Una Noche de Verano Min Yoongi (Suga) x You - The real Thing Special Summer Episode
🎹 Pairing: BTS Suga (Min Yoongi) x Reader (Arts Center Founder!Reader) Yoongi's mother books you a flight to Madrid, tells you it's a surprise, and forgets to mention which one of you doesn't know about it. What follows is a stolen weekend of concerts, cured ham, unsolicited GaudĂ lectures, and a proposal you're almost certain wasn't a joke — because somewhere between a churrerĂa in Madrid and a balcony in Barcelona, real life stopped being the thing keeping you apart.
⚠️ THIS IS A SPECIAL CHAPTER READ THE MAIN SERIES HERE 🎹 Chapter index Part 1 Part 2 Part 3 Part 4 EPILOGUE
🎹 Genres: Fake Dating, Friends to Lovers, Mutual Pining, Angst with a dahs of Hope, Slow Burn, Hurt/Comfort, Celebrity x Non-Celebrity, Emotional Drama, He has written eight songs about her and she doesn't know it yet, It's a bit of a rom-com, Min Yoongi and his hair, (Yes, that is a genre) 🎹 Short summary: "His mom plotted the whole trip, the tour stole the last six weeks, and one summer night in Barcelona is about to hand back everything the distance took.."
🎹 Rating: 18+ (minors DNI) Part of The B-Side series Universe:
đź–¤ THE B-SIDE SERIES MASTERLIST
You have gotten very good at time zones.
This is not a skill you wanted to develop, but you have developed it anyway — the specific mental math of knowing that nine AM in Seoul is five PM the day before somewhere on the American leg, that his goodnight often arrives while you are eating lunch, that the version of him you get most days is the one who is exhausted in a way that has nothing to do with you and everything to do with cities and stages and a schedule that does not pause for anything.
Two months.
You have not seen him in person in two months.
This is the kind of fact that sounds abstract until you actually sit with it — until you remember, specifically, what his hands feel like, what he sounds like when he is not filtered through a phone speaker, what it is like to be in the same room as someone instead of the same time zone as their voice. You have not forgotten any of it. You have just had to hold onto it from a distance, which is a different kind of holding than you are used to.
The American leg has been the hardest part.
Not because anything is wrong — nothing is wrong, you remind yourself this daily, sometimes hourly — but because the schedule has been relentless in a way that leaves very little room for anything except the tour itself. He has been sharing a room with Namjoon for most of it, which is fine, which is normal, which is also occasionally a very specific kind of inconvenient when you manage, against considerable time-zone odds, to get him on a call at an hour that might allow for something more than talking, and you can hear Namjoon in the background asking if he should go for a walk, and Yoongi saying "yes, Joon-ah, please" with an urgency that makes you laugh even as you both understand exactly what has just been derailed by simple geography.
You have not been able to fuck him properly in weeks.
This is not a small thing. You have never pretended it is a small thing. You have chemistry with this man that borders on inconvenient — even three years of pretending it wasn't there couldn't manage it, and now that you are not pretending anymore, now that you know exactly what it is like to have his full attention, the absence of it has a texture you feel physically. Not devastating. Never devastating. But present. A low hum underneath the days, the ache of wanting someone and doing the math on when you might actually get to have them again.
You have both promised each other you would talk about this instead of managing it quietly.
This is new for both of you — the not-managing, the saying-it-out-loud instead of filing it somewhere and hoping it resolves itself. You have gotten better at it. He has gotten better at it. Some nights it is just: I miss you, I miss touching you, I miss being in the same room as you and not having to say goodbye to a screen. And he says it back, plainly, in the voice he uses for things that are true, and it does not fix the distance but it makes the distance honest, which after eight months of silence feels like the only kind of distance you can survive.
You remind yourself of all of this on the Monday before everything gets complicated, standing in your office with a lukewarm iced coffee and the sound of the Tuesday ensemble rehearsing down the hall.
You miss him.
You are handling it.
Mostly.
The center in June smells like sunscreen and rehearsal panic.
This is the specific cocktail of the season — the summer recital is three weeks away, which means the Dragon Room has been in a state of low-grade emergency since Monday, which means Seojun has revised his opinions about tempo for the fourth time this month, which means you have, personally, refereed two separate disputes about who gets the good music stand and one extremely serious negotiation between Jisoo and a nine-year-old cellist about bow-sharing etiquette.
You love June.
You are also, by the second week of June, running on iced coffee and the stamina of someone who has done this every year and knows it always works out.
"Soomin wants to add a solo," Dani says, appearing at your office door with the clipboard and the energy of someone delivering both good and bad news simultaneously.
"To what."
"To everything. She wants a solo in every piece."
"She's ambitious."
"I respect it," they say. "I told her no."
"Good."
"She's drafting an appeal."
You put your head down on your desk.
"She used the word stakeholders," comes from the doorway.
"I need her to stop reading my grant proposal drafts."
"I've tried." A pause, weighted with the specific patience of someone who has already accepted defeat on this front. "She finds them inspiring."
You lift your head enough to give them a look.
They give you the clipboard back, unbothered, already moving on to the next item.
You lift your head. Outside your office window, the Flower Room door is propped open and you can hear the Tuesday ensemble working through something that is technically the right notes in technically the right order, which at this stage of recital prep counts as a triumph.
The center, in short, is exactly as chaotic and exactly as good as it always is in June.
Your phone buzzes at 11:47 AM.
You know it's his mother before you look, because you have long since accepted that Yoongi's mother texting you has a specific rhythm to it — always a little sudden, always slightly ahead of the conversation, always operating on information she has not yet shared with you.
Mom in Law 🌸: Hello dear, Have you eaten today? You're coming to Madrid with us. I've already booked your ticket. The flight leaves Thursday.
You stare at this for a moment.
you: I am going to Madrid?
She responds in under a minute, which is either very fast typing or the message was prewritten and waiting.
Mom in Law 🌸: YES!!! The concert. We're all going. His father wants to see this one. You should be there.
Something in your chest does a small, complicated thing — his father, the specific weight of this one, said the way things are said now when nobody wants to name what they mean by it directly. You think about the last time you saw him, thinner than the wedding month, still cheating at cards, still laughing the real laugh.
You think: of course you're going.
You also think: I have a recital in three weeks.
I can't just— you start typing.
Dani appears next to you holding a printed calendar before you finish the sentence.
"You have the recital July fourth," they say. "This is June."
"I know when the recital is, Dani."
"I'm just saying, you have three weeks." The clipboard comes up, a specific page flagged with a sticky note that has clearly been prepared in advance. "And I already cleared it with the board. Summer schedule adjustment. Filed in April. You signed it."
You stare at them.
"What summer schedule adjustment."
"The one where the center closes for a long weekend in June for staff development." Dani's face does not move. This is somehow the most damning part — the complete absence of guilt, the flat serenity of someone reciting something rehearsed and entirely comfortable with the recitation. "You signed it in April."
"I don't remember signing that."
"Grant season," they say, with a small shrug that suggests this explains everything. "You don't read closely in April. Nobody does."
You narrow your eyes.
"Dani."
"I'm just saying the timing works out remarkably well." They are already checking something else off the clipboard, not even looking at you, the picture of someone with nothing to hide.
"Did you plan this."
"I didn't plan anything." The clipboard goes still. They look up at you now, directly, with an expression that would be convincing on anyone else. "His mother texted me two weeks ago. Asked about your schedule. I told her the truth." A beat. "You had a gap." Another beat, slower. "A very convenient gap."
