https://www.archaeology.org/issues/552-2405/digs/12301-dd-egypt-luxor-women-stela
Interesting article on the appearance of women in Egyptian art, specifically on stelae.
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https://www.archaeology.org/issues/552-2405/digs/12301-dd-egypt-luxor-women-stela
Interesting article on the appearance of women in Egyptian art, specifically on stelae.

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Naos stela with Pa-inmu and his father It, son of Pedise
Late Period, Saite
Perkwunos | Stelae | 2022
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The first of many pics I’ll post of these cool stelae at the ancient Mayan site of Quirigua. The monuments told stories, recorded dates, predicted the future. More info in my blog..in bio! Guatemala 2018 • • #guatemala #guatemala🇬🇹 #quirigua #ancientmayanruins #stelae #travelblogging #seekmoments #bloggersofinstagram #bloggerslife #travelpreneur #vacationwolf #traveladdict #adventureseeker #travelbloggers #solotravelers #travelingladies #travelmore #travelgirl #adventureseeker #womenwhoexplore #wonderfulplaces #lovetotravel #travelholic #travelbug #wearetravelgirls #travelbloggers #worldtraveler #neverstopexploring #travelguide #visitguatemala https://www.instagram.com/p/B0aK10rBoJY/?igshid=s7wem62zdy5q
Stelae with mukhalingam and inscription, Khmer

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A recent one I am quite pleased with (it was nice to not draw people killing each other for once) depicting a Qipchaq and Cuman enjoying a meal and some music. Behind the Qipchaq is a balbal, anthropomorphic stone stelae which tended to mark a grave. The Cuman-Qipchaq balbal are noted for their highly detailed and individualized depictions, including wonderful depictions of clothing, gear, weapons and hairstyles. Style varied considerably between groups (often much more stylized than this) and would sometime distinguish between men and women, i.e have women sitting while men stand. To learn more about the Cuman-Qipchaqs, check out my video on them: youtu.be/uHP0QZd1tAA
Ardyn and the stelae beneath Lucis
Spoilers for Royal Edition
The stelae scattered in the depths of the Lucis teach us more about the actions of the ancient Kings and Oracles. We discover that the Oracles were able to create magic "cages" at the cost of their own lives to lock away powerful daemons that can’t be defeated. (stele found at the sanctuary of Balouve mine’s depths)
A stele in Costlemark’s depths
It is very likely that the very first Oracle cage was used to enclose Ardyn somewhere. We know he has been imprisoned (Talcott Chap.14), which is logical considering his immeasurable powers. So people have certainly appealed to the Oracle to contain him, thus explaining Ardyn's hatred for the Nox Fleurets. (About Ardyn hate for Nox Fleurets)
Many believe Ardyn was imprisoned in Angelgard. I thought about it too, but before that I believed that Ardyn had been locked up in an ancient place, a remnant of Solheim able to restrain him such as Costlemark, Steyliff but also Taelpar where Gilgamesh is or even Pitioss that can be a magical prison.
It is possible Ardyn was also locked in the depths of Lucis and was awakened by inquisitive visitors in search of technologies from the past.
In fact, the description of Steyliff Woods in the archives as well as the stelae inside the place tell us that expeditions took place to learn more about Solheim and use its knowledge to fight against today's threats.
A similar thing happened in Costlemark where an expedition was looking for knowledge from the past but instead only “opened a cage that contained a dangerous prisoner” (Ingwen sanctuary), awaking a “threat that is several millennia old” (Encefain sanctuary). If the stelae usually refer to the boss locked at the end of the dungeon, this description may also evoke Ardyn.
Because we have no idea how Ardyn reappeared into this world. This might be the answer.
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So I think Ardyn was jailed in an "Oracle cage" 2000 years ago in a place similar to Solheim’s vestiges, and that 34 years before the events of FFXV inquisitive people looking for past knowledge to fight daemons (Lucis) or improve their technology (Niflheim) accidentally woke up Ardyn from his eternal sleep, leading to the story we know and to the Chosen King’s advent.
The Kurgan Stelae are a series of anthropomorphic stone stelae cut from stone and installed on top of tumuli, cemeteries, or as set up as fences throughout South Russia, Ukraine, Prussia, Siberia, Central Asia, Turkey, and Mongolia. They are the products of many many different cultures, and reflect the predominantly funerary traditions of various Slavic and steppe peoples over the course of 3000 years.
The stelae are carved from a variety of different stones, most commonly sandstone, limestone, and granite. Because of the diverse cultures that made them, their heights and dimensions aren’t always consistent, the tallest one to date measures 3.5 meters tall, and the smallest only 70 centimeters tall.
Their depictions can also range from very crude, to incredibly detailed. Men are often indicated by their hands and the vague impression of a belt around their waist. In more detailed examples, the head is fully depicted, along with the body, arms, both legs, a dress or headdress, and – most distinctly – a moustache or beard. Swords only sometimes accompanied the male versions of these stelae. Carvings of females more often received less detail, and were namely identifiable by bared breasts, headdresses, and necklackes.
Some of the stelae are thought to depict the person whose grave they often rested upon, but not always. It’s a case which is especially challenging to prove on the less detailed stones.