Entries 363 & 364 transferred. 2461 remaining.
seen from United States

seen from United Kingdom
seen from United States

seen from Singapore
seen from United States
seen from Russia
seen from United States
seen from Poland
seen from China
seen from United States
seen from Italy
seen from China
seen from China

seen from Poland
seen from United States
seen from Finland
seen from China
seen from United States
seen from United States

seen from Russia
Entries 363 & 364 transferred. 2461 remaining.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Entries 51 & 52 of 228
Subliminal Fear =>Â âEscape From Leviathanâ (2016).
AprĂšs les Suisses de Clawerfield, voici le deuxiĂšme groupe dĂ©couvert via lâarticle de Clair & Obscur sur le cybermetal. Subliminal Fear est une formation italienne qui propose, avec Escape from Leviathan, un troisiĂšme album trĂšs Ă©laborĂ©, jouant sur les Ă©quilibres.
Il se caractĂ©rise par un metal qui, sâil a les caractĂ©ristiques habituelles du cybermetal â indus et gros synthĂ©s â emprunte Ă©galement au metal progressif, avec des constructions complexes, ainsi quâau metal symphonique. Le tout sâaccorde plutĂŽt bien ensemble, avec un classique duo de voix death et claire (et quelques virgules au vocodeur).
Escape from Leviathan est un album de dix pistes, chacune faisant entre quatre et six minutes et titrée en majuscules parce que CYBER (je suppose), ce qui agace quelque peu mon typographe intérieur. Le tout fait un peu moins de cinquante minutes.
Un des dĂ©fauts du cybermetal, câest que, comme pour tous les genres un peu typĂ©s musicalement, il a vite tendance Ă tourner en rond. Câest un Ă©cueil que Subliminal Fear semble Ă©viter: Escape from Leviathan incorpore suffisamment dâĂ©lĂ©ments extĂ©rieurs pour que la lassitude ne sâinstalle pas.
Câest aussi un album qui, malgrĂ© ses thĂšmes trĂšs noirs, garde un aspect lumineux, voire positif, notamment sur « ESCAPE FROM LEVIATHAN » et sa grosse composante symphonique ou sur « LIVING IN ANOTHER WORLD ».
Si je devais le comparer Ă lâalbum de Clawerfield, je dirais quâEscape from Leviathan est moins rentre-dedans, plus subtil et peut-ĂȘtre un peu plus Ă©laborĂ©, aussi. Câest aussi un album qui intĂšgre plus dâinfluences extĂ©rieures Ă la sphĂšre indus-Ă©lectro et qui les intĂšgre dâailleurs de façon plus Ă©lĂ©gante.
Vous pouvez lâĂ©couter et le tĂ©lĂ©charger sur la page Bandcamp du groupe et je vous recommande dây jeter une oreille, surtout si cette branche « futuriste » (ou rĂ©tro-futuriste, techniquement) du metal vous intĂ©resse ou, plus largement, si vous aimez les trucs qui bougent mais qui restent un peu subtils et mĂ©lodiques.
Cet article Subliminal Fear: Escape from Leviathan a été publié initialement sur Blog à part.
#126 - Itâs a Breach The Void... Itâs a Sybreed... Itâs... Subliminal Fear? Well, thatâs a nice surprise.
Now, calm down. I know introducing a band like this always seems a bit unfair to their individual profile and personal creativity. But I actually donât think that it does in this particular case. Which has a lot to do with my experience with their new album. Which I will obviously get to.
In a sec. Letâs get some setup out of the way first. As can be seen from the title, the band Iâm talking about here are Subliminal Fear, an Italian outfit that has been around since as early as 2001, but became visibly active only in 2005. Their just released third album âEscape From Leviathanâ hit me as a bit of a surprise. Because, even though I did know of their existence prior to that, they never really sprung out to me as a band that makes music that interests me too much. Iâm by no means saying that their first two albums were bad but what they played by then was a pretty typical strain of Newschool Melodic Death Metal along the somewhat harsher lines of mid-career In Flames. So, if youâre into that, you might want to check those records out, actually. Hereâs their debut (also for comparison purposes):
Uncoloured World Dying by Subliminal Fear
My personal interest for that exact style of music had already declined significantly at that point, after the mid-2000s had seen a huge wave of artists that played it. So I checked out their first offering, didnât get too much out of it and probably finally saved them under âgood, but not interestedâ when their second album hit in 2012, not really doing much different.  Â
All the greater the surprise when I saw their new album labelled under tags like âmodern metalâ and âindustrialâ and wondered what happened there. And definitely didnât expect what I heard there. They had some larger lineup changes between their albums, but guitar and bass are, as far as I could find out, actually in the hands of their original personnel from their debut album. The biggest change would be their new dual-vocalist setup. Considering their comparably huge stylistic change, I would think that that is probably really due to a change in their personal stylistic leanings.Â
