I'm still trying to get the hang of the whole "posting content" thing, but I think providing a reading wrap-up every month will allow me a little more to work with. January was a fairly standard reading month. I was able to get through ten books, though I added quite a few to my TBR. Kind of had a mini heart attack when I realized that, according to my Storygraph, I have about 1,731 titles on there. Well, at least I know I'll never run short of reading material.
Total Books Read: 10
Total Pages Read: 3,689
Books Read:
The Devil Aspect by Craig Russell - (Review) (3.5/5)
Sweep: The Story of a Girl and Her Monster by Jonathan Auxier - All I have to say is that the best kind of children's fiction tends to be the ones that expertly balance the harsh cruelties of life, especially during the Victorian era, with an unshakable sense of hope and a lot of heart. Sweep is one of those books that doesn't shy away from the reality and history of children in peril, but there is a warmness in its pages that comes from feeling and seeing the love and protection of dear ones long since passed. Definitely a bit of a tearjerker, but in a good way. (4/5)
The Kingdom of Back by Marie Lu - (Review) (4/5)
Property of the Rebel Librarian by Allison Varnes - Looking at the world around us, this book couldn't be more relevant, as book bans are sweeping across schools and kids are left without a choice in what they want to read. Though it presents a somewhat simplistic scenario of censorship gone wild, it's definitely meant as an accessible way for young readers to be introduced to the process of book banning and what can be done to make your voice heard. (4/5)
Season of the Bruja Vol. 1 by Aaron Duran and Sara Soler - A really beautiful graphic novel that highlights the conflict of surviving indigenous traditions vs. religious colonialism. Stories that point out the hypocrisy and brutality of the Catholic church scratch such a good itch for me. The world is a little shaky though, not much is exactly explained and you almost need some prior knowledge of Mexican mythology going in, but it's worth checking out. (3/5)
A Winter's Promise by Christelle Dabos - (Review) (4/5)
Such Sharp Teeth by Rachel Harrison - (Review) (4/5)
The Ivory Key by Akshaya Raman - Though it takes a while to get going, The Ivory Key does have a great readability to it as the action finally kicks in about maybe halfway through. Up until then, the book spends a great deal laying the foundation of this world: tensions between cities, the role and history of magic in this society, the dynamics of the main characters. I will say, being introduced to at least seven different important characters in the span of 30 pages is a tad overwhelming at first, but it levels out the more you keep reading. While I did enjoy it, there was nothing particularly exemplary about the story that wowed me. The Indian-inspired setting and mythology makes it stand out, but everything else used the same tropes, beats, and twists that I've seen time and time over with little to add to them. I liked it enough to want to read the second book coming out later this year, but probably not enough to keep it on my personal shelf. (3/5)
Black Panther: The Young Prince by Ronald L. Smith - Read this one in a day and was fairly satisfied with it. It'll definitely appeal to middle grade readers looking for Marvel tie-in stories, as it has a quick pace and a good amount of action and mystery. For me, I don't think I enjoyed it enough to continue with the sequel, but it was nice to see a younger T'Challa and M'Baku out of their element away from Wakanda and how dynamic changed over the course of the book. (3/5)
Scavenge the Stars by Tara Sim - For a book inspired by The Count of Monte Cristo, the story itself was incredibly simple and told fairly straight-forwardly, but I think that works in its favor. I'm at the point where I'm starting to tire of long-winded society dramas so I appreciated it for having a bit of focus. Everyone's motivation is clear, with a natural twist or two popping up along the way, plus a great amount of casual queerness. Though the world-building wasn't exactly intricate, there is a good sense of aesthetic and personality in the setting of Moray from its high status venues to the seedy gambling dens. I'm interested to see where the story goes in the sequel! (3.5/5)
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i did not expect to read about jack the ripper remixes in my stories but here we are. according to craig russell, he was possessed by an ancient evil, whereas c.e. ward thinks he’s a dwarf vampire ghost.
Czechoslovakia, 1935: Viktor Kosrek, a newly trained psychiatrist who studied under Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The facility is located in a medieval mountaintop castle surrounded by forests, on a site that is well known for concealing dark secrets going back many centuries. The asylum houses six inmates--the country's most treacherous killers--known to the terrified public as the Devil's Six.
