumping over high obstacles, and dozens of other powers. It’s highly satisfying to master all of Mario’s moves and being able to sprint, roll and dive at Mach speed with perfectly-executed button combos. Speedrunners and players that really learn all the movement techs are rewarded with hidden coins and other goodies stashed away on seemingly impossible to reach areas, accessible only to those able to clear enormous gaps and scale sheer walls with expert timing and coordination.

Sunset Overdrive    Enter the high-energy “awesome-pocalypse” with a city hand-tailored for jumping, sliding and parkouring all over it. Sunset City has been overrun by the OD - aggressive mutants caused by a radioactive energy drink - and only a small handful of stubborn survivors remain in the locked-down city to enjoy the chaos. In SSOD, the player is constantly on the move from one jump to the other - bounce off that fan into sliding down a powerline into grinding along a handrail into bouncing off a car hood followed by dashing over a slobbering mutant and onto the next fan to bounce off, and repeat in a nigh-infinite chain of possible routes across the city. As you move, you’ll be blasting away at the hordes of OD, earning style points for fighting while performing sick tricks throughout the colourful mayhem. There’s precarious platforming and obstacle courses that take you high into the sky surrounding the tallest towers - don’t look down! The city also features replayable challenges scattered around for those that really want to test their mobility skills, parkouring across the chaotic cityscape as fast as possible.

DOOM Eternal    In the fiery arenas of DOOM Eternal, movement is key and staying still is death. Double-jumping, dashing, climbing and swinging through the air, Doomguy treats the devastated Earth and the plains of Hell as his own personal playground! The developers compared the movement in Eternal to flying a fighter jet, constantly dashing and weaving through enemies and their attacks - the demons can’t hit what they can’t see. The new Meathook attachment to your trusty Super Shotgun allows you to zip across the battleground, latching onto some poor demon on the other side of the fight and pulling yourself towards it to deliver a face-full of buckshot. Eternal features a higher emphasis on platforming compared to previous DOOM entries, with many levels consisting of winding obstacle courses with combat encounters in-between all the jumping and climbing. Staying on the move as you blast through demons gives a huge adrenaline rush, feeling almost desperately aggressive as one mis-timed dash could be the difference between the demon’s death and your own.

   Now that we’re up to speed on some of the best movement systems in games, which is your favourite? Got any other games that would fit the list? Let me know! Feedback, reblogs and likes are all much appreciated!   Thanks for reading!