First of all huge fan of your stories second of all what are your recommendations for writing well? How do you come up with such twists??
Oh- well, thank you! Always lovely to receive such compliments, albeit strange to see them on tumblr, where I don't even post about most of the stuff I write. ^u^
Regarding writing recommendations, that's a very broad question, so I'm going to narrow it down to âwriting SI or OC-focused fanficâ specifically (since that's most of what I write) and âcoming up with cool plot ideasâ.
For this, I'm going to take my fanfic Subsumption as an example. Subsumption is a Madoka Magica fanfic that stars an OC witch named Ashtaroth, who is 1) newly born, 2) sapient (unusually), and 3) can subsume other magical beings to gain abilities from them. That's where I started, because I'd previously read Witch Quest (another sapient witch story) and thought it was cool. Very basic, no major thought put into it yet beyond some basic character traits (which PMMM conveniently lets one âcheatâ at due to the traits of the witch being informed by the wish and failings/nature of the girl that came before, allowing you to start from the base concept of design and powers and work backwards to justify them, but this isn't an OC-making guide).
Regardless, given this main character, let's first ask â what are her goals, and what challenges is she likely to run into regarding them, given her starting circumstances? This is really important, as without either of these, SI and OC-focused stories oft end up crumbling to their own lack of structure and dying four or less chapters in. They don't need to last, and they can pick up more later, but there has to always be some sort of theoretically achievable outcome they're working towards, or they're going to feel like they're drifting through the narrative without any real purpose. SIs have this easier than OCs, since it can be as simple as "survive past the canon ending", "keep this one specific character from dying", or (as I commonly go for) "find a way to escape/reverse this situation". Ashtaroth's immediate goals end up being âsurvive getting away from the girl who caused thisâ, âreturn to being a magical girl (if possible)â, and âfigure out if any other witches are like me, as I really need to be sure I haven't been killing thinking beings all this timeâ.
Now let's take a moment to daydream. Irrespective of how any of it would happen yet, how might Ashtaroth theoretically interact with other basic magical entities of the world?
Other witches â are any of them sapient, sentient, or capable of communication, and how would they react to Ashtaroth's attempts to determine such? Witches live in barriers, isolated pockets of reality, so how might those interact when they come into contact with each other? Are there any witches it would be specifically interesting for Ashtaroth to clash with? What about their familiars?
Magical girls â are there any that would specifically take issue with Ashtaroth's existence? Any that are particularly likely to come in contact with her given her own choices? Any whose personalities would be fun to bounce off each other, especially if they never met in canon, or whose powers would interact interestingly with hers?
Kyubey â he's not technically magic in and of himself, but he's shown interest in âIrregularâ beings in canon, so he'd likely show such here as well the moment he becomes aware of Ashtaroth. How do they interact? Also, since he has information that's simply not available from any other source, what could lead him to disseminate that, and would the result be interesting?
With that done, let's now ask what could go wrong in the process of Ashtaroth attempting to complete one or more of her goals. In fact, for me, a lot of early plotting is deciding that one thing is simply going to happen and figuring out how to make that occur (you may recognize this as a smaller, faster version of the âI planned my whole fanfic around one scene and now have to extrapolate backwards to get thereâ method), as well as working out what might follow and come about from that.
Mind that I am still entirely in the planning phase at this point. I've likely written down a bunch of loose thoughts and ideas in shorthand, but it's usually only after I've come up with a basic structure for one âarcâ and know at least vaguely where it could go next that I'll decide âyeah, I think this has legsâ and start working on a story proper. It doesn't need to be nearly as detailed as all this, you just have to have some idea of where you're working towards and what scenes are likely to occur on the way.