"A gap you created."
"A gap that already existed," they say. "I simply protected it. From you. Because you would have filled it with something."
You look at them for a long moment.
They look back, entirely unbothered, the clipboard held loosely against their chest like a shield they don't actually need.
You look at your phone instead, where his mother's next message has already arrived.
Mom in Law 🌸: Dani says you're free. Pack for warm weather.
You: Eomma does he know I'm coming? I feel like Dani would've mentioned if it was supposed to be a surprise. And we know he hates surprises.
Three dots appear.
They disappear.
They appear again.
Mom in Law 🌸: The recital sounds like it's going wonderfully!! I saw a video of the Wednesday group, tell Jisoo she's improving so much. Anyway, pack for warm weather. See you Thursday!
You stare at this.
You look up at Dani.
"Did you see that," you say. "She completely dodged the question."
"Did she," Dani says, with the careful neutrality of someone who is choosing every word with legal precision.
"Dani. Does he know I'm coming."
"I have no comment," Dani says.
"That's not a real answer."
"It's the only answer you're getting," Dani says, already retreating toward the door. "Ask his mother. She's very good at answering questions. Selectively."
You look back at your phone.
You think about it for a moment — the way his mother deflected, smooth and immediate, a woman who has never once in the time you've known her failed to have a plan. You think about the fact that of course he knows. His mother would not do this to him. Yoongi, who has a very specific and well-documented aversion to surprises — who once nearly had a small crisis when the members organized a surprise dinner for his birthday and had to be walked through the concept in advance next time — would not be left in the dark about something like this.
Surely his mother told him.
Surely this is a surprise for you, arranged with him, and you are simply the last to know the plan.
You decide this is what happened.
You feel considerably better having decided it.
On Wednesday evening, a package arrives at the center addressed to you.
Inside: a dress. Pale yellow, light as air, the kind of thing designed for somewhere hot and bright and nowhere near a Seoul office. There is no note, but there does not need to be one, know the specific quality of his silences, and this dress has the fingerprints of a man who thinks in the particular, deliberate way he thinks about everything he decides matters.
You call him that night.
It's late where he is. He picks up anyway, voice rough with either sleep or exhaustion or both, and you can hear Namjoon in the background asking something you don't catch.
"You bought me a dress," you say.
A pause. Then, carefully: "I did."
"It's beautiful."
"I saw it," he says, "and I thought—" He stops. You can hear him deciding how much to say. "I thought about you in it. Somewhere warm."
You look at the dress hanging on your closet door.
"Somewhere like Madrid, maybe," you say, testing it.
A pause. Longer this time.
"...Madrid," he says. Careful. Neutral. The tone of a man who is either extremely good at hiding a surprise or genuinely has no idea what you're talking about.
You cannot tell which.
"Never mind," you say quickly. "I just meant — somewhere summer. It's a summer dress."
"Right," he says. "Yeah."
Dani, walking past your office the next morning, finds you staring at the dress on its hanger with the expression of someone doing complicated math.
"He bought it thinking about you wearing it on a hot Mediterranean night," Dani says, reading over your shoulder without permission. "Romantic. Wear it in Madrid. Great opportunity."
"Dani."
"Pack it," Dani says, already walking away. "Trust the process."
You look at the dress.
You start packing on Wednesday. You leave Thursday night.
You are almost completely convinced he knows you're coming.
Almost.
The airport is loud in the specific way that airports are loud when a family that loves each other completely is trying to coordinate luggage.
You spot them before they spot you — his mother first, scanning the departures area with the determination of a woman executing a plan she has been refining for weeks, and then Jihoon beside her with Haerin on his hip, and Eunji, and the aunt, who has apparently decided that this trip requires a sun hat already, indoors, at Incheon at 9PM, and is wearing it with complete confidence.
Then his mother sees you.
Her whole face does something.
"There she is!" she says, already moving, already reaching for you with both arms, and she pulls you into a hug that has the specific quality of someone whose plan has just, at this exact moment, become real and undeniable. "You came. I knew you would come."
"You didn't really give me a choice," you say, into her shoulder.
"I gave you an excellent choice," she says, pulling back, beaming. "The correct one."
Haerin reaches for you the second she sees you — both arms, the full-body demand of a baby who has decided something and does not understand why the adults haven't caught up yet — and you take her automatically, settle her against your hip, and she immediately grabs a fistful of your hair with the proprietary confidence of someone who considers this hers now.
"She missed you," Jihoon says. "We all missed you. It's been very quiet without the arguing."
"We don't argue."
"You and Yoongi argue about everything," Jihoon says. "It's very entertaining. We've had nothing to watch."
The aunt hugs you next, sun hat and all, holding on a beat longer than the greeting requires, and says something about how thin you look, and how you need to eat more, and how Madrid has excellent jamĂłn and you will be eating it whether you want to or not.
You are laughing.
You are, genuinely, completely happy — surrounded by people who reached for you the second you appeared, who missed you specifically, who built a plan around getting you here because they wanted you here.
Then you see his father.
He is sitting on a bench a little apart from the group, and for one unguarded second — before he sees you seeing him — his face is doing something quiet and tired that has nothing performed about it. Grey around the edges in a way that feels different from the last time you saw him. Smaller, somehow, in his coat. The specific stillness of someone conserving something.
Then he notices you.
His whole face rearranges itself into warmth, into the smile that Yoongi's is made from, and he stands — carefully, using the bench for a moment of support that he tries to make look casual — and opens his arms.
"There's my favorite hwatu player," he says. A beat. "Second favorite. I'm still first."
You hug him.
He feels thinner than he did two months ago. You register this in your arms before your mind fully catches up to it, and you hold on a second longer than you meant to, and when you pull back you are looking at him carefully, checking, the way you have learned to check on people you love.
"You look tired," you say. Gently. Testing.
"I'm old," he says, waving this away with the easy dismissal of a man who has decided this conversation is not happening right now. "Old men look tired. It's very fashionable."
You look at him for another second.
His mother appears at your elbow.
"Did you eat before coming?" she says, brightly, suddenly, with the specific timing of a woman redirecting a conversation before it goes somewhere she is not ready for it to go. "You should eat. Let's get you a sandwich. The tea here is terrible but it's something."
"I'm fine, I just—"
"Tea and a Sandwich," she says again, already steering you by the arm toward the nearest café, and you look back over your shoulder at his father, who gives you a small, reassuring wave that does not entirely reassure you.
You look at Jihoon.
Jihoon is suddenly very interested in Haerin's shoe.
You look at Eunji.
Eunji is checking the departure board with unusual focus.
"He knows I'm coming, right?" you say, to no one specifically, to the group at large, the question you have been circling since Wednesday finally arriving out loud. "Yoongi. He knows."
Silence.
A very specific, very coordinated silence.
"Did you eat," his mother says again, gripping your arm with slightly more force than the question requires.
"You just asked me that."
"I want to make sure," she says. "Tea. Now. Come."
You are, once again, moved bodily toward a café.
You decide, somewhere between the departures board and the warm chamomile tea, that you are going to stop asking. That whatever is happening, this family clearly has it handled, and that the specific overwhelming warmth of being folded into all of it — Haerin's fist in your hair, the aunt's sun hat, his mother's arm looped through yours, all of it wrapped around you without a single question about whether you deserved it — is worth more right now than getting a straight answer.