Viktor intends to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon he calls The Devil Aspect. Yet as he begins to learn the stunning secrets of these patients, he must face the unnerving possibility that these six may share a darker truth.
Meanwhile, in Prague, fear grips the city as a phantom serial killer emerges in the dark alleys. Police investigator Lukas Smolak, desperate to locate the culprit (a copycat of Jack the Ripper), turns to Viktor and the doctors at Hrad Orlu for their expertise with the psychotic criminal mind. And Viktor finds himself wrapped up in a case more terrifying than he could have ever imagined.
The Devil Aspect is a book that's hard to put into words how to feel about it. There are so many layers to its Gothic atmosphere and the lingering malevolence you feel after turning that final page. It talks about the human capacity for violence and evil, the rise of facism in the 1930s, the effect of superstition and mythology on our perception and rationalization of certain events, all while delivering a compelling and thrilling mystery. It's one of those mysteries where, if you play close attention, all the clues are there right before you, with a red herring or two thrown in for good measure. While I wasn't able to predict the exact outcome, once everything was revealed, I was able to say "Oh yeah, that makes sense." It's a puzzle you piece together without knowing the final image, only to nod in satisfaction when you're finally able to complete it.
I will admit, I'm not a fan of stories set in the World War II era, or even the years leading up to it, as I find them to be particularly one note and depressing. You're not going to find much levity or hope in this book, but Craig Russell did a great job of keeping the time frame as a sort of secondary setting rather than one that dominates the story. It feeds into the concept of evil being naturally drawn to the asylum housing the most sadistic and dangerous criminals, as well as giving context to the characters' opinions and values. It also leaves the reader with a sense of defeat towards the end, that, even though the story is over and evil has been exposed, there are still horrendous things ahead. It's a dark place to leave the story, but it's definitely appropriate.
If you are a fan of dark thrillers and mysteries, you'll probably have a great time with this one. Just be aware that there is a lot of disturbing content, such as cannibalism, murder including children, discussion of pedophilia and rape, demonic goings on, discussions of eugenics, etc.
“Mrs. Valentová was a painfully thin, priggish-looking woman of about forty. The kind of woman you would pass on the street without noticing, she was dressed in an unexceptional skirt, blouse and cardigan and had the mien of a provincial schoolmistress. She looked hollow-cheeked and sunken-eyed in a way that suggested undernourishment rather than a natural tendency to leanness. Before they had entered the patient’s quarters, Professor Románek had explained that Mrs. Valentová’s extremely particular attitude towards her diet presented ‘difficulties’.”
-From The Devil Aspect by Craig Russell (illustration by Charles Lister)
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“The Woodcutter’s appearance was strangely disconcerting: dressed in nondescript city clothes, there was nothing about the man to suggest that this was a rural manual labourer, other than his clearly athletic build. Indeed, Zelený’s face was handsome and well proportioned, his green eyes bright and suggesting an intelligence that the case notes assured was not there.”
-From The Devil Aspect by Craig Russell (illustration by Charles Lister)
“As an unseen sun was setting beyond the windowless walls of the tower granary, four orderlies wheeled the Demon into the room on the mediaeval throne of his restraint chair. Skala was not going to be placed on the examination couch. He arrived fastened by metal and leather, bolt and buckle, denied even the slightest movement of hand, arm, leg, neck or head. He would remain bound in the chair throughout the session.”
“‘Dominik Bartoš was a good man too, by all accounts,’ said Viktor. ‘Good people become mentally ill just as much as bad people. And they aren’t responsible for the crimes they commit – they inhabit a different world, a world of hallucination and delusional beliefs.’
‘Is that what happened with Dominik Bartoš?’
‘We call him the Sciomancer.’ Viktor smiled wryly. ‘Professor Románek is very lyrical with how he titles case files. Do you know what sciomancy is?’
Smolák shook his head.
‘The ancient belief you can gain knowledge by communing with the dead. Professor Bartoš was a gifted scientist, but his delusions made him believe, well, in magic. Ah, here we are…’”
-From The Devil Aspect by Craig Russell (illustration by Charles Lister)