Once you have this basic set up established, you can much more easily extrapolate outward. As I'm very fond of SIs and butterflying canon plots, this is especially easy for me, as Character!me can attempt to work out what impact my prior actions may have on the plot as I know it, and how I may now need to react to prevent problems, easily setting up future plot threads. You can also now start exploring unclear or fringe cases the reader might also be unsure about â Subsumption starts pre-canon, so are there any witches who aren't witches yet, and could be met while still in magical girl form? If Ashtaroth simultaneously inhabits both her own body and the bodies of those she's subsumed (something only revealed later), what happens if her main body is killed or otherwise indisposed? Once we know what happens if Ashtaroth subsumes a witch, and what happens if she subsumes a magical girl, what happens if she attempts to do so to something similar that constitutes neither (Uwasa, Puella Malefica, etc)? These are often the most interesting plot threads, so I consider this important, and exploring them can let you weave in other ideas you previously spitballed about. To set up the âwhat happens if Ashtaroth's main body diesâ mini-arc, I dipped into the âwhat characters would be fun to see Ashtaroth clash withâ idea bucket and found Oriko and Kirika, the former of whom would naturally be concerned about Ashtaroth due to her foresight and could take steps to execute exactly that. The longer a story goes, the more chances there will be to interweave such ideas, so even if others have to be dropped due to plot developments, you'll still have some pretty interesting stuff.
Another note, solely because this is focused on SI and OC fics: some problems should absolutely not be easily resolved. Sounds obvious, but fanfic often falls down here. Letting problems be longer-term issues lets you set up overarching plot threads and goals, which gives the characters challenges to overcome while also letting you explore other ideas further in the process. Switching fics for a moment, in Most Omnipotent Goddess, I theoretically could have written it so Jubileus!me could just snap my fingers and fix the Translunar Faith Allocator in an instant, as the limits defined by canon are loose enough I could claim nearly anything. By not allowing that immediately however, I get to use the process of attempting to resolve the issue in future chapters to write some cool scenes (ex. Reforming the moon by hand, the meeting with the Auditio), and dovetail it into other plot threads that let me explore new areas of the world's cosmology (ex. the Empyrean â Inferno â Sheba), and things that were never touched on in canon.
Sometimes I would actually consider this a weakness of mine, as my desire for my protagonists to have significant obstacles; to struggle to deal with them before eventually triumphing and having grown in the process, can leave them feeling weaker or less capable than I actively intend. I don't think this would be as much of a problem if I wrote faster, but it's lead to criticism in the past that still weighs on me. Nonetheless I think it's a very important aspect of plot structuring that a lot of fanfics and amateur fiction just sort of ignores, which is what's led to the glut of terrible and quite impatient isekai we're still suffering through.
...I'm no longer sure this is even answering your question. In fact I think I might just be rambling at this point, and I've made it sound so, so much more complicated than it actually is. Uh, basically:
Make sure to theorize and explore as many potential plot threads as you can early on, so you can cherry pick the best ones and neatly tie them together later.
Make sure your protagonist has at least one clear goal from the outset that they can at least attempt to work towards.
Do not make things too easy for said protagonist; challenge and struggle is important for both character and plot development.
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From âWithout Reservesâ by Salar Mohandesi and Emma Teitelman, included in âSocial Reproduction Theory: Remapping Class, Recentering Oppressionâ ed. Tithi Bhattacharya
"While it is difficult to identify a precise and determinate âlogicâ as to why some activities become really subsumed and others do not, the fact that certain activities require delicate work or direct human contact, and therefore must remain labour-intensive, is clearly key. There appears always to be a remainder of such activities, an assortment of differentiated tasks, mostly in services.11Â Insofar as services remain services, they tend predominantly to be a source only of âabsoluteâ, and not ârelativeâ surplus value. This is simply another way of saying that there are limits to raising productivity. Consequently, economies that are âpost-industrialâ and concentrated around service work tend to be low-growth. In such conditions, it is imperative for capitalists to get as much out of their workers as possible, by increasing the duration or intensity of labour. To some extent, the prerequisite for the existence of many jobs becomes pressurised work conditions. If super-exploited sectors take up a growing share of the labour market, this also puts downward pressure on all wages, and increases insecurity, as workers lose bargaining power and bosses are emboldened to demand ever more flexibility. With this, the door is opened for a whole range of abuses to be unleashed upon the workerâââsexual, emotional and psychological, as well as the stealing or retention of wages and chronic overworking. Certain positions, such as that of the low-wage service sector worker, thus appear as a kind of special category of surplus worker, akin to the informally self-employed in low-income countries (and in high income countries over the past decade or so). Low-wage service workers must become extreme self-exploiters, as well as being super-exploited, if they are to get work. Many of these jobs (deliveries, house-cleaning, supermarket baggers, and so on) can only exist because the wages of the people performing the service are a fraction of what those consuming the service are paid. Thus, the condition for finding a job in a growing service sector is often accepting a significantly lower than average wage." - Endnotes #4, An Identical Abject-Subject?
