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Cyllenian Mercury, the god of ghosts, From gloomy shades that spread the lower coasts, Calls four high-famƩd Genoan dukes to come And make this presence their Elysium; To pass away this high triumphal night With song and dances, court's more soft delight.
John Marston, The Malcontent
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I was talking about this in the tags the other day, but one of my favorite early modern dramas is about a previously clueless duke who gets deposed and goes to work for the usurper as a professional hater. Although he schemes his way back into power, I have a lot of fondness for him in his hater disguise.
Anyway, I love the Mass Effect reference to elcor Shakespeare productions but I choose to imagine there's an even more niche elcor Marston production in which they have to decide whether the hater duke's dialogue qualifiers should reflect his persona or what he actually feels or some ambiguous in between.
(I also love the idea of elcor The White Devil in which the elcor playing Vittoria delivers extremely truthful qualifiers in the courtroom scene and the Greek chorus of foreign ambassadors played by aliens talk about how cool she is.)
I'm writing an essay about The Malcontent and like... Mendoza is such a dramatic guy. A rumour was floating around that he hated women and when the man who he was cuckolding confronted him about the cuckolding he was like "Didn't you hear? I hate women. Hate 'em. With all their... smocks and curtains and oiled hinges." ....Sir
I hear my music on the radio What's that song from long ago they're still playing Is it saying anything to you...
Der Unzufriedene / The Malcontent
Ludwig Knaus (1829-1910)
Berlin, 1877
Ćl/Holz (oil/wood), 82 x 61,5 cm
Ā© Deutsches Historisches Museum, Berlin
Inv. Nr.: 1988/810
Das auch unter dem Titel "Der Sozialdemokrat" bekannte GemƤlde zeigt einem mit dem politischen System unzufriedenen und grĆ¼belnden Wirtshausbesucher bei Bier und Zigarre. Das Flugblatt mit dem Aufruf āBĆ¼rger, Handwerker, Arbeiter, auf zur Wahl!āĀ links Ć¼ber ihm entstammt dem Umfeld der Reichstagswahl 1877. Die ab 1876 erscheinende āBerliner freie Presseā liegt auf dem Tisch und hƤngt an der Wand neben der 1848 gegrĆ¼ndeten satirischen Wochenzeitschrift āKladderadatschā. Neben dem Leipziger āVorwƤrtsā und dem āHamburg-Altonaer Volksblattā gehƶrte die āBerliner freie Presseā zu den drei groĆen sozialdemokratischen Tageszeitungen im Kaiserreich.
The painting that is also known under the the titleĀ āThe Social Democratā shows a man visiting a pub, who is pondering and discontent with the system, drinking beer and smoking a eigar. The leaflet with the proclamationĀ ācitizens, craftsmen, workers, towards election!ā on the left above him originates from the context of the Reichstag election 1877. The starting in 1876 publishedĀ āBerliner freie Presseā (free press of Berlin) lies on the table and hangs on the wall next to the 1848 established satirical weeklyĀ āKladderadatschā (scandal, bust-up). Next to the Leipzig journalĀ āVorwƤrtsā (foward) and theĀ āHamburg-Altonaer Volksblattā (peopleās newspaper of Hamburg-Altona) theĀ āBerliner freie Presseā was one of the three biggest social democratic daily newspapers in the German Empire.
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Iāll come amongst you, you goatish-blooded toderers, as gum into taffeta, to fret, to fret.
John Marstonās The Malcontent
(Ā sforze )
I would not trust Heaven with my vengeance
John Marston (The Malcontent)