You have never had this.
Not growing up. Not with a mother who loved you in her own way but never in this way, never with this many people, never with this much certainty that you belonged somewhere before you'd even finished walking through the door.
You let yourself have it.
You drink the tea, which is, as promised, terrible.
You board the plane two hours later.
You are in your seat, the aisle seat his mother requested for you weeks ago, watching the ground crew move around outside the window, when you pick up your phone to send him one last message before you lose signal.
See you soon, you start typing.
You look at it.
You think about his father's face on the bench. About the quiet, coordinated deflection at the airport. About the specific texture of a family closing ranks around something they are not ready to say out loud yet.
You delete it.
You put your phone away instead, unsent, the message sitting somewhere in your drafts like a held breath.
The plane begins to taxi.
— Yoongi —
Somewhere on the other side of the world, in a hotel room he is sharing with Namjoon, Yoongi is lying on his back looking at the ceiling.
It is almost seven in the morning where he is. He has a show today. He should get up soon.
He picks up his phone instead.
He looks at your contact photo for a moment — from the fitting room, actually, a candid Dani took without either of you noticing, you laughing at something with your whole face and him looking directly at you — and something in his chest does the specific ache it has been doing for two months, low and constant, the thing he has gotten better at naming instead of managing.
He types: I can't wait to see you.
He does not mean it as information. He does not know there is information to mean it as. He means it the way he has meant it every night for two months — a small true thing, sent into the dark, because he misses you and it is almost two AM and Namjoon is asleep in the other bed and you are not there to tell show you how much he misses you.
He sends it.
He puts the phone on the nightstand.
He does not know when it will land — whether you are asleep, or awake, or somewhere over an ocean with your phone in airplane mode.
He just knows he meant it.
He closes his eyes. Five more minutes.
— Yoongi —
Madrid at eight AM is already hot.
Yoongi likes this city. He liked it the first time they came, years ago, before any of this had a name he could say out loud. The light here does something specific — hits the buildings at an angle that makes even ordinary streets look considered, deliberate, like someone designed the whole thing on purpose. He thinks it again now, standing at the window of a hotel room he is sharing with Namjoon, and he is too tired to enjoy it properly.
His own body is not what it used to be.
He knows this. The schedule they had ten years ago would kill him now— back to back to back, interviews stacked on photo shoots stacked on rehearsals with maybe four hours of sleep wedged in somewhere if the flight times cooperated. This is not that. This is supposed to be easier.
It is not easier. It is just busy in a different shape.
Everyone has something now.
Namjoon has become, apparently, a patron of the arts. Museum meetings, foundation calls, actual serious conversations about actual serious donations, the kind where he disappears for two hours and comes back saying words like endowment and acquisitions committee with a straight face. He is also, somehow, watching every single Dodgers game he can find regardless of what time zone he happens to be occupying — three in the morning in Vegas, dawn in Tokyo, doesn't matter, he'll be there, bleary and committed, scanning the medical staff dugout with the focused attention of a man conducting field research.
He will tell you, if you ask, that he has always loved baseball.
He has never watched a full game of baseball in his life before this year. Yoongi knows this. Everyone knows this. Nobody says anything, because watching Namjoon lie about his baseball fandom with complete sincerity while hunting a camera feed for one specific face in the crowd is, frankly, one of the few genuinely entertaining things happening on this tour.
Hoseok has meetings too — bigger ones, louder ones, whole afternoons gone to fashion collaborations and brand acquisitions and calls where he uses words that sound like they were invented specifically to make simple things sound complicated. He also takes other calls. Quieter ones. Behind a closed door, always, and he comes out of those with an expression Yoongi can't fully read, something careful, something he's decided not to share yet.
Yoongi has a theory about this.
His theory is that Hoseok is doing what all of them are doing, just louder and with better branding — filling every available hour so there isn't room left to sit still and feel the actual size of what he's missing. It's not Yoongi's business to say this out loud. He's not exactly in a position to judge. He ran twelve kilometers over a video call. He doesn't get to have opinions about anyone else's coping mechanisms.
Jimin is a separate category of complicated that Yoongi does not examine too closely, mostly out of self-preservation and partly because it's not his story to narrate.
Taehyung disappears. This is not new information. He has always disappeared, will always disappear, comes back from wherever he goes looking like a slightly different person each time and offers zero explanation that holds up under questioning. Yoongi has stopped asking. Some things about Taehyung are simply weather.
Jin and Jungkook share a room. Or they did, for a while. Lately Jungkook has been getting quietly relocated on certain nights for reasons nobody discusses directly, which either means one specific thing or means Yoongi has been on tour too long and is inventing narratives out of hotel logistics. He is choosing not to examine it too closely. Some things are between Jin and Jin's business, and Yoongi, of all people, is not in a position to be nosy about anyone else's relationship right now.
Meanwhile Yoongi produces. Files back to Seoul, notes back from Seoul, an argument about a snare sound at one in the morning with an engineer six time zones away who does not appreciate being woken up for it.
And somehow, over the course of this tour, nearly all of them — Namjoon fresh off a museum call, Hoseok between a brand meeting and whatever the other calls are, Yoongi himself, all of them, everyone except Jungkook, who is single and irritatingly at peace about it — have taken up fucking professional pickleball.
Yoongi does not fully understand how this happened. Somewhere around Tampa, someone found a court. By Mexico City it had become a ritual. By Stanford it had become, unofficially, a competitive circuit with standings that Hoseok tracks in a spreadsheet nobody asked for. None of them particularly care about pickleball. What they care about is that it is loud and physical and takes exactly enough concentration to stop thinking about the person they are missing for forty-five minutes at a time.
Yoongi thinks about this sometimes, mid-game, sweating in some stadium's practice facility in a city he will forget the name of in a decade. When did we become this. Six adult men — successful, wealthy, internationally famous — reduced to booking pickleball courts because the alternative is sitting in a hotel room thinking about the people they love and slowly losing their minds.
And Jungkook who's there out of pure spirit of competition.
He does not remember them being like this before. Not this specifically. He remembers missing home, missing sleep, missing simple things. He does not remember this particular ache — the one that lives just under the ribs and has a name and a face and does not go away no matter how many kilometers you run or how many pickleball games you win.
He thinks: we were seven boys from the countryside who used to pool money between us to afford dinner.
He thought about this properly in Mexico City, standing in the presidential palace on some cultural visit their management had arranged, looking at gold ceilings and thinking about a one-room apartment in Ilsan and a shared plate of ramyeon split seven ways. He thought about it again at the lucha libre show two nights later, surrounded by masked men throwing each other around a ring while Taehyung screamed with genuine delight beside him, and he thought: how did we get here. How is this real.
It is real. It is also, apparently, not enough to distract him from the fact that he has not fucked his girlfriend properly since April.
He saw you once, right after Goyang, before any of this started. That was real. That was — he thinks about it more than he should, the studio, the confession, the way you looked at him like something had finally clicked into its correct position.
Then the tour started and the world got very large very fast.
He saw you again in Busan, mid-June, during the two days built into the schedule as rest. He flew home for it specifically. You were there. It was good — it was more than good, it was necessary in a way he didn't fully register until he was in the same room as you again and something in his chest that had been clenched for two months finally released.