What they went to from Newschool Melodic Death Metal with âEscape From Leviathanâ, is basically prototypical Modern Metal in the vein of Sybreed. And Iâm not just saying articulate groovy riffs with a technical air, huge presence of synth backdrops and harsh/clean vocal dynamics. No, Iâm saying similar song structures with the later-career Sybreed pattern of a standard verse-chorus-verse-chorus -organisation, broken up by an adventurous middle part. Iâm saying similar sequencing and song types with a catchy-as-hell opener, a slow pattern-repeating buildup to a huge harsh, semi-symphonic beast of a banger of a song and a second half riding that momentum out with a bit of heightened variation. Seriously, âEvilutionâ is basically a combination of âLucifer Effectâ and âDynamicâ. And to be honest, I actually think that some tracks on this are actually on the edge of uncomfortably close to single specific Sybreed songs. Iâm not entirely sure, but âEscape From Leviathanâs (the song) main riff and chorus sound a lot like âNo Wisdom Brings Solaceâ and I hear bit more combined DNA of âNeurodriveâ and âChallengerâ in âDark Star Renaissanceâ than I would like to. But Iâm not saying they are plagiarising or copying, they are just really REALLY close to Sybreed at times.
So much so that it astonishes me that I saw those similarities go mostly unmentioned in a lot of reviews. So, you might aski, am I saying that Subliminal Fear, as far as this album is concerned, are derivative of Sybreed? Yes. Somewhat. But if youâve read some of this blog, you might remember that is not necessarily a value judgement when it comes from me. Yes, they are extremely close to Sybreed in a lot of aspect. Basically every element of their rifing style, structuring, vocal dynamics, directly remind of them. But that does not mean that they are bad for it.Â
Actually, quite the opposite. For multiple reasons:
1. Seriously, when it comes to exactly Sybreeds style of doing the Modern Metal, thereâs not exactly a lot of bands playing that. Still active, we have Clawerfield, Nakaruga, Decode The Design and then some more that I canât remember off the top of my hat. But, really, not a lot. To have Subliminal Fear as a new entry in that small circle of bands that play pretty much exactly the style of music Iâve been in love with for years is really something I welcome.
2. I get the feeling they know it. I mean, even besides the Sybreed similarities, this album is just overall Modern Metal as fuck. The sound, the production, the lyrical themes, the artwork. They even have vocal contributions by Gillaume Bideau (Mnemic, One Way Mirror, ex-Scarve), John Howard (Threat Signal and quite some others) and even Lawrence Mackrory (ex-Darkane and Scarve), for gods sake. I found this album charming for the very outward and open commitment to this style of music alone. Â Â
3. They are really good at it. Plain and simple. Their riffs are cool and very very catchy, most of their choruses hit the mark, their synth backdrops are expansive but not overbearing and well-interwoven with the rest of the music, A lot of the tracks are actually quite memorable and extremely catchy without being so simple that theyâd burn out any fast.These guys donât just very openly like this style of Metal, they also very clearly know what theyâre doing.
So, yes, descriptively Iâd qalify this album as somewhat derivative but when it comes to a  value judgement about it, I can only ask âso what, really?â. It is a great album for fans of bands like Sybreed, Breach The Void, Nakaruga or Clawerfield and you should definitely check it out. Hereâs three sample songs:
Escape From Leviathan by Subliminal Fear

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Album Review: Subliminal Fear - Escape from Leviathan
Album Review: Subliminal Fear â Escape from Leviathan
Band: Subliminal Fear Album: Escape from Leviathan Release Date: May 13th, 2016 Label: Inverse Records Italian metal heads Subliminal Fear are knocking at our gates of review frenzy here at Metal Nation Radio with their third album, Escape from Leviathan. I will come to the details of the album, yes, but let me just start by saying my wife is tapping her foot to the music. That is always a goodâŠ
View On WordPress
SUBLIMINAL FEAR To Release A Third Album 'Escape From Leviathan'
SUBLIMINAL FEAR To Release A Third Album âEscape From Leviathanâ
SUBLIMINAL FEARâs new album title is âESCAPE FROM LEVIATHANâ. After 2 years and a half working in studio, the third album is finally ready, with 10 tracks and they show several innovations about past musical style with a greater attention to melodies and with a modern sound. The early sound has evolved in a âcyber metalâ with extreme and melodic vocals, djent guitars, a huge groove and withâŠ
View On WordPress