May 22, 2018
"FREE DOWNLOAD: London Grammar — If You Wait (George X Remix)" by Suprematic Sounds
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"FREE DOWNLOAD: London Grammar — If You Wait (George X Remix)" by Suprematic Sounds
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FREE.D — Two Hidden Years by Suprematic Sounds FREE DOWNLOAD: http://ift.tt/2BJPxB5 Follow on SoundCloud: http://ift.tt/2kKvfye http://ift.tt/2huCg8w Two Hidden Years — buy on Beatport: http://ift.tt/2zOb9ef Tracklist: 01. FREE.D — Thinking Fast & Slow (Powel Remix) 02. Roma Moss feat. hOLY — Leaving Traces (Zoo Brazil Remix) 03. FREE.D — Thinking Fast & Slow (Original Mix) 04. Mik Kartl — Tunnels (Helmut Dubnitzky Remix) 05. FREE.D feat. Roubs — Liberate Your Mind (Rhadow Remix) 06. FREE.D & Mik Kartl — Digital Pope (Original Mix) 07. FREE.D feat. Roubs — Liberate Your Mind (Original Mix) 08. Spieltape — Ali (Original Mix) 09. Mik Kartl — Jungle Riot (Jackspot Remix) 10. FREE.D — Thinking Fast & Slow (Mario Aureo Remix) 11. Mik Kartl — Jungle Riot (Original Mix) 12. Spieltape — Ali (Dachshund Remix) 13. FREE.D & Mik Kartl — Digital Pope (Montel Remix) Follow Suprematic Sounds: ✖ Facebook ▸ https://goo.gl/vwLvQV ✖ SoundCloud ▸ https://goo.gl/C15UAE ✖ YouTube ▸ https://goo.gl/5H9ERG ✖ VK ▸ https://goo.gl/a2fjZL
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La obra de Iakov Chernikhov se caracteriza por su permanente indagación sobre la forma arquitectónica. Su trabajo asume el desafío de graficar el arte arquitectónico que proclamaban las teorías del…
The work of Iakov Chernikhov is characterized by his permanent inquiry into the architectural form. His work takes on the challenge of plotting the architectural art proclaimed by the theories of suprematism and constructivism, by manipulating strict geometric figures assembled with rigorous formal impetus.
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Kazimir Malevich
Suprematist Composition: White on White
1918
“Malevich repeatedly referred to "the white" as a representation of the transcendent state reached through Suprematism. White was the artist's symbol for the concept of the infinite as the white square dissolves its material being into the slightly warmer white of the infinite surrounding. This painting can be seen as the final, complete stage of his "transformation in the zero of form," since form has almost literally been reduced to nothing. The pure white of the canvas has negated any sense of traditional perspective, leaving the viewer to contemplate its "infinite" space. The slight change in tonality, however, distinguishes the abstract shape from the background of the canvas, and encourages close viewing The picture is thus bled of color, the pure white making it easier to recognize the signs of the artist's work in the rich paint texture of the white square, texture being one of the basic qualities of painting as the Suprematists saw it. Painted some time after the Russian Revolution of 1917, one might read the work as an expression of Malevich's hopes for the creation of a new world under Communism, a world that might lead to spiritual, as well as material, freedom.”
Oil on canvas - Museum of Modern Art, New York