Imbolc eve ritual for the night of January 31st
FB credit: Instant Witch
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Imbolc eve ritual for the night of January 31st
FB credit: Instant Witch

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The masterpost of my posts on my personal practice regarding religion and witchcraft. I link a lot of resources that are not my own.
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Updated 02/05/21
Textile magic
I decided that each of us grandchildren should bring the quilt our grandmother made for us to the funeral and put them on display so that everyone can marvel at her creative genius and magical skill. You will never convince me that at the precise moment we join all six together that the power of her magic will not be felt for miles.
Making a witch's ladder for a friend today and writing some more for reference later.
- start ritual around 12:15
- full eclipse starts 12:30, tie first knot
- every other knot the next twelve minutes and 47-ish seconds rounding down sightly to make sure I get all the knots in during the eclipse (actual time is 12m52s)
- last knot right after to tie it all together
Woven ward
I needed to put up a new ward a while back & I got an idea while re reading some stuff on textile magic. You know how each stitch creates a circut for the energy of your work to run through? I thought that I might be able to carry that idea over into warding, & essentially make the ward the way we weave thread into fabric. So far, itâs the strongest & most effective ward Iâve ever made, by a long chalk.
Downside: Itâs kind of complicated. Not too complicated that a beginner canât do it, but complicated enough youâll want to read it through a couple times before you do it.
Upside: itâs almost maintainance free! All you really need to do is check on the weave occasionally.
Iâve broken the ritual down into four phases for your convenience & Iâm using two analogies. One is weaving, because the idea came from textile magic & weâre making the energy into âfabricâ but thatâs not perfectly accurate. The entire ward is woven from the same two âthreadsâ & when youâre fine youâll be merging the tails into the energy stream they start in but Iâm still going to use the terms âweftâ & âwarpâ. The weft is the first part of the ward in which your threads go in the same direction (eg south to north) & the warp is woven over-under into it going in the opposite direction (east to west). I also describe the system a complete circut to give you an idea of how the energy/ward should behave.

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do fabrics have different meanings? Like would it be better to make a satchel out of wool, cotton or silk? Do they have specific meanings in witch craft? I tried googling but couldn't find anything useful. Maybe I'm looking in the wrong places?
Iâm an idiot and obviously shouldâve reread all my asks before answering the robe one because these wouldâve been great consolidated to one answer. ANYWAYS
The first thing to consider is what your satchel is going to be used for. The mundane practicality and safety should always come before how it may further enhance a spell. If it is for a spell in which it will be in contact with something to be ingested the fabric should be prewashed at the very least. If the spell relies on aroma therapy, such as a dream pillow, then a lighter fabric with a loose weave to allow the scent to pass through is a wise choice. If you intend to bury it for a spell you will want a fabric as natural as possible so it will actually decompose properly. If it is to hold magical trinkets use whatever feels right. I like velvets for my stones and silks for my divination decks.
Like I said in this post, I am unaware of any associations for fabrics. But associations came from somewhere and it is perfectly acceptable to draw your own - itâs actually recommended to toss aside association lists and create your own because your personal associations will make a spell stronger than those you are unfamiliar with and looked up in a book.
Write down a list of types of fabric such as wool, cotton, and silk and then brainstorm what you associate with each. As an example, cotton makes me think of summer and clean laundry. Make your decision on the fabric to use based on both your associations and your mundane, informed preference in concordance with the needs of your project.
Satchel or sachet? I wrote this whole post with sachet in my head. Iâm unable to understand why anyone would want to make essentially a backpack/purse with silk. If it is satchel, Nonny, use canvas, duck cloth, or decorator/drapery fabric.
I usually have a tough time getting into the "spell casting" mindset, so I thought I'd make some witch robes to help me out. What fabrics are good for that sort of thing? Are there fabrics that mean things in our craft? What about fabrics I should stay away from?
I am unaware of any specific associations for fabrics, so it seems this is uncharted territory for us to explore. *rubs hands together in glee*
First the practical needs should be taken into account. Most practitioners work often with fire, so I would recommend natural fibers though mixed contents that favor the natural fiber would also work well. If you intend to work outside in a colder climate often then you may want to consider something a bit heavier such as wool. If you do not sew often be sure to find a pattern that is straight forward and isnât elaborate. The more challenging, the less likely you will do/finish the project.
If you are getting your fabric and sewing notions from a physical store take the time to scope out what natural fabrics they have on hand that would work for robes. The store I work for has quilting cotton and super light summer blends; just because a store has cotton doesnât mean they have a cotton with the right texture and weight that will drape nicely. The store I work at doesnât have a cotton I would use, but there are some linens I would consider. Iâm also a fan of a wool cloak. Doesnât need to be for my practice. I just want one.
Okay, write down the different fabrics you found. Brainstorm what you associate with it. Cotton makes me think of summer and clean laundry - to name a few. Make your decision on the fabric to use based on both your associations and your mundane, informed preference.
And a note: witch robes do not have to be robes. If you find a fabric you really like - say a flow-y star studded black fabric - that you think would look AWESOME as an article of clothing, then your âwitch robesâ could be that clothing item because it was made and used for only that purpose and would put you in the correct mindset.
Hellloo, how're you doing today? I stumbled across your blog and saw that it says you practice textile magic. May I ask you about your practices? It's all fascinating and I would truly love to chat.
Textile magic is magic using textiles. A textile or cloth is a flexible woven material consisting of a network of natural or artificial fibers often referred to as thread or yarn. [x]Â Textile magic can be anything using textiles in the working from sewing, embroidery, knitting, crocheting, weaving, et cetera. Many times itâs as simple as focusing your intent and charging the project you are working on as you create it. It can include stitching sigils or other images of power onto the project or stitching items into the project. You can washing items in solutions empowered with herbs. The possibilities are endless.
Personally, I embroider sigils onto items, weave my intent into my knitting projects, tie knots into the fringe of a scarf and catch the intent with the knot, mix a fresh smelling water wash to spritz over items, and occasionally braid a friendship bracelet for, well, friendship. And thatâs just the typical uses Iâve used popping to mind. Iâve done several other things. :3