Anyway anyway a reading of The X-Men (1963) in the context of The X-Men, whether intentionally or not, being a big huge massive "fuck you" to the Comics Code
seen from Italy
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seen from Netherlands

seen from Italy
seen from Türkiye
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seen from Switzerland
seen from China
seen from United States
seen from United States
seen from Switzerland
seen from Japan
Anyway anyway a reading of The X-Men (1963) in the context of The X-Men, whether intentionally or not, being a big huge massive "fuck you" to the Comics Code

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Nothing exemplifies how so much modern discourse is just conservative talking points retooled for gen z then the fact that comic book twitter is rewriting Seduction of the Innocent in real time
I swear anytime sex is alluded to in comics, everyone online (outside of Tumblr) has a meltdown
Mind you no one has explicitly had sex in a single x book since Krakoa started and the only threesome in marvel comics was in guardians of the galaxy
(no one I know of, I guess anything could be happening in Legion of x or xforce or whatever. I doubt it, because again, anytime anything sexual happens comic fans have a public meltdown online so I would know. Oh and I guess Krakoa fucked thst one time)
I say this as an asexual: if you can't handle sex jokes, some light nudity and an IMPLIED threesome spread out over 5 years and hundreds of issues of comics you need to grow up and examine why you have such a negative relationship with sex, even if you are never going to have it or prefer not to read about it
Sex is necessary to many stories and can be there even if it doesn't need to be.
For the "land of the free", Americans will do literally everything in their power to censor themselves and limit their own freedoms
Part 3 of 3 in our series about the Comics Code. Part 1, Part 2
Perhaps the most important set of comics in history regarding the Code are The Amazing Spider-Man 96 through 98 from May 1971. For the first time since its inception a major publisher elected to put out a book without the approval of the Comics Code Authority. Ā
This particular storyline (The Green Goblin Reborn!) was actual created in response to a request from the Department of Health, Education, and Welfare. At the time, with Stan Lee at the helm, Marvel was the reigning king of comics ā and Spider-Man had one of the largest readerships among kids and young adults. To capitalize on this, Lee was asked to produce a story detailing the deadly dangers of drugs and addiction. Ā
The Code of 1971 had not changed much from the one of 1954, and the rules regarding drugs and addiction were implicitly tied to those regarding "good morals" and aversion to showing vulgar behavior. Most notably, the wealthy Harry Osborne is shown popping pills, which was seen as a violation of one of the Codes regulations: keep drugs out of comics.Ā
Because this was Marvel, and the Government, and the CCA was an entirely private, voluntary system the comics were able to be published and distributed. Later In '71, DC published a similar story (Snowbirds Don't Fly) featuring the Green Arrow helping his sidekick Speedy work through his addiction. Because of the impact of The Green Goblin Reborn! The Code underwent revisions to allow for such depictions of drug abuse (maintaining that it should in no way be glorified). This began the slow process of testing the limits of the Code, changing small parts of it, and repeat until it was rendered functionally obsolete.
Further Reading:Ā
Code Regulations
Green Goblin Reborn!
Stan Lee discussing the Code (and Marvel in theĀ ā70s)
Snowbirds Donāt Fly
-Caris Windhausen, student employee