But you were busy. The recital prep had already started by then, the center pulling at you in every direction, and he understood — he has always understood, this is not a complaint — but two days was not enough, and half of those two days were spent with you on the phone with Dani solving a scheduling crisis while he sat across the room trying not to look like a man who had flown eight thousand miles specifically to be near you.
That was two weeks ago.
Two weeks should not feel like this long. He is aware of the math. He has never been good at ignoring math that concerns you specifically.
He spent three and a half years wanting you before he let himself have you.
Now that he has had you, the wanting has not gone anywhere. If anything it has gotten worse, more specific, more physical, because now he knows exactly what he is missing instead of imagining it. Three years of pining was one kind of hunger. This — knowing, having known, and then being denied it by geography and schedules and hotel room allocations — is a completely different animal.
He is thirty-three years old. He is not supposed to feel like this.
He feels like this constantly.
He had a room to himself once, in Stanford, a rare scheduling accident that put Namjoon on the other side of the hotel with the tour manager for a logistics reason nobody explained. Yoongi did not ask questions. He called you the second the door closed.
It was late for you. Early morning for him. You picked up sounding sleepy and warm and it did not take long — a few minutes of talking, low and slow, both of you saying things you would not normally say with anyone in earshot — before the call became something else entirely.
It was, by any reasonable measure, extremely good.
It was also, apparently, a mistake, because he could not sleep after. He lay in a hotel room in California at four in the morning with every nerve in his body still lit up and no outlet for any of it, and by six AM he had made a decision.
He ran twelve kilometers before soundcheck.
He is aware of how this sounds. A grown man, a producer, a person whose entire public image is built on precision and restraint, running twelve kilometers because a video call went somewhere it should not have gone and left him with nowhere to put the aftermath. He does not care how it sounds. It worked, mostly. It got him through soundcheck without incident.
He did not have the same luck of having his own room in Vegas.
He loves Namjoon. He wants to be clear about that. Namjoon is his brother, one year younger, one of the people he trusts most in the world, and sharing a hotel room with him for most of a tour is, under normal circumstances, completely fine.
It is not fine when you are trying to have a private moment with your girlfriend and your roommate is fifteen feet away pretending to be asleep.
Can a man not virtually fuck his girlfriend in peace, one time, without international logistics interfering.
Apparently not.
He feels, some days, like he is back in the trainee dorms — eighteen years old, sharing a room with six other boys, the specific mortification of wanting privacy and having none of it available. He is thirty-three. He has sold out stadiums. He still cannot reliably get forty-five minutes alone to think about his own girlfriend without an entire tour's logistics conspiring against him.
The mere thought of you, most days, is enough to be a problem. He has learned to manage this the way he manages most inconvenient things — quietly, efficiently, by redirecting the energy into something productive. Pickleball. Running. Arguing about snare sounds at one in the morning.
It does not always work.
— Yoongi —
It is two PM now and You have not texted back.
He notices this the way he notices most things about you now — quietly, immediately, filed before he decides to examine it. It has been six hours since his last message. Six hours is not unusual, exactly — you run a center, you have a life, you are not required to answer him within any specific window.
But you always answer.
Even busy, even mid-crisis, you find thirty seconds. A single line. Can't talk, tell you later. You have never gone six hours completely silent, and he has gotten too good, probably, at reading the shape of your patterns.
He checks his phone again.
Nothing.
Where are you, he types.
He does not send it.
He deletes it.
He sends instead: hope the recital chaos is going okay. miss you.
Nothing comes back.
He did not notice it didn't deliver.
He finds Namjoon, because thinking alone is worse than thinking with someone else in the room, even if the someone else is currently on the phone with his own person, saying something about ankle mobility in a tone that stopped being about ankles some time ago.
Namjoon hangs up.
He looks at Yoongi.
"You look like you're about to say something insane," Namjoon says.
"I'm not."
"You have the face."
"I don't have a face."
"You have several faces," Namjoon says, which is a thing Jisoo says, which means it has entered the group vocabulary without his permission. "What's wrong."
"Nothing's wrong."
"You've checked your phone four times in the last two minutes."
"I haven't—"
"You just checked it again," Namjoon says.
Yoongi puts the phone away.
"She hasn't texted back in six hours," he says, finally.
Namjoon looks at him with the patience of a man managing his own long-distance situation and possessing considerable expertise in it.
"Six hours."
"Six hours."
"That's not a lot of hours."
"I know how many hours it is."
"You sound insane," Namjoon says. Kindly. "I say this with love. You sound completely insane."
"I'm aware," Yoongi says.
Namjoon sits down across from him, elbows on his knees.
"You know what this is? This is a room problem," Namjoon says. "The logistics. Half of us are trying to have relationships and we're sharing rooms like trainees. We should talk to management."
"We're not talking to management about our sex lives."
"I'm talking about rooms," Namjoon says. "Not the other thing."
"You were absolutely talking about the other thing."
"I was talking about logistics," Namjoon says, with dignity.
Yoongi almost laughs. Almost.
"You ran twelve kilometers in Stanford," Namjoon says. "And then you performed for three hours"
"So."
"So I know why," Namjoon says. "Because I ran eight the day after that. And Seokjin-hyung went to train with Jungkook at 3AM in the morning"
They look at each other for a moment — two grown men, successful by any measure available, reduced by circumstance and hotel room allocation to running excessive distances so they do not have to sit with how badly they want their own women.
"We're pathetic," Yoongi says.
"We are extremely pathetic," Namjoon agrees. "Jungkook thinks we've lost our minds."
"Jungkook is single. He doesn't get a vote."
"He's not wrong, though," Namjoon says.
Yoongi checks his phone again.
Still nothing.
— Yoongi —
The message from staff comes at 4:40 PM, twenty minutes before soundcheck.
"Your family's here."
Yoongi looks up from the setlist he has been half-reading for the last ten minutes.
"What?"
"Family," the staff member says. "VIP room. They just arrived."
He feels it before he processes it fully — something settling into place that he did not know was unsettled, a low hum of something is happening that has been sitting under his skin for two days without a name. His mother's texts have been strange this week. Shorter than usual, or oddly specific, or answering questions he didn't ask and dodging ones he did. He noticed it. He filed it. He is now understanding, walking down the corridor toward the VIP room, that he should have paid closer attention.
He opens the door.
His mother first — beaming, the way she does when her plan has just clicked into its final position. His father in a chair, thinner than he'd like to admit, but smiling, genuinely, the tired kind of happy that costs something to produce and is produced anyway because it's worth it. Jihoon. Eunji. Haerin asleep against someone's shoulder. His aunt, in a sun hat, indoors, completely unbothered by the absurdity of this.
He crosses the room. Hugs his mother. Hugs his father carefully, the way he has learned to hug him lately.
"You didn't tell me you were coming today," he says.
"Surprise," his mother says, with the serene satisfaction of a woman who has waited two weeks to say this exact word.
He is about to ask what else is a surprise when he sees you.
You are standing slightly apart from the group, by the window.
He stops walking.
His brain, which has spent the last two hours managing increasingly unhinged theories about six hours of silence, does not know what to do with this new information. It does not compute. You are not supposed to be here. You are supposed to be in Seoul, at the center, wrestling Soomin's solo demands into submission, several thousand kilometers and one full sleep cycle away from this exact green room.
And yet.
There you are.
