#sp 1200

motëm in stockholm , sweden vol 3 , summer 2025

E-MU SP1200 Sampler / Sequencer / Drum Machine SP-1200 Close to MINT

New FatGyver album out NOW

• Bandcamp: http://bit.ly/2JTMLxF • Spotify: https://spoti.fi/2LZxZby • Google Play: http://bit.ly/2Z9LMzO • Apple Music: https://apple.co/2L7K5zw • Deezer: http://bit.ly/2YcXpc7 • Tidal: http://bit.ly/2Z0Co1A • Juno Download: http://bit.ly/2YkpqyN

FatGyver returns on vinyl format

PREORDER vinyl by July 19: https://www.diggersfactory.com/vinyl/226880/fatgyver-no-commercial-potential (cannot be bought anywhere else).

Enter the sample-laden hiphop–funk–downtempo realm of the Finland-based producer and Phatventures co-boss, FatGyver.

While one half (or two thirds?) of “hiphop” producers seems to hug the ever-growing hype around 808 and trap basslines, there’s another half cherishing the passion for their beloved MPCs, SPs, and other lo-fi beatmaking machines, leaning towards the aesthetics that were largely created and pushed to their peak in the 90s. 

Fashion comes and goes, while style stays – after all, it’s not like The Ramones ever changed much, either, as their recipe simply worked – and the same can be said about hip hop. It’ll always be there, and even if it’s not necessarily enjoying the overground limelight, there’s a healthy culture strong as ever still banging their beatboxes and appreciating the more soulful, smokey, and jazzy atmospheres in the underground.

The title is a half-funny, half-serious poke at how hip hop of this nature has steered away from the mainstream spotlight along the years – willingly or not.