Ayy yo
its Ya Boi, Wandering Eye
recently reread Subsumption, so i'm back at it again with another doodle.
i like to call this one "nobody here likes Kyubey, and in fact we wish to inflict bodily harm upon them"
enjoy~
(also, if i may ask, do you have any plans on continuing the fic any time soon, or is it going to be staying on hiatus for a while longer?)
Hah, very nice! Love how concerned Ashtaroth manages to look here without even having a face. (^u^) Would you like to post that to the threads yourself this time, or shall I do it again?
Also I very much would like to continue the fic some time soon, but I would also like to continue every other fic I'm working on some time soon. Something I'm currently failing at on all fronts (check my Patreon, I just posted an update there on the current progress of every fic chapter I currently have in the chamber right now, and it's... long). ^^; I think I may actually need to do a rewrite of Assemblance 13 (though this scene would still be quite accurate), as it's kind of wrecked my pacing, but I'd also like to just move on so there's actual progress, and being torn between those two feelings has gotten me even more stuck than I've already been. Tis a frustrating dichotomy that I need to resolve post-haste.
As proof I haven't been totally idle though, here's a commission I had done of Hirako Hamahashi, AKA Harpoon Girl, who caused Ash to fully witch out in the first place. Which I really need to upload to the threads as well:
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i read your Subsumption fic and liked it, so i made a thing.
sending here since the thread on SV is currently locked.
anyway, have a Beach(bank?) Episode.
Oh wow, receiving fanart in my tumblr inbox was seriously unexpected. Very nice! Love that Ashtaroth is fishing with Charlotte as the worm, that's just great. XD For the record, the SV thread also isn't locked! There aren't any rules about "necroing" on SV like there are on Spacebattles, and fanart is generally considered a relevant addition to the thread regardless; I've seen story threads revived years later just so someone could post fanart in them. As such, please feel free to post this there as well, though only if you want. Regardless, thank you! O(âŠ_âŠ)O
At every stage of social evolution each economic category reveals a definite relation between men. This relation becomes conscious and is conceptualised. Because of this the inner logic of the movement of human society can be understood at once as the product of men themselves and of forces that arise from their relations with each other and which have escaped their control. Thus the economic categories become dynamic and dialectical in a double sense. As âpureâ economic categories they are involved in constant interaction with each other, and that enables us to understand any given historical cross-section through the evolution of society. But since they have arisen out of human relations and since they function in the process of the transformation of human relations, the actual process of social evolution becomes visible in their reciprocal relationship with the reality underlying their activity. That is to say, the production and reproduction of a particular economic totality, which science hopes to understand, is necessarily transformed into the process of production and reproduction of a particular social totality; in the course of this transformation, âpureâ economics are naturally transcended, though this does not mean that we must appeal to any transcendental forces. Marx often insisted upon this aspect of dialectics. For instance:Â
âCapitalist production, therefore, under its aspect of a continuous connected process or as a process of reproduction produces not only commodities, not only surplus value, but it also produces and reproduces the capitalist relation itself, on the one hand the capitalist and on the other, the labourer.â