By the window. Real, apparently, in the sense that you have weight and shadow and are not currently flickering at the edges the way things do in dreams. He runs a fast, panicked inventory — is this a dream, am I asleep, did I fall asleep standing up reading the setlist, if Namjoon wakes me up from this I am going to choke him in his sleep, I don't care if that's not physically possible while unconscious, I will find a way — and none of it resolves anything, because you are still there, and the room is still the room, and his heart is doing something that feels considerably too intense for a dream.
He is so happy he cannot process it.
He is also, somehow, at the exact same time, moderately convinced he is either hallucinating or having some kind of medical event, and the two feelings are occupying the same space in his chest with absolutely no regard for how contradictory they are.
"You're here," he says.
It comes out flat. Disbelieving.
"I'm here," you say.
"You're actually here."
"I'm actually here," you say, and you are smiling now, the real one, and something in his chest that has been clenched since Busan lets go all at once.
"You're here," he says, a third time, because apparently this is where his vocabulary has landed.
Behind him, he hears Jihoon mutter something to Eunji that sounds a great deal like "I told you he'd say it three times," and Eunji mutter back something that sounds like "you owe me five thousand won."
Yoongi does not care.
His legs are moving before his brain authorizes it, which is new, because normally his brain authorizes everything, that's the whole system, that's how he's operated for thirty-two years — but right now the system has gone offline and something more primitive has taken over, and he is crossing the room toward you like a man who has forgotten every other skill he has ever learned except walk toward her.
He does not feel his own hand find the doorframe until it's already there.
He needs it. He is not entirely sure his legs are going to keep working without it, which is an insane thing for a body to do, an insane thing to happen to a person standing upright in a green room, but here he is, gripping a doorframe like it owes him something, because his chest has gone tight in a way that has nothing to do with the twelve kilometers he ran in Stanford and everything to do with the fact that you are real and here and he did not see this coming and his heart apparently did not have a contingency plan for it.
Breathe, he tells himself.
He does not breathe correctly. He breathes in the shallow, useless way that gets air into the top of his lungs and nowhere else, and somewhere very far away he hears you say his name, and he thinks, distantly, with what remains of his rational mind: this is insane. This is an insane thing to be happening to me right now. I have stood in front of eighty thousand people and not felt like this. I ran a marathon's worth of distance because I missed her and my body's response to actually getting her is to try to malfunction.
He also thinks: I might cry.
He also thinks, immediately and with genuine horror: absolutely the fuck not.
He is a grown man. He is THE Min Yoongi. Suga from BTS. He has an image, a reputation, several Grammy nominations, a resting bitch expression that intimidates interns. He is not going to cry in a green room in Madrid twenty minutes before soundcheck because his girlfriend showed up and his nervous system decided this was the appropriate moment to attempt a full systems shutdown.
He is not going to fucking cry.
He is, however, apparently not entirely in control of his face, because you are looking at him now with an expression that means you have clocked something is very wrong, and he can hear you say his name again, closer now, worried now, and some deeply buried, deeply stubborn part of him refuses — absolutely refuses — to let this become a scene where he stands here and falls apart in front of his entire family while everyone watches him fail to hold it together.
There is exactly one thing his brain will still let him do.
He kisses you.
It solves nothing about the not-breathing. It solves nothing about the almost-crying. What it does is give his body something to do besides malfunction quietly in front of witnesses, and the second his mouth finds yours the tightness in his chest cracks — not fixed, not gone, but redirected, something that was building toward a full breakdown finding a different channel entirely — and he holds onto you like you are the thing keeping him upright, because at this exact moment, you are.
Something is wrong.
You know this before you fully process why — the way his face has gone from you're here to something else entirely, color draining out of it in real time, his breathing gone shallow and fast in a way that has nothing to do with excitement.
"Yoongi?"
He doesn't answer. His hand finds the doorframe beside him, not dramatically, just — there, steadying, the specific quiet grip of someone whose body is doing something his mind has not authorized.
"Yoongi," you say again, crossing the room fast now.
"I'm fine," he says. He is not fine. His breathing is doing the thing — too quick, too shallow, catching at the top like he cannot get enough air into the bottom of his lungs. His face has gone the color of paper.
You feel your stomach drop.
"You didn't know," you say. Quiet. Horrified. "You really didn't know I was coming."
"No," he says, and even that single word comes out thin.
"Oh my god." You put your hand on his arm. His skin is clammy. "I'm so sorry, I thought — your mom said — I didn't mean to just show up like this, I can go, I can wait outside, I can—"
"Don't," he says.
"Yoongi, you're pale, are you going to—"
He kisses you.
In front of his mother. In front of his father, sitting in the chair with his tea. In front of Jihoon and Eunji and his aunt in her sun hat and Haerin, who does not care about any of this and is chewing on her own fist. In front of everyone, in the middle of a green room twenty minutes before soundcheck, Min Yoongi — who does not do public displays of anything, who once nearly had a genuine crisis over a surprise birthday dinner, who has spent thirty-two years being extremely careful about what he shows a room — kisses you like it is the only thing that will fix what is currently happening in his chest.
It is not a long kiss. It does not need to be.
He pulls back just far enough to press his forehead to yours, breathing you in like it's the thing that's actually going to slow his heart rate down, and says, low, rough:
"Fuck. I missed you."
Behind you, you hear his father's voice, delighted: "Pay up, Jihoon-ah. I told you he would kiss her in front of everyone."
"That's not the bet," Jihoon says. "The bet was three times, not kissing—"
"It's a bonus round," his father says. "I'm claiming the bonus round."
Yoongi does not seem to care about any of this. He has both arms around you now, holding on with a specific desperate tightness that tells you everything you need to know about six weeks and two failed reunions and a man who has been running twelve kilometers at a time to survive missing you.
"You scared me," you say, into his shoulder. "I thought you were going to faint."
"I almost did," he admits.
"You have to warn me next time you're going to have a panic attack in front of your entire family."
"You have to warn me," he says, "before you show up in a green room looking like—" He stops. Pulls back just enough to look at you properly, at all of it. "I need a minute."
"Take your minute."
He takes several.
His mother, watching all of this with her hands folded and the expression of a woman whose plan has exceeded even her own expectations, catches your eye and mouths: worth it.
You are inclined to agree.
The Madrid show is, by any measure, extremely hot.
This is true in the literal sense — the stadium is packed and the June air is doing the thing Spanish summer air does, thick and close even after sundown — and it is true in a second sense that you spend most of the concert trying not to think about too directly.
Yoongi comes out in an Atlético Madrid jersey. Red and white stripes, his own name across the shoulders in the club's typeface, sleeves pushed up, and you understand immediately why his mother packed you for warm weather because you are, personally, generating an enormous amount of heat watching this happen.
You have missed him for two weeks in every way a person can miss another person — the conversation, the laugh, the specific quiet comfort of him existing in the same room. You have been managing that missing, mostly successfully, with video calls and time-zone math and the specific determination of two people who promised each other honesty instead of silence.
Watching him on that stage in a football jersey with his hair longer than the last time you saw it, moving the way he moves when the fire underneath the control gets a little room to breathe — you realize, with sudden and inconvenient clarity, that you have also missed him physically, in a way you had been successfully not examining too closely, and the examination is happening now, in real time, in a stadium full of sixty thousand other people.
You are going to have to deal with this feeling for the next two hours.
You attempt to deal with it by focusing very hard on the setlist.
This does not fully work.
Dinner is at a private room in a restaurant near the stadium, the whole family gathered around a long table, and Yoongi arrives still in the jersey — he changed his shoes, apparently, and nothing else — with silver chains at his throat that catch the low restaurant light every time he moves, his hair pushed back off his face, damp still at the edges from the show.
You have seen him a thousand times. You have catalogued every version of him across three and a half years — the beanie version, the studio version, the stage version, the sleepy version, the one that exists at two in the morning when nothing is required of him.
Tonight you actually look.
Really look, the way you have not had the luxury of looking in weeks — the line of his jaw, the specific tired warmth in his eyes, the way his hands move when he reaches for the water pitcher, unhurried, certain, exactly the hands you have missed on your skin for six weeks and have been trying not to think about with this much specificity in a restaurant full of his family.
You are staring.
You do not notice that everyone else has noticed you staring until his aunt says, cheerfully, to the whole table: "She's looking at him like he's dinner."
You choke on your water.
"Auntie—" you start.
"I'm just observing," the aunt says, with great dignity, and returns to her menu.
Yoongi, across the table, catches your eye.
He knows exactly what you were thinking. His ears are already doing the thing.
Then Haerin starts fussing, and Jihoon, mid-conversation with his father, hands her across the table without breaking eye contact, and Yoongi — without hesitation, without a second's thought — takes her.
He settles her against his chest, one arm braced under her, and she quiets almost immediately, small fist finding his collar and holding on.
His forearm, where the jersey sleeve has been pushed up all evening, flexes slightly under her weight.
You put your fork down.
You are going to combust. You are going to combust at this table, in front of his entire family, over the sight of Min Yoongi holding a baby with his arm doing that specific thing that arms do when they are strong enough to make holding a baby look effortless, and there is nothing you can do about it, and you know his aunt is going to notice, and you do not care.
Yoongi, oblivious, bounces Haerin gently and asks her something in the soft, nonsensical register people use with babies, and you think you might actually die at this table, tonight, of entirely preventable causes.
His father is tired.
You notice it in pieces across the dinner — the way he leans back between courses, the careful pacing of his energy, the specific effort behind every joke that still lands as effortlessly as ever. He is having a good night. He is also, clearly, working at having a good night in a way he did not used to have to work at.
Nobody mentions this directly.
The cards come out after the main course — someone produced them from somewhere, probably the aunt — and his father wins the first hand with a card that should not have existed in his possession, and the table erupts the way it always does, and you watch him laugh, real and full, and you watch his mother watch him laugh with an expression that holds two things at once: joy, and something quieter underneath it that she is protecting everyone else from having to look at directly.
You catch Jihoon's eye once.
He gives you the smallest nod. I see it too. We're not talking about it tonight.
You nod back.
Not tonight.
Tonight is cards and jokes and his father cheating with the confidence of a man who has been doing this his whole life, and everyone at this table understands, without a single word being said, that tonight is exactly what it needs to be.
Yoongi's hand finds the small of your back around eleven.
"Come with me," he says, quiet, just for you.
You go.
In the hallway outside the private room, you ask: "Where's Namjoon sleeping tonight?"
"With Jin," Yoongi says. "Jin offered." A pause. "I think Jin understood the assignment before I even asked."
"That's very generous of him."
"He's a generous man," Yoongi says, already walking, already pulling you along by the hand. "We're both very grateful for it."
His room is at the end of the hall, and the door has barely closed behind you before his mouth is on yours, six weeks and two failed reunions and a green room panic attack collapsing into one long exhale against your lips.
"I missed you," he says, again, like the first time in the green room wasn't enough, like he needs to keep saying it until the words catch up to how long it's actually been. "I missed you so much it was making me insane. I ran twelve kilometers in Stanford because of you. I have taken up pickleball because of you."
"Pickleball?"
"Don't," he says. "Don't ask. Not right now."
He kisses you again before you can ask anyway.
This is not urgent, not at first — not the way the supply closet was urgent, not the way the studio was urgent. This is slow. Unhurried in the way he does things he has decided matter, except tonight the deciding has already happened, weeks ago, every night on the phone, every text sent from a different time zone, and what's left now is just the doing of it, finally, properly, with all the time in the world.
He undresses you like he's been thinking about the order of it. Which he has. He tells you so, low against your throat, the specific things he thought about on the twelve-kilometer run, the specific things he did not let himself finish thinking about during the video call in Stanford that ended too soon.
"I thought about this," he says, "so many times. Too many times. I would be in soundcheck and I would think about you and I would have to think about literally anything else immediately."
"Anything else like what."
"Pickleball rules," he says, dead serious, and you laugh — really laugh, warm and full, right up until his mouth finds your collarbone and the laugh turns into something else entirely.
Your breath catches somewhere in your chest the second his mouth closes over your nipple, his hands full of you, greedy in a way that has nothing careful left in it. You thought — some small, rational, weeks-starved part of you thought — that he would take his time tonight. That there would be slowness in it, the kind he usually favors, the unhurried attention he gives to everything he decides matters.
Min Yoongi has other plans.
The second your bodies hit the mattress, he is a man on a singular mission, and the mission is apparently now.
His pillow smells like his cologne —something warm underneath it, the specific scent that used to live only in memory for weeks and is now, suddenly, everywhere, filling your lungs every time you turn your head, and it does something to your brain that borders on unraveling. You missed him. God, you missed him, in ways you had been carefully not naming to yourself for two months, and now the evidence of him is in your lungs and under your hands and you cannot hold onto a single coherent thought.
His mouth moves down your torso, unhurried now despite everything, pressing kisses into skin like he's re-memorizing the map of you, and your hands move on their own — up, into his hair, fingers threading through the length of it, longer now than it was in Seoul, soft in a way that makes something in your chest ache.
I hope somebody hides the scissors, you think, distantly, feeling the strands slip between your fingers.
You pull.
Not hard. Just enough.
The sound that comes out of his chest is low and rough and completely unguarded, and it undoes what remains of both your restraint entirely — his hips press into the mattress, involuntary, and you feel the loss of control happen in real time, in both of you, simultaneous and mutual.
He lifts his head from your navel.
His eyes find yours in the low light — dark, blown wide, every ounce of composure gone from them completely.
"Fuck, doll." His voice is wrecked already, and you have barely started. "You're here. I missed you. I fucking missed you."
"I'm here," you manage. Your own voice is not steady either. "I miss—"
You do not finish the thought.
His mouth finds your center and every rational function you had left simply stops.
He drinks you like a man who has been lost in a desert and has just found water — relentless, thorough, no part of him interested in stopping. His mouth changes rhythm every time he feels you climbing toward the edge, pulling back just enough, just when you think you might finally break, and you are reduced within minutes to something trembling and incoherent, every muscle in your body straining toward a peak he keeps deciding you haven't earned yet.
The only word left in you arrives on a broken exhale.
"Please."
"Please what, doll?" His voice against your center sends vibrations straight through you, and your whole body jerks with it.
"Please, Yoongi," you try again, breathless, desperate, the word barely holding together.
He lifts his head.
The smile waiting for you there is feline — slow, satisfied, the specific expression of something that has caught exactly what it wanted and is taking its time before consuming it completely. Your hand twitches toward his hair, some feral part of you wanting to drag him straight back down, finish what he started.
"You sound so sweet," he says, "begging for me, baby." He presses a small kiss to your clit, almost gentle, almost cruel in how gentle it is, and then one finger traces down your folds — barely there, deliberate, devastating in its lightness. "Tell me what you want. I'll give you everything, baby. Use me."
"Please," you say. "Touch me."
Something shifts behind his eyes.
The grin widens — pure mischief now, pure intent — and he moves, unfolding from where he was kneeling at the edge of the bed, lying flat instead, looking up at you like this was always the plan.
"Come here, baby. Sit. Let me take care of you."
You do not remember deciding to move. You simply are moving, knees settling on either side of his head, palms flat against the headboard for balance, your whole body already trembling with anticipation before he has done anything at all.
His arms hook around your thighs.
"I said," he murmurs, voice low and certain, "sit," and pulls you down onto his mouth.
"Oh — Yoongi—"
It is not a word by the time it leaves you. It is closer to a sound than a name, torn out of you, tears already gathering and spilling before you register they've started. He does not stop. If anything he goes harder, and then — mercy, finally, some form of it — two fingers push into you while his mouth stays exactly where it is, working you from both directions at once, no restraint left in him at all.
He pumps into you without pause. Drinks you like he intends to memorize the taste. Your hands find his hair again, gripping, and your hips begin to move on their own, chasing something you can no longer control the shape of.
It does not take long.
Your release breaks over you completely, spilling over his mouth, his chin, and when he finally lifts his head to look at you — soaked, dark-eyed, utterly pleased with himself — his expression is triumphant.
Like this was exactly what he'd been waiting three and a half years, and six more agonizing weeks, to see.
But this is not over.
Over does not live anywhere near this room right now — you can feel it in the way your body is already moving before your mind catches up, hips sliding down to align with his, chest to chest, breathless and trembling and somehow still wanting more. You settle into his lap, face to face, close enough to feel his heartbeat hammering against yours.
"I fucking love you," he says first, forehead pressed to yours, voice low and stripped of everything except the truth in it. "You know that, right?"
"I do," you answer. Your own voice is not much steadier than his. "Because I fucking love you too."
Neither of you moves for a second. Then neither of you can help it.
You are not sure who kisses who first. It does not matter — the kiss is desperate immediately, teeth and tongue and no patience left for gentleness, his mouth closing over your bottom lip hard enough to sting, yours doing the same to his a moment later, both of you chasing something that feels less like affection and more like hunger finally allowed to be fed.
He lifts you off the bed entirely.
Effortless. Easy. You feel the flex of muscle under your thighs where his hands grip and hold, and you catch, in the low light, the smug, almost boyish satisfaction crossing his face — the pride of a man showing off exactly what six weeks of running and pickleball and restless energy has been building toward.
You love him a little more for it. You are not proud of how easily he undoes you like this. You do not care.
He walks you to the wall.
Somewhere very far away, a small rational part of you registers that at least one member of this group is probably sleeping close enough to hear whatever happens next, and then his hips press you back against the cool plaster and enter you with a force that erases the thought completely. What leaves your mouth is not a word. It is barely a sound. It is something closer to a confession, torn loose and echoing.
He looks utterly satisfied with the wreck he is making of you.
He takes his time with all of it, even now, even like this — every place he has missed over six weeks, every sound he has spent countless nights imagining and is finally, actually hearing again, he lingers there, savoring, like a man confirming that the version he memorized from a distance does not come close to the real thing. Every time he finds this out again, it seems to surprise him. Every time, it seems to wreck him a little further.
"Say my name," he says, voice completely gone, unraveled. "I haven't heard you say it in person in two weeks. I need—"
You say it.
He makes a sound like something in him has finally, finally settled.
"Again," he says.
You say it again.
and again. And again.
By the time you are both spent and tangled together in a hotel bed in Madrid, the city lights coming through a gap in the curtains, his hand tracing slow absent shapes on your shoulder, he says it — quiet, certain, the voice he uses for things that are true:
"I don't know how I did three and a half years without this."
"You didn't have a choice," you say. "You were scared, we both were."
"I was a coward," he agrees. "I'm not anymore." He kisses your temple. "Six more month of the tour left. I don't know how I'm going to survive it."
"You survived the last three"
"Barely," he says. "And that was before I knew what I was missing exactly." He pulls you closer. "Now I know exactly. It's worse now."
"Worse how?"
"Better," he says. "Which makes it worse."
You laugh against his chest.
He holds on tighter.
Outside, Madrid is warm and awake and completely indifferent to the fact that you have never in your life felt this specifically, thoroughly loved.
You fall asleep before he finishes tracing whatever shape he was drawing on your shoulder.
He keeps going anyway.
You put on the yellow dress.
You watch him watch you do it — the way his hand goes momentarily still on his phone, the way his eyes track the fabric settling into place, the way he sets the phone down entirely and simply looks at you for a long moment without saying anything.
"I need a minute," he says finally.
"We have a train," you say. "At eleven."
"I need five minutes," he says, crossing the room toward you with the specific unhurried certainty you have missed for six weeks, "to make you come. Then we can catch the train."
You look at the clock.
You look at him.
"Five minutes," you say, "is very optimistic."
"I've had six weeks to think about efficiency," he says, and proves, with considerable determination, that he was not exaggerating his timeline.
You make the train.
Barely.
You take him to the churrerĂa.
It is exactly where you left it — Calle del Pez, the sign a little more faded than you remember, the same specific smell of hot oil and sugar that used to mean home in the specific temporary way things meant home during the years you lived here. You order in Spanish, fast and easy, the words arriving without effort in a way that surprises you a little, like a language you didn't know you still had.
Yoongi watches you do this with open fascination.
"You sound different," he says.
"Different how?"
"I don't know," he says. "More — you. A version of you I haven't met yet."
"I lived here for two years," you say. "When I was fourteen. Before Seoul. Before the center." You hand him a churro. "Dip it. All the way. Don't be shy about it."
He dips it.
He goes quiet in the specific way he goes quiet about things that genuinely surprise him.
"Okay," he says, after the first bite, with the gravity of a man revising a previously held position. "This is — okay. I understand the hype now."
"I told you."
"You did not tell me sufficiently," he says, already reaching for another.
Two men in dark clothes sit at a discreet distance at the next table, sunglasses on despite the shade, doing an excellent impression of two people who are not being paid to watch your every move. You have gotten used to them over the last few days — Yoongi was not willing to negotiate on the bodyguards, not after everything, not with your safety on the line, even though the two of you have decided, together and deliberately, to keep this private for now. Not secret. Private. There is a difference, and you have both agreed it matters.
You buy jamón and bread at a small market near the train station — the vendor recognizing something in your accent, asking if you used to live here, delighted when you say yes — and you pack it all into a bag for the train, tapas for the journey, the specific joy of eating good food while the Spanish countryside blurs past the window.
His family, it turns out, is already somewhere over the Pacific.
You find this out over breakfast, when Jihoon texts a photo of Haerin asleep against Eunji's shoulder with the caption "already flying home, mom's orders, she said and I quote 'my work here is done'" and you realize, with the specific delayed comprehension of someone who has been thoroughly outmaneuvered, that this entire trip — the flight, the surprise, the concert, all of it — was engineered from the beginning to end exactly here. With the family gone. With just the two of you.
"Your mother," you say, "planned this whole thing."
"My mother," Yoongi agrees, buttering a piece of bread, "has been planning things since approximately the second course of the first dinner we ever had together. I've stopped being surprised."
"We should be mad about this."
"Should we," he says.
You look at him across the small table — Madrid morning light through the window, the specific quality of being somewhere warm with someone you love and nowhere you need to be for several hours.
"No," you admit. "We really shouldn't."
He looks entirely too pleased with himself about this.
The train to Barcelona takes under three hours.
You spend most of it with your head on his shoulder, his hand in yours, both of you saying very little, which after six weeks of forced conversation across time zones feels like its own kind of luxury.
Barcelona in the afternoon is golden and loud and completely alive.
You do all of it — the touristy version, unapologetically, cameras out, the two of you moving through the city like any other couple on any other vacation, which is, you realize somewhere around the third hour, exactly what you are.
La Sagrada FamĂlia stops you both.
You expected to be moved by it — you have seen photographs, read about it, understood intellectually what it was supposed to do to a person standing underneath it. You did not expect Yoongi to become, within four minutes of entering, a complete and total architecture nerd, audio guide clutched in one hand, craning his neck at the ceiling with an expression of genuine, unguarded wonder.
"GaudĂ never saw it finished," he says, to you, urgently, like this is breaking news. "He knew he wouldn't. He designed it knowing he would die before it was done and he built it anyway, for the people who would come after him."
"I know," you say. "I read the plaque too."
"No, but listen," he says, pulling you by the hand toward a column, pointing up at where it branches like a tree, "the whole structure works like a forest. Every column holds weight differently depending on the angle, he studied trees for years to figure out how to distribute the load without needing external buttresses—"
"Yoongi."
"—and the light," he continues, undeterred, gesturing at the stained glass, "he oriented the windows so the light changes color throughout the day, warm in the morning, cool in the evening, it's not decoration, it's functional, he was thinking about how people would experience time inside this building a hundred years before—"
"I love you," you say.
He stops.
"I was in the middle of explaining—"
"I know," you say. "I love you anyway. Keep going."
He keeps going, for another twenty minutes, and you listen to every word of it with the specific warmth of watching someone you love fall in love with something new right in front of you.
That evening, a concert at the Palau de la Música Catalana — classical, small, nothing like the stadiums he has spent the last two months in, and you watch him listen to it with the same total attention he gives everything he decides is worth his attention, occasionally leaning over to whisper something about a chord change or a modulation that you would have missed entirely without him.
Dinner after, at a restaurant by the sea, the tables close enough to the water that you can hear it under the conversation. The food is extraordinary — plates arriving one after another, things you don't have names for, all of it better than it has any right to be.
You find yourself thinking about the center.
"I keep thinking," you say, somewhere between courses, "about how much I want the older kids to have something like this. Not this exactly. But — exposure. Music from other places, other traditions. I've been wanting to build a summer program for years. Take a small group somewhere, or bring musicians in, something that shows them the world is bigger than what fits inside the Flower Room." You look at your plate. "I just haven't found the funding."
"I can make it happen," Yoongi says. Immediately. No hesitation.
"You don't have to—"
"I know I don't have to," he says. He picks up his wine glass, looks at you directly over the rim of it, unhurried, certain. "But you have me now." A small pause, deliberate. "Use me."
Behind you, at a discreet table near the entrance, you are fairly certain the bodyguards heard every word of that.
Yoongi does not care.
He laughs — the real one, full and unguarded, completely unbothered by the fact that two professional security guards just witnessed him being extremely and shamelessly in love with you in a restaurant in Barcelona.
You laugh too.
You cannot help it.
The hotel room has a balcony, and you end up there after midnight, the moon low and full over the water, the specific smell of salt and warm night air, the waves audible even from several floors up.
His arms are around you from behind, chin resting against your shoulder, both of you looking out at a city that neither of you needed to see tonight but got to see anyway.
"I love you," he says, quiet, into your hair. "I loved you before I let myself say it and I love you more now that I have. Every single day of the last six weeks I thought about you and it made everything else — the shows, the cities, the fucking pickleball, all of it — feel like something I was getting through instead of something I was living. You're the part I actually want to be present for."
You turn in his arms.
"This was all your mom's scheming," you say, softly. "The trip. All of it."
"I know," he says. He is not bothered by this at all. "I'm not mad about it. I'm mad at myself, actually. For not doing something like this sooner. I had months. I could have flown you out. I could have made this happen on my own instead of needing my mother to engineer it for me."
"You're doing a lot of things you didn't used to do," you say. "Kissing me in front of your whole family. Loud declarations in restaurants. Taking five minutes before trains."
"I've had a lot of time to think," he says, "about what I wasted three and a half years not doing."
He looks at you for a long moment, the moonlight doing something soft and unreal to his face.
"Do you remember," he says, "the conversation we had after Goyang?"
"Which one," you say. "We had several."
"The one where you asked me to marry you."
You stare at him.
"I did not," you say.
"You did," he says, with complete and infuriating confidence. "You said, and I quote, get me a ring and I'll think about it."
"That was a joke."
"You said it," he says. "I remember exactly. I have been thinking about it for almost three months."
"Yoongi."
"You told me if I got you a ring, you would believe I was serious," he says. "I have been very serious for a very long time."
"You have lost your mind," you say. "Somewhere between Mexico City and here, you have completely lost your mind."
He smiles.
There is something in it you have not seen before — not the almost-smile, not the giddy one from the apartment door, something new, something that has been building quietly for months and has just decided tonight is the night to surface.
He reaches up, cups your face in both hands, and kisses you.
Slow. Smiling into it. The waves below, the moon above, the whole warm impossible weight of a summer night that neither of you planned and neither of you are going to forget.
You have never been good at lying to yourself.
Standing on a balcony in Barcelona with the sea behind you and Min Yoongi's hands on your face and his mouth still curved into a smile against yours, you understand — not for the first time, but maybe for the first time with this particular clarity — that you have absolutely no idea what a night like this is capable of setting in motion.
You do not know yet what tonight will mean by morning.
You are, for once, completely at peace with not knowing.
The waves keep coming.
The moon keeps its place in the sky.
And somewhere in the warm Barcelona dark, a summer night that started as your mother-in-law's scheme is quietly, carefully, becoming something neither of you planned for and both of you, it turns out, have been ready for all along.
End of the special chapter. 🎹🌊
hi! my lovely gorgeous beautiful friends đź–¤
you do not know how much I missed you.
I am so, so happy to be back and finally out of the writer's block woods. genuinely, I needed to write something short and sweet and a little smutty just to shock my creative braincells back into functioning. sometimes you gotta remind the muse she has a job.
and we're back baby!! like a weird stress-induced rash. okay — I'm sorry, that was weird, I stand by it anyway.
this was NOT on my original schedule. this entire special chapter exists because it took exactly one Barcelona-jersey-wearing, architecture-nerding, teeth-rottingly soft Min Yoongi to drag me out of the depths of my own writing hell and put me back to work. I don't make the rules. he just showed up in my brain wearing that jersey and I had no choice.
I needed this one. things have been hard and sad and a little devastating lately, and I could not sit down and write something heavy right now (yes, my loves, I see you — The Space Between Us part three is coming, and it is going to be sad, I'm sorry in advance, prepare accordingly).
so this — this soft, self-indulgent, sun-soaked little gift — is for everyone who loved The Real Thing as much as I loved writing it. thank you for waiting. thank you for every single comment and every kind word you sent while I was quiet. it genuinely kept me going more than you know.
get in line, I'm handing out kisses. 🖤🎹
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